Original etching by Maurice de Vlaminck (France, 1876-1958). Circa 1937. From the Paris 1937 portfolio which included works by Matisse, Gromaire, Vlaminck, Derain, Dufy, Laurencin, Bonnard, Kisling, Dunoyer de Segonzac, etc. Signed in the plate. Currently framed in a mid-century period frame. Good condition.

John Taylor Arms, American, 1887-1953, "Cathedral of St. Cyr and Ste Julitta, Nevers," etching, 1929, pencil signed and dated. From his French church series, 1929. Image size 13 x 5 1/2. Edition of 100.

Robert Hogg Nisbet, American, 1879-1961, Etching, "Bathers", image size: 10 7/7 x 11 3/8 inches, pencil signed

Armand Mathey, French, 19th - 20th Century, engraving after Van Dyck, "Charles I", image size: 21 x 16 5/16 inches, published by Georges Petit, Paris

Edith Loring Getchell Pierce, American, 1855-1940, etching, "Solitude, Peck's Beach, N.J.", image size 5 3/4x8 3/4, pencil signed

Alphonse Legros, French, 1837-1911, etching, "Les Bords De La Liane", image size: 5 7/8 x 7 3/4 inches, c. 1900, pencil signed lower right. This airy, impressionistc etching depicts a man fishing in a forested landscape. Provenance: Baldwin-Wallace College.

Stanley Anderson 1884-1966 British This is a rare early drypoint etching by British artist Stanley Anderson. The title is: Perivale, a small town outside of London. This etching was created and printed in 1911. The image measures 5 3/4X9 5/8 inches. Hand signed in pencil lower border and titled lower left border. Printed on a medium weight watermarked with initials, laid type sheet. Fine use of plate tone in the sky area.

Plate signed etching, 13" by 10 1/4" inside the mat, the sheet 16" by 13 3/4", titled "Rue de la Glaciere", 1937, by the famous and important French modern artist MAURICE de VLAMINCK (1876-1958). The original edition is given as 400 or 500 examples; later restrikes might exist. I do not know if this might be one of them. The paper is very thin and delicate and appears ribbed as would laid style paper. I do not see any watermarks...

A beautiful Early Nineteenth Century Etching of a Landscape, Framed 12” x 14” Hirsh Collection

Jean Louis Forain, French, 1852-1931, etching, "Le Christ Portant Sa Croix" (4e Planche), image size: 11 1/2 x 15 1/8 inches, first state, (Faxon 116) pencil signed l.r.

Japanese limited edition copperplate etching titled “Kyoto #7: Kozan-ji” by Tanaka Ryohei (1933-2019). Pencil-signed, dated '96, and numbered 141/150 in the lower margin. The title in kanji is at the bottom left margin. Paper: 11 5/8" x 10 1/4" (image: 6 3/8" x 8"). Very good overall condition with a possible faintly visible smudge in the upper left margin corner. There are a few distressed fibers on the back, but the print does not appear to have been previously framed.

Original etching by Raphael Soyer, USA, born in Russia, 1899-1987). This work is signed by the artist lower right, numbered from an edition of 85, and is titled "Pedestrians". It could be described as a self portrait of the artist in a crowd of New York pedestrians. Framed.

Jean Louis Forain, French, 1852-1931, etching, "Le Noeud de Cravate", image size 5 3/4 x 3 3/4 in, from CROQUIS PARISIENS, 1880, possibly a later printing (Faxon, 20), pencil signed

Oversized Chinese copperplate etching of two large white birds with prominent beaks (possibly two albatrosses) by Wu Wulong (b. 1956) titled "Under the Moon." The print is pencil-signed and titled in Chinese, dated 1986, and numbered 18/20 in the large bottom margin. Paper: 24" x 19 1/2" (image: 17 1/4" x 17 1/8"). Very good overall condition. There are a few pin holes in the upper margin. Some faint spotting and soiling is visible on the white birds, in the margins, and on the back...

Beautiful Photogravure by J.L. GEROME, published by GOUPIL &Son prayer in the desert, 12x16, frame size 20x24

Louis Orr, American, 1879-1961, etching, "The United Nations", image size: 15 18 1/2 inches, pencil signed, plate signed and inscribed copyright Webb & Knapp Inc., 1953.

Maurice de Vlaminck, French, 1876-1958, etching, "Bretoncelles", image size: 6 1/2 x 10 inches, pencil signed lower right

**FOUR** pencil signed, numbered color etchings of Parisian scenes, by the well-known, widely honored and sought after artist, ANDRE HAMBOURG (1909-1999). The matching set of prints, each numbered in Roman numerals V/XX (5 of edition of only 20), measure 12 1/4" by 9 1/4" inside the mat openings, and THREE are framed, one unframed (the framed ones including the frame measuring 18" by 14"). The prints likely date to the 1960's or 1970's. Hambourg was born in Paris...

Etching Artist Luigi Rossini Published Rossini dis. e inc. Roma 1822 Dimensions 16” x 21” Notes Inscription reads: 'A. Ponte rotto. B. Chiesa della Bocca della Verita. C. Fabbriche di Trastevere. D. Molini.' Plate 43 from Le Antichita Romane, ossia Raccolta della piu interessanti Vedute di Roma Antica, depicting the Bridge of Cestius, known commonly at the time as the Ponte Ferrato...

Reinhardt, European, 20th Century, Etching, "Hambourg Harbor", image size: 9 1/2X13", pencil signed

Biography Samuel Arlent Edwards was born in 1862 in Somerset, England. He studied art and architecture at the Kensington Museum Art School from 1877 to 1881, and then continued studies in engraving with Appleton, Josey & Alais in London. He achieved early success in making mezzotint reproductions of well-known paintings, a path he was to follow all his life...

This is an elegant etching in grays and black on heavy white paper (or possibly could be considered an aquatint with etching I believe), the sheet measuring 29 1/2 " by 21 1/2", in a narrow modern simple frame, crisply pencil signed by the artist, with a Chinese symbol resembling a traditional artist's stamp at lower right (possibly for the word "Ping") and numbered 41/110 at lower left, and titled "Life" in English and presumably Chinese, at lower left center...

Adolphe M.T. Beaufrere, French, 1876-1960, Etching, "Quimpere, Brittany", 5/50, initialed Ab 35 in plate, image size 5 13/16 x 8 inches, pencil signed

Etching on very thin paper, "Charles Baudelaire, de Face", 1865, later, likely posthumous impression, by the famous French artist EDOUARD MANET (1832-1883). The work measures 3 3/4" by 3 1/4" inside the plate mark, and the sheet measures 8 1/4" by 6 1/4". This is Guerin #38 in the catalogue raisonne, and probably the 4th (final) state. The paper being very thin and flimsy, would lead me to believe this would NOT be a twentieth century restrike. There is a simple modern frame...

David Muirhead Bone, Scottish, 1876-1953, "The Jetty, Gorleston," Etching, drypoint, image size 6 3/4 x 10 7/8 inches, 1934, pencil signed and plate signed l.r. and l.l. "Muirhead Bone".

Louis Orr 1879-1961 American This is a rare early Louis Orr etching done while he was living in France. The title is: Hillside, Avignon France. It was created and printed in 1911 in an edition of 40 impressions. The image measures 8 7/8X 11 3/4 inches. Pencil signed lower right border. A fine study in shadows and highlights...

Sir Francis Seymour Haden, British, 1818-1910, etching and drypoint on copper, "Dusty Millers", image size: 5 1/2 x 8 5/16 inches, dated 1877, state V/V, cat. Schneiderman-172, pencil signed lower right. One of Haden's intrestes apart from being a surgeon and printmaker was firshing. He created a number of oustanding scenes bads on river fishing, his most famous being "The Complete Angler" and "Grayling Fishing." This is a wonderful example of building a composition centered on this well-known f...

Arthur Heintzelman, American, 1891-1965, "La Femme à la Mêche Tombante," drypoint etching, 8½ x 11-3/8 inches on 16 1/2 x 13 3/4 inch laid type paper. C. 1929. Editioned in pencil in the lower left, signed in the lower right. Edition of 75. The subject is the artist's wife, Katherine Sloman Heintzelman. Catalog: Smith 142.

John Austin Sands Monks, American, 1850-1917, "Herd Returning Home". This is an atmospheric original etching of a herd of sheep by American artist John Austin Sands Monks. Image size 11 x 16 1/2 inches, c. 1880s, shepherd's crook remarque in the lower right corner, pencil signed. A rich impression with beautiful plate tone and ample margins on Japan paper.

Pierre Bonnard, French, 1867-1947, etching from the series "The Life of Saint Monique", "La Vie de Sainte Monique", image size: 6 7/8 x 4 5/8 inches, 1930, monogram in plate

Louis Auguste Mathieu Legrand, French, 1863-1951, "Sous les Figuires (Beneath the Fig Trees)". A romantic original etching by Louis Legrand, image size 12 1/4 x 18 1/4 inches, 1895, edition of 50, state V/V, cat: Arwas-102, pencil signed and numbered. Louis Legrand was an important artist of 'La Belle Epoch' in France of the late 19th and early 20th centuries. He specialized in etchings of the women of Paris, from the wealthy elite to dancers and prostitutes. He studied with Felician Rops, and h...

Nicolas Mignard, French, 1606-1668, "Odysseus and the Sirens". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Martin Peterson, American, 1866-1956, Etching, "Shortening the Sail", image size: 8 x 9 3/4", pencil signed

William Lee Hankey, European, 1869-1952, etching, "Trincket Box", image size: 4 5/8 6 3/8 inches, pencil signed, blind stamp.

Joseph Pennell, American, 1857-1926, etching, "The Foreign Office", image size: 10 7/8 x 8 3/8 inches, 1904, edition of probably 25, cat. Wuerth-297, pencil signed lower center, framed

Ingatz Marcel Gaugengigl, American, 1855-1932, Etching on Japan Paper, "The Violinist", 1900, image size 6 7/8X4 1/2", pencil signed

Otto Bacher, American, 1856-1909, Etching, "Sailing Toy Yachts in Central Park", image size: 7 3/16 x 9 3/4 inches, 1888, plate signed lower right

Joseph Pennell, 1857-1926, American, "The Thames at Richmond," etching, image size 8 5/8 x 11 inches, pencil signed.

David Muirhead Bone, Scottish, 1876-1953, "The Piazza- Glasgow Exhibition," Etching, image size 4 1/2 x 6 7/8 inches, 1901, Dodgson 101, edition of about 90, plate signed l.l. "Muirhead Bone". the published edition of 90 proofs was not pencil signed.

William Lee Hankey, British, 1869-1952, The Bridge at Corfe Castle," etching, image size 6 1/4 x 8 1/2 inches, pencil signed l.l., plate initialed l.l., artist blindstamp l.r., very rare image, number one of 12 impressions, small repair in the image.

Stephen Parrish, American, 1846-1938, "On the Annisquam, 1880," Etching, image size 5 x 8 7/8 inches, 1880, Schneider #39, plate signed l.l. "S. Parrish" and "39" l.r.

Kruseman Van Elten, American, 1829-1904, Etching, "Summer Morning", Image size 17 7/8 x 29 5/8 inches, printed by Wm.Pate & Co, NY, plate signed 1886

Tavik Frantisek Simon, Czech, 1877-1942, "Quai Voltaire au Printemps". This sunny Paris street scene was created in 1914 by Czechoslovakian artist Tavik Frantisek Simon. Soft ground etching and aquatint, image size 12 7/8 x 14 5/8 inches, pencil signed, edition of probably 250, cat: Novak 225.

Hermine David, French, 1886-1971, "La Corrida". A great image of a Spanish bull fight, this etching with drypoint measures 10 1/8 x 11 1/2 inches, published in 1929 in an edition of 100, pencil signed and numbered. Hermine David was born and raised in Paris and at the age of 16 was accepted into the Ecole Des Beaux Arts, later going on the study at the Academy Julien. She was a well known painter and printmaker and was very active in the thriving artist community in Paris in the early 20th centu...

Warren Davis, American, 1865-1928, "Seated Nymph," Etching, image size 8 x 5 3/4 inches, pencil signed l.r. "Warren Davis" on wove paper. Davis studied at the Art Students League in New York and became known for his etchings of idealized female figures. Many were used on the covers of Vanity Fair and Life magazines. Later in his career Davis exhibited in Europe and the United States including the Pennsylvania Academy and the Salmagundi Club.

William Lee Hankey, British, 1869-1952, "Evening," etching, image size 9 x 9 7/8 inches on 10 7/8 x 11 7/8 wove-type paper C 1919. Pencil signed. Artist blindstamp, plate initialed in the lower right.

Sir Francis Seymour Haden, British, 1818-1910, "Shere Mill Pond No. II". This is a very fine early state etching, image size 7 x 13 1/8 inches, 1860, state VI/IX, cat: Schneiderman-37, plate signed and dated. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law, James Whistler. In addition to being a highly regarded artist, he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first pr...

Karl Dehmann, German, 1886-1974, "Woolworth Building Through the Arch," etching, 9 3/4 x 7 inches on 15 x 12 inch laid type paper. Printed in brown-toned ink. Pencil signed in the lower right. C. 1925.

An example of the etching originally dating to 1891, "Sitzender Mannlicher Akt" (Sitting Nude Man), by famous German artist KATHE KOLLWITZ (1867-1945). The sheet measures 7" by 6" inside the mat, 16" by 15" as framed. This is a circa 1946-48 posthumous edition on cream wove paper, with the A.V.D. Becke blind stamp from Berlin Halensee impressed at lower right (which I have tried my best to photograph). Kollwitz was born in Konigsberg in the old East Prussia. After early art education in Berlin,...

Hermine David, French, 1886-1971, Drypoint etching, "Le Zoo de Vincennes", image size 8 7/8 x 6 1/2 inches, 1946, pencil signed and numbered 51/110, published by the Société des Peintres-Graveurs Français.

Lawrence Nelson Wilbur, American, 1897-1988, "Peck's Slip- N.Y.C." Etching, image size 6 3/4 x 8 5/8 inches, 1936, edition of 65 proofs, pencil signed and titled "Lawrence Nelson Wilbur" l.r. and "Peck's Slip-NYC" l.l., publishers blindstamp l.r.

Peter Moran, American, 1842-1914, "Noonday". A finely detailed original etching by Peter Moran, this image measures 7 3/4 x 10 5/8 inches, 1887, state II/III, cat: Wright- 94, with the separate frog remarque lower left, pencil signed, framed. Peter Moran was one of the foremost artists of the American etching revival of the late 19th century. He was known for his images of cows and farm animals, as well as his atmospheric scenes of the American Southwest.

William Lee Hankey, 1869-1952 British, Mother and Child, etching/drypoint, image size 7 3/4X6 inches, pencil signed and artists blindstamp

Robert Fulton Logan, Canadian, 1889-1959, drypoint etching, Factory Scene, image size 13 x 8 3/4 inches, pencil signed and numbered 61/100.

Nicolas Mignard, French, 1606-1668, "Odysseus and Hermes Before Circe". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Friedrich (Fritz) Heubner, 1896-1974, German, drypoint etching, "Portrait of a Young Woman ("Madchenkopf"), image size 12 3/4 x 9 5/8 inches, pencil signed

Arthur Heintzelman, American, 1891-1965, drypoint etching, "Convalescence", image size: 12 x 9 1/4 inches, 1926, cat. Smith-128, edition of 80, pencil signed lower right. Heintzelman's skill captures this tender moment between a mother and child. A fine impression with ample margins. Provenance: Baldwin-Wallace College.

Charles Adams Platt, American, 1861-1933, "Canal Boats and Tugs", etching, image size 4 1/4 x 6 7/8 inches, 1887, cat: Rice-85, plate signed and dated. A rich impression in sepia ink.

Sir Francis Seymour Haden, British, 1818-1910, etching, "The Two Sheep", image size: 4 1/2 x 5 7/8 inches, 1870, cat. Harrinton-177, cat. Schneiderman-132, state V/V, pencil signed.

Diana Thorne, American, b. 1895, "Russians". An energetic image of a young woman walking her two Russian wolfhounds, this etching measures 5 7/8 x 7 7/8 inches, c. 1930, pencil signed below the image, titled on the lower margin. Diana Thorne was a well known early 20th century artist and illustrator, known especially for her etchings of dogs and illustrations of numerous children's books.