Delicious Fruit Still Life lithograph Bontanical Lithograph 10x8 inches

Napoleanonic War Figures in Russia, Russian Town of Tcherkask Lithograph circa 1800 21x18 inches

A Pair of Watercolor of 18th century period Landscape Periods, Italian School, influence of Claude Lorainne. 21x25 inches price is $4,500 each Claude Lorrain (French: [klod lɔ.ʁɛ̃]; born Claude Gellée [ʒəle], called le Lorrain in French; traditionally just Claude in English; c. 1600 – 23 November 1682) was a French painter, draughtsman and etcher of the Baroque era...

A PAIR of lithograph prints of street scenes in Manchester, England, 1823, one titled "Market Street, Manchester", the other "Market Place, Manchester" both drawn by J Ralston, and transferred to the stone by J D Harding, printed by C Hullmandel, and published by D and P Jackson, May 1823. Each measures 21 3/4" by 17 1/2"...

Original lithograph print, 1976, featuring, a typical Boulanger figure reclining on his back, looking up at clouds which incorporate the names and locales of galleries worldwide in which exhibitions of the artist's work are about to be held. There are a number of variants of this poster, the top portion focusing on the gallery and location; this one is for Meridian Gallery of Indianapolis, Indiana...

One of a number of Whistler lithographs I am offering: "Firelight: Joseph Pennell No. 1", 1896, sheet approximately measuring 11 3/4" by 8 1/4", currently in a mat, lightly taped at top edge to backing, not laid down, unframed. Generally clean, with some imperfections along edges (particularly a half-moon shaped area missing from right side, about 1 1/2" by 3/8" wide on average, see images). Stamped on reverse is "Library of London/De-Accessioned"...

One of a number of Whistler lithographs I am offering: "Firelight: Joseph Pennell No. 1", 1896, sheet approximately measuring 13 3/4" by 10 1/4", currently in a mat with window, hinged at top edge, not laid down, unframed. Generally clean, with some imperfections along edges. Whistler created some 179 lithographs in his career, in addition to more graphic art as etchings, along with paintings, pastels, and watercolor...

One of a number of Whistler lithographs I am offering: "Firelight: Joseph Pennell No. 1", 1896, sheet approximately measuring 13 3/4" by 10 1/4", currently in a mat, taped at top edge, though not laid down, unframed. Generally clean, with some imperfections along edges. Whistler created some 179 lithographs in his career, in addition to more graphic art as etchings, along with paintings, pastels, and watercolor...

One of a number of Whistler lithographs I am offering: "Portrait of the Artist's Brother", (sometimes known as "The Doctor"), 1894, sheet approximately measuring 12" by 8 1/2", currently mounted in a kind of sandwich, though not laid down, unframed. Numbered in pencil 127/150 at lower left. ALL PHOTOS TAKEN THROUGH PLASTIC WINDOW so allow for reflections appearing as unexplained dark areas such as at lower right...

One of a number of Whistler lithographs I am offering: "Gants de Suede", ("Silk Gloves"), 1890, measuring 11 1/4" by 8", mounted with hinges/tape at top corners as shown, in red mat, unframed. Condition: toned paper, semi-circular punch at left edge and some other roughness there, and fox mark below the famous monogram at right. Toned creamy color is difficult to capture in the photos...

One of a number of Whistler lithographs I am offering: "Portrait of Stephane Mallarme", 1892-93, measuring 3 1/2" by 2 3/4", mounted with hinges at top corners and in a protective sleeve. A label of Davidson Galleries, Seattle remains with the print. There are several condition issues. There is a jagged paper tear of about 1" at upper left, extending roughly down the level of his ear, though, well to the left of it, in the unprinted area...

“Moscow” titled lithograph base on “ fiddler on the roof“ 13“ x 19“, frames 22 x 26“

Pencil signed lithograph of a street scene in Portugal or France, including balconies and numerous figures walking the cobblestone streets, commonly titled "Trois Femmes au Balcon", numbered 98/100 at lower left margin, and signed at lower right by the noted Portuguese artist FRANCIS SMITH (1881-1961). Smith was born in Lisbon, moved to Paris while young, and became a French citizen in 1911...

A mid 20th century lithograph by Mourlot after the original 1891 famous lithograph poster produced by HENRI de TOULOUSE-LAUTREC (1864-1901) "La Goulue", which served as early advertising for the-then new Moulin Rouge nightclub in Montmartre. The original very large poster, Lautrec's first attempt at lithography, was plastered all over Paris. Only 3,000 copies were printed and the surviving examples are very rare and valuable today (one achieved $500,000 at auction)...

Yasuo Kuniyoshi 1893-1953 Japanese /American This is an original lithograph created by Japanese American artist Yasuo Kuniyoshi. The title is Burlesque Queen, it was created and printed in 1936 for the American Artists School in New York City...

An example of the circa 1870's Currier and Ives American lithograph "Summer in the Woods", 11 3/4" by 16" inside the mat, 17 1/4" by 21 1/4" as framed. The print is in good antique condition (not examined out of frame) with a faint damp stain at upper left margin and some foxing and slight discolorations at lower area. An old typed sheet on letterhead of Charles Sessler, Bookseller and Printseller, 1308 Walnut Street, Philadelphia, gives the title and says "This view is thought to be a scene a...

A group of THREE 19th century English botanical prints, two framed identically in gold with closed corners, the third framed in a different gold frame with beading. The matching pair measure 19 1/2" by 17 1/2" in the frames; the final piece slightly smaller at 19" by 16". The print in that latter piece, by artist Fitch, has horizontal creases, one sharp; the year "1846" is written in pencil at bottom edge. The identically framed pair also sport matching green French mats, adding to the qualit...

A man carrying a load of firing wood followed by his faithful dog, a solitary cow standing near its barn in the background, a man leaving the side door of his house carrying a bucket, and a man and woman leaving the home in a sleigh carriage driven by two horses down a country road – all orchestrate to create the nostalgic beauty which Currier and Ives created as the nation attempted to forget the pains of the Civil War.

Undoubtedly a New England vignette, it resonates with Americ...