This is a lithograph, titled "Heure Matinale", 19 3/4" by 25 3/4", unframed, signed in pencil at lower right by the artist and dated there "61", with "epreuve d'artiste" notation, by the noted CoBra artist GUILLAUME CORNELIS VAN BEVERLOO, best known by the pseudonym "CORNEILLE" (the French word for "crow"). The regular edition of this print appears to have been of 120 examples, on BFK Rives paper (and this has those watermarks)...

**ONE OF FIVE WORKS I AM OFFERING BY THE ARTIS, this is an etching on paper print, 8 1/2" by 10 1/2" inside the mat (14 1/4" by 16 1/4" as framed), signed in pencil at lower left by noted western American artist GEORGE ELBERT BURR (1859-1939). At lower right is written the title of the work, "Whirlwinds Dead Mountains--Mojave Desert". Burr's etchings and watercolors of the Great Southwest, especially Arizona and Colorado, are eagerly sought after by collectors...

Fine 18th c Engraving the text is faint so we haven't been able to get information on it. matted 14" by 18" NOTE the last 3 images were heavily altered to attempt to make the text legible.

Tavik Frantisek Simon, Czech, 1877-1942, "Quai Voltaire au Printemps". This sunny Paris street scene was created in 1914 by Czechoslovakian artist Tavik Frantisek Simon. Soft ground etching and aquatint, image size 12 7/8 x 14 5/8 inches, pencil signed, edition of probably 250, cat: Novak 225.

Joseph Pennell 1857-1926 American This is an original pencil signed lithograph by American artist Joseph Pennell. This image is one of his Panama Canal Series that he created in 1912. The image is titled: The Walls of Miraflores Lock, 1912. The image measures 18 1/2X24 3/4 inches, on a Fabiano watermarked laid type paper which measures 20 1/2X25 1/2 inches.

Original etching by Jacques Callot LE MASSACRE DES INNOCENTS printed in 1622 in Nancy. Lieure catalog number 427, second state of two, good size margins, excellent impression of this important print. Small crown watermark on the paper, slight darkening in the corners where the print was mounted, overall in excellent condition. Plate size 134x110mm, paper size 157x127mm.

Jacques Callot, French, 1592-1635, Engraving, "Scenes From the New Testament", image size: 2 5/8 x 3 7/16 inches, 1635, inscribed: "Jesus adductam ad se mulierem adulteram absoluit."

Stanley Anderson 1884-1966 British This is an original drypoint etching by British artist Stanley Anderson. The title is: Quai Duperre, La Rochelle, This etching was created and printed in 1928 in an edition of 85. The image measures 8 1/4X13 1/4 inches. Printed on an old laid type paper. Hand signed in pencil lower border. This image appears in the R.A.A. catalog as image number 183.

A pencil signed color etching (aquatint), 11 1/4" by 9 3/4" (25" by 22 1/2" framed) by the major French-born artist ANDRE MASSON (1896-1987), numbered at lower left margin 43/50. The title is "Ame Errante" (Wandering Soul) and the work was published in the year 1973. Masson's major oil paintings have exceeded $900,000 at auction, with many over the $500,000 mark, yet his signed prints remain inexplicably affordable...

A page from Harper’s Weekly during the American Civil War, dated May 11,1861.. the framed piece measuring 15” x 10”

The sheet size: 24" x 32"
The image size: 31" x 38"
The title: "London"
Artist: Linnea Pergola (American)
Medium: 100% Arches paper, Unframed.
Signed by artist: Lower right in pencil
Edition Numbered : 121/295, in pencil
The year made: 1990
Publisher: Martin Lawrence Limited Edition
The condition: Mint, never been framed.
The serigraph was stored away last 20 years...

John Taylor Arms, American, 1887-1953, "Cavendish Common," Etching, image size 6 3/8 X 14 9/16 inches, printed in 1942 by Charles White in an edition of 150, 2nd state proof, numbered "II", cat: Fletcher-370, pencil signed and dated. This atmospheric etching is a great example of the delicate lines precise detail for which Arms was known. This image won several awards in the early 1940s; the Mrs...

Charles Jacques, French, 19th Century, Engraving, "Paysans se Desalterant", plate inscribed under image, '53' dated 1849 after the 17th century image by A. V. Osted, image size 5 3/4 x 4 5/8 inches; Jacques had won medals of merit in the Salon for his etchings the previous year.

Peter Moran, American, 1842-1914, "Crossing the Ford," Etching, image size 15 3/4 x 23 3/4 inches, c. 1886-87, cat: Wright-98, pencil signed l.r, remarque of a hay wagon l.l.

Lithograph of Mohongo, an Osage Woman from Thomas L. McKenney and James Hall's The Indian Tribes of North America, with Biographical Sketches and Anecdotes of the Principal Chiefs, published in 1837 in three volumes. This lithograph from the collection is of an Osage woman named Mohongo, or Sacred Sun, from a portrait by Charles Bird King...

Lithograph Roman Ruin in desert published London 1852 A hand colored lithograph of a group of travelers with camels stopped for a meal break with a ruined omphalos in the distance. This lithograph is from 'Sketches between the Persian Gulf & Black Sea', 24 plates, Dickinson Bros., London 1852. Titled, “ROMAN RUIN IN THE DESERT ON THE WAY TO PALMYRA.” Also l.l. “R.CLIVE, DEL.” and l.r.” DICKINSON AND CO LITH.” Image with border 9 inches (23cm) tall by 13 ¾ inches (35 cm) wide...

Hand colored lithograph titled, “THE BATTERY, NEW YORK/BY MOONLIGHT.” N. Currier lower left, address lower right. Promenade under the leafy trees with the full moon lighting the harbor with sailing vessels. Kennedy Galleries label taken from the earlier back board, now on the new backing. Sight size 9 x 12 ½ inches, over all with frame, 16 1/8 x 19 1/8 inches.

Condition: Minor tears in the margins and some slight discoloration, but otherwise good condition.

Internationally acclaimed artist Bruce Onobrakpeya (b. 1932 ) produced this expressionistic image of a black fishes during one of his earlier periods of artistic expression in 1963. The serigraph depicts gold fish swimming in a pond or lake expressing, perhaps, the beauties of African natural life. Onobrakpeya has a wide following, including Prince Phillip of the United Kingdom from whom Nigeria, Onobrakpeya's native country, gained independence in 1960...

Scarce 1941 color lithograph print titled in the lower left margin "Babes in the wood" and facsimile signature in right margin by the noted California artist CONRAD BUFF (1886-1975). These prints are sometimes found with pencil signatures, and many were issued in small editions generally under 200 examples. I cannot be certain as to the edition size of this particular title...

The size of Sheet : 13 7/8" W x 11 7/8" H
The size of Image : 9 3/8" W x 6 1/2" H
The Title: Le Diner Des Moissonneurs (Diner at Harvest)
aRTIST: Unknown. The date of Engraving Printed: 1940-1950’s.
Printed on heavy Paper.
The condition of Print: Excellent, never been framed.
This is Beautiful Old French Engraving Print, subject of Le Diner Des Moissonneurs (Diner at Harvest). Excellent subject of family gathering at the time of Harvesting...

Sheet Size : 25 1/2" W x 19 3/4" H
Image Size: 24" W x 17 3/4" H
Artist : Joseph Sambataro
Title: The Print Vendors
Medium: Offset Lithograph on thick art Paper.
Signed: On lower Right, Sambatro in pencil.
Edition No. : 158/750 lower left in pencil.
Publisher: R. H...

. Bretherton “Moses” etching 1783 measuring 11x15”

Offset Lithograph by ALIZERA aka ALIZERA GOLKAR
The title: GOLDEN POND, written by pencil on lower left of margin,
The size of Lithograph Sheet: 27” Long x 20” High,
Image size: 24” Long x 18” High,
Signed by artist, ALIZERA 89 on the lower right side in plate
Medium: Offset Gallery quality Lithograph on Heavy Paper.
Published by Art in Motion, Inc., Vancouver, B.C. in 1989
Printed in Canada.
The condition: Excellent, never been framed...

Otto Bacher, American, 1856-1909, "The Bridge, Schleissheim". This is a very fine original etching, image size 5 1/8 x 7 3/4 inches, 1879, from Bacher's Danube Set, pencil signed. A very richly inked impression beautiful plate tone on a fine wove type paper with ample margins.

Color etching titled "La Mare" ("the pond"), featuring a whitewashed two story country house or inn by a dirt road next to a pond, signed in pencil below the image "de Croisset". There is a printed label on the backing stating that this is a limited edition. A search by this name does not reveal a listed artist; I suggest that this might be a pen name/pseudonym. The date is probably circa 1930's to about 1950 at the latest. This was framed but the frame is falling apart so will be shipped un...

**PAIR** of fine engravings, each 15 1/4" by 22 3/4", (24" by 30 1/2" as framed), from the famous series "The Voyage of Life", mid 19th century, after the series of four paintings of that title by the major American artist and founder of the Hudson River School, THOMAS COLE (1801-1848). All four images from the series are composed of imaginary scenes and are filled with allegory and symbolism. The two prints offered here are "Youth" and "Old Age" (the missing ones being "Childhood" and "Manhood...

Poster of 1986, "EGE ART LINE TOUR", 27 1/2" by 19 3/4", unframed, hand signed in somewhat faded marker by the noted Danish modern artist, PER ARNOLDI (1941-). This offset poster is not in great condition, having been tightly rolled for a long time, and it is dusty and has some digs in the paper, and edge damage as shown (what appears as diagonal scratch at upper right is light reflecting in scratch on the Plexi). It proved difficult to photograph unless I placed it under the Plexi to flatten ...

Scarce lithograph print of 1922, "Eislauf" (Ice Skating), pencil signed at lower right by the enormously important German Expressionist, MAX BECKMANN (1884-1949), the sheet measuring 23 1/2" by 15 1/2". The image shows a delightful variety of people of all ages enjoying the open air pleasures of skating. This print was published by Reinhard Piper in Munich in a total edition of 230 examples. (Following biographical information from the website on the artist). Beckmann was born in Leipzig an...

This note about Maki's Work 626 was written by Michael Minckler.

Arthur J. T. Briscoe, British, 1873-1943, "Hauling the Net Aboard". This 1926 etching by master printmaker Arthur Briscoe measures 7 x 11 7/8 inches and is signed in ink and editioned as 38/75. Lable on backing with provenance from C.W. Kraushaar Galleries, NY. Members of the crew aboard the trawler "Guess Again" concentrate on hauling the days catch aboard. The forground figure is "Old Sam" a figure Briscoe used in many of his images. This richly inked image was exhibited at the Royal Academy i...

Clifton Karhu (1927-2007)
Tominaga-cho, Gion
Date: 1993.
Edition: 55/75.
Size: 24.25 x 17.75 inches.
Signed, titled, numbered, and dated in pencil by the artist in lower margin.
Medium: Japanese woodblock print.
Condition: Slight toning in margin due to former matte. Left and right outside margins each have a dot of foxing. Print has never been adhered to a backing.

Young Flute Player is the title of an oil painting by Benedetto Luti from the 1720’s, now in the Hermitage. An earlier version by Luti depicted a young boy in a blue jacket without any instrument. This engraving, made by Victor Marie Picot was published in London in 1780 as Boy and Lute, obviously mixing up the motif and the artist (!). Contributing to this is probably the Walpole family crest having been pushed in between the letters of the title. The painting belonged to the Houghton Hall ar...

TWO wood engraving prints of the posthumous late 1960's/early 1970's edition of "L'Enfant", each sheet 16 1/2" by 12 7/8", with stamp signature in lower margin, by the important French twentieth century artist ANDRE DERAIN (1880-1954). These are from The Collectors Guild, New York edition, the imagery in red on a black background, each stamped lower right margin "a. Derain". They were found without glass so are in good presentable condition though not mint. One has the original backing from t...

David Muirhead Bone 1876-1953 Scottish "This is one of the most famous prints from the British Etching Revival" This image is titled: A Spanish Good Friday,created and printed in 1925 by British artist David Muirhead Bone. This pencil signed drypoint measures 12 5/8X8 inches, printed on a laid type sheet with deckeled edges. Numbered as XXVII lower left corner. The image depicts the solemn festival at the end of Passion Week. Ref. Campbell Dodgson 412 .

The size of frame: 23 1/4" Wide x 24 3/4" High x 1 1/4" Thick.
Image size: 11 3/4" Wide x 13 1/4" High.
Artist: Jo Ann Mulroy
Medium: Serigraph
The Title: One Too Many
The condition: Excellent
The year of Serigraph: 1990
Edition No.: 3/20
Signed on lower right in pencil by Artist: Jo Ann Mulroy
This is very unique Serigraph work first time showing in our website. The condition of frame and Serigraph are excellent. It never been hanged. I had t...

An engraving of Classical images from artist Pierre Gravee entitled “Le Soleil” due to the images of Diane. The framed dimensions are 23.5x19.25”. Unframed dimensions are 14.5x9”.

This etching by the British artist Seymour Haden measures 7 x 10 1/4 inches, pencil signed, plate dated 1874, I/V, Cat: Schneiderman-144. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers, and was kn...

Charles Daubigny, French, 1817-1878, "Le Berger et la Bergère ( The Shepherd and the Shepherdess)," etching, 10 x 7 3/4 inches on 16 1/4 x 12 1/8 inch watermarked laid type paper. State V/VIII. One of his six final plates, later chosen for publication in the review "L'Art" in 1904, volume LXIII. Catalog: Melot 122. Circa 1877. Printed in the lower right: "Ch. Daubigny. del. et. sc", in the lower right: "F. Lienard. Imp. Paris."

A group of THREE 19th century English botanical prints, two framed identically in gold with closed corners, the third framed in a different gold frame with beading. The matching pair measure 19 1/2" by 17 1/2" in the frames; the final piece slightly smaller at 19" by 16". The print in that latter piece, by artist Fitch, has horizontal creases, one sharp; the year "1846" is written in pencil at bottom edge. The identically framed pair also sport matching green French mats, adding to the qualit...

John Stockton deMartelly, American, 1903-1979, "Give Us This Day". This is a beautiful original lithograph by American Regionalist artist John deMartelly. The image size is 13 1/8 x 13 5/8 inches, 1937, pencil signed. John deMartelly studied at the Pennsylvania School of Fine Arts, as well as in Italy and London. He was close friends with Thomas Hart Benton, with whom he taught at the Kansas City Art institute for several years, before becoming the artist in residence at Michigan State Universit...

An unusual playful piece depicting an owl by one of the most important sōsaku-hang printmakers in the 20th century, Akiyama Iwao 秋山巌 (1921-2014). Best known for his prints, Akiyama Iwao produced paintings even later in his career, as well as occasionally painted on ceramics. Sake cup is sealed by the potter, but seal is obscured by glaze, and Akiyama’s signature and remains unread. Piece is simply titled “An Owl” (Fukurō ふくろう) made of stoneware with underglaze iron-oxid...

Charles Mielatz, American, 1864-1919, Etching, "Whalers in the Harbor", image size 11 1/8 x 15 7/8 inches, plate signed, inscribed "etched by Mielatz"

Original 1627 etching by Jacques Callot L'ENTREE DE MONSIEUR LE PRINCE DE PFALTZBOURG from LE COMBAT A LA BARRIERE, Lieure catalog number 576, the only state. From a series of 10 etchings by Callot to commemorate a tournament sponsored by Charles IV of Lorraine in honor of the Duchess de Chevreuse. The print depicts chariots and processions for one of the participants - the Prince of Pfaltzbourg. Rare, strong clear impression, on laid paper with 17th century watermark seen against the light, tri...

Edgar Chahine, French, 1874-1947, "Quartier Du Combat," Etching, image size 7 7/8 x 10 inches, pencil signed l.l. This work is also know as "Boulevard de la Villette"

A very fine mid 20th century neo-impressionist silk screen print of a small village scene, possibly European. The print is an artist proof signed d fritz - we believe, but could be d frity. The foreground tree is spectacular. Condition is very good but is faded somewhat and has a tear in the margin which we hope to fix before selling. Dimension: 29" x 21" sheet

Benton Spruance lithograph Entitled - Lot's Wife

ed. 35

c. 1948

Image - 14 1/4" x 20 1/4"

Framed

Very good condition with no problems observed

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William Lionel Wyllie, British, 1851-1931, "Sugar Boats off Greenwich". This lovely atmospheric image by William Wyllie measures 4 7/8 x 12 7/8 inches, pencil signed on the l.l. and created c. 1920. This is a view of Greenich from the Isle of Dogs with a view of the Royal Navel Academy on the left with the domes of the Royal Observatory high in the background. Wyllie was a well known marine painter and printmaker, studying at the Heatherley School of Fine Art and then at the at the Royal Academy...

If the Master could do a Seat series in the 1960s he must have decided to do a Sink series in 1972. First, it did a small image in 1972 and then he ended the year with a larger image depicting the same sink theme. It is the one pictured here, Poem 72-61 Sink-S. It measures 9.75sq in.

This is a decorative, hand colored print, possibly dating to 1784, issued as a plate in "New and Complete British Traveller", titled at bottom "View of Hackney in Middlesex". Presently the print itself measures 6" by 6 3/4" (10 3/4" by 12 3/4" in simple black wood frame). I see from online research that this example seems to have been cut down, with all decorative border areas, and the name of the publisher, Alex Hogg, at the Kings Arms, No. 6 Paternoster Row, trimmed away. The print neverthe...

Japanese Woodblock Print Nineteenth Century , Geisha 17x21. We have a fine selection

An offset limited edition pencil signed print of St. Michael's Church in historic downtown Charleston, South Carolina, pencil signed by the artist, Charleston's long time fixture VIRGINIA FOUCHE BOLTON (1929-2004). The 13 1/2" by 20 3/4" print (22 1/2" by 29" framed) is numbered near the signature at bottom center 622/2000. Bolton (often more commonly known as Fouche) was well known in the Charleston area for her sensitive depictions of Charleston, the surrounding country, and other scenes of ...

Large format Japanese limited edition woodblock print depicting a path through traditional buildings titled in kanji at the lower left "Kashiwabara" (station 60) from the series "Kisokaido" by Katsuyuki Nishijima (b. 1945). Pencil-signed and with the artist's red seal at the lower right margin. Numbered 1/500 at the lower right margin corner. "Kisokaido" is printed in kanji at the center of the bottom margin. Paper size 14 3/4" x 20 3/4" (image: 12 3/8" x 18 3/8"). Probably dates from the 1980...

Circa 1850 lithograph with hand coloring, titled at bottom "The Flight into Egypt", published by the noted American lithographer James Baillie. Baillie began his career in the late 1830's as a picture framer in New York City, and then worked as a colorist for the Currier and Ives firm. By 1843 or 1844 he had struck out on his own, producing a wide range of lithographed images in the style of his former employer. At first glance most of Baillie's product looks like a Currier; only close inspec...

This is an original etching on laid paper by renowned artist Edouard Manet [MANET, Édouard (1832-1883)]. It is titled, "Baudelaire de profil en chapeau." Created in 1869, this etching features Edouard Manet’s signature monogram stamp in the upper left, ‘Peint et Gravé par Manet 1862’ was engraved in the plate in the lower left with ‘Imp. A. Salmon’ in the lower right. This magnificent etching was inspired by an original oil portrait of Charles Baudelaire, the famous poet in profi...

Every so often, Maki decided to create an all-white print to which he added two or three small bits of color. Daniel Tretiak talked of Maki’s fondness for adding balance to his prints especially with the use of moons or splashes of color. Poem Y is an example. The print is beautifully textured with the colored spots placed in smooth areas among the overall embossing. It measures 17 1/8 square inches and is no.15 of an edition of 50.

A striking black and white lithograph, 10 1/2" by 16 1/2" inside the mat, 14 3/4" by 20 3/4" simply framed, the subject matter a landscape with trees and structures, the imagery artistically distorted in a Cubist fractured style, pencil signed at upper left "Wheelock" by the artist and dated there '29. The handling is reminiscent of Andrew Dasburg, Howard Cook, and some other modernists working in New Mexico. The artist is Massachusetts-born WARREN WHEELOCK (1880-1960). Wheelock served in the...

Haku Maki did some purely white prints—some had a small splash of color, others had none. This one, 81-3, offers three white plump persimmons. Persimmons were an oft-used subject, sometimes a single depiction of the fruit, sometimes two, but very rarely three persimmons and even more rarely done only in white. The print measures 9.5in W x 10.75in H and is in excellent condition. An edition of 130, this one is number 90.

Garry Seidel "ART IN MONTMARTRE" PARIS, FRANCE Photograph. Hand signed and matted . Size matt 11 by 14" imaged sight 8.25" by 10"

Sir Francis Seymour Haden, British, 1818-1910, "Ye Compleat Angler". This is a very rare pencil signed etching by Sir Francis Seymour Haden; it is an early proof, from before the edition published in Hamerton's 1880 'Etching and Etchers'. The image size is 5 1/2 x 7 7/8 inches, 1877, cat: Schneiderman-161, plate signed and dated, pencil signed, a very rich impression on a laid type paper, framed. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along w...

Miro lithograph, "La Danse de Feu", ("The Fire Dance"), 1963, Mourlot 273, the sheet 15" by 22" (17 1/2" by 23 1/2" as framed), numbered in pencil 39/90 at lower left and pencil signed at lower center. The work is printed to the edges with no margin, and there is text on reverse, as shown. There is a soft center crease as issued with 1/4"-1/2" short tears along that pronounced crease at the very bottom and top due to the weakness from having been repeatedly folded. Colors are bright and the pr...