This Maki print has had a charmed existence. It was printed in Japan in the mid-70s, just as Maki was beginning to leave the production of prints with kanji as the main theme and start doing then with Ceramics, mainly in the Collection series. This is the second print of his long ceramics series – some of which were simply entitled as this is with the year 75-59. This was done in 1975 and was a quite large edition 201...

The Heart Sutra with Taro by Mayumi Oda. The paper is green with a sutra printed. A sutra is a formula or rule for life. A tree with large leaves and a frog are outlined by a silver spray. It measures 38.5" wide 12.25" tall. 28/50.

Green print of Earthship by Mayumi Oda. Print 16/100. A woman sails in a ship with an owl atop her head and a boat full of vegetables. Below the ship, in the ocean a sea turtle and a whale swim by. The sun smiles down upon the woman in the ship. It measures 11.75" wide 19" tall.

This colorful print is an early Maki embossed print. It is a quite small print done in a very low run. Only 30 copies were made. Maki started doing 50 copies by 1962. Earlier he may have lacked the confidence to do runs of that size so he did 30 as shown here The three red suns are dramatic, The print is signed in white ink, an early Maki touch. The 3 suns shimmer. The title is in kanji – a rare Maki style. This is Ji hao 31 [Signal 31]...

In the period 1966-67, Haku Maki did two large series with Song as the theme. There was Flower Song, a series of 10 prints. And there was Animal Song which was Maki’s Asian Zodiac series, with 12 images. It was also a small series with small editions--50 in the case of Animal Song (released in Kyoto, so very hard to find: only one friend has the full set), I do not know who has the full set of Flower Song. Equally rare is Moon Song...

In 1971 Haku Maki Japanese Master print-maker was at the height of his creative powers. He had already done several “big” prints and turned his skills to producing dramatic prints. This Big Blue was one. It depicts a war instrument, a halberd. Maki created this design so that it showed how the character was written. He showed us how the stroke order flowed on a woodblock print...

Poem S B. This small and unpretentious print was a sleeper. Whoever sold it knew not what he had. Indeed neither did I until well after it came here to Beijing. It is a very rare 1968 Maki print. Not 1967 and not 1969. It has the kanji for Rope in the center and that is placed on a subtle but firmly done kanji for STONE - but the kanji is in there ass backwards. The correct rendering is in image 5. Mysteries abound.I have never seen the sub-title SB in a Maki print...

This long blue print is number 91 of an edition of 154 and measures 29 in. x 14 in.

Still life Woodblock print of Vase by Tomimoto Kenkichi (1886-1963.) Artist's Seal: "Tomi." Date: 1955. Publisher: Adachi Hanga. Medium: Woodblock Print. Impression: Very good, printed on long-fiber Japanese paper. Size: W. 32.5cm( 12.75") x H.42cm (16.5"). Tomimoto Kenkichi was best known as one of the most influential Japanese ceramic artists of the 20th Century...

Pablo Picasso (Spanish, 1881–1973) Oath of the Women from Lysistrata Bloch 267-272. Original pencil signed etching from the deluxe edition of 100 signed etchings. Printed by Roger Lacourière (French, 1892–1966) Date: 1934 Medium: Etching Dimensions: plate: 8 11/16 x 5 3/4 in. (22.1 x 14.6 cm) sheet: 15 1/8 x 11 1/8 in. (38.4 x 28.3 cm) Condition is very good some minor staining and foxing very slight minor surface creasing.

The strokes in this print are "U", no meaning. This is an early print using Hiragana. It is two brush strokes piercing the space, leaving a trace of itself before coming to the bottom of the paper. It has but one splash across the top and a red tear along the side and then: Whoosh it goes as in the red image at the bottom. There is one sun at the outer edge of the stroke and two moons inside the curving stroke. Not so simple after all.

Poem 70-73 Taiwa (Level or peace), 31/106, 17.5”x 24.5”. Haku Maki produced this Big Green print in 1970. His Big prints-—large for him-—appeared mainly in the period 1968-75...

In 1981 Haku Maki suddenly produced a modest series of prints with a vinyl (old leather)-like background. I have already written about several of these in my Research Note 8. Now I present another: a striking orange red persimmon with leaves tipped with a special Japanese lacquer and the background in vinyl. This is 81-31 and it is 175/190.

Work 73-5 is a funny, lively snowman--or snow child. It is number 28 of an edition of 103 and measures 9.5in W x 17.5in H.

Dealing with challenges and difficulties can keep your mind sharp. The print is number 140 of 152.

Haku Maki was a Japanese print master of the late 20th century. His prints at the time this one was published were strong on the use of kanji and abstract designs, as shown here. In this case; the design is abstract, it shows archaic images which we are trying to understand. The print is large, well designed and carried off. The seller Ashley Brasca of Winnipeg Canada wrote to me about this print: “It is special because of the texture and physical quality achieved on the surface. This ...

Rare pencil signed and numbered lithograph by American and Taxco, Mexico artist William Spratling (1900-67). This depiction of Fiesta Mexicana was printed in 1931 from the original drawing for Spratling's 1932 book LITTLE MEXICO. Signed Spratling in the lower left and numbered 11/35. Litho measures 11 1/2" X 7". Measurements with matting - 12 1/2" X 11 1/2". The piece is not framed. Beautiful original condition. This image introduces the chapter FIESTA MEXICANA on page 69 of Spratlings' LITTLE M...

Haku Maki did quite a number of prints using persimmon as a main theme Probably well over 100 He also began doing prints with ceramics around 1980 He probably did more than 100 ceramics theme prints. But the two there only came together in the persimmon and blue vase print shown here (and in an equally rare one with a persimmon and a strikingly beautiful yellow vase also shown here). This persimmon and vase print was done in 1975 and is quite rare: It is work 75-2 94/202 The two persim...

The sheet size: 40"x 30 12"
The image size: 33" x 24"
The title: "New Place"
Artist: Susan Rios (American)
Medium: 100% Arches paper, Unframed.
Signed by artist: Lower right in pencil
Edition Numbered : AP54/60, in pencil
The year made: 1990
Publisher: Martin Lawrence Limited Edition
The condition: Mint, never been framed.
The serigraph was stored away last 20 years.
It came with the certificate of authenticity.
It will be shipped...

Haku Maki started making embossed prints circa 1965. These in the main featured embossing that came out from the back to the front. However, I suddenly discovered that a number of prints in the 1976 - 1977 period were done with the embossing going into not out of the front This style or process does not seem to have hurt any aspect of Maki’s work nor benefited it. I have commented on this departure in style to a few friends but they have said the equivalent of "let It be." Is that all we c...

The Frugal Repas by Pablo Picasso from the edition of 1913 on arches paper trimmed with .5 inch margins a fine impression of this most famous of prints. Plate size 18 1/4 x 14 7/8 in. (46.4 x 37.8 cm) . A fine addition to any collection framed and archival matted in a fine gallery presentation frame.

The kanji for Peach appears in the uppper right of the print. 17 of 24 Haku Maki was one of the grand masters of the Sosaku-hanga print movement. Maki Haku (1924-2000) is the artistic name of Maejima Tadaaki, who was born in Ibaraki Prefecture. He had no formal art training, but was guided by the s¨­saku hanga leading artist Onchi Ko­shiro 1891-1955). Maki Haku is best known for his abstract-calligrapic prints. He distorted and rearranged characters and strokes to produce striking and seren...

From 1969 to 1974 Haku Maki produced about 15 Big Red prints and some Big Blue and Green. This one,Poem 71-52, was done in 1971. It depicts the kanji for Power. This striking image slices through the black background from top to bottom in a two-stroke movement. In the classic Maki mode, the core image is set off by a black sun at the left and a small blue moon under it; on the other side there is a yellow splash. The regular Maki seal is used; also he used a white ink seal to add color and v...

Dramatic kanji, sun and splash--this small print epitomizes the Maki style at its height. The kanji streaks across the print, now it is blue now it is black.There is a strong black sun and a sharp yellow plash--and the Maki seal. Yet it is not crowded. The Maki seal at the right is a roll, the Maki of his name.

Haku Maki was a well-known Japanese print maker of the second half of the 20th century. About 20 of his workw I called Big Red and a few Big Blue or Big Green. This is one of the rare Big Blue prints. By my reckoning he did about three true Big Blues, this is one of them. Until this true image appeared I only knew of a catalogue image which we enhanced into a nice blue here in Beijing. This is the Real Deal. The strokes of the kanji are strong and vibrant Yet the image is cramped on the pap...

The size of Sheet: 22" x 16 1/2"
The size of Image: 20" x 14"
The Artist: Dennis Schmidt(1950- ).
The title: "After the Rain".
The year of made: 1980.
Signed and numbered in lower left, Edition numbered: 39/900
This is limited edition offset lithograph print done by renown Texas artist, Dennis Schmidt who was self taught artist. You can view his profile from the following site, www.swgallery.com/bio.aspx?artist_id=119 This print was specailly made for one of company which sho...

In 1971 Haku Maki produced this large print, Poem 71-25. It was an edition of 100. This new arrival was produced in Tokyo and went ultimately to Florida in the US. It stayed there for a long time. In the course of its life there it was not treated nicely: It was folded in two places. The print had foxing, it had many ailments. Then it finally made it to my restorer. It had challenges there too: some liquid spilled on it, forcing a delay in the restoration process. It was painstakingly a...

Diego Rivera, Mexican, 1886-1957, Title Flower market, Medium Lithograph, Year of Work 1930-1930, Size Height 10.8 in.; Width 16.1 in. / Height 27.4 cm.; Width 40.9 cm. Edition 45/100, Found./Pub. Weyhe Gallery, pub.

In the 1960s, Haku Maki was beginning his career as a modern print maker. He used ersatz titles for different series of prints: Cell, Animal Song for the Zodiac, Proportion, Work, Figure,and Emanation. Flower Song was another. Here we show Flower Song 6, which I have just acquired, and Flower Song 3 which I have owned for a long time The others are not noteworthy. This one measures 13 x 17in/48 x 34cm.

Japanese limited edition sosaku hanga “kappa-ban” (stencil print) by Yoshitoshi Mori (1898-1992) titled “Hasami” (variously translated as “Scissors” or “Nail Clipper”). The print is pencil-signed “Y. Mori” at the lower left, dated ’79, and numbered 24/50. The artist’s red seal is above the signature. The lower edge of the paper verso also contains the title and the original purchase price of 120,000 yen. The paper measures 17”V x 22 1/2”H. Very good overall condi...

This print is 13 inches wide x 20 75 tall. it is a spectacular Big Blue. The kanji reads words to the effect Give an inch, take a mile. Maki produced this print in 1971. It is number30 of 105.

The paper size: 23" W x 35" H (with border margin)
Unframed Original Lithograph by Artist, Charles Cobelle, (1902-1994)
The title, "Village Concert"
Medium: 100% Rag content Acid Free Paper.
Condition: excellent, never been framed.
Edition number : AP(Artist Proof), signed Cobelle and numbered in pencil on back.
Edition size 500 plus some aritist proof existing.
It was published in 1979 by The Graphic House.
We guarantee it is original lithograph. We w...

A Very Rare/Fine Japanese Woodblock Print by Tadashi Nakayama (1927 -): Japan, dated 1961, with original frame. Ptinted with metallic embellishments, of red and silver squares with black top (?), signed in pencil T. Nakayama, edition numbered 16/50, on the bottom margin, with a professional/original frame. This is a very unusual print by this artist. It’s in very good condition with color and impression, without any noticeable defects but not examined its back. Measurements; 33” x 2...

A Rare Japanese Album Leaf Prints by Toyokuni Kunisa Japan, 19th Century 14 full set of Japanese album leaf prints (10 triptych and 4 double leaf prints).A part of one triptych prit might be missed. It is in fine condition without any typical damages, and its measurements are 14" x 9 7/8" for each page.

Richard Florsheim - American, 1916 - 1979

Famous for his lithographs

His works are in the collections of many major American Museums

Lithograph entitled - Airport

Number 140 in an edition of 250

1964

Image measures - 11" x 30"

Original frame

In good original condition

This Maki Big Red has the Kanji (Chinese character) for Flower as its theme. The Flower is red and strong; it is set off by a black Sun to the right. A blue tear balances the sun on the left. Maki’s seal in red ink paste, is below the tear, also at the left. Although Maki himself printed this image, the ink looks as if it was layered on by hand. This is 133/154; Print size is about 11” x 18”. We note: the paper in this print is smooth, it does not have the moon-surface effect. I...