A hand colored lithograph showing in the distance the fortress of Kalat-i-Ghilzaiin Afghanistan. In the foreground to the left are a group of women seated on the ground and to the right a group with two camels, one with a rider, a goat and a man with a rifle. The lithograph is after a drawing by Lt. James Rattray who helped relieve the besieged garrison of Kalat-i-Ghilzaiin in 1842...
An example of the 1934/35 lithograph "Ruf Des Todes", from the "Death Cycle" series of lithographs by famous German artist KATHE KOLLWITZ (1867-1945). The sheet which measures 19" by 16" was long ago laid down to a board. Evident past attempts to remove an over mat has resulted in skinning of the paper in the lower portion, and residue from the over mat remains at top. There is a line from the old mat all around, with the paper within that line lightly browned...
Original etching RICIULINA AND METZETIN by Jacques Callot printed in 1621 from the series BALLI DI SFESSANIA. Series depict one of the most delightful festivals of Commedia dell’Arte based on fertility dances held in the Tuscan village of Sfessania. Pairs of popular entertainers are framed against the scenes of a fairground. One print from the series of 24 etchings, Lieure catalog number 386, first state of two, on laid paper, cut to the plate. Paper size 72x93mm...
This research note was written by Bob Craft, who compiled the catalogue raisonné of Maki's works. See it at http://haku-maki.com/. This note discusses Maki's print-making technique.
Additional Photos #3 for Fautrier's Portfolio Book
Henry Sadd, British, 1811-1893, "Lord Viscount Nelson, Duke of Bronte," Mezzotint, plate size measures 15 1/2 x 20 1/2 inches on 25 3/4 x 20 inch wove type paper. From a painting by J. P. Knight. C. 1845. Engraved for the New York Albion, January 1st. 1845. Lettered below the image with the title in open, strengthened letters, around a crest with the motto 'Palmam Qui Meruit Ferat', and 'Born at Burnham Thorp, Co. of Norfolk, Sep. 9th. 1758.
Carol Wax
1953-
American, N.Y.
This is an original mezzotint by New York artist Carol Wax. The title is Singer 1. It was created and printed in 1984 in an edition of 75. The image measures 11 7/8X8 1/8 inches. Hand signed in pencil. She held a residency at the MacDowell Colony in Peterborough, New Hampshire, in 1986.
A black and white photograph of a man supine on a bed in a simple or even stark interior, signed and stamped on the reverse, and with edition information (6/25) by the noted, widely exhibited American contemporary photographer, MARSHA BURNS (1945-). The photograph is untitled and not dated. Burns was born in Seattle and received early training in the fine arts at the University of Washington, which was followed by study at the University of Massachusetts Amherst...
Brian Miller Photograph Tampa Street Car Arena Bowl Weekend signed by Miller image 7 by 10" matt 11" by 14"
Joseph Simpson, British, 1879-1939, etching, "Betty," image size 12 x 9 7/8 inches, 1927, edition of 75, pencil signed. Provenance: The Blanton Museum of Art, Austin, Texas.
In 1970 quite suddenly Haku Maki started producing truly large prints. They were dramatic and somewhat unexpected, all at least 24in x 24in and extended in size to 35in x 35in. His huge print of a woman is 36in x 72in. All of these were created in 1970. Then no Big ones until Big Mu done in 1973. Then no more huge ones. What happened to Maki? What happened to the supply of paper? This Poem 70-10 is pretty large--17.5in W x 24.5in H--but it was succeeded by others even larger.
Poem 72-47 (road) 32 X 21.5 inches textured paper The sun is the inner part of the kanji for road.
This is a very big and stunning Maki print It was done in 1972 at the height of his artistic powers. It depicts the kanji for Road or Way, e.g.the Way of Taoism (Daoism). As if done with a brush, the character whooshes across the well-textured paper. At the middle of the print, Maki has added a White Sun.
Mitch Lyons - received a M.F.A. in ceramics from Tyler School of Art, and his B.F.A...
George O. Pop Hart, American, 1868-1933, "the Mule Car," Lithograph, image size 9 1/2 x 13 inches, 1928, pencil signed l.r. "Pop Hart".
Louis Orr
1879-1961
American
This is a rare early Louis Orr etching done while he was living in France. The title is: Hillside, Avignon France. It was created and printed in 1911 in an edition of 40 impressions. The image measures 8 7/8X 11 3/4 inches. Pencil signed lower right border. A fine study in shadows and highlights. This etching appears to be in the original frame, but in fine condition...
Original etching with aquatint by Luigi Kasimir (Austria-Hungary, 1881-1962) depicting the harbor in Bremen, Germany, circa 1930-1940. Signed by the artist (not an estate signature). A rare original etching by an important artist. One of a number of works by this artist currently available.
Stow Wengenroth
1906-1978
American
This is a fine early lithograph by American artist Stow Wengenroth. The title is: Three Trees, Eastport Maine, it was created and printed in 1932 in an edition of only 50. This pencil signed lithograph has an image size of 8 3/16X12 3/4 inches. Printed on a medium weight wove type paper.
Heinrich Vogeler, German, 1872-1942, "Death and the Old", etching, image size measures 5 1/2 x 3 inches, plate measures 6 5/8 x 4 1/4 inches, on laid 11 1/2 x 8 3/4 inch paper. A haunting image with interesting linework. C 1896. Catalog: Rief 11, Wohl 11d (von f). An early impression. Pencil signed in the lower right with the word "Worpswede," the artist's colony that he was a part of.