The Frugal Repas by Pablo Picasso from the edition of 1913 on arches paper trimmed with .5 inch margins a fine impression of this most famous of prints. Plate size 18 1/4 x 14 7/8 in. (46.4 x 37.8 cm) . A fine addition to any collection framed and archival matted in a fine gallery presentation frame.

Poem 70-72. This striking Maki Big Red has had a long history for being just 40 years old. It has seen the world and is now back in Asia, in Beijing. This is as near to Tokyo, where it was created by Maki, that it has been in many years. In this case, the big red letter is the hiragana "chi" ‚¿ or shiru, which means to know, find out, to learn, or have knowledge...

In the period 1966-67, Haku Maki did two large series with Song as the theme. There was Flower Song, a series of 10 prints. And there was Animal Song which was Maki’s Asian Zodiac series, with 12 images. It was also a small series with small editions--50 in the case of Animal Song (released in Kyoto, so very hard to find: only one friend has the full set), I do not know who has the full set of Flower Song. Equally rare is Moon Song...

The paper size: 23" W x 35" H (with border margin)
Unframed Original Lithograph by Artist, Charles Cobelle, (1902-1994)
The title, "Village Concert"
Medium: 100% Rag content Acid Free Paper.
Condition: excellent, never been framed.
Edition number : AP(Artist Proof), signed Cobelle and numbered in pencil on back.
Edition size 500 plus some aritist proof existing.
It was published in 1979 by The Graphic House.
We guarantee it is original lithograph...

Poem S B. This small and unpretentious print was a sleeper. Whoever sold it knew not what he had. Indeed neither did I until well after it came here to Beijing. It is a very rare 1968 Maki print. Not 1967 and not 1969. It has the kanji for Rope in the center and that is placed on a subtle but firmly done kanji for STONE - but the kanji is in there ass backwards. The correct rendering is in image 5. Mysteries abound.I have never seen the sub-title SB in a Maki print...

Noh theatre actor, published 1922-1926

Signed Kogyo and circular publisher’s seal on lower right, light soiling, crease to upper left corner, large red owner’s stamp on verso

Oban tate-e: 10 x 15 in.

¡°Hokkan ¨C Mountains, Seoul, Korea¡± was published 6 December, 1937. The carver was Maeda; the printer was Honda. It has Paul Jacoulet¡¯s pencil signature and red Tea Jar seal on the lower right corner. It has great color; margins and edges are slightly toned. It is in very good condition.

A Very Fine Woodblock Print by Ito Shinsui (1898-1972): Japan, Dai oban tate-e, 41.5cm x 25.8cm “The first collection of modern beauties” Title; A beauty warming under the quilted branket Signed and Dated; Shinsui ga and Showha 6 (1931) December on the upper right image Publisher and Seal; printed by Watanabe Shozaburo with a seal on verso Watanabe "6-mm" seal (used on early Shinsui prints) Limited number; 206/250 in rectangular red seal on verso wi...

Temple scene, issued ca. 1960s

Heavy black ink on thick paper, slight embossing effect, minor soiling, slight creasing to corners, not backed

Overall size: 10 x 14 ¼ in.

Dramatic kanji, sun and splash--this small print epitomizes the Maki style at its height. The kanji streaks across the print, now it is blue now it is black.There is a strong black sun and a sharp yellow plash--and the Maki seal. Yet it is not crowded. The Maki seal at the right is a roll, the Maki of his name.

In 1966 Haku Maki produced one of his many abstract series. He did Cell and he did Proportion Here I show Proportion 10 the white strokes appear against a beautiful yellow background . Above the strokes is a white Sun. Wow there are two Maki seals one at the top right and another at the lower left There is a red splash in the center .two images f Proportion 9 are added where are Proportion 1 through 8? 43/50

In 1971 Haku Maki produced this large print, Poem 71-25. It was an edition of 100. This new arrival was produced in Tokyo and went ultimately to Florida in the US. It stayed there for a long time. In the course of its life there it was not treated nicely: It was folded in two places. The print had foxing, it had many ailments. Then it finally made it to my restorer. It had challenges there too: some liquid spilled on it, forcing a delay in the restoration process...

This Maki Big Red has the Kanji (Chinese character) for Flower as its theme. The Flower is red and strong; it is set off by a black Sun to the right. A blue tear balances the sun on the left. Maki’s seal in red ink paste, is below the tear, also at the left. Although Maki himself printed this image, the ink looks as if it was layered on by hand. This is 133/154; Print size is about 11” x 18”. We note: the paper in this print is smooth, it does not have the moon-surface effect...

This original etching is by Francisco de Goya. It is titled, "The Little Prisoner:" (Le Petit Prisonier). In Spanish title is, 'Tan Bárbara la Seguridad como el Delito': (The imprisonment is as barbarous as the crime)...

A Fine Japanese Woodbocl Print by Paul Jacoulet (1902-1960): Japan, Dai oban Yoko-e, 18 3/4” x 14” incl. margins, first edition. Title; Three young Korean men, Seoul, Coree Signature and Seal; signed jacoulet in pencil with a red Mandarin duck seal stamped on the lower left and another square red seal on the verso, and there is a solid Siver Mica on the back ground. There is no edtion #, but this is a first edition print by Paul Jacoulet. Publisher; printed by Uchikawa Matashiro o...

Haku Maki was a well-known Japanese print maker of the second half of the 20th century. About 20 of his workw I called Big Red and a few Big Blue or Big Green. This is one of the rare Big Blue prints. By my reckoning he did about three true Big Blues, this is one of them. Until this true image appeared I only knew of a catalogue image which we enhanced into a nice blue here in Beijing. This is the Real Deal. The strokes of the kanji are strong and vibrant Yet the image is cramped on the pap...

Haku Maki was a Japanese print master of the late 20th century. His prints at the time this one was published were strong on the use of kanji and abstract designs, as shown here. In this case; the design is abstract, it shows archaic images which we are trying to understand. The print is large, well designed and carried off. The seller Ashley Brasca of Winnipeg Canada wrote to me about this print: “It is special because of the texture and physical quality achieved on the surface. This ...

Haku Maki's Poem Z depicts a Heart by any other name. Maki began to use this theme early in his artistic life. The character was often vertical but this is the only time it was at an angle from the center and seemingly lacking in one stroke, Hence it is an unusual design and intellectually challenging. Its meaning is not immediately evident even to the literati. My curator in Beijing figured it out when she was opening the package and tilted it a bit. The print is large and subtle. This is...