A woodblock print with vivid PRINTED blue, red, green and yellow colors (NOT hand coloring), the subject a street scene in a German town, with extensive pencil writing in the bottom margin and what appears to be the date 1909. I showed images of this old style Germanic handwriting to Galerie Bassenge in Berlin and they were also unable to determine an artist name, but the writing is "Linolschnitt Orig. Handdruck...Alt Bielefeld…Bachstrasse...1909" (linocut, hand printed, Alt Bielefeld, etc.)...

"William Hogarth" Pit Ticket: The Cockpit The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

Color lithograph "Firebird", 26 1/2" by 19 1/2" inside the mat, (33 1/4" by 26" as framed), signed at lower left in pencil the typical manner, and penciled "E.A" (epreuve d'artiste---artist proof) at lower right, by the noted Mexican modern contemporary artist LEONARDO M. NIERMAN (1932-). Now well known and internationally collected, Nierman has been a prolific artist. Nierman's work is instantly recognizable; paintings are inspired by surrealism, with strange swirls, shapes and images...

Old photo of a seaside Greek temple with Doric columns, 10" by 14" (17" by 20 1/2" in metal framing with mat). I am not a specialist in vintage photography, but this seems to have some age. There is some silvering at lower right. The print might have been created from an old negative with some damage as there are some white spots in the print that are not damage to the print itself----I imagine that this is disturbance on the original negative...

One of a number of Whistler lithographs I am offering: "Firelight: Joseph Pennell No. 1", 1896, sheet approximately measuring 13 3/4" by 10 1/4", currently in a mat with window, hinged at top edge, not laid down, unframed. Generally clean, with some imperfections along edges. Whistler created some 179 lithographs in his career, in addition to more graphic art as etchings, along with paintings, pastels, and watercolor...

"William Hogarth" King Henry the Eighth, & Anna Bullen The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

By the French Symbolist artist MAURICE DENIS (1870-1943), this is a remarque proof on Chine Volant paper, edition of 260, from the year 1939. The print, Cailler #169 in the definitive catalogue raisonne of Denis' prints, is from the "Five Poems" by Francis Thompson...

This is a lithograph of a partially nude, seated young woman, 20" by 17 1/4" (30" by 27 1/2" as framed), signed in pencil at lower right and numbered 244/300 at lower left, by the noted 20th century American artist RAPHAEL SOYER (1899-1987). Soyer, one of several brothers (the others being Isaac and Moses) who became significant figures in American art during the WPA and mid century period, became known for his sensitive studies of human figures in urban settings and interiors...

Large format Japanese limited edition woodblock print depicting a path through traditional buildings titled in kanji at the lower left "Kashiwabara" (station 60) from the series "Kisokaido" by Katsuyuki Nishijima (b. 1945). Pencil-signed and with the artist's red seal at the lower right margin. Numbered 1/500 at the lower right margin corner. "Kisokaido" is printed in kanji at the center of the bottom margin. Paper size 14 3/4" x 20 3/4" (image: 12 3/8" x 18 3/8")...

One of a number of Whistler lithographs I am offering: "Portrait of Stephane Mallarme", 1892-93, measuring 3 1/2" by 2 3/4", mounted with hinges at top corners and in a protective sleeve. A label of Davidson Galleries, Seattle remains with the print. There are several condition issues. There is a jagged paper tear of about 1" at upper left, extending roughly down the level of his ear, though, well to the left of it, in the unprinted area...

"William Hogarth" The March to Finchley The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inche...

For Collectors: Edward Lear "PARROTS". The complete 42 hand-colored lithograph plates (EXTRA LARGE) of the Family of Psittacidae. Top condition and suitable for 42 individual framings! Solinas, Francesco; Willmann, Solphia. Text Book in English, German and French. Price indicated does not include shipping.

A most interesting Mid-Century multiple: a "cast stencil", three dimensional print featuring a grid pattern of roughly rectangular shapes, signed at lower right in pencil and numbered 10/75 in pencil at lower left by noted Arkansas-associated artist PAUL MAXWELL (1925-2015). This is a typical image by the artist and sculptor. The online Encyclopedia of Arkansas History and Culture provides considerable detail about Maxwell's life and art, and much of the following information comes from that ...

A color print of the year 1932, issued by Frost and Reed of Bristol and London, titled "Going Out at Epsom", after a painting by the famous English equestrian artist ALFRED JAMES MUNNINGS (1878-1959), measuring 20" by 19 3/4" inside the existing linen mat and 31" by 30 1/2" in the wood framing. The print is NOT pencil signed. Munnings is perhaps the pre-eminent painter of all things horses, at least among 20th century artists. Oils have exceeded three million dollars at auctions of sporting a...

A rare etching of one of New York area's bridges, depicted in an interesting phase of its construction, pencil signed by American etcher artist RALPH PEARSON (1883-1958). The work measures 10 3/4" by 15 1/4" inside the mat and 17 1/2" by 21" as framed. The artist titled it at lower left "#69 Hell Gate Bridge" and inscribed it in pencil at lower margin "To Harold Swartz--Artist". (Harold Swartz appears to refer to the Los Angeles/New Mexico sculptor, born 1887, died 1948). The print is signed...

This is a work which reflects the skills of not one, but two, highly talented European artists. A large original oil painting of 1894 by famed French painter HENRI TOULOUSE-LAUTREC (1864-1901) was titled "Au Salon de la Rue des Moulins"; it showed a brothel scene in Paris with the Madame and her eager charges. Long after that artist's death, in fact decades later, it was decided to employ the talented Egyptian-French artist and lithographer LAURENT MARCEL SALINAS (1913-2010) to create a limite...

A circa 1930 colorful, beautiful, accomplished woodblock print of a Christmas cactus, by Austrian-born artist HUGO NOSKE (1886-1960). Noske was born in Vienna and was a very talented artist, perhaps best known today for the technically accomplished, wonderful woodblock prints of floral subjects, often specifically cacti or Christmas cacti, on tissue-like Japan paper. This is one of those prints. Measurements are 12" by 13 1/8". The highly delicate paper is NOT laid down, just taped at upper...

Original antique 16th Century woodcut Engraving by Virgil Solis C.1550 signed with monogram lower left. Text on versoImage measures 4.25" x 3" Presented Matted and framed overall size 7" x 9". Bio. Virgil Solis or Virgilius Solis (1514 – 1 August 1562), a member of a prolific family of artists, was a German draughtsman and printmaker in engraving, etching and woodcut who worked in his native city of Nuremberg. Solis’ early drawing style employed strong outlines and simple hatching and h...