Scarce print, "Coal--Mahanoy City--The Main Street", so titled and pencil signed by the artist, Joseph Pennell, in the lower margin, with notation "Trial Proof" at lower left. This is a scene of a gritty small town in east-central Pennsylvania's anthracite coal belt, Mahanoy City, about 50 miles northwest of Reading. The total edition is said to have been 50 impressions...

This is an original etching, 11" by 16 1/2" (17" by 21" as framed), by American artist Kerr Eby (1889-1946). The title of the work is "Cattle Ford", and it was executed in 1945, in an edition of 100 apparently. Eby was born in Tokyo to Canadian missionaries but was in the United States by age 3. At 18 he went to New York City for art education, working for a lithographic firm to enhance his financial situation, gaining valuable experience that served him well later in life...

A pair of fine lithograph prints on Arches paper, from an edition of 300 examples, signed in the plate, printed in 1966 in Paris by Andre Sauret for Mourlot Freres. The prints are from a set of twelve images that were used as illustrations in the book "Stempeniou" by Cholen Aleikhem. The major Jewish-Ukrainian artist, EMANUEL MANE-KATZ (1894-1962) began working on the project in Geneva in 1958, at which time he created the gouaches on which the prints were later based...

This is an antique photograph of earlier days on Charlotte Street, in the very historic town of Saint Augustine, Florida (which dates to 1565). For a long time I suspected this was Saint Augustine but recently I saw another example of this photograph, and in the margin it was titled "Charlotte Street, Saint Augustine". Charlotte Street is a block in from the ocean front road, in the old center of the town...

Original Currier and Ives lithograph print "The Straw-Yard, Winter", 12 3/4" by 15 1/2" inside the overmat, 20" by 22 1/2" as framed, the subject quite desirable: a white horse, a dark brown horse in the center, surrounded by a veritable menagerie of a winter barnyard in the country, including contented pigs eating their turnips at left, ducks and pigeons pecking away underneath and around the horses, and a pigeon even perched on a snowy fence post, face to face with the white horse, as other h...

Wood engraving on paper, 11" by 15 3/4", 15 1/2" by 20 1/2" framed,titled at bottom "HOME FROM THE WAR", by the famed American artist WINSLOW HOMER (1836-1910). The image was published on June 13, 1863. This is a classic example of Homer's Civil War period wood engravings in Harper's Weekly newspaper, which was one of the most avidly followed periodicals in a now unimaginable age when electronic media did not exist...

Lithograph on paper, 13 1/4" by 18" inside the mat (20" by 24 1/4" as framed), signed "J Floch" at lower left and numbered "19/50", the subject an interior with two female figures, a table and window at right. This is a beautifully drawn work, showcasing the talents of this artist in lithography. His prints and drawings (see one in my shop) are quite affordable, while paintings have brought to the $80,000 area at auction in Europe and America...

Original eighteenth century engraving by the famous artist GIOVANNI BATTISTA PIRANESI (1720-1778), titled "Veduta interna di una delle tre sale sepulcrale credute della Famiglia di Augusto". This is a classic print by the undisputed master of architectural views, the sheet measuring 19 5/8" by 22 3/4". Condition is fair with old oxidation, foxing, and stains in the extreme lower corners, and, the piece has the normal center fold. More photos on request.

A contrasty, dramatic lithograph of a man's head, modernist artistic liberties apparent in the design, 15" by 11 1/4" inside the present mat (sheet 16 3/4" by 13 3/4"), as framed 24" by 18 1/2", signed in the plate and again in pencil at lower left center by the noted Chicago-associated twentieth century artist WILLIAM SAMUEL SCHWARTZ (1896-1977)...

An example of the 1969 lithograph print, titled variously as "Mascara", ("Mask"), numbered in lower left margin 73/250 and pencil signed at lower right, by the famous Mexican 20th century muralist artist DAVID ALFARO SIQUEIROS (1896-1974). This lithograph was printed by Mourlot in Paris. Siqueiros is considered one of the three giants of Mexican twentieth century art, alongside Diego Rivera and Jose Clemente Orozco...

A small etching of a bearded, religious Jewish man, a title at bottom of the image in Hebrew characters translating approximately as "to good year you shall be written"---for Rosh Hashanah, the Jewish new year. The print is pencil signed at lower right by the noted, well-listed American artist LEONARD BASKIN (1922-2000). Baskin was born in New Jersey and educated at Yale, where he founded a small fine books press...

This is a 1981 color poster issued by Tally Richards Gallery of Contemporary Art, Taos, New Mexico, pencil signed at center right (green area) and dedicated "For Debbie" at left, by the famous Native American contemporary artist FRITZ SCHOLDER (1937-2005). Scholder was arguably the best known and influential Native American artist of the second half of the twentieth century...

This is an example of one of the more desirable and scarce Currier and Ives images, the "Skating Scene--Moonlight" of the year 1868, the image measuring 7 3/4" by 12 7/16", the sheet a somewhat irregularly cut 9 1/4" by 13 7/16"...

Irving Amen's works are most commonly prints, as he is considered a master print maker in woodblock, etching, lithography and silk screen; this example appears to be etching or etching with aquatint. He also executed oils and acrylics in the course of a long career. This work, titled at lower left in pencil "Tenderness" and numbered there 89/200 examples, is signed in pencil at lower right. The print measures 18 3/8" by 12 1/4" inside the mat (23 1/2" by 17 1/2" as framed)...

A fine aquatint print circa 1930's, the subject one of the famous canals of old Bruges, Belgium, pencil signed at lower right margin by French artist FREDERIC LOUIS LEVE (1877-1968), and numbered in pencil 86 at lower left margin, where there is a blind stamp in the paper. Leve was a painter in oil and watercolor but is most widely known for his skill in aquatint, a form of etching which lends itself to creating prints that look very much like watercolor...

Lithograph on paper, the sheet 19 1/4" by 25 3/4", signed in pencil at lower right and numbered 156/275 at lower left, by important 20th century Spanish artist EMILIO GRAU-SALA (1911-1975). This is an example of the accomplished lithography of this major European artist, the paintings of whom command well into five figures at auctions in Europe and the USA. The subject is a young red-haired girl holding her Japanese kimono-clad doll, at a table covered by a complex decorative cloth, the table la...

A fine, early print, (16 3/4" by 13 1/2" in its simple black framing), is titled in the lower left margin "Pennsylvania Quaker", numbered nearby 32/50 and signed at lower right margin in pencil by the noted American artist, PETER HURD (1904-1984). This lithograph dates to 1936, when the artist was only in his early thirties. Hurd was born in New Mexico and attended military academy there before realizing he wanted to become an artist. He studied in the east at the Pennsylvania Academy of Fine...

A highly decorative item that will be certain to gather attention, an original 1896 lithograph by the father of Art Nouveau and giant of the Belle Epoque in Europe, Czech artist ALPHONSE MUCHA (1860-1939). The work will appeal to collectors looking for a purely decorative addition to their home or office, as the print at some time in the past was laid down on foamboard and also radically trimmed to the custom shape now outlined by the light blue inner mat. A tasteful outer linen mat was then s...

**(TWO EXAMPLES OF THIS PARTICULAR PRINT AVAILABLE)**one of a number of Flint signed color prints in my inventory**, this is a fresh and clean example of the 1967 print "Interlude", one of an edition of only 850 examples, signed in pencil at lower right and bearing the characteristic embossed blindstamp in lower left margin, and, in the image, "F & R (Frost and Reed) and "1967" at lower left. The print measures 13 1/2" by 22 1/2" inside the fancy hand decorated mat and (24" by 33 3/4" as fra...

A vintage etching of Sacre Coeur church in Montmartre district of Paris, circa 1945, pencil signed by the artist at lower right margin and bearing his red stamp at lower left margin. The unframed print measures 17 1/2" by 12 1/4". Paper is heavily browned with age, though evenly so; there is some discoloration in margins, and lower left corner is a bit bent. Frame with fresh mat and the margin issues disappear and you have a solid etching of Sacre Coeur. Dufour was known for his landscapes a...

Pencil signed at lower right and bearing "Artist's Proof" at lower left is this etching, 10 3/4" by 8 1/2" inside the mat, 18 3/4" by 15 3/4" as framed, by the noted late American artist JACK LEVINE (1915-2010). Levine, deceased in 2010 at the age of 95, will be remembered as an artist who bucked the modernism trends to pursue his own trail in social satire, caricature, and "Hebraism". He was born in Boston and was exposed to the grittier aspects of street life. These experiences ultimately c...

PAIR of pochoir (airbrush over stencil) prints, one titled "IRIS I", the other "IRIS II", the first numbered 123/250 and measuring 28 1/2" by 20" (36" by 27" framed), the other numbered 161/250 and measuring 30 3/4" by 22 1/2 in thin wood frame (no mat), both signed in pencil and dated at lower right 1980. These are works by the popular California-born Photo-Realist artist BRIAN DAVIS (1946-). Davis grew up in the San Fernando Valley of Los Angeles and has lived in Reno, Nevada. In the early ...

A naïve Americana print, "Bears Bears Bears", numbered 1348/1375, signed at lower right by noted highly collected American 20th century folk art artist JANE WOOSTER SCOTT (1920-). Jane Wooster Scott grew up in eastern Pennsylvania and was exposed as a youngster to the vivid Americana atmosphere that remained in the region into the 1940's. She moved west to hopefully become a movie star but ended up remaining in Los Angeles, though she returned to the east for inspiration. Scott originally copi...

Original etching on paper, pencil signed at lower right margin, titled on mat "Portuguese Fishermen", the subject the wharf at Provincetown, Massachusetts where the artist spent considerable time in the famous art colony. The work measures 3 3/4" by 5 1/4" inside the mat and 8" by 8 3/4" framed. This is by the noted American artist MORGAN DENNIS (1892-1960). Born in Boston, Dennis spent much of his life in Massachusetts, though he did live elsewhere including Key West, Florida. He became known...

A rare opportunity to own something once handled by one of America's most famous artists, THOMAS MORAN (1837-1926). Some years ago, one of his oils brought over $17 million at auction. His paintings of the American West and Long Island are highly sought after and he is considered an iconic American artist. Much more affordable yet relatively scarce are his handful of etching images, and chromolithographs after his work. This is the print "A Tower of Cortes" (sometimes spelled "Cortez") of th...

Titled at lower left "Seven Sisters", numbered lower center 54/180, and signed at lower right by the artist, this is a serigraph print consisting of a commonly seen motif of the Pacific Northwest Coast art, a stylized orca killer whale, surrounded by also stylized human faces. The artist is HEBER REECE (1955-) of the Tsimshian peoples of northern British Columbia, Canada. Reece was born near Bella Bella, B.C. For more than 30 years, he has been noted as a carver of masks, totem poles, and oth...

An etching on paper, 7 1/4" by 5 1/4" inside the mat, 12 1/2" by 9 3/4" framed, signed at lower right in pencil by well-known New Orleans artist EUGENE F. LOVING (1908-1971). The print is titled at lower left, "Bourbon Street Patio", and bears the artist's notation "Ed/100" at lower center. Loving was a familiar figure on the New Orleans art scene for decades, painting and executing prints as well. A teacher as well, he was something of a father figure of sorts to other artists in the region. Th...

A rare, finely crafted woodblock print in the Arts and Crafts style of the early 20th century, titled at lower left "Marigold", by German artist ILSE KOCH-AMBERG (1869-1934), measuring 6 1/2" by 6 1/2" in side the mat and 12 1/2" by 12" framed. The work features her monogram in the image, and is signed in pencil by the artist at lower right; in addition, the paper features a blind stamp including the word "Berlin" at lower left margin. The prints reminds greatly of the work of artist Gustave B...

An original panoramic photograph of San Francisco, circa 1950, the view appearing to be south and west from the Coit Tower at the top of Telegraph Hill. The photo is laid to a card. Measurements are 9 1/2" by 7" inside the existing mat and 16" by 13" in blond wood strip frame. The photo has come loose inside the frame. You might take the opportunity to re-frame with acid-free materials. An old Kearny Street, San Francisco framer's label remains on the backing. The brownish tint of the late...

By the noted American photographer ROBERT "Bob" WERLING (1946-), this is an original gelatin silver print photograph, titled "Thunderstorm", pencil signed at lower right margin by the artist photographer. The scene is of the high country in the American West, perhaps Colorado. Werling was born in San Francisco and very early in life showed artistic promise and drive. He graduated from the Brooks Institute of Photography in Santa Barbara, California and received instruction from no less than A...

An original poster issued circa 1970 by Marlborough Galleria, Rome, for an exhibition of the works of the late, noted American contemporary sculptress and painter BEVERLY PEPPER (1922-2020). The print is in elegant shades of brown graduating from lighter to darker as the eye looks down, with geometric shapes incorporated within, the entire print framed elegantly in what I believe to be rosewood. The piece measures 40" by 27" as framed behind Plexi. Color is rich and not faded. The camera ha...

By the hand of one of the masters of 20th century Japanese printmaking is this woodblock on paper, 14 1/4" by 19" (21 1/2 by 25 3/4" framed), signed in pencil at lower right by the artist within the image area, and bearing inscriptions in Japanese in the margin at lower left and lower right. The image is a traditional temple garden in winter, a light snow covering the lanterns and roof, and apparently wilted flowers killed by the cold unable to lift their heads. The print appears to be in exce...

A framed woodblock print by the hand of one of the masters of 20th century Japanese printmaking, 8 1/2" by 11 1/4" inside the existing mat, 15" by 18" framed, signed in pencil by the artist at lower right and numbered 43/120 at lower left margin in pencil. The image is of a nighttime snowfall in front of a traditional Japanese structure. Sekino was creating art before age 20. He knew Shiko Munakata, the famous printmaker, while still young, as they were from the same area. By 1932 Sekino was exh...

CHRISTO (1935-2020) in close collaboration with his late wife JEANNE-CLAUDE (1935-2009) is considered one of the most important "installation" artists of modern times. Born in Bulgaria, he was in Europe in 1957 and became an American citizen in 1973. Around the early 1970's he came to world attention with a fresh approach to art---creating new ways of seeing the familiar landscape. His projects, then (and still) controversial and thought to be outrageous, were ambitious and unprecedented. Pr...

A fine and colorful true lithograph, 15" by 20", (22 1/2" by 27" framed, no glass), with signature in the plate at lower right corner, of well-known, important German Expressionist artist FRANZ MARC (1880-1916). The print was produced circa 1960's evidently in a coffee table type book, but is considered now collectable in itself, several examples having appeared at auction. Marc was born in Munich to a traditional landscape and genre artist father. After some training at the Munich Academy th...

This is a work which reflects the skills of not one, but two, highly talented European artists. A large original oil painting of 1894 by famed French painter HENRI TOULOUSE-LAUTREC (1864-1901) was titled "Au Salon de la Rue des Moulins"; it showed a brothel scene in Paris with the Madame and her eager charges. Long after that artist's death, in fact decades later, it was decided to employ the talented Egyptian-French artist and lithographer LAURENT MARCEL SALINAS (1913-2010) to create a limite...

**SET OF 4** The French fashion and costume magazine "La Mode Illustree" operated from about 1859 through at least the 1920's, featuring the styles of the day. This is a set of four fine engravings, circa 1875 or 1880, judging from the fashion depicted. All are hand colored. Size as framed 15 1/2" by 12 3/4" (one without glass, which had shattered). The framing stained oak. The prints are very clean inside the mats. The one that I did view outside the frame had some edge damages and so forth, b...

Original serigraph by the well known and highly popular 20th century Russian-French artist ERTE (1892-1990), titled at bottom "Taurus", from the Zodiac Suite of the year 1982, numbered at lower left in pencil 32/350, and pencil signed at lower right by the artist. Size inside the mat/liner is 24 3/4" by 19 1/4" (34 1/4" by 29" in the black Art Deco style glossy framing (***UPDATE--possibly offered unframed currently; inquire***). This is from the edition of 350, plus Roman Numeral edition of 9...

This is a medium folio size (lithograph 12 5/8" by 15 1/2" inside the mat, the sheet " by ", and as framed 20" by 22 1/2") by famous American printmakers Currier and Ives. Judging from internet offerings of the image by major print dealers around the nation, the print is a popular one, although it is not among the so-called "Best 50". Note the horses, the ducks and pigeons, the turnips, and the hogs at left. All in all, this is a peaceful scene of another America in another century. This ex...

Wood engraving on paper, 16" by 21 3/8", 20" by 27 1/2" framed, titled at bottom "THE WAR FOR THE UNION 1862---A CAVALRY CHARGE.", by the famed American artist WINSLOW HOMER (1836-1910). Examination of the reverse side of the sheet reveals that the image was published on July 5, 1862. This is a classic example of Homer's Civil War period wood engravings in Harper's Weekly newspaper, which was one of the most avidly followed periodicals in a now unimaginable age when electronic media did not exis...

Etching, circa 1930, "Saleswomen", 5" by 6 1/8" inside the mat (12" by 14 3/4" as framed), pencil signed at lower right "Hayes Miller" and bearing "40 - prints" at lower right, by the important American artist and teacher, KENNETH HAYES MILLER (1876-1952). Hayes Miller was a familiar figure on the New York art circuit for decades. Although he was an accomplished painter and printmaker, he is perhaps best remembered today for the influence he wielded as a teacher. Many familiar names of mid ce...

A color lithograph print of the year 1937, signed in the plate, 13 1/2" by 10 1/2" (20 1/4" by 17 1/2" in wood frame, no mat), by the noted Spanish modern artist FRANCISCO BORES LOPEZ (1898-1972). The artist, more commonly known as Francisco Bores, was born in Madrid. He went to Paris and associated with the Surrealist movement, and became a friend of important artist Juan Gris. Bores is known for his abstracted figural, landscape and still life works, some of which achieved over $300,000 at ...

Lithograph on paper, 8 3/4" by 12 3/8" inside the mat, 13 3/4" by 17 3/4" as framed, by American artist STOW WENGENROTH (1905-1978), pencil signed at lower right by the artist. Titled "Woodland Ledge" (created 1960 in an edition of approximately 50 examples for associate members of the Print Makers Society of California), this is a typical work of Wengenroth, who is today best known for his fine lithography work consisting mostly of scenes of the Northeast coast from Long Island to Maine, and a...

After a watercolor drawing by the iconic, famous French modern artist PAUL CEZANNE (1839-1906) is this print best described as a pochoir, titled "La Cruche Verte", ("The Green Jug"), numbered at lower left 128/225. The print is affixed to a board on which the numeration is written in pencil. In a window in the mat below (and, not attached to that board---taped to the mat on the underside) is the title, description of the media used in the original drawing, measurements of that original, date o...

This is a landscape work by highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971). The print is signed in pencil at lower right and dated there 1937, when the artist was 48 years old, at mid-career. Nason was a Boston-born artist who by the late 1920's had taught himself the fine art of creating prints in the wood engraving process. This process was popular for illustrating books in the 19th century but by the twentieth it had fallen from favor. He revived the medium and truly exc...

Etching or aquatint in colors, 18 1/2" by 23" (28" by 31 1/2" as framed), titled at lower left margin "Les Vieux (???)" and signed at lower right margin by the noted French artist PAUL EMAIL LECOMTE (1877-1950). Lecomte was born to an artist father and an art-nourishing environment. After attending the Ecole des Beaux-Arts and study under Fernande Cormon, he went to work for the government. While in his 20's he began to exhibit annually at the Salon des Artistes Francais, where he won medals ...

THREE pencil signed etchings, all of orientalist subject matter including possible temples, mosques and bazaars, all unframed, by the Dutch artist MARIUS BAUER (1867-1932). Bauer was born in The Hague and died in Amsterdam but in his lifetime strayed far from the confines of the Netherlands, visiting the Middle East, India, Russia, North Africa and the Dutch East Indies. A precocious talent, he received art training at an early age. By age 21 he had already visited Istanbul in Turkey, an exper...

The famous large folio size Currier and Ives lithograph of 1864, "Winter in the Country" (sometimes referred to by its subtitle, "Getting Ice") is a very desirable image, and the original printing is very rare, highly coveted by collectors, and in 2002 with the late George Cohenour of Pennsylvania, Currier expert and publisher of a widely used price guide, that print is likely the most rare in the entire Currier and Ives production history. The present print will provide that desirable image, b...

Large folio size (19 1/2" by 24" inside the mat, 24 1/2" by 20" as framed) hand colored 19th century original vintage lithograph print (1867), titled at bottom "Horses at the Ford" by the iconic American print makers Currier and Ives. A great piece of Americana, this print is apparently rather scarce. Hand coloring in various shades of green, mostly, makes for a most attractive example. I have had an opportunity to examine this out of the frame. It exhibits normal browning, and there are old...

This is an original Currier and Ives lithograph print, frame opening 10" by 8" (total frame 14 1/2" by 12 1/2"), titled "Little Snowbird", from the 1860's, in a nineteenth century typical American walnut frame with gilt fillet. Unfortunately, this very old print has been damaged over the years, and it is now severely torn at top. The title portion and "Currier and Ives" are folded under, as are side portions. Therefore, the principal value of this item is the frame, and the print is a bonus....

A photographic print, apparently printed in Italy, featuring Harry Jackson's important sculpture of John Wayne on a horse, autographed and then dedicated "For my good friend Mert/All the best to you/Your friend/Harry/June 10, 1991/Cody Wyoming". HARRY JACKSON (1924-2011) was a western American artist for many decades, best known for his sculptures, some large or life-size, featuring cowboys, horses and indians. These western works commonly bring $50,000 to $100,000 at auction today, and they a...

Pencil signed color print, 1992, issued by Greenwich Workshop, numbered also in pencil 15856/48000, by the noted contemporary American western artist BEV DOOLITTLE (1947-). The print is titled "Eagle Heart" and shows a Native American Indian chief on a white horse in a carefully arranged late autumn landscape, the snow patches on the rocks, in shadow, shown as an electric blue color, the central subject standing out dramatically. Doolittle is said by some to be a "camouflage" artist, arranging...

Irving Amen's works are most commonly prints, as he is considered a master print maker in woodblock, etching, lithography and silk screen; this example appears to be etching or etching with aquatint. He also executed oils and acrylics in the course of a long career. This work, titled at lower left in pencil "Love & Peace" and numbered there 31/200 examples, is signed in pencil at lower right. The print measures 20 1/4" by 14 3/4" inside the mat (32" by 23" as framed). Note the colors---a blu...

Original lithograph print, "Six Baigneuses", circa 1925, 9 1/2" by 13 1/4" inside the mat, by the famous French modern artist RAOUL DUFY (1877-1953), the scene a number of female nudes swimming in a turbulent sea. The work, one of an edition of only 33 plus artist proofs, is pencil signed by Dufy at lower right. Raoul Dufy is a modern artist of considerable fame, his major works bringing well into six figures at major international auctions, Dufy was born in Le Havre. He was exposed early o...

By the highly important German impressionist and expressionist artist LOVIS CORINTH (1858-1925) is this rare lithograph of 1921/1922, "Die Markgrafin von Bayreuth" (translating as "Countess of Bayreuth"). The sheet measures 8" by 5" inside the mat opening, and 9" by 6" in total. This print is signed in pencil by the artist at lower right. Corinth is considered one of the giants of German 20th century art. One work has exceeded $1 million at auction and many have sold in the multiple hundreds ...

ONE OF TWO OF THIS SAME PRINT IN MY SHOP, lithograph print in elegant gray and white on black paper, 27" by 22", (and 33 1/2" by 27" in silvery modern frame), pencil signed at lower right, and numbered 5/100 at lower left. The title is "Daphne and Apollo", the imagery consisting of idealized male and female figures with leafy trees in the background, creating a most interesting and modern composition that looks almost like a "solarized" photo. Considering the complexity of this image, it is no w...

Etching of a lady removing her slipper, 6" by 7 3/4" inside the mat (13 1/2" by 14 1/2" framed, to be shipped with no glass), pencil signed at lower right margin by the noted French twentieth century master ANDRE DUNOYER DE SEGONZAC (1884-1974). This is a beautifully executed work , showing the artist's skill in draftsmanship and the graphic arts. Like many of his works, this image is suggestively erotic in nature. Dunoyer de Segonzac was exhibiting at the Salon d'Automne and the Salon des I...

Etching on paper, 6 1/8" by 9" inside the mat (13 1/8" by 15 1/2" as framed in attractive oak), the title "Emigrants on the Plains", bearing at lower left margin "F.O.C. Darley, fecit." and at lower center "Entered according to act of Congress, A.D. 1869, by D. Appleton & Co in the clerks' office of the district court for the southern district of N.Y.", and at lower right "H.B. Hall, Jr. sc.". This is an extremely clean and fresh example of this well known print by an artist called one of A...

Pencil signed at lower right, numbered 201/250 at lower left, is this circa 1975 modern print by the noted listed Israeli-born (Haifa), French artist who also worked in America, NISSAN ENGEL (1931-). The work measures 20" by 15" in its silvery metallic framing. The colors do not seem to be faded, though there is rippling in the paper visible in most of the margins, likely from exposure to a damp environment. There is no mold however. Engel is known for his mixed media technique, including co...

For the Norman Rockwell fan who can't quite swing a real drawing or painting, (a painting brought a record $22 million at New York auction in 2014), this is most definitely the next best thing.....a PENCIL SIGNED BY THE ARTIST limited edition print, numbered 55/200. This image was created by one of America's best known and best loved illustrators for the cover of the Saturday Evening Post edition of October 4, 1919. The print was produced in the mid 1970's in an edition of 200 with, I believe,...