Charles Mielatz, American, 1864-1919, "Dewey Triumphal Arch," This elegant and detailed etching by Charles Mielatz measures 14 3/4 x 10 7/8 inches. Created in 1899 in NYC it depicts the American Naval Arch on the corner of 5th Avenue and 23rd Street. It is plate signed and dated and also pencil signed. On the lower margin is a pencil sketch of a US Navy battleship. A publishers identification mark is located on the back of this framed piece...

Unique photographic abstraction by California artist and lithographer, Victor von Pribosic [1909 - 1959]

Created in the 1940's, this image measures app. 13 1/2" x 16 1/2".

Condition - excellent.

Matted and shrink wrapped.

Warren Davis, American, 1865-1928, "Naiad". This is a very fine etching by Warren Davis, image size 7 3/4 x 5 3/4 inches, printed in an edition of 150, signed within the plate, with the title and edition in pencil below the image. This etching is in pristine condition, printed on a cream colored watermarked Rives paper with ample margins...

Daniel Tretiak's Research Note 12 took a look back at Haku Maki's works from 1965 to 1970.

The bottom margin states this is 39/777 but did Maki really do that many and if so where are they? This is a late-in-life Maki print. Where did this idea come from? A sunflower! I know van Gogh did quite a few famous paintings depicting many sunflowers, all realistic paintings. The Japanese printmaker Tadashi Nakayama did many different takes on Sunflowers. These were realistic depictions. Nakayama did fewer...

A Fine Etching from the Early Texas Artist, Clara Caffrey Pancoast (1872-1959). Pancoast was a student of Jose Arpa and taught at the Art Colony in Alpine. Matt opening measures about 4 3/8" by 6 3/8", overall frame about 8 1/8" by 10 3/4".

Percival Gaskell, Etching, "In the Garden," This very fine impression with its deep rich tones measures 11 3/4 x 7 3/4 inches, c. 1930. Presented on cream wove paper, this original drypoint has wide margins with a sheet size of 15 1/2 x 10 1/4 inches and is pencil signed on the lower border. Born in England and educated in Cambridge, Gaskell studied art in London and Italy before studying under Sir Frank Short at the Royal College of Art.

The Portland Art Museum has very recently begun to put its holdings of prints of Haku Maki on its site. These cover a wide range of Maki art: from the very earliest days of his work until the 1980s. The listing is particularly exciting because it shows several very early prints I have never seen. These are shown in the first 3 images of this listing. At the beginning, Maki’s images were abstract, embossed and small editions...

In 1976 Haku Maki did his eight-volume San Mon Ban--a total of 96 different embossed images. These included many items Maki had just used, would use soon and used later. I first show images of two prints like those in San Mon Ban but slightly larger. Then two images of insects in San Mon Ban and then 4 images of insects long hidden in my archives--even to me. These might all be called Maki Lite...

A French Poster that belonged to the actress Greer Garson. This was lent to the College of Santa Fe for exhibition when Garson appeared in the production of Madwoman of Chaillot. On the back Garson has written the information, shown in photo. Measures about 16 1/2" by 23 3/4", frame overall about 17 1/2" by 24 3/4". Appears to be attached to backing. Nice Art Nouveau Style and interesting provenance.

Rare early original lithograph by Adolph Dehn (American, 1895-1968), circa 1930. Offered framed under glass. Pencil signed, dated, titled, and numbered 17/30. In very good condition (light paper toning, no foxing or other notable issues). Adolph Dehn was one of the most important American lithographers of the 20th century. (the white streaks on the photos are reflections on the glass.)

This wonderful print was a gift to Daniel Tretiak and me on the occasion of our wedding in June 1964.

Luigi Kasimir, Austrian, 1881-1962, "Grinzing, Vienna," Etching and aquatint in colors, image size 17 1/2 x 22 1/2, cat: Lorenz-23, pencil signed by the artist, framed.

Charles F. Daubigny, French, 1817-1878, "Le Gue," Etching and drypoint, image size 9 7/8 x 13 3/8 inches, 1865, IV/V, Melot D.118, printed at bottom margin "Daubigny Sculp." l.l., "Sarazin imp. Paris" l.r. and titled "Le Gue" l.c., framed. This was Daubignys' third contribution to the "Societe des Aquafortistes", also exhibited at the Exposition Universelle", the world's fair of 1867.

Q R T U V W X Y (*) Z Poem T is a distant Predecessor of image 10 Most if not all the prints in this series were sold through Red Lantern Gallery in Kyoto. missing J K L M N O - other than G and S. U is clearly a predecessor of Poem 59-55

In the mid-1960s, Haku Maki was firmly launching his career as an important Japanese print maker. He did a series of prints of which a long and key series was the Alphabet A – Z. In turn, the Alphabet was the first series of what came to be many series of prints, all of which Maki called the Poem series. Prints in the Poem series continued to be produced until 1972. He produced all of the Alphabet in 1966 or part of it in that year and part in the next...

Early and rarely encountered oversized Japanese limited edition sosaku hanga “kappa-ban” (stencil print) by Yoshitoshi Mori (1898-1992) depicting tradesmen. The print is pencil-signed “Yoshitoshi Mori” at the lower right, dated ’68, and numbered 28/60. The artist’s red seal is above the signature. The paper measures 26 1/2”V x 21 1/2”H. The print is in good overall condition. The portion of the paper edge that was previously covered by a mat is very sightly darker...

Alphonse Legros, French, 1837-1911, "Le Voyageur a l'Abri," Etching and aquatint, image size 9 3/8 x 6 1/4 inches, Bliss 83, pencil signed, l.r "A. Legros", laid watermark paper, collectors stamp.