Oil on canvas painting of incoming waves, painted in an impressionist manner, 15 1/2" by 23 1/2" (19 3/4" by 28" framed) signed at lower left and dated 1906 by listed Danish artist VIGGO LAURITZ HELSTED (1861-1926). This is a pleasing scene and quite typical of the artist's work. He was known for coastal and marine paintings as well as landscape in Denmark...

Fine old painting of a young woman in a most distinctive red-striped dress, signed at lower right by American artist REVINGTON ARTHUR (1908-1986). This painting has composition, a great palette and blond light, and a modernist feel. It stands in contrast to much of his work, which was executed in rather dark colors. The artist was a student of George Luks, Arshile Gorky, and Kimon Nicolaides...

Pastel on paper, 20" by 25" and silvery frame 3 3/4" wide on a side, the subject a schnauzer dog in an arid mountain landscape possibly in the Palm Springs, California area. The drawing is by an artist skilled in the use of pastel. JOSEPHINE CRUMRINE (1917-2005) of Alaska was perhaps best known for her work depicting Eskimos and other familiar Alaska themes such as sled for the menus of the Alaska Steamship Company, but she also experimented with other subject matter...

PAIR of original drawings of a traditionally dressed Moroccan man and woman, executed in pastel, each 10" by 7 3/4" (16 1/2" by 14 1/4" as framed), each signed by the noted American artist LOUIS J. ENDRES (1896-1989) and bearing the notation "Maroc". Endres hailed from Cincinnati and studied with Frank Duveneck. By his late 20's he was to be found in North Africa, in Morocco, where he found a wealth of artistic subject matter that continued to engage him throughout his life...

Circa 1840's watercolor on paper (not likely later than 1860), apparently unsigned, 16 1/4" by 10 1/2" (25" by 20 1/2" as framed), showing a classic European tower above an arched stone bridge in a city, several figures in period clothing going about their daily lives. This is in amazingly fresh condition, with vibrant fresh color and a minimum of foxing...

Vintage circa 1880's oil on canvas, 20" by 14" and 1" wide old dark oak simple frame, likely the original, signed at lower right side with the typical conjoined "MStraus" signature of well listed Northern California artist MEYER STRAUS (1831-1905). Straus was born in southern Germany, and was in the US by 1848. He traveled the southern states, including New Orleans and Mobile areas, as well as Ohio and Illinois...

This is a fresh and clean example of the 1956 print "The Four Sisters, Chazalet", one of an edition of only 675 examples, signed in pencil at lower right and bearing an characteristic embossed blind stamp and, in the image, (copyright symbol) "F & R (Frost and Reed) at lower left. The print measures 18" by 24" (26 1/2" by 32" as framed). According to information on the net, Chazalet is a small medieval period town in central France near the famed ceramics town of Limoges...

Unusually large detailed engraving, 31 1/4" by 20 1/8", laid down on board, of Christ coming down off the Cross, this example engraved by Nicolaus Dorigny (1657-1776), and possibly after Daniel Ricciarelli (1509-1566), in turn after a painting by Raphael. The work is dated 1720 at lower left. There's a lot of text in Latin at bottom, and a close look reveals the names of the two above artists...

PAIR of watercolor on paper paintings, each 14 1/2" by 10 3/4" inside the satin mat, 23" by 19" as identically framed in goldish vintage frames with ornate tops, each signed by the California artist and fashion illustrator ESTHER WYNN, who passed away in 1990 according to recent information acquired from relatives. There is presently no askart listing for this artist but that could change. Wynn was a talented illustrator, often, of fashion design, and created designs for cards as well...

Oil on canvas of a clapboard cottage by a lake in spring, 18" by 24" with 3" frame, signed at lower left "J.C. FRANCES". I do not see a listing for the artist but he or she was obviously at the very least familiar with the paintings of Henry Pember Smith (1854-1907) and George W. Drew (1875-1968), who painted eerily similar scenes. This painting shows a gambrel roofed cottage with blooming pink blossomed trees and ducks----an idyllic spring idyll in New England or New York state perhaps...

This is a hand colored lithograph of the species Petroica Goodenovii (the Red-capped Robin, of central and southern Australia), drawn by the famous 19th century English naturalist, ornithologist and natural history illustrator JOHN GOULD, the lithographic plate produced by his assistant Henry Constantine Richter (1821-1902)...

Gouache on board painting, 10" by 16" image with 1" margins, unframed, signed at lower left by well-listed, often-auctioned California artist HARRY CASSIE BEST (1863-1936), the work featuring an unusual subject for the artist, an Italian scene---the Bay of Naples with Vesuvius in the distance. I do no see any information regarding Best having made any trips to Italy, so this could be a work resulting from the artist's having seen prints or original works depicting the famous Italian vista...

Watercolor and gouache painting on paper of a wooden house surrounded by trees and shrubs, 11" by 14" inside the mat (16" by 20" as framed), signed at lower left "N...

Painting on board, 18" by 20" (24" by 28" as framed), signed at lower right "BIZLEY" (artist RICHARD BIZLEY, 1959-, of Dorset, England). Auctions of items relating to natural history are seeing intense interest from museums and individuals, and record prices are set regularly. This highly detailed and imaginative work (**ONE OF TWO NOW IN MY SHOP BY THIS ARTIST**) brings the viewer to the Jurassic period (206 to 144 million years ago) with its depth and imagery. A bizarre, horned dinosaur is fee...

This is a very decorative item of impressive size for your Southwest style home: a gouache painting on cloth, roughly square at 30 1/8" by 30 7/8" plus about 3 1/2" on a side of frame and undermat......no signature that I can see but it reminds me of the popular "yeibichai" weavings of the Navajo and Hopi Southwest. The condition is excellent and this is ready for the wall. Allow for reflections in the glass.

Watercolor on paper, 8 1/4" by 3 7/8", (14 1/4" by 9 1/2" as framed), apparently unsigned, circa late nineteenth century (1890's), showing the famous Piazza San Marco in Venice. This is a highly detailed little painting; note the young lady and her mother at left foreground, feeding the pigeons, and the dapper man at left with his cane and top hat; and the ornate streetlights at right. Most likely this was a piece executed for the tourist souvenir trade, Venice being on the Grand Tour trail. ...

Ink on paper, double-sided drawing of cowboys and their horses, 7 7/8" by 10 1/4" inside the present mat (13" by 16" as framed), unsigned, but acquired in Yucca Valley from close friends of the artist who obtained much of his work after his 2005 passing. This is a vigorous and spontaneous work by an obviously very talented artist of the American west. Colt's works have been sold at Bonhams auctions of California art, and Santa Fe dealers offer his work alongside the best of western artists. T...

Oil on canvas, 12" by 16" (17" by 21" as framed---and likely original frame), signed at lower right by popular listed California artist HERBERT SARTELLE (1885-1955). This is a classic autumn scene of large trees and a lake with distant mountains, executed in Sartelle's unique impressionistic style. The painting probably dates to the 1940s or 1950s. It is in generally good condition, with the typical large cracking seen in a number of his paintings, (visible especially in the sky---see photo)....

Watercolor on heavy paper, 19" by 15 1/4" (28" by 24" as framed), the subject a California quail perched on a bleached snag in a vaguely defined, arid looking mountain landscape. The work is signed at lower right "MUGGS VAN SANT", and is not dated. The artist is MUGGS VAN SANT (1898-1964); apparently he was an athlete in track and football at UC Berkeley, circa 1930, and there is a reference to him, important California watercolor artist Millard Sheets and others relaxing and painting at a Kon...

Oil or acrylic on board, large and impressive wall-filling size at 33 1/2" by 45" (41 1/2" by 53" as framed), in a very contemporary style incorporating the complex geometric small squares repeating patterns of artist Robert Natkin, with the addition of various swirls and carefully placed parallel lines. The artist was surely familiar with Natkin's work. The work is signed in one corner GOLYAR----I do not see a listing by this name or any other information online corresponding to an artist of th...

Oil on canvasboard, 16" by 20" (19" by 23" in its simple wood frame), the subject Motif #1 in iconic Rockport, Massachusetts harbor at the tip of artists' paradise Cape Ann, circa 1950's or 1960's, signed at lower right by the artist. This is rather typical subject matter for Garabedian, who worked on the north shore, in Maine, and even away from the coastal areas, always painting in an impressionistic hand. This painting has lots going on: the famous red shack itself, a number of boats, seve...

Oil on canvas of a verdant, flower-filled sunny courtyard, 16" by 20" and 1 1/2" wide frame, inscribed at lower left "Para Antonio y Cuca" and signed by the artist CARLOS S. SIEGER and dated 1945. I have researched the name online and elsewhere and cannot seem to come up with a listing, though the artist was skilled. I purchased this art in Miami Beach, so a Latin American origin is probable. The painting has a two inch split in the taut, thin canvas at lower right, hidden in the foliage, and...

Lithograph on paper, 22 1/4" by 25 7/8" inside the mat (30" by 23" as framed), signed in pencil at lower right and numbered 47/180 at lower left, by important 20th century Spanish artist EMILIO GRAU-SALA (1911-1975). This is an apparently clean example (not examined out of frame) of the lithography of this major European artist, the paintings of whom command well into five figures at auctions in Europe and the USA. The subject is a Parisian looking park, with a number of children and their pa...

Gouache on paper, 16 1/2" by 10 3/4" and 4" on a side mat/frame, signed at lower left in Cyrillic with the possible name "Dreber" or "Dreiber" or "Dreyber", and dated 22 November 1974. This carefully crafted drawing of fuchsia and a tulip-shaped bloom reminds me of early American folk art Americana like Pennsylvania fraktur.......but, this is Russian! Condition is excellent with just slight mottling of a leaf... I think this could be just the artist's handling of the paint. A colorful and che...

Gouache on paper or paper on board, 6 1/8" by 7 3/8" and 1 3/8" frame, (14" by 15" overall as framed), signed at lower left "Bud" DUNCAN, no date but likely executed circa 1940. This is skillfully executed, in high key colors of pink, yellow, and violet shades. There are some condition issues; a 1" hairline diagonal surface abrasion in sky at center, and several punctures/pressure cracks from the reverse through to the drawing at left and top, and in the busy sage clumps at right . Frame has s...

Large oil on canvas, 30" by 36", 40" by 46" as framed , signed at lower right and dated "11" by listed American artist R.A. KISSACK (Robert A. Kissack, 1878-?). This painting seems to draw some of its inspiration from the famous work of Whistler's Mother....with the profile view, and the simple background, which consists here of a Japanese style framed print at upper left and a slag glass type early century lamp. The lamp and dim interior also lends an Arts and Crafts feeling. The St. Louis-born...

Here's an unusual item, a painting on white milk glass, in oil, measuring 5 1/2" by 7 1/2" and 8" by 10" as framed. The somewhat folk art feeling work is not signed. I would judge the age as anywhere from about 1880 to about 1920----a nautical type could probably date this more accurately by noting in which decade such a ship would have existed. Condition is good with minor paint losses from scratches and aging. However the small losses are not really noticeable at normal viewing distance. ...

Beautifully executed watercolor signed at lower left "DAVIES", of a male mallard in flight above a tawny field. Measurements 4 3/8" by 6 7/8" (11 3/8" by 13 1/2" as framed). I see there are a few listed Davies artists but am not sure that this is one of them. If you like wildlife and sporting art or are a member of Ducks Unlimited, you will like this little painting! .

Large oil on high quality canvas painting, 38" by 48", not signed on front but on reverse on stretcher is written "B Ingram", probably executed in the 1960's or early 1970's. The artist clearly had a knowledge of the surrealist works of the important Chilean modern artist Roberto Echaurren Matta, whose major oils greatly resemble the image in this painting. The more one looks at this work the more complexity, movement and three dimensional depth one sees. Condition is excellent. There is a t...

Oil on canvas or board behind glass (not examined out of frame), 15 1/2" by 21 1/2" (25" by 31" as framed), signed at lower left, and inscribed there "Bettys-y-Coed" (not dated). This is a well known and picturesque part of Wales, an area that attracted many artists in the 19th and early 20th century. The artist may possibly be the listed EDWARD or EDWIN Masters. The works of those artists have sold at Christie's South Kensington auctions in London. Condition is good as it has been protected...

Ideal addition to kitchen or pantry area, a well-painted little still life of green and yellow zucchini squash, and an onion, 7 1/2" by 11 1/4" inside the linen mat, 11" by 15" framed, signed on the back of the canvas "Duffy '95". The framer's label is from Chicago so our artist may have been from Illinois. This is a decorative work and the skill of the artist is obvious. There is light wear to the frame. I had to open up the backing to find the signature and date.

Pen and ink on paper drawing of three nude women in an interior, 10 1/2" by 7 1/4" inside the mat (18" by 14" as framed), signed at lower right "Michonze" and dated there "58". This is a work of the talented, interesting artist GREGOIRE MICHONZE (known early in life as Michonznic). The artist has displayed his mastery of line as his flickering pen created a work that is possibly a study but which is complete in and of itself. Michonze was born in present-day Moldova of Jewish heritage and in ...

An original very detailed watercolor drawing of a man who looks to be a commoner, drawn on paper laid on thin card or directly on card, 7 3/4" by 4 1/8" (14" by 11" in modern frame), signed at bottom with the distinctive signature of mid 19th century renowned academic painter and draftsman JEAN LOUIS-ERNST MEISSONIER (1815-1891). The drawing is finely crafted, the lone figure vignetted, the background empty. Meissonier was famous in Europe in his day, that fame buying a lavish lifestyle. His ...

This is a fine drawing in charcoal on sketch book paper (see the perforation holes at left), 8 3/4" by 11 3/4", signed at lower right by California and Massachusetts listed artist DAISY MARGUERITE HUGHES (1882-1968). Hughes was born and died in Los Angeles but in between she spent much time in the Provincetown art colony on Cape Cod. Considering the subject matter of this drawing, I would think it likely that this is a scene somewhere on the Cape, an image of one of the quiet estuaries, tidal...

Watercolor and pastel mixed media work on paper, 23 3/4" by 17 1/2" (28" by 21 1/4" framed), the subject a mother and her child in a northern European traditional interior (probably Dutch, judging from the wooden shoes and other details), the work signed at lower left "P. Doering" (PAUL DOERING 1864-1947). The artist is most closely associated with sunny California, to which he emigrated in 1910 from Germany, but his commonly encountered works are of people in humble interiors, going about thei...

Original black and white photograph, circa 1930 to 1950, 13" by 10 1/4" inside the mat (20 1/2" by 16 1/2" as framed), bearing on the reverse of the photo the rubber stamp of mid century California photographer WILL CONNELL (1898-1961). The subject is a complex industrial machine, with lots of cables and wires, steel and wheels, and even some sparks coming from somewhere. At upper left center is a strategically placed human hand, lending some added interest to an already fascinating study of m...