A painting of the famous Andes mountain and lake resort of Bariloche in central Argentina, oil on canvas, 22" by 29", unframed, signed "MA" at lower right and "M. C. Alsina" on stretcher, circa 1960. The work is dusty and could benefit from a cleaning to remove foxing in the sky, and has some paint losses that can be easily restored (scratch at left and lower extreme corner). The deep blue of the sky against the gray of the mountains and lake makes for an elegant and satisfying color pairing...

Circa 1930's or 1940's oil on canvasboard painting of a cognac bottle on a table top, an apple, lemon and orange completing the composition, signed at lower right "Henri Martin". The work besides an impressionist almost Pointillist hand, possesses a certain modernity particularly in the handling of the background. The painting would brighten dramatically with a cleaning to remove the old varnish and soiling. Measurements are 20" by 16" and 31" by 26 1/2" in the heavy, classic, dark oak frame...

(Consignment). For the past 22 years, Massimo Righini has sculpted “STORIES IN STONE” and has exhibited them primarily in the Washington, DC, area at l’Enfant Galerie. His sculptures can be found in some 30 private collections in Italy, France, the UK, and the US...

(Consignment) For the past 22 years, Massimo Righini has sculpted “STORIES IN STONE” and has exhibited them primarily in the Washington, DC, area at l’Enfant Galerie. His sculptures can be found in some 30 private collections in Italy, France, the UK, and the US...

(Consignment). For the past 22 years, Massimo Righini has sculpted “STORIES IN STONE” and has exhibited them primarily in the Washington, DC, area at l’Enfant Galerie. His sculptures can be found in some 30 private collections in Italy, France, the UK, and the US...

(Consignment). For the past 22 years, Massimo Righini has sculpted “STORIES IN STONE” and has exhibited them primarily in the Washington, DC, area at l’Enfant Galerie...

(Consignment). For the past 22 years, Massimo Righini has sculpted “STORIES IN STONE” and has exhibited them primarily in the Washington, DC, area at l’Enfant Galerie...

(Consignment). For the past 22 years, Massimo Righini has sculpted “STORIES IN STONE” and has exhibited them primarily in the Washington, DC, area at l’Enfant Galerie...

(Consignment). For the past 22 years, Massimo Righini has sculpted “STORIES IN STONE” and has exhibited them primarily in the Washington, DC, area at l’Enfant Galerie...

(Consignment). For the past 22 years, Massimo Righini has sculpted “STORIES IN STONE” and has exhibited them primarily in the Washington, DC, area at l’Enfant Galerie...

(Consignment). For the past 22 years, Massimo Righini has sculpted “STORIES IN STONE” and has exhibited them primarily in the Washington, DC, area at l’Enfant Galerie...

(Consignment) For the past 22 years, Massimo Righini has sculpted “STORIES IN STONE” and has exhibited them primarily in the Washington, DC, area at l’Enfant Galerie...

(Consignment) For the past 22 years, Massimo Righini has sculpted “STORIES IN STONE” and has exhibited them primarily in the Washington, DC, area at l’Enfant Galerie...

(Consignment) For the past 22 years, Massimo Righini has sculpted “STORIES IN STONE” and has exhibited them primarily in the Washington, DC, area at l’Enfant Galerie...

Oil on canvas portrait of President Washington based on the painting done in 1804 by Gilbert Stuart. This work is highly finished example of the style, and in our option, the School of Gilbert Stuart. Measuring 35” x 30” in an ornate Stuart period frame. We believe done in the 1820s CONSIGNMENT

(Consignment)Washington Plaster Sculpture After Houdon By P.P. CAPRONI Boston 30” In beautiful condition done circa 1890

A contemporary painting on canvas, unframed, 20" by 15 3/4", unframed, the theme seemingly an out-of-this-world painting of space and planets. Difficult to describe, but this sort of imagery is popular, similarsold along the Venice, California boardwalk and elsewhere by enterprising artists. Some of the white spatter seems to be sprayed on. Blue is the general color. Condition is excellent.

An oil on board painting of a harbor surrounded by old houses, 9 3/4" by 13 1/2" (13 3/4" by 17 3/4" framed), unsigned, circa 1950. The work is by a competent, trained artist and exhibits excellent impressionist technique. It seems to be of American origin as "Patent Pending" is stamped on the reverse of the board.