For the collector of early, 19th century California art, here is an east coast-style still life work, 10" by 14 1/2", unframed, signed at lower right "Bertie L Emery" and dated there 1892. The shallow dish holds oranges, grapes, a banana, and possibly slices of cake or bread, the dish resting on a white cloth, on an unseen tabletop. Interestingly for art history, Emery signs her first name as "Bertie"...

This painting is something of a mystery, in that it depicts a fantastic classic castle on a hill, obviously in the Old World, a donkey pulling a card in the foreground......yet, there is a modernity to the work, especially in the somewhat cubist handling of the lines of the architecture, but, also, there's modernity in the entire structure of the image. Painted on an old board, this measures 26" by 18" (30" by 22" in a modern frame). The painting is signed at lower right "M...

Watercolor on paper, unsigned, 9" by 5 1/2", (12 5/8" by 8 5/8" as framed), the subject a mansion's impressive doorway with Corinthian columns, hanging lantern, detailed cornices, balustraded balcony, and green shutters, with lush flowering plantings surrounding the entry. Unfortunately, this is unsigned. There are some framing notes on the reverse in old hand, including "Mrs. Buckingham", but there are no clues as to artist. The drawing was purchased in New England...

Found in southwestern New Hampshire is this charming drawing, 7 3/4" by 5 3/4" (9 5/8" by 7 3/8" framed), the subject a lady with a slight neoclassical profile, standing isolated against an extensive landscape. There's no signature nor other information but it would appear to be an American drawing dating to the 2nd quarter of the 19th century...

Watercolor on paper or paper laid on board, 15 1/2" by 23 3/4" (21 1/2" by 29 3/4" as framed without glass), the scene an old Dutch town on the ever-present water, small boats and hay barges tied up alongside the houses. It is signed at lower left "L. van Straten", which is a well-known pseudonym for the listed Dutch artist HERMANUS KOEKKOEK II (1836-1909), along with "J. van Couver"...

Lithograph with hand coloring and gum arabic highlighting in the leaves, from the Imperial folio quadrupeds series circa 1848, plate number 144, depicting three species of mole-like rats (Townsend's Arvicola, the sharp-nosed Arvicola, and the bank rat), by the important American naturalist artist and lithographer JOHN JAMES AUDUBON (1785-1851). Audubon was assisted by his son John Woodhouse Audubon, and the printing was by J. T. Bowen of Philadelphia...

Original drypoint etching printed in two colors by David B. Milne (Canada, 1882-1953). In excellent original condition. Pencil signed lower left. Circa 1929-1930. As issued in The Colophon, New York, 1931. David Milne is an important Canadian modernist.

Works by ALBERT HORATIO SLADE (1843-1922) are quite rare in the marketplace. The few that have come to auction feature coastal scenes of Los Angeles, San Diego and Ventura Counties. Prices of $8,000 and even $12,000 have been achieved on several larger works that are site-specific. Some are of great historical interest, as they document early buildings and communities. Slade was born in England and had a photography studio in Toronto, Canada by 1879. He was in San Diego by 1887...

Oil on canvas painting, 20" by 28" (24" by 32" framed), the subject a great clipper ship of the 19th century silhouetted against the setting sun (or dawn) on a calm sea. The painting is signed at lower left by the artist, William P. Lawrence and is dated below that either 1938 or 1928; difficult to discern. I don't see that he is a listed artist but obviously he was talented. The scene has a fine luminosity and clearly shows the painter's understanding of light and backlighting...

Etching in dark brownish-black ink, 14 3/8" by 10 1/2" inside the mat (19 3/4" by 15 1/2" as framed), the print numbered at lower left 37/100, while additionally signed and dated there as well in the plate, while titled in the plate "Notre Dame #2" at lower right. This is likely by an artist considered Canadian, CAROLINE HELENA WILKINSON ARMINGTON (1875-1939) rather than by American CAROLINE ARMINGTON (1898-1986), though records for the two seem to be hopelessly entangled...

Watercolor on paper drawing of a homey mid 19th century interior in America or England, measuring 9 1/8" by 11 5/8" as simply framed, the work signed "Sketch/Walter Richards" at lower right in white. This was probably preliminary art for a more finished drawing or painting by this well known freelance illustrator. The drawing contains a lot of detail for its modest size: five figures are about to eat soup from a cauldron at midday...

Etching on paper, 5 1/4" by 6 3/4" (10 1/4" by 14 3/8" as framed), the subject the old downtown of Sawbridgeworth, Hertfordshire, England, including a church and medieval buildings, by the important American printmaker JOHN TAYLOR ARMS JR. (1887-1953)...

Etching on paper, 10 1/2" by 13" and a narrow simple wood frame, the subject three generations of women by a 19th century style hearth in which a pot is boiling, the print signed in pencil at lower right by the artist EDWILL FISHER. I have looked extensively online and have found some other examples of his art, all graphic art, the subject matter including European scenes of castles and cities, and the American subjects including scenes on the Ohio River. Most the the works are dated 1930 and ...

This is a color aquatint, 9 7/8 by 12 7/8" as framed, the subject a monumental Paris building in the autumn twilight, (the Pantheon, I believe?), numbered at lower left 248 of 500 and signed at lower right in pencil by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991). Blondin was active in Paris in the post war years, painting and creating editions of prints which he numbered and hand signed. This example has not been examined outside the frame. I believe it lik...

This is a very nicely executed decorative impressionistic painting of a pond in spring within a groomed park-like setting, complete with mini-island with pagoda type rock formation, all surrounded by flowering springtime trees. There might even be orange koi fish in the pond. The painting, most likely American in origin, is oil on canvas laid on board. It is signed at lower right but I cannot seem to make it out. Size is 12" by 16", unframed. This being a "standard" size, you should be able...

Gouache on paper laid on board, 20" by 14 1/4", signed at top left and dated 1960 by the artist, RASIK DUGASHANKER RAVAL (1928-1980). This is a modernistic view of three Indian women, balancing pots on their heads, a goat grazing at lower left among their anklet draped feet. The artist's works have sold into five figures at Sotheby's auctions of contemporary and modern Indian art. His style is almost immediately recognizable, the figures usuall elongated in this manner and placed against a si...

Wood engraving on paper, unframed and in a shrink wrap sleeve, 14" by 9 1/4" inside the present mat, signed in the print at lower left and titled at bottom "Approach of the British Pirate Alabama", by the famed American artist WINSLOW HOMER (1836-1910). The well-known image was published on April 25, 1863. This is a classic example of Homer's Civil War period wood engravings in Harper's Bazaar newspaper, which was one of the most avidly followed periodicals in a now unimaginable age when elect...

Color offset print, 19" by 14 1/8" inside the present mat (30" by 22 1/4" as presently found without glass in simple metal modern frame), pencil signed at lower right, with notation "E.A." (epreuve d'artiste) at lower left, and signed again and dated '88 in the print itself. The subject is an idealized man in motion, with dynamic planes and shapes superimposed upon and behind the figure, creating a most interesting, complex, modern composition. It is no wonder that the artist, HANS ERNI (1909-...