A Japanese woodblock three-part print showing a festival by a river or lake with boats, people in the water, a review stand (?) and numerous people, some with banners. The signature is for Hiroshige III and the censor’s seals for 1855. The paper is laid. Each sheet is approx. 14 5/8 x 9 7/8 inches (35.5 x 25 cm).

Condition: good with one crease to the lower left corner of the middle sheet and bends from being corner mounted with photo corners. Otherwise clean and crisp...

A drawing with ink, pencil, watercolor and gouache on laid paper depicting a harbor scene very much in the manner of the French artist Claude Vernet (1714-1789). Perhaps there is a print source for this drawing. The work is signed in the lower right, “Tho. Ryves. 1770.” The most likely artist is either the father Thomas Ryves (1721-1788) or his son Thomas (born 1753) from the distinguished Dorset, England family...

A well-executed watercolor of a tightly grouped bouquet of flowers. This may be a theorem made with stencils, though this painting looks as if it was done freehand. Theorems were more often stenciled on velvet. The style is of the mid-19th century. It could be either American or English. The frame is a good one of that period. The painting was almost certainly in an oval frame originally and the slight shadow around it is evidence of that frame...

CUTE JIZO

Lovely little old wood carving Jizo Bosatsu arranged with a contemporary pottery zushi (miniature shrine)...

A nice watercolor portrait of a young man, probably in his mid-teens, signed, “Elinor M. Barnard/1933.” The young man with brown hair and eyes wearing an open necked white shirt leans into the picture plane with a sense of youthful eagerness. Elinor Barnard (1872-1942) was born and studied in the UK, but worked mostly in the USA, principally New York City. She has a relaxed and economical style. Sight size 16 3/8 by 12 ¼ inches. Overall with frame, 23 ¾ by 19 3/8 inches...

HANJI PAPER BAGS

Three contemporary Korean art pieces as shoppers made of cotton (handle part) and 'Hanji' (Traditional Korean handmade papers), made by the one of leading Hanji artisans, Park Sung-man. Black one is dyed by charcoal. White: approx. 50 x 26.5cm (19.68 x 10.43in), 35 x 22cm (13.77 x 8.66in). Black: approx...

This is the familiar classic black and white poster, titled "Aspens, Northern New Mexico, 1958", 37" by 25 1/2" in typically seen black metal strip frame, copyrighted 1981 by the Trustees of the Ansel Adams Publishing Rights trust, HAND SIGNED in marker below the text, by the famous American photographer ANSEL ADAMS (1902-1984). Adams and other photographers in the Rockies found aspen trees to be excellent subjects, with their white bark...

A highly decorative and good-sized painting on canvas of a vintage motorcycle, painted in a Pop Art style. The work is unsigned and probably dates to the past twenty years. It was painted by a competent artist with training. Unframed, the work measures 30" by 30". Will add an interesting twist to your contemporary interior. Very clean and wall-ready.

A beautifully painted watercolor titled on reverse backing "After the Storm/Point Vicente" painted in 1998 by the noted California illustrator artist BOB DOUGHTY (1924-2011). The subject is the lighthouse at Point Vicente not far from Long Beach and the Palos Verdes Peninsula. The 13" by 20" watercolor " (22 1/4" by 29" framed, behind Plexi) is in excellent, fresh condition, the colors vivid, though the mat should be replaced with a fresh one...

"William Hogarth" The March to Finchley The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

One of a number of Whistler lithographs I am offering: "Firelight: Joseph Pennell No. 1", 1896, sheet approximately measuring 13 3/4" by 10 1/4", currently in a mat, taped at top edge, though not laid down, unframed. Generally clean, with some imperfections along edges. Whistler created some 179 lithographs in his career, in addition to more graphic art as etchings, along with paintings, pastels, and watercolor. He remains one of the most famous of western artists, and is credited as the first ...

For the aficionado of equine art, this is a beautifully composed watercolor and ink drawing of polo horses and players, signed at lower right by listed Arizona woman artist ALICE LORD MARSHALL (1895-1993). The work measures 11 1/2" by 15 1/2" inside the mat and 18 1/2" by 23" as framed. I recently acquired this from her grandson, formerly of the Phoenix area, now living in Pacific Palisades, California. He recalled her a long-lived woman with deep ties to Arizona, despite her eastern roots in...

A PAIR of oil on canvas paintings, one featuring a large sprig of small white flowers and leaves, the other larger one a vessel on a table filled with and surrounded by violets. Both are signed at lower right in red "L. F. Haftzger", and the larger one has "1899" written on the reverse side of the canvas. Measurements are 12" by 17" (18" by 22 1/4" in dark stained oak frame), the other 8" by 15 1/2" (12 3/4" by 20 1/2" framed). I do not see a listing for an artist of this name. Both paintings...

A nicely executed large watercolor painting of a vase with lilies and cattails, on a table top with candlestick prop, the entire sheet 27" by 22 1/2" (31" by 27" framed), signed under the mat by listed American artist LONA MILLER KEPLINGER (1876-1956). The work has an Arts and Crafts feeling. Colors are rich and not sun faded. The artist was born in Indiana and is most closely associated with Maryland, where the 1930 census information shows her living in Bethesda. She was an instructor at t...

Oil on canvasboard landscape of Southern California including distant oil derricks, 12" by 16", unframed, not signed on front but on back signed and with artist address at the time in Sunland, CA, a Los Angeles suburb. The forest of oil wells could be in a place like Signal Hill, or Long Beach, near Huntington Beach, or, any number of other points in Southern California or the southern Central Valley west of Bakersfield. This is a work by the talented wife of another talented artist, Roy Brook...

Poem 70-19 is one of the fairly small group of deep blue prints that Maki made. This one is 5.75 in W x 8.5in H and created in 1970. It is in good condition, with some toning due to its once having been framed.

Color lithograph "Firebird", 26 1/2" by 19 1/2" inside the mat, (33 1/4" by 26" as framed), signed at lower left in pencil the typical manner, and penciled "E.A" (epreuve d'artiste---artist proof) at lower right, by the noted Mexican modern contemporary artist LEONARDO M. NIERMAN (1932-). Now well known and internationally collected, Nierman has been a prolific artist. Nierman's work is instantly recognizable; paintings are inspired by surrealism, with strange swirls, shapes and images. Works a...

A most interesting Mid-Century multiple: a "cast stencil", three dimensional print featuring a grid pattern of roughly rectangular shapes, signed at lower right in pencil and numbered 10/75 in pencil at lower left by noted Arkansas-associated artist PAUL MAXWELL (1925-2015). This is a typical image by the artist and sculptor. The online Encyclopedia of Arkansas History and Culture provides considerable detail about Maxwell's life and art, and much of the following information comes from that ...