Japanese Artist Sadanobu Hasegawa Woodblock titled “Kagamijishi” 11x15” vivid colors and fine framed

Manuel Robbe (French, 1872-1936)

Nocturne (ou Le Flirt)
[Merrill Chase, no. 63]*

Aquatint with etching in colors, circa 1906, on wove paper, signed in pencil in the image lower left...

This is an OIL ON CANVAS by the Artist: LEONARD WHITNEY. The SHIP UNDER FULL SAIL sight size is 21 3/4" X 25 1/2"; 25 3/4" X 29 3/4" Framed. From a Maryland Estate date this PAINTING ca. 1925-1950.

A simple yet elegant sepia brown ink portrait drawing of a woman, on paper laid on card, measuring 9" by 6 1/4", unframed, signed at lower center and dated 1921. The work is signed nearby by important Mexican artist ANGEL ZARRAGA (1886-1946), and is inscribed "Bonne annee a Madame Maria Steiner et aux sieus". On reverse is written in later, American hand, "Portrait of Marie Steiner Lintott by Angel Zarraga Paris 1921"...

Richard H. Heep artist, oil on canvas “Going My Way” 13x11” framed work. Frame measuring 18x16” This work is based on an illustration that was made for a book in the 1920s that was never published Heep did illustrate many publications and a few books besides his work in the Milwaukee area

For the fans of the "Big Eye" paintings, here is a pair of mid century retro style works in oil on board, each 23 1/2" by 11 1/4", and each signed at lower right. The signatures are hard to decipher; I'm guessing "Balmiani" or "Dalmiani". If I am reading them at all correctly, I am not able to tie these names to any of the listed, recognized big eye painters. Regardless of authorship, these are sure to please the devoted big eye collector...

Unsigned Colorful Abstract and Geometric Painting 24x32"

“Luna Park” by Jack Perlmutter, circa 1930’s, signed lower right, signed and titled on reverse of frame, oil on board, sight size 24” x 36”, frame size 32” x 44”, original handmade period painted frame. $5,200. Luna Park was an amusement park in Coney Island, Brooklyn, New York City which opened in 1903 and closed in 1944...

A beautiful abstract bronze Sculpture signed Fidel, circa 1990 measuring 14.5” tall and 4.5x4.5 base

An example of the etching "The Complete Angler", by the noted English artist credited with creating the so-called "Etching Revival" of the latter 19th century, FRANCIS SEYMOUR-HADEN (1818-1910). The print is signed in the plate and lower right and dated there 1877, but was likely printed in the year 1880, in an edition of 1000. Measurements are 6 1/2" by 8 3/4" inside the present mat and 12 1/2" by 14 3/4" as framed...

Edgar Chahine This is an original etching by French artist Edgar Chahine. The title is: "Maree Basse,1930" A great depiction of a day at the beach. The image measures 8 5/8X12 1/2 inches. Pencil signed lower left border.printed on a medium weight wove type paper. Fine use of plate tone in the sky and water.

A PAIR of American oil on board mountain landscapes, each 23 1/2" by 11 3/4" (29 1/2" by 17 1/2" framed), both signed at lower corner A. A. Baker. There does not seem to be biographical information on the Hudson River-inspired artist, who likely painted these in the mid 1880's. It is doubtful that they have ever been cleaned. There is a smell of smoke. One has a 1" puncture of the board (in the tree at right), the pressure having come from the reverse side; the piece remains attached...

**PAIR** of oil on board paintings (each 14" by 11", plus framing 1 1/4" wide), of nymphs clad only in diaphanous veils, dancing in classical poses in forested landscapes, rays of light selectively illuminating the scenes. The works are by New England artist ROBERT C. WOODBERRY (1874-). Woodberry was born in Massachusetts and appears to have spent most of his life in New England, painting mostly landscapes. He was a student of W. D...

The Melton Breakfast circa 1800, First published by Hodgson & Graves, Pall Mall, on 1st October 1839. The dimensions of this photogravure differ somewhat from those of the original mezzotint and the names of the characters portrayed are engraved in the margin of this later version. The print depicts a group of eminent visitors to Melton for the hunting season. Many were guests at the big houses in the locality, others lodged elsewhere...

A circa 1960's vintage oil on Masonite painting, 30" by 18" (36 1/2" by 24 1/2" as framed), unsigned, the subject a peaceful creek or marsh land area in late autumn, one tree in full autumnal colors. This is a very nicely painted work, which could benefit from a light cleaning, but you would not have to have that done. Condition is excellent, frame has a bit of wear consistent with age. The artist handled the light and reflections beautifully.

Oil on canvas painting titled at lower left "Morn. nr. Frinsbury Kent", signed at lower right "Alf. Bennett 87" (and titled again and signed again by the artist on the reverse canvas), 20" by 30" (27" by 36" as framed). The scene feature a filled hay barge at left with two figures aboard, two houses in the middle distance, and tall ships in the far distance. Frinsbury is in southeastern England, east south east of London, not far from the mouth of the River Thames...

Woodblock print "Face" 1978 signed Tomio Kinoshita, printing 1/50, three oval heads over cylindrical necks with faint rounded shoulders, each inscribed with interior lines over a quite orange/gray, exterior surrounded by a dark somber color.
Tomio Kinoshita has a distinct contemporary stye of abstract heads done in line images of angular, square, and oval shapes. He was born 1923in the Mie Prefecture, Japan...

For the collector of Ashcan School/The Eight, or early 20th century American art, here is a special work: a pencil signed print by JOHN SLOAN (1871-1951), titled "Man Monkey", and inscribed "100 proofs"...

A painting from Anne Lane’s series of sorrowful themed oils. This piece measures 40 x 30“ oil on canvas Anne Lane studied art at George Mason University in Virginia, completed her education at Saint Patrick’s college, Ireland, where she studied theology and philosophy. The tonal and contemplated intensity of her paintings reflect her 10 years spent working as an artist under the desert sun of New Mexico. Her vibrant style, resonant with color and baroque details swoon over her canvases. Th...

A very fine engraving by the 17th Century artist Hollar measuring 5”. 7” and framed size is 11” x 15”……. Winter is one of the most recognized works of Bohemian engraver Wencesclaus Hollar (1607­–1677). It is the final image in a series of etchings portraying each of the four seasons as embodied by a female figure. In Winter, the woman is almost entirely covered by layers of furs and warm fabrics, staving off seasonal frigid temperatures. She protects her furs by lifting them off ...

An interesting pair of miniature portraits, painted on organic wafer. Framed in a slightly different manner, there is no question these were done by the same artist at the same time.

Fairchild is an obscure artist, with very few, if any, signed works. This attribution is based on the similarity in technique to an example in a book by Bolton, and information that the pair came from a couple living in CT who are purportedly descendants of the artist.

No condition issues to speak of, with...

Charcoal on paper, 7 7/8" by 11 3/8" (14 1/4" by 17 7/8" as framed), not signed above the mat (not opened up), but bearing a 1968 label on the reverse from ACA American Master Gallery of La Cienega Blvd. in Los Angeles, providing the name of the artist, with the words below stating "From the estate by K Moskowitz". This is a rather typical subject for the artist, EUGENE HIGGINS (1874-1958), who is today grouped with the Ash Can school of American art of the first half of the twentieth century. ...

A charming and unusual Continental portrait miniature, painted in watercolors on natural wafer. Except for a very small number of miniaturists, and occasional examples by other miniaturists, the full profile format is quite rare. In this example the sitter is wearing a blue dress, gold earring, and a pearl necklace. Of obvious impression on the viewer is a very large white head covering, with yellow decoration, of a type that cannot quite be called a bonnet or hat.

The painting is presente...

Original oil painting on panel by Sam Sargent (American, 1889-1959), signed in red "S. Sargent" l.l. This painting is still in its original frame and is in pristine condition. Dates from the 1945-1955 period. Sam Sargent was born in Newburyport, Massachussets, and studied at the Mass. College of Art in Boston under Joseph DeCamp. He exhibited at the Copley Gallery in Boston, the Addison Gallery of American Art, Andover, and the Currier Museum in Manchester, New Hampshire. He was the founder ...

A black and white photograph of snow in woods, circa 1950's or 1960's, unsigned, 12 3/4" by 18 1/2" (17 1/2" by 23 1/2" in frame), recently acquired from the Beverly Hills estate of Lydia and Charlton Heston; the photo was hanging in a hallway lined with many, many photographic works. Lydia was an avid and accomplished photographer herself, and many of the pieces for sale at this event were her own works. Among the photographs sold were signed examples by Edward Curtis, Ansel Adams, Eugene At...

A contemporary Thai or otherwise Southeast Asian painting of traditional thatched houses by the water, palms, banana trees, water buffalo and blooming lilies completing the scene. Oil on canvas 13 1/2" by 20", 17" by 23" in attractive, complementary, grayish, distressed-look wood framing. Condition is excellent. The work is signed at lower left with what appears as "Song Suk".

Le Pont du Carrousel et Quai Voltaire by French artist Maximilien Luce (13 March 1858 – 6 February 1941)….. Luce was a prolific French Neo-impressionist artist, known for his paintings, illustrations, engravings, and graphic art, and also for his anarchist activism. Starting as an engraver, he then concentrated on painting, first as an Impressionist, then as a Pointillist, and finally returning to Impressionism. Maximilien-Jules-Constant Luce was born on 13 March 1858 in Paris. His parents, ...

"William Hogarth" Industry and Idleness suite The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25...

"Martha's Vinyard" Watercolor on paper, 26.5" x 21.5" framed Julius Delbos was born in London England in 1879. He was a lecturer, painter, watercolorist, engraver and teacher. He eventually moved to the United States becoming a member of the American Water Color Society, New York Water Club, American Artists Professional League, National Arts Club, Society of Graphic Arts and the Century Club. He eventually came to exhibit at the Corcoran Gallery, Washington D.C. (1930-37) and Pennsylvania...

A watercolor with white gouache of a barn and another structure on an overcast, gray, snowy day, an old buckboard wagon at right center, the work signed below the mat GENE R DREW. I do not see a listing for the artist, who likely painted this around the year 1970 judging from the framing and non-glare type glass (which will be discarded before shipping). The piece, on Crescent art board, measures 18 3/4" by 25" inside the mat, and 25" by 31" in worn dark oak framing. The scene is poetic and p...

Oil on fine weave canvas, 9" by 12" plus narrow wood frame, the subject various pitchers and other objects, painted in the typical style of the artist, and signed at lower right by French-American painter ANDRE GISSON (GITTELSON). The cool stillness of the scene takes from the still life works of the great modern master Giorgio Morandi. Gisson was a highly prolific but very talented artist in the impressionist tradition, and his paintings of street scenes, landscapes, people and still life app...

Oil on canvas unframed painting of two chairs and a glass-topped table on a peaceful terrace overlooking an extensive landscape, likely California, 16" by 20", unsigned. The artist is anonymous but his/her work is quite skilled and pleasing. The impressionistic handling of this scene makes for a most decorative and appealing painting. The regular size should make framing easy and inexpensive.

Indian school,wonderful Indian miniature painting, depicting what seems to be an Indian prince, vibrant color and masterful work with close attention to details. Size: This incredible painting has a dimension of 5-1/2 x 3 inches housed in a 10-1/4 x 8 inches attractive frame. Condition report: Great condition.

Very fine Burmese wooden praying monk-disciple in adoration with high quality gilding. 18th Century, very good condition, beautiful serene expression. Size: H. 32cm x W.15cm x D. 16cm

A very fine possibly Dutch seventeenth century oil painting of the Madonna and child, measuring 27” x 20”, frame size 32” x 25”

An incredible abstract drawing first done in pencil and redone in black gouache