An American circa late 1960's to about 1970 still life painting in oil on rough side of the Masonite, 18" by 14" (24" by 19 1/2" framed), signed at lower left possibly "Pardoe". The red poppies are beautifully rendered and the richness of the red contrasts with the deep blue of the vase. Condition is excellent. A very decorative painting, in a frame of the period.

Esther Anna Hunt (1875-1951) is known today in California art circles as a keen observer of the traditional culture as displayed in San Francisco's Chinatown. Her paintings and plaster bust models of young girls in traditional costume make regular appearances in auctions of California art. This work appears to have been created by one of Hunt's many early 20th century imitators. The watercolor is signed at lower right corner "A. Fowler" and is dated there April 1912...

Garry Seidel "Woman in Fog" York England photograph , most of his photographs were limited edition . Signed on the mat board.

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with publisher’s seal on lower left, very good impression and color, very light soiling on upper edge, minor wear

Oban tate-e: 10 x 14 ¾ in.

Watercolor coastal scene with rocks and sea birds, tiny sails on the horizon, signed at lower left by artist Wang Zhi Bin (including artist seal) and dated there 10. 1991. A nicely executed work by an artist about which information seems to be lacking. Measures 16 1/4" by 23 1/4" inside the mat, and 23 1/2" by 30 1/2" in light-colored frame. The work is in excellent condition.

Contemporary pastel portrait of a contemplative young brunette, 19" by 14 1/2" (25" by 20 1/2" in gold framing), signed at lower left with what appears as "Fredric Golds" (or, "Goldstein", or "Goldey" or similar). The obviously-trained artist has demonstrated his skill with pastel. The work probably dates to the 1970's or 1980's and is in excellent condition. There is some gold loss on the frame in a few places.

Watercolor painting of some age, 13" by 10 1/2" (22" by 18" framed), the subject simply a tree, but, that subject is handled very beautifully, and the work is signed at lower right by artist Paula Day (on whom I find no information). The interpretation of light and color belies the hand of a talented artist. Judging from the framing materials this dates no later than the mid 1960's and likely earlier. I recommend a new mat only; the frame can be retained.

Watercolor on heavy pebbled watercolor, 10 1/4" by 13 3/4" (17 1/2" by 20 1/2" in simple, worn frame), unsigned, the subject an impressive sailing craft in a small boat harbor. The painting has a nice impressionist touch, and, apparently, some age (at least 1960's or before). On the reverse someone did some math calculations, writing the numbers in a distinctive old hand that is of a previous generation. The clean mat with gold inner edging can be retained; a new frame would work wonders.

Watercolor on paper painting of creamy roses, 17 3/4" by 14 1/2" as simply framed, signed at lower right "Vivian E. Tiedemann" and dated there 1907. This is a typical turn-of-the-century work by an amateur artist, though, a skilled amateur. Such watercolor paintings of roses were popular in the Victorian era and even into the early new century, artists continued to paint them in oil and watercolor. This example is in excellent condition...

A color propaganda poster from the 1960's or 1970's Mao-Tse-Tung era, 19" by 29 1/2" inside the current matting, 28" by 41" in present simple black framing behind Plexi. The paper is of a less-finished type that may be akin to newsprint. Print has slight creases in places but overall is in good clean condition. There are very minor edge tears and skins in a few places where this was crudely taped in the past and small moisture stain as shown...

A lithograph poster in black, white and grays, olive green and light blue, 30 1/2" by 22" (39" by 31" as framed), the imagery by French artist YVES BRAYER (1907-1990), titled "Les Baux de Provence", the poster published circa 1970's or 1980's by the Provence tourism office. Brayer studied in 1924 at the Academy in Montparnasse and later at the Paris École des Beaux-Arts, under Lucien Simon. He exhibited around this time in the Salon d'Automne and in the Salon des Indépendants...

A late 20th century oil on canvas painting of a landscape, 30" by 30", unframed, signed at lower right "M T O'Brien". The colors used are light and airy----pinks, light blues, whites predominating. The creek or pond is very impressionistically presented. Great for a beach house or other sunny abode.

A lovely hand colored scene, "City of Providence", engraved by listed American 19th century artist ASA COOLIDGE WARREN (1819-1904) after an apparent painting by artist R. Hinshelwood (see lower right margin for that name). Robert Hinshelwood (1812-1879) came from England circa 1835; he was an engraver, etcher and painter. The panoramic view is from a high point, and some tiny figures in the composition add human interest...

A watercolor painting of pine or cypress trees on the coast, perhaps a place like Carmel or Santa Barbara, measuring 14 3/4" by 18 3/4" (20" by 23 1/2" framed). The work is unsigned, (I have opened it up to peek inside, no writing anywhere) and judging from the framing it could date to the 1970's or 1960's. The artist used quality Arches paper (see blind stamp of same). The painting is clean and problem-free; over the years it has slipped inside its mat so will have to be probably re-affixed.

Color offset print, 19" by 14 1/8" inside the present mat (30" by 22 1/4" as presently found without glass in simple metal modern frame), pencil signed at lower right, with notation "E.A." (epreuve d'artiste) at lower left, and signed again and dated '88 in the print itself. The subject is an idealized man in motion, with dynamic planes and shapes superimposed upon and behind the figure, creating a most interesting, complex, modern composition...

Contemporary watercolor painting of whitish or pinkish roses, executed in a soft-focus manner, signed at lower right by artist Jean Percival. I do not see a listing by this name but we're looking at a talented artist. The work measures 13 1/2" by 9 1/2" inside the double mat opening and 21" by 17 1/2" framed. Silvery frame exhibits light wear. There are reflections in some images.

An original panoramic photograph of San Francisco, circa 1950, the view appearing to be south and west from the Coit Tower at the top of Telegraph Hill. The photo is laid to a card. Measurements are 9 1/2" by 7" inside the existing mat and 16" by 13" in blond wood strip frame. The photo has come loose inside the frame. You might take the opportunity to re-frame with acid-free materials. An old Kearny Street, San Francisco framer's label remains on the backing...

Ca 1940 A vibrant watercolor framed under glass and signed Munir. The frame measures 12" x 16"; the picture, approximately 6-3/4" x 11". Not examined out of frame.