A beautiful pair of Borneo wood sculptures pair of mask 16” each in length Berlin Estate

A framed woodblock print by the hand of one of the masters of 20th century Japanese printmaking, 8 1/2" by 11 1/4" inside the existing mat, 15" by 18" framed, signed in pencil by the artist at lower right and numbered 43/120 at lower left margin in pencil. The image is of a nighttime snowfall in front of a traditional Japanese structure. Sekino was creating art before age 20. He knew Shiko Munakata, the famous printmaker, while still young, as they were from the same area...

who dunnit? in the style of tanaka ryohei etching

These are three images of a very rarely seen Maki series,the Drop series.If any friend can send me images of Drop 1, 4, or 5, I would appreciate it.

Dated 1971, artist David Hill explores winter with a bravado and flair reminiscent of Samuel Merritt Chase and his group of Artist.

Barry Moser, American, 1940-, "Timing Devices". A dramatic triptych wood engraving, the three images are individually titled, "The Dump", "The Burying Ground", and "The Eucharist". The overall image size is 8 x 9 3/8 inches, 1977, pencil signed.

An interesting painting of a brick church dramatically positioned in a rural landscape with distant mountains, the year 1898 appearing on the lintel over the door, signed at lower right corner "K. Shuck". Online research shows there was a Kenneth M. Shuck associated with the Springfield Museum of Art, having served as its second director, between 1951 and 1976. A 1954 photo online shows him standing in front of a Thomas Hart Benton painting. This may be by that individual...

Sabra Field (American, born 1935)
Going Home
Date: ca 1980 (as noted on separate board)
Paper size: 13 x 8.5 inches.
Image size: 9.5 x 5 inches.
Medium: Woodcut print.
Condition: Light scuff on mountain.

This print is Haku Maki’s 78-6 水Water, number 108 in an edition of 151. Earlier that year,1978, he had already produced dramatic single-kanji large black and white prints. The first two, 78-1 Mountain and 78-2 Water, both horizontal prints, were 17in W x 9.25in H. They were followed soon after by 78-6, also horizontal. But this depiction of the kanji for water is nearly twice the size of the previous two: his 78-6 is 32.5 inches wide and 17 inches high (83cm W X 43.5cm H)...

By the hand of one of the masters of 20th century Japanese printmaking is this woodblock on paper, 14 1/4" by 19" (21 1/2 by 25 3/4" framed), signed in pencil at lower right by the artist within the image area, and bearing inscriptions in Japanese in the margin at lower left and lower right. The image is a traditional temple garden in winter, a light snow covering the lanterns and roof, and apparently wilted flowers killed by the cold unable to lift their heads...

Color woodblock on paper, 13 1/4" by 9 1/4" (21" by 17" as framed), pencil signed by the artist at lower right, numbered 143/200 at lower left and titled there "Prayer". Amen's works are most commonly prints, as he was considered a master print maker in woodblock, etching, lithography and silk screen, but he also executed oils and acrylics, in the course of a long career...

First edition Japanese woodblock print, large Oban 9.5” x 12.5”, of “Owl” by Iwao Akiyama. Printed on handmade paper, it is numbered 130/200, and dated 1973. Measures including frame 12” x 15”. Note: Color is excellent, any variations is from reflections in the glass.

During the 1970s, Haku Maki liked occasionally to do haniwa, depictions of terracotta figures that were funerary objects used during the 3rd to 6th centuries in Japan. This one—71-2—is a face rather than a complete figure. Created in 1971, the print is 50 of an edition of 151. It measures 5.75in x 8.5in. The print is in very good condition, with faint tape residue on the two top corners of the back, with no impact on the face.

Kyoto Storefront, undated, purchased from a Kyoto gallery in 1978

Signed and titled in pencil on lower margin, very good color and condition

Paper size: 10 x 13 in.; image size: 7 ¾ x 10 ½ in.

Alexander Ney Russian American sculptor "White Horn Pendant" white clay sculpted pendant or object with a row of holes for wearing or mounting , This was most likely made as a pendant unsigned size nearly 4.25" by 75" . This is from a very rare group of early miniature pieces . Developing several individualistic styles in modern art, he is most famous for his unique work in terra cotta sculpture, involving heavily perforated surfaces and intriguing forms...

Alexander Nay brown terracotta carved figure of a bird,mid 1970s incised brown clay with a hole at back for mounting to a base, base not included. The artist initialed this piece" N 4 "in his usual incised way. Size l 3.75" by 1.5" high there is a slight chip to one edge of its beak as seen in pictures. This is from a very rare group of early miniature pieces most all were initialed in this way...

An original poster dating to 1977, 32" by 18 1/2" in present gray metal framing, advertising an exhibition in Phoenix at the Galleria of the downtown Arizona Bank building, of works by two sentinel photographers of the 20th century in the Southwest: Ansel Adams (1902-1984), and Frederick Sommer (1905-1999). Sommer, born in Italy, lived in Prescott, Arizona for much of his life...

Large metal art sculpture by Jim Gary

Jim Gary 1939 - 2006, American sculptor. Well listed

This item measures approx 58" x 44" and is in excellent condition

Signed lower left

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