¡°The two adversaries (left)¡± and ¡°The two adversaries (right)¡± were published 5 December,1950. The carver was Maeda; the printers were Honda, Uchikawa and Onodera. Both have Paul Jacoulet¡¯s pencil signature and red Arrow seal on the lower corner. They are in excellent condition. ¡°This simple but highly symbolic pair reveals Jacoulet¡¯s feelings toward the North Koreans...

Poem 70-72. This striking Maki Big Red has had a long history for being just 40 years old. It has seen the world and is now back in Asia, in Beijing. This is as near to Tokyo, where it was created by Maki, that it has been in many years. In this case, the big red letter is the hiragana "chi" ‚¿ or shiru, which means to know, find out, to learn, or have knowledge...

This print is 13 inches wide x 20 75 tall. it is a spectacular Big Blue. The kanji reads words to the effect Give an inch, take a mile. Maki produced this print in 1971. It is number30 of 105.

Maki’s earliest works were done in the late 1950s and remained rather unknown until the late 1960s. He first started producing prints using red ink in 1965 and this is probably the first example. It is also what I call a Big Red. It is very abstract and it fills up the whole sheet. Maki wanted his prints to have balance. This has it: the red field is pierced by three blue squares: two on the left side of the orange meteor-like strokes, and one on the right side...

From our European Collection, a very good 17th century Italian School oil on canvas, 'Ecce Homo.' An enduringly poignant and iconic image of Christ in Pathos and everything else that this represents, it needs no further elaboration from us.

Size and Condition: Framed dimensions, 31.5 x 25.5 inches; Unframed image size is 25.75 inches x 19.75 inches. The painting has crazing / craquelure consistent with its 17th century age...

Haku Maki started making embossed prints circa 1965. These in the main featured embossing that came out from the back to the front. However, I suddenly discovered that a number of prints in the 1976 - 1977 period were done with the embossing going into not out of the front This style or process does not seem to have hurt any aspect of Maki’s work nor benefited it...

This is a brilliant example of Haku Maki's Big Red prints, his frequent use of a large red character on a black background.

This colorful print is an early Maki embossed print. It is a quite small print done in a very low run. Only 30 copies were made. Maki started doing 50 copies by 1962. Earlier he may have lacked the confidence to do runs of that size so he did 30 as shown here The three red suns are dramatic, The print is signed in white ink, an early Maki touch. The 3 suns shimmer. The title is in kanji – a rare Maki style. This is Ji hao 31 [Signal 31]...

Haku Maki was a well-known Japanese print maker of the second half of the 20th century. About 20 of his workw I called Big Red and a few Big Blue or Big Green. This is one of the rare Big Blue prints. By my reckoning he did about three true Big Blues, this is one of them. Until this true image appeared I only knew of a catalogue image which we enhanced into a nice blue here in Beijing. This is the Real Deal...

Haku Maki's Poem Z depicts a Heart by any other name. Maki began to use this theme early in his artistic life. The character was often vertical but this is the only time it was at an angle from the center and seemingly lacking in one stroke, Hence it is an unusual design and intellectually challenging. Its meaning is not immediately evident even to the literati. My curator in Beijing figured it out when she was opening the package and tilted it a bit. The print is large and subtle...

De Witt Parshall, Santa Barbara, California, 1864-1956. This oil on board is 16" by 20" in a 4" frame. Overall dimensions are 24" by 28". It is signed on the front lower left and also signed and titled verso "Night". It is in excellent condition in an original American Period frame. Parshall studied in Dresden, Germany as well as Paris in 1887-88, He has an extensive exhibition record including the World's Columbian Expo in Chicago in 1893 and the Corcoran Biennial 5 times 1908-1937. His works ...

This Maki print has had a charmed existence. It was printed in Japan in the mid-70s, just as Maki was beginning to leave the production of prints with kanji as the main theme and start doing then with Ceramics, mainly in the Collection series. This is the second print of his long ceramics series – some of which were simply entitled as this is with the year 75-59. This was done in 1975 and was a quite large edition 201. This one is number 5 of 201.The print was first distributed by Red Lan...

¡°The two adversaries (left)¡± and ¡°The two adversaries (right)¡± were published 5 December,1950. The carver was Maeda; the printers were Honda, Uchikawa and Onodera. Both have Paul Jacoulet¡¯s pencil signature and red Arrow seal on the lower corner. They are in excellent condition. ¡°This simple but highly symbolic pair reveals Jacoulet's feelings toward the North Koreans. In his public dedication to President Truman, the artist expressed ¡°gratitude for aid given so promptl...

Francoise Boucher Attr or School of : Cupids in Landscape: Pair 18th C French. This pair of oils on canvas is lovely in the quality of painting and the charming subject matter. Each panel is 28"w by 64"h. They had hinges on them as a standing screen but were later used as hanging panels. They are from a prominent french family who brought them to the USA.

Unsigned oil on paper laid on cardboard depicting the harbor with people in the foreground, the buildings on the right and the breakwater in the middle ground and the harbor with a ship and the far arm of land in the distance. Scenes of Naples painted either in gouche or oil were done throughout the 19th century with views of Vesuvius erupting being particularly popular. This one is attractive for the many figures and the carriages. Dating these can be difficult as the style was popular for much...

Haku Maki did quite a number of prints using persimmon as a main theme Probably well over 100 He also began doing prints with ceramics around 1980 He probably did more than 100 ceramics theme prints. But the two there only came together in the persimmon and blue vase print shown here (and in an equally rare one with a persimmon and a strikingly beautiful yellow vase also shown here). This persimmon and vase print was done in 1975 and is quite rare: It is work 75-2 94/202 The two persim...

Haku Maki was an important Japanese modern print maker of the second half of the 20th Century. In the 1970s his work consisted of many abstract images of Chinese characters, kanji. Most are quickly recognizable by Chinese and Japanese. This one has befuddled and even annoyed some Asians who normally like Maki kanji. Here Maki is "in your face" a bit with a strong kanji that was translated into English, Nothing, by the artist Good friends like variations of this kanji: please open the link full...

George Loring Brown, Malden, Massachusetts, 1814-1889. This expensive landscape is a view of Sorrento including Mount Vesuvius in the background. This oil on canvas is 12" x 20" in a 3" 19th century frame. It is signed and titled verso very clearly and it is in very good condition with appropriate craqueleur. The edges have been reinforced but are still original. He lived in the U.S. and Europe and his more sought after paintings are those of southern Italy. He is in Fielding and Mallett, He was...