A finely limned miniature portrait painting by Andrew Plimer. The sitter, a beautiful young woman with dark hair and blue eyes, is wearing a high-necked white dress, a pearl necklace and a pearl barette. She is posed against a cloud filled blue sky...

A fine miniature portrait on natural wafer, done en grisaille in watercolor and ink against a blue background. The sitter, an older woman wearing a lace cap and fichu, is beautifully limned in profile, an uncommon approach. Housed in a gold plated metal frame with fabric on the reverse.

There are no condition problems with the painting, which measures 2 1/2" in diameter.

PROVENANCE: The well-known Dr. Leo Catzenstein Collection, and thence to his descendants.

A superb enamel on copper portrait miniature by Jean Andre Rouquet. The sitter, dressed in an embroidered red jacket, ia a royal personage, evidenced by the ermine trimmed robe or cloak on his lap.

The condition of the miniature is excellent, with bright colors, no cracks, and no restoration. The duller areas along the edges are due to the way the light reflects off the curved edges. The early 19th century ormolu frame also is in fine condition...

An excellent Swiss miniature portrait painting, on natural organic material, of an architect. The subject is a distinguished gray-haired gentleman wearing a blue coat and white shirt, and is seated in an upholstered chair. His elbow is leaning on a table which has a diagram of a bridge...

A well painted miniature portrait done by Charles Robertson. The subject is a bewigged blue-eyed gentleman of striking visage, posed in a blue and gold jacket. The miniature is presented in a silver case with silver scrollwork. The reverse of the case has the impressed mark "L.V".

The condition of the painting and the case is excellent...

An interesting color printed engraving of George Washington published in London in 1798 by Robert Cribb, Holborn, engraved by William Nutter after a painting by Gilbert Stuart purported to belong to J.S. DeFranca of Devonshire Place. Devonshire Place is a part of London, but a quick search did not turn up a J.S. DeFranca and it is possible that this print is a copy of another print of Washington, based on the Lansdowne portrait by Gilbert Stuart...

A nicely executed watercolor, on natural material, of a gent in a black coat with white stock and ruffled shirt. Presented in the original gilt metal case with hair work under glazing on the reverse.

The overall condition is fine, with some tiny dust motes under the glass. The white areas circling the top half are reflections from the chamfered cover glass. Overall frame size is 2 1/4" by 2".

A watercolor on natural material done by Nathaniel Plimer. The sitter is a somewhat older woman, with a pensive and somewhat sad mien about her. Set against a background with gradations of blue, she is simply dressed in a white gown and bonnet, accented with a pendant medallion on a black ribbon, and a gray belt.

The painting and the original bronze frame are in excellent condition with no flaws or restoration...

A superb miniature portrait, done en grisaille on organic substrate, by Samuel Andrews. The sitter is an attractive woman with an elaborate wig and hair style, and wearing a cap and gold earrings. The painting is wonderfully executed, and with such skill that there is a three dimensional effect. The photos do not at all due it justice.

The painting is beautifully presented, surrounded by a gilt metal bezel, outside of which is a plait of hair, the whole in a red leather travel case...

Painted in watercolor on natural wafer, this is a lovely portrait of an attractive young woman. The sitter, with a mass of reddish-brown curls and light brown eyes, is attired in a white dress with a restrained ruffles. She is not wearing any jewelry or other adornments, and is presented simply against a white background...

Indian painting, colours on card, Marwar. 23 x 17 cm. Undated, estimated to be late 18th century. Areas of retouching, Can be viewed in central London and shipped worldwide.

A superb enamel on copper miniature portrait by Jean Andre Rouquet. The sitter, wearing a powdered wig and a blue velvet jacket and waistcoat, displays a fine English gravitas.

The miniature is presented under glass in a high karat (15K or higher) gold case, the reverse of which is engraved with a half flowerhead above what appears to be the initials BEE...

A wonderfully limed work of a young man, done by John Barry. The porcelain-complected sitter, with reddish-brown hair and brown eyes, is finely dressed in a white cravat, a green and cream striped vest and a silk-lined black coat.

The painting is in excellent condition, with no flaws (the white area on the left is light reflection), and is housed in its original gold bracelet slide case. The sight size is 1 1/2" by 1 1/4"...

A beautifully painted miniature on natural wafer of a very attractive woman. The sitter is in a white gown with lace edging, presented in a straightforward manner, unadorned with jewelry, preferring to let her natural beauty speak to the viewer.

There are no condition issues to speak of, with the darker area below her bust line intentionally painted in that manner...

A beautifully rendered miniature painting, on natural organic material, by John Barry. The sitter is an attractive and stately woman with the mass-like appearance of her hair that is one of the characteristics of Barry's work. The casework is as fine as the painting, with the miniature set in a gold bezel, and the reverse with foil backed blue glass surrounding a display of tightly woven hair.

Both the painting and the case are in excellent condition, with no losses or restoration...

A striking c1790 miniature by Richard Cosway. The subject, a blue-eyed infantry officer with his hair en queue, is wearing a red jacket with a white epaulet, white trim, and cravat.

This portrait is a good study example as many of Cosway's techniques and style characteristics are present: use of floating transparent paints to allow the luminosity of the substrate to show through, enlargement of the pupils, massed hair as opposed to finer individual strands, a sky background using a stro...

A nice example of a miniature portrait, painted by Nathaniel Hancock on organic material. The sitter is a woman in a blue gown with a lace edged bodice. The gold case has chamfered glass on the front, and the reverse identifies the sitter as "Ridgely 1791."

The condition of this little gem is very fine, with no flaws to speak of. There was some minimal clean-up of a few painting drips in the background. Overall size is 1 3/4" by 1 1/2".

BIOGRAPHICAL NOTE: Information about Hancock is rel...

Jean Baptiste Oudry original paintings on board of Hunting dogs signed and dated on reverse Oudry 1730 and each dog is named. Oudry accompanied Louis XV hunts and sketched on sight and later painted larger oils from these sketches. each measuring 16.5 x 21.5 cm.

Biography

Louis XV, king of France, often called Jean-Baptiste Oudry to Versailles to paint the royal hounds--in the king's presence. "Monsieur Oudry had acquired such a habit of conversing with high-ranking persons and of workin...

A wonderful English watercolor miniature on natural wafer, painted by Ozias Humphry. The gentleman depicted is clearly of the upper class, dressed in a dusty rose colored jacket with a lace collar, a style worn in England specifically in the 1765 to 1770 period. The case, which is probably original and of gold, comes with a 28" long gold chain attached through the bale, and is also most likely to be original.

The condition of the painting is excellent, with no flaws to speak of, and no restora...

Joseph (Jusepe) Ribera, Spanish, 1588-1656. This exquisite portrait of a boy brings to mind Caravaggio. It is oil on canvas and signed faintly with the Monogram J R lower right. It is in good condition, has been relined long ago, and is 34.2cm H by 23.1cm H. It is in an antique frame with outer dimensions of 47.3cm W by 36.8cm H. Paintings by ribera sell for up to 4.5 Million USD.

A nicely painted and early miniature portrait of a man done in watercolor on natural organic material. The blue-eyed sitter is a nice-looking gentleman fashionably attired in a full, long wig, a blue loose fitting robe, and white ruffled shirt.

One of the interesting things about this piece is that the original gold case is of a type known as a "slide case". The top protuberance is attached to a small sheet of metal (in this case gold), and when a little knob is pushed, the sheet can slide com...

A watercolor on organic wafer, painted by John Smart, and initialed lower left, along with the date of 1797. The sitter is a young woman with brown curls and eyes. She is attired in a green and blue feathered cap, a white gown with lace on the collar, and a green sash.

The brushwork is impeccable, the texture and blush of the skin, the details of the eyes, the clarity of each hair, and the overall luminescence of this painting are stunning. Even when compared to the vast majority of Sma...

A c1790 fine miniature done by John Barry. This portrait of a gentleman in a gray coat, with his powdered hair en queue, is an extremely well painted example, and in excellent condition. Presented in a 1 7/8" by 1 1/2" period gilt metal case.

BIOGRAPHICAL NOTE: John Barry, who lived in London and was active from 1784 to 1827, exhibited at the Royal Academy during this period. Among his sitters was Rev. John Wesley, the founder of Methodism. Barry's works are in various museums, including ...

A nice miniature painting done, in watercolor on natural material, by Ebenezer Mack. The sitter is dressed in a black jacket, and a white vest, shirt, and stock. Housed in its original gold case.

Although all of Mack's works are quite naïvely rendered, this example is even more primitive than most, indicating that it was done quite early in his career, probably in the 1785 time frame. His works are very rare, and he did not sign his paintings. His works have a similarity in some cases to tho...

Painted by Samuel Shelley, this is a beautifully limned portrait miniature of a British officer. The epaulette being on the left shoulder, instead of on the more usual right, indicates that the sitter was in a cavalry regiment of the British army. That, taken with other characteristics of the uniform show him to be with the heavy dragoons. The white facings and silver buttons allow the identification to be narrowed down to the 3rd Irish Horse Regiment which, in 1788, became the 6th Dragoon Guar...

A very fine bust-length depiction done in watercolor on organic wafer. The sitter, a nice looking young gentleman, is attired in a blue waistcoat, a tan and red pin-striped vest, and a white cravat. The painting is signed "Peat" at the left edge, and an old inscribed label attached verso identifies sitter as "Lord Halifax II". This attribution of the sitter must be incorrect as the dating of any Halifax lords is inconsistent and much later than when the painting was done.Housed under glass in a...

A fine painting of a youth, signed and dated "P. Jean 1789" on the right side. The sitter is dressed in a red jacket with a white ruff. The reverse of the gold case has interwoven plaits of hair under glass.

There are no condition issues with the painting or the case. The discoloration along the top of the painting is light reflection. The size is 2" by 1 1/2".

BIOGRAPHICAL NOTE: Philippe Jean (1755-1802)was born in Saint Ouen, Jersey, the son of Nicholas Jean and Marie Grandin. He was at fi...

A large etching titled, “Veduta della Gran Curia Innocenziana,” (View of the Palazzo di Monetcitorio) part of Giovanni Battista Piranesi’s folio of Views of Rome, first published in 1752. The etchings were often reproduced, but this one has both the correct heavy laid paper with appropriate watermark and the center crease where it was folded into the original folio. It has good margins beyond the plate mark. Sheet size 21 ¼ x 29 ¾ inches (54 x 75.4 cm). Image (to plate marks) 15 7/8 x ...

This fine work, done in watercolor and bodycolor on organic material, was most probably done in Naples. The sitter is an attractive child looking directly at the viewer and holding a jumping jack toy of Pulcinella, a classical character that originated in commedia dell'arte of the 17th century and became a stock character in Neapolitan puppetry. The reverse of the portrait is also quite special, with its plaited hair, ivory plaque, golden hair work initials, metallic threads, and pearls.

The ...

Francoise Boucher Attr or School of : Cupids in Landscape: Pair 18th C French. This pair of oils on canvas is lovely in the quality of painting and the charming subject matter. Each panel is 28"w by 64"h. They had hinges on them as a standing screen but were later used as hanging panels. They are from a prominent french family who brought them to the USA.

Mercury tying his talaria by Jean Baptiste Pigalle Pigalle was born in Paris, the seventh child of a carpenter. Although he failed to obtain the Prix de Rome, after a severe struggle he entered the Académie Royale and became one of the most popular sculptors of his day. His earlier work, such as Child with Cage (model at Sèvres) and Mercury Fastening his Sandals (Berlin, and lead cast in Louvre), is less commonplace than that of his more mature years, but his nude statue of Voltaire, dated 177...

Dirck Verhaert, Dutch, 17th C. Oil on Panel of landscape with castle and people in foreground and river and town in background. Height 10.4 in.; Width 20.1 in. / Height 26.4 cm.; Width 51.1 cm.

A fine example of American folk art, painted by John Brewster Jr. on natural organic material. The sitter is a gentleman with light red hair and blue eyes. He is attired in a black coat, white vest, white ruffled shirt, and white silk cravat. The miniature is in its original case, the reverse with a glazed window containing a plait of hair atop which is a gold initial.

The condition is excellent, with no chips, cracks, bowing, paint loss, or restoration. The case is also in excellent condition...

Balthasar Beschey, Netherlands/Flemish, 1708-1776. This lovely portrait of the Madonna and Child in a Landscape is oil on wood panel. It is 10 5/8" by 12 7/8" and is in a beautiful period frame with overall dimensions of 19 6/8" by 22". Provenance: Private Midwest Collection, Hanson Gallery, Private UK Collection. Beschey is known for his paintings of religious subjects as well as Flemish landscapes & villages.He studied under Pieter Strick, an unimportant painter, but imitated the styles of Van...

A beautiful watercolor on organic material attributed to the hand of William Grimaldi. The subject of this work of art is an older gentleman wearing a blue coat, yellow vest, and ruffled stock, and shown against a beclouded sky background. Housed in a gold filled case.

The condition of the miniature and its case is excellent, with no problems. The overall size is 3" by 2 3/8".

BIOGRAPHICAL NOTE: William Grimaldi (1751 - 1830) was born in England and was the son of Alexander Grimaldi and...

A superb double silhouette on natural organbic material, in a cast foliate locket, by John Field. One side is of a woman, the other of a man, wearing spectacles (highly unusual) and both are signed "John Field 111 Strand" along the lower edge of the bust line. These paintings display the finely executed bronzed work that was a hallmark of Field's.

The sight size is 1 1/2" by 1 1/4". The condition of the paintings and case is excellent, with no apologies needed.

NOTE: The following are excerp...

Confidently attributed to Edward Savage, this miniature portrait is painted on organic material. The sitter, who has a strong countenance and blue eyes, is wearing a deep blue coat with gold buttons, a white vest and shirt, and a white cravat.

The painting is in excellent condition, with no flaws, and is housed in a gilt copper case, the reverse of which has a glazed aperture containing woven plaits of hair.

BIOGRAPHICAL NOTE: Edward Savage (1761 in Princeton, Massachusetts – 1817 in Pri...

A beautiful Samuel Cotes miniature painted in watercolor on organic wafer. The sitter was an officer in the First Royal Dragoons, first raised in 1661, making it one of the oldest cavalry regiments in British Army history. It served in many campaigns until 1969, when it was merged into The Blues and Royals.

The portrait is in a gold case which has been mounted on a 10K gold Victorian bracelet. The bracelet comes with its original blue silk lined leather case. The miniature, the case, and the ...

A fine miniature portrait painted on natural wafer by Alexander Gallaway. The sitter is a distinguished gentleman with a white wig, and attired in a tan jacket, cream vest, and white shirt. Framed in a 15 karat gold case with half moon and dot work on the border of the reverse side.

The condition of the case and painting is excellent, with no flaws. (The white area at the right of the painting is due to light reflection in the photo.) The case size is 1 1/2" by 1 1/4".

BIOGRAPHICAL NOTE: ...

A historically important Christian Friedrich Zincke portrait miniature of Edward Walpole. The painting, done in enamel on copper, depicts Walpole in a powdered wig, and wearing a blue velvet jacket with a white shirt and lace jabot. As to be expected from Zincke, the painting is superbly done. It also displays some of the classic hallmarks of Zincke's works - the lips being painted different colors, the eyes rimmed with black daubs to represent eyelashes, and the sitter in a blue or brown velvet...

An unusual double sided miniature by Frederick Buck. One side is painted using watercolors on ivory, and shows a young man with an upswept hair style, dressed in the usual black coat and white stock of the period. The reverse of the case shows an older man in profile, also in a black coat and white stock, but limned in watercolor on card. The paintings were probably done at somewhat different times, and then framed together.

The condition of the full face painting is excellent, with no issues...

A finely painted miniature portrait, done in watercolor on organic substrate, by Pierre Henri. Done against a blue background, the sitter, a nice looking young gent with blue eyes and hair en queue, is wearing a brown coat with yellow lining.

The painting is in excellent condition, with no bowing, cracks, paint loss, or restoration. Set in a frame with a glazed blue material reverse. The sight size is 1 3/4" by 1 1/4".

Pierre Henri (c 1760 - 1822) was born in Paris and often went by the...

A strong enamel on copper painting by William Prewett, depicting James Thomson. Thompson (1700 - 1748) was a Scottish poet and playwright, best known now for writing the lyrics to "Rule Britannia". The case is original, but engraved as follows several years after the death of the sitter: James Thomson/Poet/1700 - 1748.

The condition of the painting and the case is excellent. Overall size is 1 7/8" by 1 5/8".

BIOGRAPHICAL NOTE: According to Foskett: "William Prewett (or Prewitt) (fl. 1735 - ...

Please notice the new photo which shows a stylistic monnogram on her collar. We believe this monnogram represents P J P. We will be doing more research on this monnogram. We are researching this exceptional 16th century portrait of Mary, Queen of Scots (1542-1567). This oil on panel measures 20" x 17". The frame label reads Mary Queen of Scots by Pieter Pourbus 1510-1584. The frame and panel appears to be original. If you need detail photos, please advise.

16th C Italian Crucifixion, Joseph Heintz the Younger, Augsburg(1600-1678) Venice. This magnificent painting is oil on canvas with old relining. It was most likely commissioned for an altarpiece painting. The painting is 41.5 W by 41.5" H. Collectors label verso. Provenance: Private Midwestern Collection, Private NY Collection, Private Prominent Old Master collection of J.J. Hollenbeck, Palm Beach Florida . Verified by Robert Simon, NY, NY as 16th C Italian Venetian. This painting has been verif...

Circle of Henri Met De Bles, 1480-1550. This wonderful early painting is oil on Wood Panel is in an 18th-19th C Frame. It is 9.75"H by 14.75"W and is 17" by 22" in the frame. It has been restored and backed with wood. Henri Met De Bles, or Henri or Herri,was called Civette (owl) in Italy, also called Master Met den Nil. Born in 1480 in Bouvignes. Died after 1550. 16th Century, Flemish School.A painter of religious compositions, animated landscapes and drawings. His life is not well known but inc...

Ottavio Padovanino, Italian, 1582-1634. This stunning drawing is red chaulk and pencil on paper mounted on paper. It is 15"H by 10.6"W with the name Padovanino handwritten in pencil on the paper below the drawing. Verso is written Alessandro Varotari, Verona, 1588-1648, "Le Padovau...." The condition is good with minor foxing and a darkened edge due to framing. It was in a private collection in Chicago.

Godfried Schalcken (attribution), Dutch, 1643-1706. This oil on panel is 9.5" by 7.5" in a gold leaf frame with overall dimensions of 12" by 15".

Antique Japanese Scroll of Two Quails amidst chrysanthemum flowers, painted with a delicate painterly touch. Signed and sealed by Tosa Mitsuoki (光起) (1617-1691). In 1654, Mitsuoki won back the position of edokoro-azukari for the family, which enabled him to revive the school.Mitsuoki rejuvenated the traditional Tosa style by introducing elements from Chinese painting. He is particularly noted for his elegant paintings of quail, as for example, the Chrysanthemum and Quail screens which he...

Russian Icon . 18th Century. 17th Century Crucifix. 17" x 13".

Fine 18th century engraving of Pope Leo XI, framed 3x5 inches

Godfried Schalcken or Gottfried Schalken (1643 – November 16, 1706), was a Dutch genre and portrait painter.

From our European Collection, a very good 17th century Italian School oil on canvas, 'Ecce Homo.' An enduringly poignant and iconic image of Christ in Pathos and everything else that this represents, it needs no further elaboration from us.

Size and Condition: Framed dimensions, 31.5 x 25.5 inches; Unframed image size is 25.75 inches x 19.75 inches. The painting has crazing / craquelure consistent with its 17th century age. There is some paint flaking / paint loss towards the bottom, but...

Original Albrecht Dürer woodblock print "The Flight into Egypt", from: The Life of the Virgin (B. 89; M., Holl. 201; S.M.S. 179) woodcut, circa 1504, This impression on laid paper with a Fleur de Lis watermark (Meder 122) it is an original 16th century print after the Italian edition with narrow margins with a 1 cm repaired tear top left otherwise in very good condition B. 11¾ x 8 5/16 in. (299 x 211 mm.) S. 11 7/8 x 8 5/16 in. (301 x 212 mm.) Archival framing the print is tiped to archival ma...

An antique original etching of a standing cow in profile, a village seen at left distance, by Dutch Old Master artist MARCUS DE BIE (sometimes DE BYE), with birth death dates of approximately 1639-1688. The print is heavily trimmed, apparently (3 3/4" by 5 1/4", unframed). Extreme left corners are either dog-eared or missing, and there is a light horizontal crease that likely would not be noticeable at normal viewing distance when framed. De Bye was a pupil of Jacob van de Does. He is best k...

A beautiful and unique Pre-Colombian Possibly Vera Cruz , classic period,Massive Figure 17 Inch height, 7” depth,10” width

This incredible Clovis point, found on the Little Missouri River in Nevada County, Arkansas in 1928, is made from highly translucent novaculite of which only a few are known to exist. I had it authenticated at a forensic laboratory in Santa Fe New Mexico. The COA is included. The point is 3 1/2" long, 1" wide or 8.98 cm in length, 2.4 cm in width and 6.2 mm thick. The flaking on it is exquisite. There is no damage on it anywhere, a true G-10. There is no modern rechipping or restoration. It has ...