Ohara Koson
Crow on Cherry Branch
Size: O-tanzaku. Approximately 13.5 x 7.25 inches.
Date: 1900-1910s.
Reference: K5.3 and plate 47 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Signed and sealed by the artist.
Publisher: Daikokuya.
Medium: Japanese woodblock print.
Condition: Toned paper edges.
Note: This is the state and seal illustrated in the Koson catalog.

Skull mask also call 'Kiempa" mask , likely from Mompa people circa mid 20th H 23 cm More information on request

Katsushika Hokusai (1760-1849)
The Ghost of Kohada Koheiji From Hyaku Monogatari (One Hundred (Ghost) Stories)
Published by Tsuruya Kiemon ca. 1833. This edition Meiji 19th century.
Size: Chuban. Approximately 10 x 7.25 inches.
Condition: Very light creasing.
Medium: Japanese woodblock print.
This rare print depicts the murdered Kohada pulling back a mosquito net as he returns to haunt his wife and her lover.

Wood bowl (shikarinpah) with bird motif, made by Ainu craftsman in Hokkaido. All hand-carved and in excellent condition. 20th century. L:24cm W:10.5cm H:5cm

Ohara Koson
Crow on Snowy Bough
Size: Approximately 6.25 x 4.25 inches.
Date: ca. 1930s.
Unsigned as originally issued.
Publisher: Daikokuya (Matsuki Heikichi).
Reference: #48b on page 72 of Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Provenance: The Robert O. Muller estate.
"Made in Japan" stamped on back.
Condition: Excellent. Never displayed.

張大千/魚楊枝大士像 設色紙本立軸 1944年作 款識：甲卯秋清信士張大千敬艁。鈐印：張爰之印信、三千大千。 Hanging Scroll of of Guanyin Holding a Poplar Twig / Zhang Daqian (1899-1983) Inscribed twice and signed with two artist seals. Condition: Hand-Painted, Good Condition Provenance: Property of a New York collection Dimensions: 50 1/2 X 25 1/2 inches 128.3 X 64.8 cm Artist Name: Zhang Daqian (1899-1983) Medium: Color on Paper Circa: 1944

張大千 仿宋徽宗聽琴圖 設色水墨紙本鏡心 1951年作 款識：道君皇帝作畫重而有力，丰神奕奕。其運筆及衣服自是宋人風格，並效其大略為此，非時賢所能為也。辛卯二月歲望風日晴美蜀郡張爰大千父。鈐印：張爰之印信、大千居士、長共天難老、百千之一。鑑藏印：詩外簃（徐伯郊）、仁愷過眼（楊仁愷）。出版目錄： 2006年4月：《詩外簃藏張大千書畫》（文物出版 社）施�...

A fine and large stoneware dish by Sakuma Totaro (1900~1979). Decorated with a flowering plum tree against an oatmeal coloured ground. The back is plain and glazed with a clear transparent ash glaze.

The original wood storage box (tomobako) lid is inscribed in ink "Mashiko decorative dish with plum in iron oxide", the signature of the potter with his red seal.

First son of Sakuma Fukujiro, a mingei potter in Mashiko, Totaro studied ceramics with his father...

A splendid stoneware dish by Sakuma Totaro (1900-1976) with the original signed and inscribed storage box, tomobako. Showa period, mid 20th century.

A substantial dish with deep brown iron glaze leaves on a jade green copper glaze. The back of the dish is undecorated and covered in a transparent ash glaze...

Kobayashi Kiyochika
Shrouded Moon Over Takanawa, Ushimachi.
From the series Famous places of Tokyo (Tokyo Meisho).
Date: 1879. This edition 1896.
Signed by the artist in black at lower left.
"Shiba" collector's seal on verso.
Publisher: Fukuda Hatsujiro (successor to Fukuda Kumajiro).
Size: Oban. Approximately 13.25 x 9.25 inches.
Medium: Japanese woodblock print.
Condition: Very good color and condition...

Width: 25.4 cm (10.1 in)
Height of Bowl: 11.5 cm (4.3 in)
Height on Stand: 13.8 cm (5.4 in)

Fine quality, very large spinach jade bowl; good colour and translucency; bell shaped; photos taken in natural light; excellent condition

The condition of this Tiffany Studios double inkwell is nearly pristine. The inkwell has a gold dore finish and contains two colorless pressed glass inserts. The bottom is stamped “Tiffany Studios New York 1641.” The inkwell is 5 1/4 inches long. I know most people no longer use a nib (or dip) pen but this would make a great item for a calligraphy hobbyist or perhaps the inserts could be used to hold paperclips on your desk.

Tantra Art and Tantra Asana. Two first edition volumes. 1966/7 and 1971. Excellent condition with no owners inscriptions, dust jackets a little scuffed. Can be viewed in Central Lonon and shipped world wide.

Conceived by 20th century master ceramicist Kawai Kanjiro (1890 - 1966), the combination of “shinsa” (cinnabar glazing) and “tsutsu-gaki kamon” (raised-relief slip-trailing floral design) used in the creation of this work is one of his most recognizable motifs.

Like so many great artists throughout history, Kanjiro refused to confine himself to one genre...

Antique Chinese low cabinet. The upper portion has two drawers over a compartment opened by two cabinet doors. The doors swing on wooden dowel hinges which seat into small decorative carved peony flowers. The interior of the cabinet has one shelf. The front is finished with a rich red lacquer while the sides and top are a dark, distressed reddish brown lacquer finish.

19th century

Dimensions: 33 1/4" high x 31 3/4" wide x 19 1/2" deep.

Kawase Hasui
Mt. Fuji in Winter
Size: Koban. Approximately 5.75 x 4 inches.
Date: 1930s.
A mid-century edition tipped along the top edge to original cardstock measuring 7 x 4.75 inches.
Publisher: Watanabe Shozaburo.
Hasui oval seal at lower right.
Reference: Hotei #Hp-10.
Medium: Japanese woodblock print.
Condition: Excellent.

Paul Jacoulet
Une Belle De Palaos (A Beauty of Palao)
Date: November 4, 1935.
Edition: No. 291/350. Fewer than 275 impressions made.
Size: 18.5 x 14 inches.
Mandarin duck seal. Carver: Maeda. Printer: Honda.
Reference: No. 30 in The Prints of Paul Jacoulet by Richard Miles.
Condition: Excellent.
Note: Miles writes, "This was conceived and printed as a pair with No...

Paul Jacoulet
Cactus, Mers du Sud (Cactus, South Seas)
Date: November 20, 1941.
Edition: 99/350. Fewer than 250 impressions made.
Size: 19 x 14 inches.
Sparrow seal. Carver: Maeda. Printer: Uchikawa
Reference: No...