A hand-embroidered Turkman Yomut nomad's skullcap from Herat dated to the early to mid 20th century. Exceptionally fine ladder stitch combined with satin stitch and couching in silk thread. Condition is very good, just some tiny stains. Diameter: 18 cm, circumference 48.5 (approx. 19 inches).

Lovely composition of a banana leaf over a basket of cherries. There is an inscription with a cartouche below. It is mounted on teal paper and cream paper with a geometric pattern with flowers. It measures 17.75" wide 26.5" tall image, overall 22" wide by 74" long.

Japanese 20th - 21st century floral design plate. The floral design starts at the bottom front of the plate and continues over the lip and up the inside of the plate, separated by black slip. Signed by artist on bottom. The plate comes with TOMOBAKO, original artist signed wooden storage box. The plate measures 10 3/4" in diameter and 3 3/16" tall.

Sterling silver gravy ladle in Kirk's 1937 "Rose" pattern. Fully decorated with a repousse floral design in the great Baltimore silver tradition, this piece would look lovely mixed with similar patterns such as Kirk "Repousse", Stieff "Rose", Schofield "Baltimore Rose", etc. The reverse is marked with Kirk's mark from the period 1927-1961. Excellent condition; no monogram or removal. 7-1/8" long.

A pair of deeply carved Chinese cinnabar lacquer trays, with flower petal edges, the surfaces carved with foliate imagery such as peaches, pomegranates, citron, persimmon, and berries. Similar pieces can be seen from the 15th/16th century. Most likely this pair dates from the early 20th century.

Size: 15" x 15"

Pair of Neoclassical-style gilt sterling silver tea urns. Each: Ovoid bowl on raised foot mounted to round base. Cover domed with knopped top terminating in bud finial. Swags and acanthus leaves as well as beading and leaf and dart. Fluted spout with carved leaf twist tap (one in black and one in white). Traditional vessels revved up with scaly and entwined snake handles. One marked “Sterling Silver” and the other marked “Sterling”...

This is an old pair of sleeve cuffs from Maqur district in Ghazni province, Afghanistan, embroidered on a thin muslin ground. Red, orange, green and bergundy silk threads are embroidered in a very finely worked ladder stitch, forming interlocking volute designs. Small glass mirrors are artfully incorporated into the embroidery. Mirrorwork embroidery is quite popular in parts of India, Pakistan and Afghanistan...

Large vintage Chinese ink and color on paper painting depicting a mountain village in the mist by Wu Gu-hung signed and dated 1974 in black ink with the artist's red seal above. Custom framed with Plexiglas and a pale gray silk-wrapped mat in a deep hand-silvered wood moulding. Framed size: 33" x 50." This painting is from the former collection of an elderly American expatriate to Asia in the 1970s and his Taiwanese wife...

Japanese glass ojime in a form of tombodama bead with blue and red core, four pink petaled flowers with numerous white stamens, leaves and fine tiny silver foil inclusions. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see the individual stamens and finely textured petals, in perfect condition. Height 0.77 inches.

Amethyst natural stone Lamp Finial with Brass fittings, 2 1/4" high, 3/4" x 1/2" wide-Amethyst, fits into modern fixtures. The condition is good.

俞致貞劉力上 繁花玉鳥圖 設色水墨紙本立軸 1992年作 款識：好鳥鳴高枝，潛魚躍清波。壬申春日俞致貞劉力上。 鈐印：俞致貞。 Blooming Flowers with Singing Birds / Yu Zhizhen (1915-1995) & Liu Lishang(1916-) Inscribed & Signed with an artist seal Dimensions: 51 3/4 X 12 1/2 inches 130.4 X 31.6 cm Medium: Ink & Color on Paper Date: 1992 Condition Report: Hand-Painted, Good Condition Provenance: Property of a Canadian collection Term...

HOWLIN' TIGER

Unique and refined anonymous art work of old ebony wood carving tiger. Details unknown. approx. L 14.5cm (5.70in).


selected by hotoke




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any circumstances. Thank you.

Made using hid with shell decoration this girls pubic protector would have been worn by a young girl of the African pygmy Kalahari Bushman tribe...an interesting ethnographic artifact and can easily be framed for display

Pair of dramatic sterling silver seafood serving bowls. Made by Buccellati in Italy. Each: Two joined scallop-shells bowls on scallop-shell supports. A traditional form enlivened by the figure of an octopus squatting in the center, its curled and tangled legs draped over the bowls. A graphic contrast between the scales and suckers of the octopus and the controlled and stylized ornament on the shells. Very original...

A woven wool sash from Tibet, circa mid to late 20th century. Measuring 15.3 x 300 cm including the fringes, it is in overall good condition, but with some fraying. These sashes are used by Tibetans to tie their traditional attire (chuba for women, lokpa for men) and also to secure knives, bundles etc. Enlargement #6 shows the use of these sashes in traditional Tibetan nomadic culture (© 1995 East of Lo Manthang by Peter Matthiessen and Thomas Laird).

A man's wrist band from Afghanistan, hand-embroidered by Lakai Uzbek women, probably from Kunduz province. Circa 1970. Solid embroidery in cross stitch with hooked motifs. These motifs, their colors and repetition, are common in the embroideries of Tajikistan and Sukhanderia in southern Uzbekistan. The embroidery features buttons and beaded tassles on both ends. The tassles are bound together by metallic thread. The Lakai Uzbek cross stitch is rather larger than in the Hazara embroideries...

The embroidery of Baluchistan is called "doch" and is unique in its intricate repetitive geometric patterns and colors. This woman's dress yoke from Baluchistan ("pashk kurta") features a repertoire of densely embroidered patterns in silk thread on a dark blue silk background. Extremely fine satin stitch combined with herringbone stitch in silk thread, some metallic, along with buttonhole stitching, depicting geometric motifs...

This is a contemporary, excellently carved carved polychrome netsuke depicting a standing Jurojin, one of the Seven Gods of Good Fortune, who is known as the god of longevity. He holds a staff with a sutra hanging from it on his right hand, and a fan on his left hand. Intricate detail and colors characterize this wonderful miniature sculpture carved by Akihiro Zusuki, a netsuke artist currently living in Hokkaido, Japan...