Early Showa period (1930s) Japanese kogo (box for incense during tea ceremony) of turned wood, top and bottom are lacquered with concentric circles of different colors. Elegant object in Japanese taste with overwhelming simplicity, two parts fit perfectly, beautiful surfaces, in excellent condition. Diameter 1.9 inches.

Unusual Japanese bronze / brass haisaji - spoon for ashes from hibachi used during tea ceremony. Good design, hammered spoon part, braided wire nicely imitating cord. Comes in paulownia box with wrapping cloth, must be about 50 years old. Wonderful object in great condition, beautiful patina from use. Spoon length 8 1/2 inches, box length 9 1/4 inches.

Vintage Japanese kogo (box for incense during tea ceremony) made out of natural clam shell painted with lacquer on the inside with of a gnarled trunk and cherry flowers. Very clever design, rather suggestive erotic (see Enlargement 6) connotation as is usual with clam shape in Japanese culture, two parts fit perfectly and stay closed very well, in superb condition. Signed with a seal of the artist that seem to read TOGAI. Wonderful piece in Japanese taste. Length 3 5/8 inches.

Lovely Seto ware chaire (tea caddy) made by Japanese Seto ceramist Kato Bakutai (1861-1943).
The mark of the artist is stamped at the bottom.

Kato Bakutai was a prominent potter who initially worked under Kato Shuntai (1802-1877) being responsible for revival of Seto ware techniques in Japan in the 19th century...

The mark of the potter is stamped in the middle of foot ring.

Konyu was born the eldest son of his predecessor Raku XI Keinyu. He succeeded his father at the young age of 15, was succeeded by his son Seinyu and retired at 63 and died at the age of 76. He was a mild-mannered man, and is said to have dedicated himself to the continuation of the Raku family and its legacy...

Tea Ceremony Seto Chaire Tea Caddy of cylindrical form with slightly tapering sides, covered with a light chocolate brown and a running mottled black glaze. Ivory lid lined with gold leaf on the inside. Signed: Hikari. It comes with a silk shifuku storage pouch. Size: H 9,5 x 6 cm. Taisho -Showa period. Good Condition!

A very attractive and fine cast iron incense container (kogo) for use in tea ceremony decorated with a motif from the Ten Ox-herding Pictures of Zen Buddhism. Inside covered in gold. Signed by Suzuki Morihisa (1920–1981), a 14th generation of cast iron-makers from Morioka who later taught at the Academy of Fine Arts in Tokyo. A frequent exhibitor at the Nitten. With original signed kiri-tomobako and artist's information paper. Showa period ca. 1960. H 3 cm, D 7,2. Condition: Perfect.

Tea caddy (chaire) of Shigaraki ware with characteristic, mottled, beige glaze over brownish, rough corpus. Lid of finely worked ivory. Signed with potter’s mark in the bottom. A heavy silk storage bag (shifuku) with stylized flower pattern comes with the piece. Showa, circa 1960. H 8 cm, D 6 cm. Condition: Perfect.

Japanese hand Hammered Copper Tetsubin, Tea Kettle, Tea Pot, signed, 1930's, 11" high include handle up, 9" wide include spout, with etched design of Butterfly and Lotus flower inside the fan shape Cartouche, spout has closed hinged top to keep hot tea or hot water warm for longer period of time. Handle can be placed down and up, slight dents shows on the both sides.

Vintage Japanese kiriwood kogo (box for incense during tea ceremony) in a form of an open fan with painted decoration of blooming kikyo-zaki (Japanese morning glory) with leaves and tendrils. Comes with tomobako (original storage box made by the artist) inscribed, signed and stamped with a seal of Munehiro Michiba, Very clever design, in perfect condition. Great piece in Japanese taste. Length 3 5/8 inches.

Occasionally while browsing through the temple markets of Kyoto or perusing backstreets tea-ware shops, an attractive piece will catch my eye for no particular reason. When this happens, I typically buy it immediately without hesitation, trusting that I will be able to place it to a specific period or kiln given enough time and research...

A beautiful example of Ohi inspired Raku-ware; the body of this stylish tea vessel is a mix of a dark black gradating to charcoal grey with undertones of reddish maroon. A hasami-no-ato mark can be seen where the tongs were used to remove this piece from the kiln, and the potters mark can be seen near the foot of the bowl. Simple and refined, perfect for collectors and practitioners of tea alike.

Born into a generational line of tea-ware potters from Kanazawa, Fumiaki Kaihatsu (b...

Ceramic chawan (tea bowl) for tea ceremony with multifaceted outside and enso circle shape foot. Unusual piece made in marbled technique with resulting surface perfectly imitating twisted patterns of a burl wood. The effect is achieved by laminating different colored clays together and throwing them on a wheel to develop a swirling and spiraling effect...

Here is another sophisticated Karatsu Chawan, which represents the wabi sabi philosophy of Japan at its best with expected impressions of roughness, austerity and intimacy.

This Karatsu-yaki tea bowl with its wonderful surface is about 80-90 years old.

It comes with its from the artist originally signed and sealed wooden box.

No chips or cracks.

Size: 6,9 cm height x 14,1 cm in diameter.

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Vintage Japanese kiri wood round smoking set made from one piece of wood showing a bold beautiful grain. This tobacco smoking hibachi has a copper bowl and receptacle which are used to put a pipe or other smoking tools and ashes. Often used with tea ceremony, it measures 3.5" high x 6.5" diameter.

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors...

Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blue and white porcelain), he did not settle on this style until well into his potting career that lasted over seven decades. The piece shown here then would be from an earlier period and is evidence of his competency with varied styles and glazes—not just the one he is most well-known for...

Over 400 years ago the first Takatori potter known as “Hachizan” was brought to Japan by the powerful Kuroda clan and was tasked with establishing a kiln in the town of Fukuoka...