A baby carrier belt made of indigo dye cotton for warp and washi (Japanese handmade paper) yarn for weft. It is made in Shonai region in Yamagata district in Tohoku. In good condition with beautiful tassels but the seam loose part in one selvedge (30cm). The first half of the 20th century. 13.5cm x 3m60cm

Boro furoshiki with many mending patches with various cloth and interesting mending stitches. The ground cloth is thin cotton cloth in gray. The first half of the 20th century. 126cm x 126cm

Silk meisen kimono with geometric design, whose colors are yellow ground with black, white and red triangles. Kasuri pattern for both warps and wefts are stencil-resist-dye (heiyo-kasuri). In excellent condition except for minor spots in front. 1950s Probably made in Isesaki city. 126cm x 146cm

Long cloth with shibori which is worn by a woman when she worked in the fields to protect skin from sunburn or bug bites, which covers a head with only an opening for eyes. It was mainly used in the southern part of Tohoku district. It is made of cotton and dyed with vegetable indigo. The fronthead part has double cloth. In good condition but the white stitches have some ravels and a few small holes. The first half of the 20th century. 34.5cm x 170cm

Amazing boro tabi made of hand-spun cotton with mending patches. All original condition. The first half of the 20th century. 22.5cm x 11cm (sole)

Two pieces of yogi (bedding) which are hand-sewn by a girl student at the sewing school which were established around 1880. It is called "hinagata" and generally one third of measurement of a real one. The left one is sodenashi yogi (sleeveless top cover) and the right one is yogi (top cover with sleeves). The purpose of making sewing samples is efficiency for time and material. It has been made till 1940s in the sewing school of which students are mostly girls...

Meisen kimono with kasuri red and black rectangular pattern. It has red red silk lining, so probably made in 1930s. In excellent condition. 124cm x 154cm

Ojiya chijimi unlined kimono which was produced in Ojiya city area in Niigata prefecture. It has uneven surface like crepe, which is improved from Echigo-jofu, which has been woven of choma (ramie) since more than 1000 years ago in the region. The first half of the 20th century. In good condition except for very light beige spots in both under arms in the back. W:124cm, L:145cm

Shonai obi (sash) hand-woven of cotton for warps and paper yarn for wefts. It is made in Shonai region in Yamagata prefecture in Tohoku district. It is dyed with vegetable indigo and has beautiful tassels in both ends. In excellent condition except for a few tiny stains. The first half of the 20th century. 29cm x 3m56cm

A pair of cotton tabi with sashiko and a pair of kokake. Tabi is made of hand-spun white cotton and has nice sashiko for strength. Soles are machine-woven. Kokake is also made of hand-spun cotton and dyed with vegetable indigo and has fine sashiko for also strength. Kokake has no soles and it is worn over zori (Japanese sandals) for warmth and waterproof in winter. Both are in excellent condition. The first half of the 20th century. Tabi L22.5cm, W10cm, H13cm Kokake L26cm, H14cm

Silk Meisen unlined kimono with geometric pattern. Double kasuri (wefts and warps) is dyed with stencil-resist-dye (Heiyo-kasuri). Mid 20th century. In excellent condition. 126cm x 148cm

silk meisen lined kimono with dots which are double kasuri, both warp and weft are katazome dyed(stencil-resist-dye). In excellent condition except for a spot in the front panel, but it is folded inside and unseen when it is worn. Mid 20th century. 122cm x 151cm

A pair of boro tabi (socks) with sashiko, which is made of cotton and indigo dyed and has four metal straps. The lining is cotton flannel. The first half of the 20th century. W:9cm, L:21cm.

A bag made of hand-spun cotton with shibori (tie-dye) and katazome (stencil-resist-dye) pattern which is vegetable indigo dye. It has cotton lining with kasuri pattern which is also hand-spun and vegetable indigo dye and thinly padded with cotton. Generally in good condition except for a few stains. The first half of the 20th century. 30cm x 41cm

Saiho-hinagata (or hinagata), the sewing sample which is a miniature sample to learn sewing. It was invented by an educator for saving time and textile using a special measuring rod. It was practiced in a girl's school from Meiji 7, 1874). Reduced scales were one-third in the beginning and one-quarter, one-half, one-fifth etc. The sewing technique was exactly same as the real size in details. Saiho-hinagata was designated as a significant tangible folk cultural asset...

Sakiori obi for an everyday kimono. It is handwoven of cotton and silk strips of old kimono and cotton yarn for warps. Some wefts are from kimono with kasuri. In excellent condition. 20th century. W:16.5cm, L:2m92cm

A pair of boro tabi (socks) made of indigo dye cotton and thick cotton cloth for soles. It has fine sashiko for reinforcement on insteps. Metal claps are lost in one of the pair. The first half of the 20th century. W:10cm, L:21.5cm

4 pieces of meisen cloth which used to be haori (jacket). The longer two have a horizontal 9cm cut in the middle for the neck. Generally in good condition but has some patina and stains. Mid 20th century. 36cm x 1m74cm x 2 (sleeves) 36cm x 2m68cm x 2 (body)

Charming Japanese child's kimono, made of silk and printed with scenes of bird in bamboo, straw hats and Mt Fuji, lined with yellow silk, beautiful and sweet, Showa Period. Size: 33" wide x 36" high

Se-ate (kind of vest only for back) hand-woven of mawata (floss silk) and vegetable indigo dyed. It is very light and warm so that was worn under kimono in cold weather or in cold region. In excellent condition. Late 19th to mid 20th century. 32cm x 54cm

Sample book of "100 hundred ancient sarasa". made of 26 silk fragments with katazome (stencil-resist dye), from No. 101 to No.126. It is made by Shiundo in Seto in Aichi prefecture. In good condition. Early 20th century. W:22cm, H:17.5cm

Sakiori obi (sash) for a casual kimono whose wefts are strips from old cotton textiles, and warps are indigo dye cotton yarn. Generally, in good condition except for a little dirt in one of the ends (6th image). 20th century W:15.5cm, L:2m54cm

Beautiful Japanese child's kimono, made of orange silk woven with a subtle waves pattern and decorated all over with printed scenes of chrysanthemums, peonies, cherry blossoms and fans, details printed in gold and silver, large chrysanthemums on the back with embroidered details in gold and silver thread, pink and white chirimen silk ties. Size: 36" wide x 34" high

Sakiori obi (sash) for casual kimono. Wefts are strips recycled from silk kimono and warps are black cotton. In excellent condition. 20th century. 13.5cm x 2m40cm

Sakiori obi (sash) for a casual kimono which is hand-woven of strips recycled from silk and cotton kimono for weft, and cotton yarn for warp. In excellent condition. 20th century. 18cm x 2m96cm

Four-panel kon (dark-blue) indigo-dyed cotton bed cover, red and white threads woven into warp and weft creating patterns of circles , squares, and checks. Top cover only, no backing or wadding, very good condition. Early 1900’s. L.69”(175cm) x W.55”(140cm.) Futonji, bed covers, were a common bridal trousseau item in feudal and early-modern Japan. They may have been made by the bride before marriage (in very rural areas,) or more likely commissioned by the bride’s family...

Japanese uchikake (wedding gown) with a colorful design of flowers and birds done in the Tsujigahana-zome (dye) style. The old Tsujigahana dye technique was used on the clothing of the Muromachi to Momoyama period elites. Inside the tie dyed area, flowers and birds were painted with blue, purple and black ink. Tsujigahana-dye was short lived and completely vanished by the early 17th century because of its extreme complexity...

Japanese antique buddhist priest's robe, made all of woven silk, blue ground with gold medallions with cranes and pine bow design, sewn in panels, original white and purple cord on sleeves, late Meiji Period. Size: 60" high x 77" wide.

This is a beautiful Japanese wedding gown (uchikake). Featured on brownish orange (when you looked at it where the gold does not take over, the basic color looks more like brownish red) silk are flocks of white cranes and stylized water in roundels of gold. The tone of the gold is rich but soft. The design is unique, elegant, artistic and well executed with excellent workmanship. The condition is almost new...

Japanese silk kimono decorated with a beautiful scene of flowers including irises, peonies, and chrysanthemums with a little stream in color with gold details all on a very light cream color ground, Taisho Period. Size: 58" high x 51" wide.

Japanese Uchikake (wedding gown) with Imperial Carts, flowers and gold color “maku” (outside cloth divider). The divider is used as a street on this gown leading the wagons to the large area at the bottom half. The background colors from the top are orange, light pink to dark gray at the bottom. The liner is red. The condition is excellent, like new.
53" W x 75 1/2" L (sleeve length 41")

This is a beautiful dark blue Japanese Uchikake (wedding gown) made in Nishijin, Kyoto. The label states the name of Nishijin and the use of pure gold. The gown is woven with fans and Gosho (palace) flower carts which is one of the favorite motifs used for Japanese wedding gowns. They are remainders of the Heian period (794-1192) which was the last graceful era of the aristocrats. The gown is meticulously hand sewn to perfection as most Japanese kimonos are...

Elegant Japanese kimono wedding gown (Uchikake) designed by Hanae Mori. The gown displays the designer’s logo without a signature; her butterflies and initials are woven all over the red liner. Hanae Mori is truly the first and most famous international Japanese designer of the 20th century. She not only contributed to the Japanese clothing industry but to many other areas since the rebuilding time of Japan after WWII...

This is an antique men's silk juban, an undergarment worn under a kimono. For today’s standards, it is very odd to see such an extravagant hidden personal item.

During the Edo period, which ended in 1868, common people were not allowed to wear silk. The growing economical power of merchants came along with social disorder and corruption. Tokugawa government issued many sumptuary laws to limit the spending of the general people on luxury items...

From our Japanese Collection, a fine and very attractive mid-century silk thread composition depicting a Shinto shrine nestled within a treed riverbank, with a foot-bridge and boats in the foreground. The composition uses rich but tasteful shades of burgundy, brown, cream, dark green, a touch of soft pink, and other subtle earth tones. The piece evokes a relaxed charm.

Size and Condition: Framed dimensions are 25 inches wide, 19 3/4 inches tall. There is some minor scuffing to the ...

Elegant Japanese uchikake (traditional wedding gown) sewn in the style of the twelve layered court attire (juni-hitoe) from the Heian period (794-1160). The longing for the beautiful, culture rich era of the aristocrats that existed so long ago never seems to cease in people's mind even after 1000 years. Here on this red background, the classic design of the ox-cart in a pine forest is beautifully woven in gold. The layer of robes could have gone up to 15 or even more. High ranking ladies ...