This kasuri kimono appears to be hand woven (to my eyes) and another Tsukurioki kimono in new condition. Tsukuri-oki means that it has been left unused after it was made into a kimono. This was caused by the drastic changes in their clothing especially after the World War II. In modern days, Kasuri kimonos have been associated with old women from the country-side, definitely for the non-fashionable group. These kasuri kimono are very durable, many were made to be worn as casual work clothes...

Obi (sash) with design on both sides. One side taupe colored silk embroidered in brown, murasaki, pink, green and blue with a design of bamboo leaves and matsukawabishi. The other side decorated in silver and some colored silk on murasaki colored silk with an intricate design of a river bank with stone barricades, containers and vegetation: bamboo, pine, chrysanthemums and momiji. The end of the obi marked with two strokes of gold thread. Japan, early Showa period.
Length 151 ¾ in...

Cotton flag or banner with katazome (stencil-resist-dye) bee motif. The usage is not clear. In good condition but has some light stains. The first half of the 20th century. 86cm x 112cm

These kasuri kimono are very durable, and made to be worn as casual work clothes. I hope you can see the tiny round patches used to strengthen the areas where the sleeves meet the body. There are no company or designer's labels on these kimonos, but the quality of the workmanship are superior. The fabric is still very starchy and stiff. It will take some washings before it becomes soft...

Boro asa noragi (field wear) made of hand-plied asa (hemp). It has indigo dyed cotton cloth in the buttom and some mending patches. The first half of the 20th century. 63cm x 90cm

Baby's yogi which is one kind of bed cloth, a top cover in the shape of kimono. It has cotton cloth with katazome (stencil-resist-dye) for outside and indigo cotton for the lining. It has thick cotton inside for warmth and was used in the cold district or in winter. It is from Fukushima prefecture in Tohoku district. In good condition but has some light stains in the wrists and mending patches in the top shoulder. The first half of the 20th century. 92cm x 88cm

Long obi, woman’s sash for fastening a kimono. Silk with decoration in yuzen silk painting technique and silk and gold- and silver-thread embroidery. The story of Momotaro, Peach Boy, fully illustrated. The old couple, Momotaro’s foster parents, the boat that brings Momotaro and his friends the dog, the monkey and the pheasant to the island of the demons (Onigashima), the demons surrendering the treasures they stole. Momotaro, with the banner ‘Nihonichi’ (no...

A fabulous dark royal blue Nagoya obi with painting of men crossing a bridge. Screen printed with some hand painting, the figures are drawn in a modern art deco style. Early Showa. The obi measures 38” to the fold and 12” wide. The main scene measures 10” high x 12” wide. The smaller scene on the folded area measures 13” x 6” and is repeated on the back side. There are some minor age spots on one of these scenes, other wise obi is in very good condition...

Japanese silk kimono made with black chirimen silk, decorated with a resist design of fans, inside is lined with pink and cream color silk, very artistically mended in one subtle place to enhance to kimono (see detail), Taisho Period. Size: 66" long x 51 1/2" wide

Huge maku (curtain) made of many sake-bukuro which are recycled. It has many mending patches and stitches. The first half of the 20th century. 2m56cm x 128cm

Boro momohiki (panta) made of indigo dyed cotton and has mending patches. The first half of the 20th century. W: 80cm (flexble) L: 90cm

Cotton cloth with kasuri Yabane (plume) pattern which is handwoven and vegetable indigo dye. Warps look machine spun but wefts are hand-spun yarn. It has very thick texture, probably domestically handwoven. The first half of the 20th century. 148cm x 136cm

Paper stencil for kimono or futonji which are made of wash, Japanese handmade paper. The first paper stencil resist dyeing appeared in the Kamakura and Nanboku-cho period (1185~1392). It was applied for many items later, such as samurai's kamishimo(komon), civilian's kimono, No-drama costume and so on. Mino-gami (handmade paper made in Mino in Gifu Pref.) is used for the stencil...

Japanese extremely long banner, 66 feet long by 27 inches wide, red and white resist dyed cotton with black ink calligraphy, original red and white striped rope, Showa Period.

Beautifully hand sewn ka-gasuri summer kimono, partially lined with black and blue cottons, the color is dark blue to almost black, new condition with basting stitches. This is another Tsukurioki kimono. Tsukurioki means that it has been left unused after it was made into a kimono. These Kasuri kimonos have been associated with old women from the country-side, definitely for the non-fashionable group. These kasuri kimono are very durable, many were made to be worn as casual work clothes...

Wearable art: Beautiful Shibori hand tie-dye work on silk haori (short kimono jacket). It is lined with a white silk with some basting stitches still intact. This haori will make a gorgeous jacket.

This is a beautiful kimono, hand Tie-dyed Japanese silk haori jacket in excellent condition. Japanese haori makes a great jacket. There are numerous storage stains (faint brown spots) on the white lining which did not affect the front at all.

A pair of boro tabi (socks) with sashiko. The lining is thin cotton cloth. It has four metal straps. Both soles are lost. The first half of the 20th century. H:12.5cm, L:27cm

A long woman’s summer obi made of thin silk, woven in jacquard and openwork techniques with chrysanthemums or asters interlaced with fences of plaited bamboo leaves. On this, in Yuzen dye technique, imitating an ink drawing, several areas painted with cart wheels floating in waves...

Cotton cloth with shibori (tie-dye) seigaiha (waves) pattern and dyed with akane (madder). In excellent condition but akane color is faded and one mending patch and a few tiny holes. The first half of the 20th century. 35cm x 136cm

Japanese vintage silk obi with a contemporary flair, decorated on one side in purple with woven gold butterflies and on the opposite side in white with gold butterflies. Probably dates from the mid-20th century or slightly later. 138” long x 5 3/4” wide. Excellent, like new condition.

Asa (hemp) unlined kimono with katazome (stencil-resist-dye) fan motif. In good condition but has a few brownish spots. Mid 20th century. 126cm x 152cm

Silk meisen kimono with colorful geometric stripes. It has thin cotton lining and red silk cloth in the hem of sleeves. In good condition except for a few mending patches in the lining. 1930s. 124cm x 150cm

Elementary student's uniform made of wool and probably blended. It has Longer pants has mending. 1940s. Jacket: W:41cm L:53cm, Long pants: W:38cm :L64cm, Short pants: W:31cm L:50cm

The nobori banners, carps, warrior's Yoroi and Kabuto helmets, samurai dolls and swords are all a part of the display used for Boy's Day in Japan. They reflect the parents' wish to inspire their sons in manliness and bravery. This nobori is hand painted (dyed) on cotton, dated from 1920-1950. Excellent condition except one missing handle from the top. Dimensions: 29" x 245" (20'5"), 73.7cm x 6.2m. The length of the design area: 189"(4.8m) long.

The family crest shown on this nobo...

This is an old Japanese man's obi sash (belt for a kimono) with designs on both side. Many of the sashes are found with some damages, so they are often cut out and used to remake something else. Top quality silk in new condition, no damages.

A piece of rug made of cotton cloth, one side is vegetable indigo dye plain and the other side is stripe. It has roughly sewn sashiko (quilting) and has four layers of cloth. In good condition but it has some stains and indigo faded parts. The first half of the 20th century. 164cm x 166cm

Sakiori coat whose wefts are strips from old vegetable indigo dye cotton cloth and warps are hemp yarn. Wefts are fine strips comparing with other sakiori items. The short sleeves are for ease of movement, as it is "hamagi", worn at the seaside. In good condition except for two mending patches. The first half of the 20th century. W:85cm, L:92cm

Woman's juban (under kimono) made of recycled cloth such as hand-spun cotton with Hinode shibori, which is vegetable indigo dye for the lower part, and cotton with katazome, for the top part. The first half of the 20th century. In excellent condition except for a few light stains in the white cotton lining. 124cm x 126cm

Makanai which is a kimono worn at home after work in the Nanbu region, where is the east part of Aomori prefecture. It is made of hemp cloth whose wefts and warps are hand-plied and lightly vegetable indigo dyed. The lining is machine-spun cotton. It has very fine sashiko with indigo dye cotton yarn. In good condition but has light stains in front as well as in the back. The last image is from the book "Michinoku-no-Kohu-no-Sekai" by Tanaka Chuzaburo. The first half of the 20th century. 126cm x ...

Cotton futonji with minimal shibori design whose technique is "Nui-shibori (folded and stitched). It is made in Asamai in Akita prefecture where shibori has been practiced since late 18th century and it was most prosperous in the second half of the 19th century, however it declined rapidly because of the machine spinning and chemical dye developed. The local people are trying to preserve the Asamai shibori technique now. In excellent condition. The first half of the 20th century. 96cm x 156cm ...

Kake-futon (comforter, top cover) made of hand-spun cotton with beautiful katazome (stencil-resist-dye). The pattern looks imitating shibori (tie-dye). It is natural indigo dyed. It has beautiful green cotton lining and can be used as it is, for example, for a cover or throw. In excellent condition except for a few stains and a mending patch. Late 19th to mid 20th century. 154cm x 175cm

Healthy Japanese babies adorn this bright red juban. Made of light weight silk with equally light weight white silk lining, this woman's juban measures 48" across the shoulders (including sleeves) and 50" long. In very good condition, it dates early Showa, 1930, though the collar appears to be newer. This is a very cheerful under garment and would be a fun piece to wear as an outer garment.

Hanten work wear (noragi( made of hemp, both warps and wefts are hand-plied. Sleeves are tsutsusode (tubular shape). In excellent condition except for a mending (5mm) The first half of the 20th century. 120cm x 61cm

Juban (under kimono) made of hand-spun cotton with shibori design, dyed with vegetable indigo. The shibori technique of the top part is Te-Kumo Shibori (Hand-bound Spiderweb) and the lower part is Kanoko shibori (Bound Dots) and Boshi shibori (Capped Motifs) with mum design, which is dyed in Akita prefecture. Cotton cloth inside is also hand-spun and vegetable indigo dye. In good condition except for mending in the back (the last image). The first half of the 20th century. 121cm x 130cm

Saiho-hinagata (or hinagata), the sewing sample which is a miniature sample to learn sewing. It was invented by an educator for saving time and textile using a special measuring rod. It was practiced in a girl's school from Meiji 7, 1874). Reduced scales were one-third in the beginning and one-quarter, one-half, one-fifth etc. The sewing technique was exactly same as the real size in details. Saiho-hinagata was designated as a significant tangible folk cultural asset. They learned not only kimon...

Cotton kimono with katazome (stencil-resist-dye) pattern butterfly crest and dancer. It is made from cloth for tenugui (towel). It has rather thick texture and in good condition except for some dirty line in the neck. The first half of the 20th century. 118cm x 131cm

A sashi (obi) made of plain weave silk with katazome design whose motifs are Edo Hikeshi (fireman) such as hanten (jacket) with brigade's marks, matoi (brigade's symbol) etc. Lining is twill weave black silk cloth. In excellent condition. The first half of the 20th century. 31cm x 4m12cm

Made with a stencil pattern and gold surihaku this small child's kimono is in excellent condition. It measures 31½"across the shoulders (including sleeves) and 34"long. It is very soft silk and dates to early Showa, mid 1930s.

A fine Japanese men's black satin silk jacket with a handwoven scene in shades of golds and taupe featuring a female snow monkey and her infant. In excellent condition. Dates pre-1940

It is a beautiful kimono in excellent condition. The black dye changed it's color to a current black which has a tint of brown. The silk is in a super good condition. The design is the favorite design of Kakiemon, the hoo bird and the leaves of the paulownia tree. The hoo bird has been associated with the Empress in Japan and her crest is an elegantly designed paulownia leaves.

Cranes symbolize fidelity. They are known for not leaving their spouse’s side after their partner’s death. When pine needles fall, they fall as a pair and the color is evergreen. A pair of cranes under an old pine tree signifies the union of a couple. It is a perfect wedding fukusa (gift cover). The design is beautifully drawn here in Sumi-e black ink style on Shioze silk. Circa, Taisho to early Showa period, 1930-1940. Dimensions: 25 5/8" x 29"

Tsugaru kogin kimono made of vegetable indigo dye hemp whose warps and wefts are hand plied. It is made in Tsugaru region in Aomori prefecture in Tohoku district. Kogin-sashi is one kind of needlework (sashiko), stitches with white cotton yarn go horizontally and make geometrical patterns. It makes the hemp kimono warm with thick kogin in the cold district like Aomori, where it is hard to cultivate cotton. Both sleeves are "tsutsu-sode. It has indigo dye thin cotton lining and sashiko in the lo...

Rare item. Two fragments which are thick silk crepe (oni-chirimen) with katazome Ainu design. It might be haori (jacket) or kimono. In good condition but has some light stains and a hole (1cm x 0.5cm) The first half of the 20th century. Left one: 39cm x 96cm, Right one: 39cm x 116cm

A large bag made of taima (hemp) which was used for cocoons. The first half of the 20th century when the Japanese silk industry was most prosperous. This bag might have been used at the silk-raising farmers. Many mending stitches and a few patches. L:109cm, W:81cm

This is an old man's silk Jyuban, an undergarment worn under a kimono, a luxury from the past. Strange, but you will find quite a work of art in the undergarment, much more than finding them on the outer kimonos. The carps are tie-dyed. Other than a faint stain right above the right side carp, it is in excellent condition. This stain wil not show up unless you look at it under the sun. The measurements are 52" in width and 53" in length. No lining.

Top quality Kyoto Nishijin obi in maru obi style (design on both sides). We think this obi is from 1930-1940. No damages. Dimensions: 12 5/8" x 13'5"(161.5")

Lined woman's kimono made of high quality silk crepe with geometric pattern which is katazome (stencil-resist-dye). In good condition except for a few minor stains. 1920s or 30s. 124cm x 148cm

The term "Jyuban" came from the Portuguese word "gibao" (sleeveless garment). Jyuban is an undergarment worn under a kimono. You might be surprised to discover a piece of art, sometimes breathtaking bold in Juban. The condition of this old kimono is new. 100 percent pure silk. The measurements are 49" wide x 56-1/2" long.

Bag made of hand spun and vegetable indigo dye cotton, with beautiful sashiko. The lining cloth is cotton which looks hand spun and has katazome (stencil-resist dye) stripes. The metal clasp works well, which is antique handmade with boat motif. Generally in good condition but has some indigo faded spots and wear in one of the corners in the bottom. The first half of the 20th century. W:29cm, L:20cm, H:3.5cm

Japanese Kyoto Nishijin silk obi roll. This is a soft, medium thick, high quality silk fabric with genuine high grade gold leaves woven in. Stamped Kyoto Nishijin and nishiki with a couple seals for passing quality checks. Some stains at the end (very left edge) - not likely to affect. The base silk is cream color. 28 1/2" x 163".

Arai-hari meisen cloth for one kimono. Arai-hari means a kimono is unsewn, washed and dried on the board, which is a traditional way of cleaning kimono. In excellent condition except for minor spots in one part (10th image). It is strong enough so that good for remaking. Two pieces for the body part, each one has different width in the middle, shoulder part (11th image). W:35cm and 23cm x 3m24cm Two okumi (front panel) cloth. W:17.5cm x 2m16cm Two sleeve cloth, sewn in one cloth. W:2m16cm 1...

SASHIKO DUSTCLOTH WITH CRANE DESIGN

Unused dustcloth of recycled handspun cotton fabric with ‘sashiko’ (ref. https://en.wikipedia.org/wiki/Sashiko) once originally used for cloth (kimono) or bedclothes for celebration (because of its auspicious design of cranes). Early 20th century, Japan. 25 x 25cm (9.84 x 9.84in)


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Man's soft grey silk under kimono with a painted image of Daruma, the Japanese God of Wishes. Two large coins using the shibori technique cross over onto the sleeves. Two pale peach washes are painted across the image area as well as swashes of small metallic gold flecks using the surihaku technique. This is a very soft, light-weight gray silk with a bright green raw silk lining. Dating to 1930s and in excellent condition, this garment measures approximately 51” across and 54” long.

Japanese early Showa period vintage child's silk kimono decorated with cranes flying among pines, both symbols of longevity. White silk lining. Measures about 37” long (excluding collar) and about 32 1/2” across (sleeve tip to sleeve tip). Circa 1940. Very good overall condition with only a few tiny spots on one shoulder. It appears to have never been worn and has been kept stored safely away in an air-tight trunk. From the Tucson, Arizona estate of a World War II veteran.

This is an exquisite haori. Jackets of this quality, condition, and subject matter are getting increasingly hard to find. Made habutae silk a with brocaded or woven lining, it can be worn or displayed with either side facing outward. The outside is solid black with 5 mons (family crests) and includes the artist signature which appears on the front lower right panel. The inside back panel’s weaving includes the use of gold, silver, and copper-gold metallic lacquered threads. It is in excell...

Japanese baby's first formal kimono (miyagi), hawk on a pine tree hand painted in sumi-e (black ink) on silk, 32 1/2" W x 41" L.

This type of kimono is used during a newborn's first visit to the shrine. The ritual takes place about one month after his birth. Traditionally, the kimono was sent by the mother's side of the family to their daughter's new family, bearing the family crest of the husband's side. The newborn will be held in the arms of his mother-in-law and accomp...

Silk meisen kimono with double kasuri block pattern. It has red cotton lining so that it was made in early Showa, 1930s. In excellent condition except for tiny moth holes in wool muslin cloth in the wrists inside. 126cm x 144cm

A pair of boro tabi (socks) made of cotton and indigo dyed. Both soles are lost. The first half of the 20th century. Sashiko is hand-sewn but the light blue reinforcement cloth is machine sewn. L:24cm, H:12cm

Gorgeous antique kimono in the best condition. Lined with red gauze silk, it is completely reversible. The color of the black silk has changed over the years to a very dark brownish gray evenly. The colors of the design are very classic Japanese colors as Imari red (brownish red) and same earth tone in every other colors. There is one tiny hole (1/16" in size) right by a family crest, Mon. There is no color loss inside.