Hiroshi Yoshida
Great Temple in Madura (Madurai)
Indian and Southeast Asia Series
Date: 1931.
Size: Oban. Approximately 15.5 x 10.75 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Medium: Japanese woodblock print.
Condition: Excellent...

Hiroshi Yoshida
No. 3 Cave Temple in Ellora
By Courtesy of Archaeological Department, Hyderabad
Indian and Southeast Asia Series
Date: 1932.
Size: Oban. Approximately 15.5 x 10.75 inches.
Signed and sealed in the image...

The fine crackled feldspar glazing of this Hagi composition contrasts nicely with the red ferrous clay of the base and the wrought silver globe resting atop. Along the lower half can be seen a geometric windowed pattern giving this incense burner a sense of dimensionality.

Legendary potter Miwa Kyuwa (1885-1981) has been credited with reviving the Hagi tradition of pottery after the war...

Vintage Japanese Tea Bowl of Kyo ware with laquered wooden box. This tea bowl was made around 50 years ago. The inside of the bowl is covered with gold glaze. Very rare.

Size: 7,7 cm height x 10,8 cm in diameter.

Shipping included.

Kawase Hasui
Uchiyamashita, Okayama
Selection of Scenes of Japan (Nihon Fukei Senshu)
Date: 1923.
Size: Aiban. Approximately 12 x 9 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei #112.
Medium: Japanese woodblock print.
Condition: Slight toning.

Kawase Hasui
Zaimoku Island, Matsushima
Date: 1930s.
Size: Approximately 5.75 x 3.75 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei #Hp-26.
Medium: Japanese woodblock print
Condition: Excellent.
A rarely seen design.

We present a stunning Japanese tea bowl made 80 years ago by the legendary 9th Choraku Ohi (1901-1986), enclosed in its originally signed and sealed wooden box. Aesthetic highlight is the perfect kintsugi gold repair, which makes this tea bowl to a unique treasure. Highly recommended for sophisticated collections.

The Ninth Chozaemon was the son of the Eigth Chozaemon who had been making tea utencils from age sixteen until his death at age eighty-six...

Contemporary Japanese side table. Made with unusual, mixed hardwoods, creating a bold contrast of color and grains. Its tabletop is accented by lighter wood inlay "butterflies" to hold together the natural fissures of the wood. The second tier below is secured into each leg by mortise and tenon joinery.

Size: 59" L x 18.25" W x 31" H

Japanese contemporary Kaidon tansu known as a step tansu. Comprised of three sections. Made with solid Keyaki (elm) wood, this tansu will hold many precious things within its various size drawers and compartments. Each compartment opens from both sides, so this Kaidon can be facing either direction. Its doors feature vertical slats to create an interesting contrast of texture and design...

Done in the Annan style which is a Japanese adaptation of porcelain-wares imported from a region of ancient Imperial China (now part of Vietnam) from the late Muromachi period (1392 - 1573). At the time this type of pottery was hugely popular among tea devotees and this enthusiasm continues into the modern day...

This extraordinary mizusashi is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...

Toshi Yoshida (1911-1925)
Crabs
Date: 1925.
Size: 11.25 x 6.0 inches.
"Toshi" Japanese signature and seal.
Pencil signed and titled in English.
Condition: Excellent. Small tape remnants at top back.
This is the first woodblock print created by Toshi Yoshida. He was 14 years of age.

Kanmei F. K. (Active 1940s)
General Douglas MacArthur, 1947.
Size: Oban. Approximately 16.75 x 11.0 inches.
Edition: First and only.
Publisher: Watanabe Shozaburo. Bears rarely used Watanabe seal at lower right margin.
Carver: Aoyanagi Isao (seal)
Printer: Ono Gintaro (seal)
Sealed by the artist and signed in English and Japanese.
Medium: Japanese woodblock print.
Condition: Paper slightly toned. Small surface spot at right...

The image of the brush-drawn circle, known most commonly as the “enso” of Japanese Buddhism, has long been a symbol of strength, elegance, and the simultaneous being and nonbeing (mu) of the universe. A closed enso is associated with the idea of perfection while an open enso represents movement, fluidity, and attainment in the corporeal world...

Ohara Koson (Shoson)
Cockatoo and Pomegranate at Night
Size: Chuban. Approximately 10.5 x 7.25 inches.
Date: ca. 1930.
Publisher: Watanabe Shozaburo.
Shoson signature and seal.
Medium: Japanese woodblock print.
Reference: AS.27 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent.

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for. This small dish fashioned from coarse clay and covered in a silky ash glaze. Slightly oblong with one edge gracefully arching upwards, both sides of the dish have been traditionally repaired using lacquer and gold...

Ito Yuhan
Ukimido at Katada, Lake Biwa
Date: 1930s. Printed 1938-1960s.
Size: Oban. Approximately 16.5 x 11.5 inches.
Publisher: Nishinomiya Yosaku. Bears the publisher's seal in the left margin.
Sealed "Yuhan" in Japanese within the image.
Medium: Japanese woodblock print.
Condition: Excellent.
Note: Nishinomiya Yosaku also operated at times after the 1960s, so there is a possibility that this print was produced from the original blocks after the 1960s.

Kawase Hasui
A Yangban (Korean Official)
Date: August 1935 (First and only edition)
Size: Dai-oban. Approximately 17 x 12 inches.
Signed and sealed by the artist.
Publisher: Watanabe Shozaburo.
Reference: Hotei #357.
Medium: Japanese woodblock print.
Condition: Excellent.