Artist: Oda Hironobu [signature and seal]
Descrption: Mountain scene
Date: 1930s
Size: Oban, approximately 15.5 x 10.5 inches
Publisher: Maeba Han (oval seal)
Condition: A thinning area at the upper left. Crease at left. See verso photo of small tape/pencil notes.
- Oda Hironobu was born in 1888. His prints were produced in very small quantities and are rare. The colors in the hills would be at home in a California/Western woodcut.

This very well carved ivory erotic netsuke of two couples is 2 5/8” long, 1” high and a little less than one inch thick. It is dated to the 1960’s. There is a carver’s signature on the bottom.

This small carved ivory erotic netsuke of two men is 2” long, 1” high and 1’ thick. It is dated 1960’s. There is a red lacquer inlayed signature on the bottom. It is very well carved and in great condition.

This mid 20th century carved ivory netsuke of a sumo wrestler is 2 ¼” high, 1 ¼” wide and 1” thick. It depicts a sumo wrestler dressed the traditional outfit staring straight ahead, ready to fight. The expression on his face is just great. The signature “Yoshido” is on his left foot. Aside of some color that has been rubbed off, it is in excellent condition.

This mid 20th century carved ivory netsuke of a monkey is 1 ½” high, 1 5/8” wide and 1 ¼” thick. It depicts a sitting monkey holding a fruit branch. The signature is on the bottom of his back leg. It is in great condition.

A heavily glazed early square pottery dish by Kimura Ichiro enclosed in the original signed wooden box. The sandy clay appears to have been twice fired, the first firing unglazed with a simple ash burn later a very thick feldspathick glaze wiped on and re-fired. It is roughly 11 by 11-1/2 x 2-1/2 inches (28 x 29 x 6 cm) and is in good condition, no chips or cracks but some color has soaked into the crackled white glaze...

Large Japanese porcelain vase by Shumei Fujii, decorated with the design of white herons and pine in underglaze blue and pale green. The rest of the areas are covered with white gold (straight translation from the "title", platinum like), all hand decorated with the artist’s signature at the bottom. Beautiful "Tsubo" in museum quality.

Shumei Fujii (1936 to present) is a famous Arita ceramic artist with a remarkable record...

Elegant Japanese uchikake (traditional wedding gown) sewn in the style of the twelve layered court attire (juni-hitoe) from the Heian period (794-1160). The longing for the beautiful, culture rich era of the aristocrats that existed so long ago never seems to cease in people's mind even after 1000 years. Here on this red background, the classic design of the ox-cart in a pine forest is beautifully woven in gold. The layer of robes could have gone up to 15 or even more...

Satsuma Studio Nude Geisha by Miyanaga Tozan, circa 1940's

She is 12.25 inches (31 cm) tall by 4.25 inches (11 cm) wide.

She is in good condition with no repairs, or chips, except manufacture defect of firing cracks at the bottom (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

A striking large Han-zutsu Shino bowl by Kato Kageaki with cotton buffer and silk bag enclosed in the original signed wooden box. Linear forms lie shadowlike below the thick pitted shino glaze burnt red on the edges, the body torn and cut creating a vivacious landscape for the senses. The bowl is 5-1/2 inches (14 cm) diameter, 3-1/2 inches (9 cm) tall and in perfect condition...

This is an imposing early 19th century Kakiemon style porcelain vase of Japanese origin inspired by a 17th century model currently valued in excess of $700,000. A piece similar to the original dated 1680 from the Blenheim Palace collection was exhibited at the Ashmolean Museum, Oxford in 1989.

21" in height, this vase is well enameled with three identical garden scenes separated with bands of blue flowering vines.

Condition: Excellent, with no chips, hairlines, or repairs...

Japanese Isho Ningyo of an Oiran, the most important Geisha of the Kyoto Geisha quarter. The book and movie 'Memoirs of a Geisha' is the story of an Oiran. This master work is truly a work of art to behold, and is by one of Japan's foremost doll makers, the late Ito Hisashige XI. The first Ito Hisashige was appointed to the position of Court Doll Maker by Emperor Gosakuramachi in 1767...

Kashigata, mold for making Japanese sweets, in the shape of a wasabi root. Carved wood, ca. early-mid 20th century. H.1.5"(3.75cm) x L.8.25"(21cm) x W.3.5"(8.75cm). Kashigata have long been in use for making molded sweets in Japan and many other parts of the world (especially Asia and Northern Europe.) In Japan, shapes often include felicitous or auspicious themes for luck, long life, wealth, etc. This one, shaped as a wasabi root, is unusual and interesting.

A deep, almost bulbous, Wan-gata Chawan by Ueda Tsuneji Titled Kikumon, or Chrysanthemum, enclosed in the original signed wooden box. The large bowl is covered in speckled green glaze turning blue on the lower edges, with a bodacious mum in blue and black. It measures 5-1/2 inches (14 cm) diameter, the slightly tapered rim just over 3 inches (8cm) tall...

Vibrant tusty red splashes across the black glazed surface of this sculpted vase by Kawai Kanjiro dating from the 1950s enclosed in a wooden box annotated by his daughter Koha, the head of the Kawai Kanjiro Kinenkan Museum. The vase is roughly 8 by 4 by 4-3/4 inches (20 cm x 12 x 10 cm) and is in perfect condition. Kanjiro was a true artist by nature, and together with Hamada Shoji, set a pattern of study for modern potters...

Maquette (scale model) of Faun Sculpture by Yasuhide Kobashi (born 1931), commissioned by Lincoln Kirstein for the Lincoln Center for the Performing Arts in its opening years. Purchased directly from the artist at the time the sculpture was first displayed in Lincoln Center in the 1960s. Signed on the Bottom of the mount...

Landscape Oil Painting by Ryonosuke Fukui (1923-1986), purchased directly from the artist in Japan in 1962. Excellent Condition. 16.5 x 13 inches, 42 x 33 cm.

Indigo-dyed heavy cotton shop Apron, Unknown business. Stencil-dyed on both sides with shop name and address: “Takara;” braided cotton waist tie...