Ohara Koson
Fox between reeds near moonlit water.
Date: ca. 1930.
Size: Oban. Approximately 15.0 x 10.5 inches.
Publisher: Kawaguchi and Sakai. Seal in left margin.
Reference: No. S41.4, p. 212 in "Crows Cranes and Camellias: The Natural World of Ohara Koson" (Reigle Newland).
Condition: Very good. Toning line evident at margin.
A rare design.

Kawase Hasui
Rain at Shinobazu Pond
Date: 1929.
Size: Oban. Approximately 15,25 x 10.0 inches.
Publisher: Watanabe Shozaburo. Bears the Watanabe A seal in the right margin, indicating a first edition.
Condition: Very good. Light toning and fading.

Kawase Hasui
Hachirogata Lagoon in Akita District
Date: 1927.
Size: Oban. Approximately 15.0 x 10.0 inches.
Publisher: Watanabe Shozaburo. Bears the Watanabe A seal in the right margin, indicating a first edition.
Condition: Very good. The margins have been repaired by a conservator. The verso is toned.

Large Japanese Gigaku demon mask, covered with red, gold, and black lacquer. The colors gold and red are associated with the underworld, especially when apparent in a demon's eyes. This mask sports long fangs, a stubby ridged nose, and furrowed brow. The inside of the mask has rice paper with kanji signature of the sculpting artist. Dates from the Tiasho age c1920. Size: 17.25" height, 13" width

Wonderful Japanese figure of the Buddhist deity Bishamonten (Hindu name: Vaisravana), made out of iron. Bishamonten is cheif of the Four Heavenly Kings and is the guardian of the northern direction (in Japan he is one of the Seven Lucky Gods), he holds a small pagoda in one hand symbolizing the divine treasure house, whose contents he both guards and gives away. Signed by the artist: Seiun. circa mid 1930's. Size: 25" high x 12" wide x 9" deep.

Japanese print of a seated Buddha by the artist Shiko Munakata (1903-1975). A member of the sosaku-hanga movement and the mingei folk arts movement in Japan. As a young artist, Munakata was influenced by Vincent Van Gogh and studied oil painting. Later he was inspired by Buddhist religious imagery which became the main subject matter of many of his prints...

Japanese print entitled "Last Supper" by Sadao Watanbe. Sadao Watanabe (1913-1996) was part of the Mingi (folk art) movement in Japan which involved the use of natural materials. Watanabe's early boyhood job as a textile dyer has influence his work greatly. He used organic mineral pigments with a soybean milk binder (katazome) on hand crumpled paper (momigami). Watanabe's upbringing as a Christian is the main influence of his subject matter...

Lovely Japanese 4-panel byobu (folding screen painting), painted with a beautiful scene of chrysanthemum flowers in a garden, some use of raised gofun on flowers, painted in mineral colors and ink on a gold leaf ground, signed by the artist. Showa Period (mid 20th century). Size: 35" high x 72" wide Size:

Beautiful cream colored Japanese glazed porcelain vase with gold painted bamboo stalks on its front and back, gold checkerboard designs with pink and white accents around the neck and base, gold rim with red, green, and gold painted designs. Bottom signature reads "Satsuma Asahi Do". Size: 10.5" height, 6.75" width

Elizabeth Keith (1887-1956)
Little Pavilion, Peking, 1935.
(aka. Little Pavilion, Coal Hill, Peking)
Size: Approximately 14.75 x 9.25 inches.
Publisher: Watanabe Shozaburo.
Condition: Excellent with a couple of very faint creases. Title noted in pencil on back.

Elizabeth Keith (1887-1956)
Shopping at the Chang Men, 1925
(aka. Outside Chang Man Gate, Peking)
Size: Oban. Approximately 16.0 x 11.5 inches.
Publisher: Watanabe Shozaburo.
Condition: Excellent with small surface spot at left edge. On verso, paper remnants at top corners. Title noted in pencil on back.

Beautiful woodblock entitled Horse in Armor and Butterfly by Tadashi Nakayama, many colors, made with many carved blocks and colors, silver and gold leaf, image of a standing horse head turned toward a butterfly, signed and dated 1972, print no. 28 of 75.

Size of art only: 33 1/4" high x 21 1/2" wide. Size of paper: 40" high x 27 1/2" wide.

Magnificent woodblock print of a running horse by Tadashi Nakayama, many colors, made with many carved blocks and colors, silver and gold leaf, image of a horse running through a field of poppies, untitled horse, print no. 47 of 75, signed and dated 1974.

Size of art only: 30 1/4" high x 21 1/2" wide. Size of paper: 38" high x 27 1/2" wide.

This is a wonderful Kanbishi chawan of Living National Treasure Potter Arakawa Toyozo with its original signed wooden box.

It is in mint condition with no cracks and no repairs.

Size: 5,3 inches x 4,9 inches x 3,0 inches

Toyozo Arakawa (1894 - 1985) rediscovered the techniques of manufacturing Shino glazes first perfected during the Momoyama and Edo periods...

This is a very colorful Japanese Plique-a-Jour cloisonne vase. The colors used are a little different than most and contrast beautifully.(See images) Condition is very good. But when held up to bright light a line can be seen. It does not show in normal lighting. The vase is even a little different size. It stands 3 5/8 inches tall.

A fine Japanese ranma or transom with an image of a bush warbler perched on a flowering plum tree. Often bush warblers are a symbol of the coming of spring. Age: 20th century. Size: Length 73.25" Height 14.8"

Kawase Hasui
Hida Kamagatake
Size: Oban. Approximately 15.5 x 10.5 inches.
Date: 1933. This is a lifetime edition published between 1946 and 1957.
Publisher: Watanabe Shozaburo. Bears the red 6mm seal.
Condition: Very good. The tonal difference at the lower right corner appears to be an impression flaw, rather than a matte line.
A rarely seen Hasui image.

A tetsu-yu chawan by greatest Kanjiro Kawai with signed box.

Mint, no cracks or repairs.

Size: 8,6 cm height, 13,1 cm diameter.

No ceramic artist of the Showa approached Kanjiro Kawai (1890-1966) for creativity and artisanship. Kanjiro was a true artist by nature, and together with Hamada Shoji, set a pattern of study for modern potters...