NAMU AMIDA BUTSU IN SWORD STYLE
Japanese Buddhist hanging scroll mounted with woodblock-printed paper talisman so-called 'Riken Myogo' ("Namu Amida Butsu" in sword style) as a chanting of homage to Amida Buddha
written in sharp‐pointed font like the sword that protect from evil spirit. Showa period, 20th century. Mounting: 26.5 x 127.2 cm (10.43 x 50.07in)...
Imao Keinen (1845-1924)
Crow and Flowering Cherry
Date: ca. 1930
Size: Approximately 15.0 x 7.5 inches.
Publisher: Shima Art.
Provence: Purchased directly from the Robert O. Muller estate.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition. Excellent. Uncirculated.
Tsuchiya Koitsu
Konjikido Hall (Golden Hall), Chusonji Temple
Publisher: Takemura Hideo. Takemura seal at left.
Date: 1930s.
Size: 5.5 x 3.75 inches.
Koitsu catalog no.: TK-TM-139.
Medium: Japanese woodblock print.
Condition: Hole in tree near upper right margin.
Note: Similar to a Hasui scene of this temple.
1932's Japanese Woodblock Print "Rain at Shinagawa", Signed Kawase Hasui, Publisher Sealed Watanabe (6 mm seal)
The overall measurement is 22 inches (55.9 cm) long by 14.1 inches (35.8 cm) wide. The print is 15.35 inches (39 cm) in length by 10.3 inches (26.3 cm) wide. The seal is 6.28 mm in diameter.
The top of print is glued to a backing. The print has creases at the borders, fading, minor browning, yellowing, and discoloration (as seen in the photos)...
Han Dynasty Red Terracotta Painted Seated Dog with Harness, traces of red white black and yellow paint , no restoration or breaks . The tail is missing it would have been another material. Size 8.25" by 8"
Octopus and Anchor. Painted with ink on paper. Signed Koho and sealed.
Some insignificant light marks, insignificant light crease and foxing are present on the both painting, insignificant light marks are present on the mounting, otherwise the piece is in very good vintage/antique condition with the age. It is accompanied by an aged paulownia wood storage box.
Painting: W12 1/4” x H51 1/8” (W31cm x H130cm)
Scroll: W16” x H76 3/4” (W40.5cmx H195cm)
Rare semi antique supplementary warp silk embroidery on handspun indigo cotton, blanket from the diverse Tai ethnic group Vietnam/Laos. I collected this in Chiang Mai around 12 years ago and would date it around 40 to 80 years old. Nowadays you just can’t find this sort of textile anymore. Some embroidery losses and a hole along the edge (noted in enlargements) but overall in very good condition. Dimensions: 84cm/33in x 145cm/57in.
Ohara Koson
Goshawk chasing a rabbit between reeds
Size: Naga-oban. Approximately 13.5 x 7.5 inches.
Date: Late 19th - early 20th century.
Publisher: Matsuki Heikichi. Sold by Daikokuya.
Reference: Crows, Cranes and Camellias: The Natural World of Ohara Koson (Amy Reigle Newland),#K13.15. page 184.
Condition: The paper has areas of toning and discoloration.
- This print bears the H. Matsuki/Daikokuya address stamp at the lower right on the front of the print...
1980's Chinese Famille Rose Porcelain of a Seated Guan Gong (Guan Yu) Marked
He is 18.05 inches (45.8 cm) tall by 9.85 inches (25 cm) wide. He is 11.1 Lb.
He has minor rubbing of paint and gold and surface wears and scratches (as seen in the photos).
Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...
Pair of Chinese porcelain and wood screen panels. Carved wood frame set with a porcelain panel of flowers and bird. Each screen with with calligraphy and seal marks. Brass hanging loop.
Size: 26" high x 11-3/4" wide.
Condition: Light overall wear
Age: Republic
This Famille Rose porcelain GuanYin figure is a mid-20th century product. It depicts a seated GuanYin holding a gold globe in her left hand. It is 10 1/8” high and 8” wide and 5 1/8” thick (both measured from the bottom). The artist name, Zheng Long Sheng, is stamped on the bottom. It is in great condition.
This ivory carving of a fairy riding a mythical beast is a mid 20th century product. It is 5 ½” high (6 ½” high with carved fitted wood base), 4” wide and 1 ½” thick. It depicts the fairy, He Xiangu, holding a lotus leaf and blossoms in one hand and a fly whisk in the other hand. She is sitting side ways on her mythical beast. He Xiangu is the only female deity of the Chinese eight immortals...
Finely carved and decorated wood document box, decorated with floral design, early to mid 20th century period. Size; Measurements are 3.8"H x 16.7"L x 6.8"D, no condition issues noted.
Shotei Takahashi (Hiroaki) (1871-1945)
The Pond of Senzoku
Date: Pre-1923.
Size: Mitsugiriban. 15 x 6.75 inches.
Shotei seal at left.
Publisher: Watanabe Shozaburo.
Reference: M-108 in Shotei catalog. Watanabe #684.
Ota-ku 2005 Catalog #62.
Medium: Japanese woodblock print.
Condition: Two pieces of tape at back margin. Light toning. Fray at top left margin...
Vintage Japanese lacquer kogai style kanzashi - a hair pin - with lacquer decoration of flowers in a stream. Kogai type kanzashi consists of two sticks featuring a design on each end, which tend to be wider than the centre. Kogai resemble sheathed swords, with one end being removable in order for it to be placed in the hairstyle. Wonderful lacquer work, in very good vintage condition. Length assembled 4 1/4 inches. Part of East Coast Japanese hair items collection.
Chinese carved hardwood stand, carved with gnarled natural motif, very heavy dense hardwood. Great condition
Early 20th century.
Size: 2" high x 22" long x 8 1/4" deep.
Chinese white bowl carved on the outside with two rows of overlapping lotus petals. Covered with a clear ivory glaze that falls to reveal the white ware. The base and the top rim left unglazed.
Age: Song dynasty (960-1279)
Condition: Very good condition
Size: Approximately 6-1/2 cm high by 14-1/2 cm diameter
Lovely Seto ware chaire (tea caddy) made by Japanese Seto ceramist Kato Bakutai (1861-1943).
The mark of the artist is stamped at the bottom.
Kato Bakutai was a prominent potter who initially worked under Kato Shuntai (1802-1877) being responsible for revival of Seto ware techniques in Japan in the 19th century...