Head of funerary statue or effigy, of minimalist shape. Weathered wood, with shell eyes. Indonesia, South Sulawesi, Toraja Peoples. Height: 12" (30 cm). The head is nicely mounted on a custom metal stand. Very good condition. NOTE 1: The Toraja have this particularly interesting tradition of carving in wood funerary images of the deceased. These figures are kept in galleries or balconies beside the coffins in which high-ranking or noble or wealthy people are buried...

A beautifully shaped green vessel by Miyashita Zenju enclosed in the original signed wooden box. It stands 10 inches (25.5 cm) tall, 8-1/2 inches (22 cm) diameter and is in fine condition.
Zenju (1901-1968) studied pottery in Japan, Korea and China, and is held in the Kyoto Municipal Museum of Art as well as the Kyoto National Museum. Work by the artist was exhibited pre-war at the Bunten and Nitten National Exhibitions as well as the 1939 and 1940 World Exposition...

Japanese framed woodblock print by Shiro Kasamatsu (1898-1991) of a bridge and a quiet lake in the evening. Lanterns illuminate cherry blossom trees among the darker color palette. Print is laid down and framed. Artist's chop and signature with title in right margin.

Size: (entire frame) 15.75" L x 21" H (print only) 10.75" L x 16" H

From our Southeast Asia Collection, a superb Indonesian ebony wood carving of Ruana, expertly rendered with such animation and ferocity that the character looks almost demon-like, so much so that we actually find this particular piece a bit creepy.....But that is ultimately testimony to the tremendous skill of the carver...

A beautiful old Chinese carved ivory seal with five kids playing motif, in excellent condition only with a normal old small crack please see the photo. Signed. H:4.75cm W:3.5cm

Splendid Chinese white jade carving of seated monk with book resting on his side while greeting an attentive dog. Expressive and highly skilled carving with excellent detail and nuance. The stone of an even pale greyish-green with small orange striations. Republic Period. Size: 3.5” high, 4.5” wide.

A sculptural Green form by Yamazaki Akira (Yamazaki Koyo II, b. 1927), one of several enigmatic works we have acquired by this artist dating from the 1970s to early 80s. With the right lighting we can see a pattern of large black spots under the glaze on the bottom half of the body reminding me of the flintstones. The vase is 17 x 7-1/2 x 10 inches (43 x 19 x 25 cm) tall and in fine condition, signed on the base Akira. There is no box...

From our Southeast Asia Collection, a superb Indonesian ebony wood carving of a Legong dancer, expertly rendered capturing the marvelous grace and elegance of this traditional Balinese dance.

As Wikipedia describes it, "Legong is a form of Balinese dance. It is a refined dance form characterized by intricate finger movements, complicated footwork, and expressive gestures and facial expressions. Legong probably originated in the 19th century as royal entertainment...

Mid 20th century Chinese lapis covered jar with floral design, good condition. H: 8 1/2 inches, W: 5 inches

Mashiko Yaki Oozara (Large Plates), Dia. 12.25" (31.5cm); Vintage production, purchased in 1965. These plates feature patterns from the four seasons: Ume (Plum) for Spring, Shobu (Iris) for Summer, Nekoyanagi (Pussywillow) for Autumn, and Kiku (Chrysanthemum) for Winter. These types of plates were made using molds and then hand-painted as stock items sold in Mashiko in the 1960's & '70s...

A large Plate by Living National Treasure Hamada Shoji enclosed in the original signed wooden box titled Mori-sara. Splashes of black supplant the rich red Mashiko glaze. It is 12 inches (31.5 cm) diameter and in fine condition.
Hamada Shoji was born in Tokyo, and enrolled in the Tokyo Technical University at the age of 19. In 1918 he met the important British potter Bernard Leach, and the history of ceramic arts was forever changed...

A beautiful 19/20th C. Chinese famille rose plower pot, marked with "Guangxu" in excellent condition. H:6-1/2",D:8"

Mashiko ware Vase by local potter Outsuka Sadao. Impressed Inlay Patterning. H. 12.75" x Body Dia. 6.5". Stamped at foot "Sada". Purchased in 1965. Good condition, holds water - tested. Condition notes: you can see in enlargement #2 that the vase has a lean/list to one side. Also, there is a "kamakizu" (kiln scar) of a small rock burst on the body...

This shoulder bag was made and used by the Hmoung women of northern Thailand. It would carry all the traditional items which would have been commonly found in a woman's purse. The bag fabric was hand loomed from the indigenous plants and then embroidered using traditional cross-stitched with geometric patterns. Beads, silver ornaments and tiny pompoms are added for decorative enhancement of the bagface. This piece is in good condition.

This Many Westerners have been told that the Miao et...

This carved ivory statue of a girl holding a flower basket was carved around 1970. It is 7 inches tall (with the base, it is 8 ¼ inches high), 2 inches wide and 1 ½ inches thick. Her left hand is holding a woven flower basket and her right hand is gently grabbing the tassels from the basket. It is in excellent condition.

From our Southeast Asia Collection, a fine and very large Khmer (Cambodian) handmade silk textile now framed as a wall hanging, executed in traditional Khmer palette using a combination of natural vegetal dyes and synthetic colors, depicting various animal and geometric motifs. A very striking and dramatic piece not commonly encountered.

Size and Condition: 94 1/2 inches wide, 40 1/2 inches tall. Some minor thread pulls here and there but overall excellent condition.

This 1970¡¯s Chinese carved polychrome bone statue is 6 inches tall and 2 1/2 inches wide. It depicts a cricket sitting on a Chinese cabbage (Napa). There is a red plant wrap around the bottom of the cabbage. The technique of carving and dying is superb. It is in great condition.

This jade (nephrite) carving is a mid-20th century product. It is 3” high, 2 ¼” wide (measured from the widest part) and 1” thick. It depicts a playful monkey climbing on top of two pomegranates; a small RuYi (如意) scepter with LingZhi (靈芝) ends rests on the back of the carving. It is in great condition.