A weaving pulley in the shape of a woman with pinned-up coiffure ending in two horns. Carved from hardwood with dark patina, the reel is worked from a nut or another material. Collected by the Swiss ethnologist Charlotte von Graffenried, author of the book "Akan Goldweights". Condition: traces of usage, the body and one horn with a split. Dimension: c. 15.5 cm high x 7.4 cm wide.

Lovely pair of small Chinese ginger jars measuring only 5.5 inches high including finial and 3.5" in diameter. They feature a beautiful crackle glaze with a polychrome scene depicting warriors in the Battle of the 3 Kingdoms. These jars were last used as a antique decorative item on top of a diminutive slant top writing desk in a NYC Park Avenue Apartment before the family retired to NC.

GANGI

Japanese folk wooden constraction tool to pat and even out the traditional thatched roof, 1960s, Kyoto, approx. 21 x 16 x 7cm (8.26 x 6.29 x 2.75in)


selected by Jinta




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LILY SHRINE WITH WOMAN'S SECRET CASE

Assortment of an wooden 'zushi' (miniture shrine) with woodblock-printed lily pasted on and a small bakelite case used by a postwar 'yujo' (Japanese prostitute) to once put her own body hair into (so no hair now) and give it to her important customers, both coming from the collector who specializes in Japanese red-light district and sexual culture as its provenance...

Measuring 29 x 37 cm this child's waistcoat is from Indus Kohistan. Condition is excellent, and it dates to the mid 20th century. The embroidery technique is straight stitch in silk thread on a black cotton background, embellished with white glass beads and buttons. Kohistan has a rich local history as a crossroads between Central, South and Southwestern Asia...

Marine material netsuke of an owl sitting on a tree stump with new branches and leaves. Excellent quality detailed carving, wonderful face with somewhat puzzled expression, beautiful depiction of differentiated feathers, pleasant patina, eyes are inlaid with black horn. Signed MASAMITSU on the bottom, wonderful netsuke by a master carver. Height 1 5/8 inches.

FISHMONGER'S SHOP SIGN

Wood carving codfish displayed in a fish shop in Korea, early 20th century. approx. 50 x 8 x 2.7cm (19.68 x 3.14 x 1.06in). Uniquely realistic expression. Some expected flaws due to use and aging, but in generally good condition as is...

A set of tea pot and stove was well preserved.

Date:Early 20th century.

Tea pot Height:8.5cm,
Stove Height:9.0cm

Typical of the mountainous Swat valley in northern Pakistan, this cushion cover is distinguished by the black cotton background embroidered in a zinging, shocking pink. This amazing piece measures 12¼ inches x 32 inches (31.1. cm x 81.3 cm). Swati embroidery patterns are traditionally handed down from mother to daughter and these are the typical color contrasts. In Swat, the embroidery is called bagh or flower garden...

Toshi Yoshida (1911-1995)
Iidabashi, Daytime in Tokyo
Size: Chuban. Approximately 10.5 x 8.0 inches.
Date: 1940.
Later edition (ca. 1970s-1980s) with impressed pencil signature.
Medium: Japanese woodblock print.
Condition. Faint toning visible in margin.

Dated to the mid 20th century, this cushion cover (thakia) measures 15¼ inches x 30 inches (38.7 cm x 76.2 cm). As the Hazara district is situated between Punjab and Swat, the embroidery of this area is stylistically very similar to that of the Swat Valley. However, these pieces are generally more complex in design and construction. This piece is embroidered on both sides with silk on a cotton background in a predominantly geometric pattern...

Depicting curling horned and star patterns, this wedding textile from the Hazara district of Pakistan, in the province of Khyber Pakhtunkhwa (formerly known as NWFP) is densely embroidered in silk floss thread on a black cotton ground. It measures 70 x 77.5 cm and is in excellent condition. The motifs are curvilinear and embroidered in dark red in a combination of satin stitch and long and short stitch, outlined with a top stitch of golden silk floss. Estimated age: late 20th century.

Japanese sosaku hanga woodblock print titled in pencil at the lower margin "Haniwa (7)" by Kiyoshi Saito (1907-1997). Signed in white ink and with the artist's red seal at the lower right corner on the back. Circa 1950s. Paper size: 14 3/4" x 9 3/8” (image size: 11 1/8" x 5 7/8”). Very good overall condition. There are some horizontal soft creases in the paper, primarily within the margins, that are visible in the main image...

Chinese brown ceramic figure of a duck sitting with one wing raised, head turned back to preen feathers. Intricately incised details of feathers. Decorated all over with tiny white glaze dots. The eyes and bill of duck are beautifully glazed.

Age: circa 1950

Dimensions: 7 1/4" long x 3 1/2" high x 4 3/4" wide

Netsuke carved by Ryoshu (born in 1912) - one of the best Japanese netsuke carvers of the 20th century. Netsuke represents a doll of Daruma (founder of Zen Buddhism) enveloped in monastic robe, and his eyes can pop in and out. Perfectly captured facial expression, beautifully incised and etched facial hair and 3 flowering chrysanthemums on his robe. It appears that the artist etched a different design on every piece of this model of his - see the other Darumas by Ryoshu on my site...

This is a pair of vintage Uzbek tent or yurt decorative hangings from Northern Afghanistan, mid to late 20th century. Each piece measures 11.43 cm x 63.5 cm. Decorative hangings such as this are usually suspended at the entrance of a yurt, and sometimes placed between piled up quilts. Solid embroidery in cross stitch in cotton thread, ending in wrapped, beaded cords with metallic trinkets.

Typical of the mountainous Swat valley in northern Pakistan, this cushion cover ("thakia" in Urdu) is distinguished by a purple cotton background embroidered in a bright pink, with yellow and sage highlights. This amazing piece measures 14 1/8 inches x 30 inches (36.1 cm x 76.2 cm). Swati embroidery patterns are traditionally handed down from mother to daughter and these are the typical color contrasts. In Swat, the embroidery is called bagh, meaning flower garden...

THREE BLUE EMPTY BOTTLES

Aesthetic glass texture with impurities. Unintentional, distorted, and incomplete, as it is. Showa period, early-mid 20th century, Japan. approx...