mask from the Mompa Ache Lamo theater from Mompa people H 23cm W 20 cm. More information on request

Kawase Hasui
Mount Fuji in Moonlight, Kawaibashi
Date: 1947.
Size: Oban. Approximately 15 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Bears the black 6 mm Watanabe seal in the lower right corner, indicating a first state printed between 1946-1957.
Medium: Japanese woodblock print.
Reference: Hotei #241.
Condition: Paper is lightly toned on front. More heavily on back.

Kawase Hasui
Kiso River, Inuyama
Date: 1931.
Size: Oban. Approximately 15 x 10.5 inches.
Publisher: Bijutsusha. One of only eight Hasui designs by this publisher.
Artist's signature and seal lower left.
Reference: Hotei #176.
Medium: Japanese woodblock print.
Lovely woodgrain in sky.
Condition: Right and bottom margins reinforced by conservator...

Tsuchiya Koitsu (1870 - 1949)
Tokaido Numazu Harbour.
Date: 1940.
Size: Oban. Approximately 17 x 11.25 inches.
Publisher: Doi Hangaten. Publisher's watermark at upper left margin.
Carver: Harada. Printer: Yokoi. This seal combination indicates an early post-war edition.
Reference: TK-DH-63.
Medium: Japanese woodblock print.
Condition: Paper is slightly toned.

Kawase Hasui
Mount Inari, Nagano Prefecture (Nagano-ken, Inariyama)
Date: 1947.
Size: Oban. Approximately 15.5 x 10.25 inches.
Publisher: Watanabe Shozaburo.
Black 6 mm Watanabe seal in the lower right corner, indicating a first state printed between 1946-1957.
Stamped "Original Works of Art", a seal that sometimes appears on the verso.
Reference: Hotei #500.
Medium: Japanese woodblock print.
Condition: Excellent.

A dish by preeminent avant-garde artist Yagi Kazuo enclosed in the original signed wooden box titled Haku Ogi Kashizara dating from the 1960s. The plate is ribbed like the surface of a folding fan, thus the name. It is roughly 7 inches (17.5 cm) diameter and is in excellent condition.
Yagi Kazuo (1918-1979) was one of the most influential Avant Garde potters of 20th century Japan...

Kawase Hasui
Deer Strolling Along Kasuga Shrine, Nara
From the series, Shinto and Its Architecture.
Date: 1936.
Size: Koban. Approximately 7.5 x 5.25 inches.
Provenance: The Robert O. Muller estate.
Publisher: Watanabe Shozaburo.
"Made in Japan" stamped on verso
Medium: Japanese woodblock print.
Reference: Hotei #Hb-s7
Condition: Excellent.

黄永玉 （1924-）荷塘玉鳥圖設色水墨紙本立軸 2003年作 款識：一夢舊荷塘 癸未夏於玉氏山房。黄永玉。鈐印：黄、永玉畫、萬荷堂主。Hanging Scroll of Enchanting Lilies with Charming Birds / Huang Yongyu (1924- ) Inscribed & signed with three artist seals...

Statue showing a female ^rotector with the hands joined in the namaste gesture, very peculair psoition of the legs, several damages due to long term exposure to water erosion . H51 cm More information on request

Bi faced "ghurra" (churning rod holder) finely carved to represent a back to back, squatting, human couple, man opposite woman. Wood, with nice dark brown glossy patina. The ghurra was carved in Nepal, and is nicely mounted on a custom metal stand. Its height (without the stand) is 22.7 cm. Very good condition. NOTE: The ghurra is a tool which has been used for centuries by Nepali people for churning milk into butter...

Kawase Hasui
Title: Himeji Castle
Date: 1950s - early 1960s.
Size: Approximately 5.75 x 3.50 inches.
Publisher: Watanabe Shozaburo.
The print is tipped along its top edge to original cardstock.
Medium: Japanese woodblock print.
Condition: Excellent.

Ohara Koson
Crow on Cherry Branch
Size: Approximately 6.25 x 4.25 inches.
Date: ca. 1930s.
Unsigned as originally issued.
Reference: page 175 of Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
"Made in Japan" stamped on back.
Condition: Excellent. Uncirculated. One pencil point-sized dot in sky.
Publisher: Watanabe Shozaburo.
Provenance: The Robert O. Muller estate.

Mushroom masks use the natural form of tree parasitic fungi with minimal modification. Only the openings of the mouth and eyes as well as the nose are the work of the sculptor. They are rarely worn by dancers but more generally hanged inside the house where they will acquire a beautiful black patina of soot. Often the softer part of the interior formed by the spores of the mushroom falls and thus reveals a different color without patina. This one shows a double mouth which can be interpreted...

Antique Chinese pair of square hardwood tables. Each table is inset with a large square porcelain panel which sits into the top and is removable. The panels are glazed with scrolling vines and flowers with bats in the corners on a greenish blue ground. Each table has a solid shelf and swirling aprons.

Late 19th Century

Dimensions: 27" high x 25" wide x 25" deep.

Antelope mask from the Eastern Pende Peoples. Early to mid 20th century. Excellent age wear and patina. H. 45 cm. Yale archive: ao-0038719-001 Provenance: Coll. Christaens Coll. Joseph Hans, Brussels Mamadou Keita, Amsterdam Danny de Waele, Ghent, Belgium, 1995

Finely carved chief sceptre with a genie sitting on its top, surmounting a squatting ancestor, under which are geometric relief designs leading to the lower part. Wood, with nice glossy patina. Old porcelain ball attached with a small cotton rope to the top of the genie's head. Indonesia, Borneo Island, Dayak ethnic group. Height: 38,.5 cm. The piece is nicely mounted on a custom stand. Very good condition. A rare piece.

Kawase Hasui (1883~1957)
Riverside Village in Snow
Size: Koban. Approximately 5.5 x 3.75 inches.
Date: 1930s. This edition 1950s-60s.
Bears the oval Hasui seal.
Publisher: Watanabe Shozaburo
Print is tipped along the top edge to a postwar greeting card.
Condition: Excellent.

Antique Chinese low rectangular table (kangshuo). Made of huanghuali wood with dramatic grain. The apron is carved on all sides in a rounded scrolling vine motif.

19th century

Dimensions: 11" high x 30 1/4" long x 16 1/4" wide

Kawase Hasui
Chuzenji, Utagahama
Date: 1930s.
Size: Koban postcard. Approximately 5.5 x 3.5 inches.
Publisher: Watanabe Shozaburo
Reference: Hotei #Hp-50 (W-900).
Medium: Japanese woodblock print.
Condition: Light crease near bottom of torii. Unused.

Kawase Hasui
Tsurugaoka Hachiman Shrine, Kamakura
Date: 1930s.
Size: Koban postcard. Approximately 5.5 x 3.5 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei #Hp-51
Medium: Japanese woodblock print.
Condition: Excellent. Unused.

Chinese dingyao bowl of shallow conical form with lobed rim. The widely flaring sides divided into six lobes, with indentations along the rim corresponding to thin raised lines radiating from the circular inner well.

Age: Song Dynasty (960 - 1279)

Condition: Very good overall condition. Some kiln grit and a firing flaw on one of the lobes.

Size: Approximately 16 cm diameter by 4 cm high

Navajo stamped coin silver bracelet. In an excellent condition. 1 1/2" the space in the back, 1" width, c.1930

A framed etching and aquatint print by Tanaka Ryohei. Scene of a thatched rooftop with a large flock of birds flying and trees branching out from behind the house. Signed in pencil and numbered 19/120. Dated 1994.

Framed: 22.75" high x 26.25" wide

Size of artwork: 13.5" high x 17" wide

"Snow and Thatched Roof" framed etching and aquatint print by Tanaka Ryohei. Scene of heavy snowfall against a thatched rooftop blanketed by trees. Signed in pencil and numbered 113/120. Dated 1993.

Framed: 28.5" high x 26.75" wide

Size of artwork: 15.5" high x 15" wide

Sadao Watanabe
Look at the Birds of the Air
From the Sermon on the Mount (Matthew 6:26)
Stencil on momigami paper.
Date: 1968.
Edition: 40/50.
Signed and dated by the artist.
Image size: 21 x 17.75 inches. Paper size: 26 x 23 inches.
Condition: Paper edges wrapped to thin backing. Margin outer edges toned from previous framing.

Kawase Hasui
Rain at Shinobazu Pond
Date: 1929.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo. A lifetime edition bearing the Watanabe 6 mm seal faintly on the bench to the right of the Hasui seal.
Medium: Japanese woodblock print.
Condition: Top back margin has two pieces of tape.

Hiroshi Yoshida
Kamogawa in Kyoto (The Kamo River)
Date: 1933.
Size: Oban. Approximately 16.0 x 10.75 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating a first edition self-printed by the artist.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Reference: Abe catalog #186.
Condition: Light toning and fading. Top margin corners are thin...

According to the potter who crafted this fine piece, “The clay from our area in the north is alive. We listen to it in order to divine the most suitable objects to create.” Here we see the clay wished to become a well-formed ceremonial tea bowl with an impressionistic rendition of a Japanese Iris. Simple, well formed, and with a soft rusticity; a cup of tea becomes a meditation on the charms of quiet country living.

Originally from Iwate (b...

Japanese early 20th century pair of bronze horses. Beautifully and realistically portrayed by Japanese bronze artist, Yamamoto Kozan. The horses measure 20" wide by 10 3/4" tall and 7 1/2" deep.

Ohara Koson
Torii with Lantern and Deer
Size: Yoko chu-tanzaku. Approximately 14.5 x 5.50 inches.
Date: 1900-1910.
Bears Koson signature and seal.
Publisher: Kokkeido. Bears Kokkeido seal.
Reference: K44.12 and plate 28 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Some foxing (stabilized). Four small wear holes visible when held to light.

Ohara Koson
Sparrow on Hortensia (Blue Hydrangea)
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1920s.
Bears Koson signature and seal.
"Made in Japan" stamped on verso.
Publisher: Daikokuya (20)
Reference: K33.13 and plate 52 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Very good. Some faint foxing (stabilized).

A Chinese porcelain vase with four roundels depicting two phoenix chasing the flaming pearl in different poses, above a wave design base all in the famille verte palette on a white ground. The inside is painted white, as well as the base. The base holds a six character overglaze Xianfeng mark in iron red.

Size: 39 cm high by 20 cm diameter

Age: Qing Dynasty

Condition: Good condition, no breaks or chips. Refer to pictures.

Rough stones can be seen protruding from the unrefined ferrous clay—darkening near the base and graduating to a lighter shade as it approaches the feldspar laden lip. The inside—also covered in a smooth and viscous feldspar glaze—creates a magnificent contrast with the rough exterior...

Japanese early Showa Period comb. The comb has the design of traditional Japanese bells with red cord attached. The bells are done in high relief, one in silver lacquer one in gold lacquer and the third in bluish-green shell inlays. The comb is signed by artist. The comb measures 4 1/4" wide, 2 3/16" tall and 7/16" thick.

Japanese early 20th century earthenware teapot by SASAKI NIROKU. The wonderful teapot has a Chinese landscape design carved into the side. The teapot measures 5 1/4" wide, 4 3/4" tall and 5" deep.

Ohara Koson
Snow-capped Mount Fuji
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-1923.
Bears Koson seal.
Publisher: Daikokuya (6)
Reference: K44.8 and plate 103 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Lower right corner reinforced. Tone line at bottom edge. Some fading.
- A well-known and rarely seen Koson design.

The natural ash Hagi glaze gives this piece a mellow yet robust feel. The foot of the bowl is unglazed in places showing traces of ferrous-rich clay in the form of an orangish hue. The sides of the bowl show pale ash, ivory, and faint hints of lavender. Overall a classic and attractive example of an expertly crafted Hagi tea bowl.

The creator of this work, Korai-zaemon Saka XI was born in Yamaguchi prefecture in 1912...

A superbly well balanced Kuro Raku Chawan made by one of the few masters of this genre, Ogawa Choraku (1912-1991), second heir to the Choraku lineage of Raku potters.

The founder of the Choraku lineage studied under Keinyu (11th Raku) and Konyu (12th Raku) of the Raku Kichizaemon family, and in 1904 with the support of Konyu, founded his own kiln in Kyoto. He received the name Choraku in 1906 by Choyuken, the head of a very influential tea ceremony association...

Paul Jacoulet
Le Tresor, Coree (The Treasure, Korea)
Date: May 21, 1940.
Size: Approximately 18.25 x 14 inches.
Jacoulet signature and watermark with butterfly seal.
Edition: 155/250.
Carver: Maeda. Printer: Honda.
Reference: Print #66 in The Prints of Paul Jacoulet by Richard Miles
Condition: Excellent.
"This classic scene of mother and child is one of Jacoulet's best received prints." - Miles

Paul Jacoulet
Hokkan-zan, Seoul, Coree (Hokkan Mountains, Seoul, Korea)
Date: December 6, 1937.
Size: Approximately 18.25 x 14 inches.
Jacoulet signature and watermark with tea jar seal.
Edition: 144/350.
Carver: Maeda. Printer: Honda.
Reference: Print #45 in The Prints of Paul Jacoulet by Richard Miles
Condition: Excellent color and condition. The back margin edges are toned. The back top margin has three pieces of archival tape.

Ohara Shoson (Koson)
Egret in Rain
Size: Tanzaku. Approximately 15.25 x 10.25 inches.
Date: 1928.
Publisher: Watanabe Shozaburo.
First edition bearing the Watanabe D seal (sausage seal) in the right margin as in the catalog example.
"Made in Japan" stamped on verso.
Bears Shoson signature and seal.
Reference: S14.3 (cat...

王雲為王翬（清）所製 蟠龍鈕雞血紅石套印 印文：松風、竹影、盒底刻：石谷所有。 Two Chiken-Blood Red-Stone Seals in a Dragon Box Made by Wang Yun (1652-1735) for Wang Hui (1632-1717) Qing Dynasty The seal set was made for Wang Hui (1632-1717), the leading master of "Four Wangs of Early Qing" and "Painting Sage of Early Qing". Since Wang Hui's courtesy name is Shi Gu, the seal box bears a carved mark of Shi Gu SuoYou, meaning Property of Shi Gu. One seal is car...

元釉里紅鴛鴦蓮池螭龍耳扁方瓶 A Rare Yuan Dynasty FLask with Underglaze Red Motifs of Mandarin-Ducks in Lotus-Pond and Four Chi-Dragon Ears The flask boasts of both its ingenious design and superb workmanship. Dimensions: Height: 8 7/8 inches (22.23 cm) Medium: Porcelainware Date: Yuan Dynasty Condition Report: Good Condition Provenance: Property of a LA collection

黄山壽 玉堂富貴圖設色紙本立軸款識：寉谿外史黄山寿。鈐印二方。谢鴻軒在他编著的《近代名賢墨跡三輯》中附有黄山壽小傳云：黄山壽，江蘇武進人，字旭初，一作勖初，晚號旭迟老人。生於咸丰五年（1855），髫龄即能畫，臨摹改七芗畫本，得其神貌。善工細人物仕女，古雅妍秀，兼工双鈎花鳥，青碧山水，無不臻妙；至其水墨山水，用筆益加峭拔，氣韻清逸，又善墨龍...

林風眠(1900-1991) 靜物花果 設色紙水墨本鏡心 款識：林風眠。鈐印：林風瞑 Mounted Painting of Still Life of Sun-Flowers and Apples / Lin Fengmian (1900-1991) Inscribed & signed with an artist seal. 27 X 26 3/4 inches 68.6 X 67.9 cm Date: Pre-1966 Condition Report: Hand-Painted, Good Condition Provenance: Property of a NY collector

張大千/山居圖 設色紙本立軸 1980年作 款識：六十九年元月寫寄摩耶精舍八十二叟爰。鈐印：大千長年。張大千是二十世纪中國畫壇影响巨大、又最富傳奇色彩的國畫大師，在繪畫、書法、篆刻、詩詞方面都有相當造詣。早期專心研習古人書畫，特别在山水畫實踐和理論方面頗有建樹。後旅居海外，畫風工寫結合，重彩、水墨融为一體，尤其是開創潑墨與潑彩，发展了中國畫全...

清 王鑑 仿梅花道人吳鎮水墨山水圖 水墨紙本立軸 1657年作 款識：乙酉春仿梅道人筆似舜翁老年臺詞宗正，王鑑。鈐印：王鑑之印、湘碧。王鑑是與“初清四王”，即王翬、王原祁、王時敏畫名並重的有清一代山水大家。他明末時曾任廉州府知府，世称“王廉州”。他早年由明代畫家董其昌親傳畫技，董其昌對其畫作評價曰“學畫唯多仿古人”。 Ink-Painted Landscaped in Style of Yuan ...

清 王翬 深山索居圖 水墨紙本鏡心 款識：巘邊石室低臨水，戶外雲峰半入天。伏暑蒸人，退處湖村。小築清風洞，越蕉竹交陰。偶採唐句。戲寫巨然筆法，劍門樵客石谷子王翬。鈐印：八十老人王翬、耕煙散人、太原、臞樵雅趣。Mounted Painting of Recluse Life in Remote Mountains / Wang Hui (1632-1717) of Early Qing Dynasty 32 1/4 X 20 inches 82.6 X 50.8 cm Ink on Paper Inscribed and signed with four artist seals. Wang H...

清 光緒皇帝（傳） 五蝠靈芝圖设色纸本立軸 1892年作 款識：光緒壬辰五月中浣御筆。鈐印：天清玉潤. 題跋：芳樹層層綴嫩芽，碧叢翠朵盡丹砂。驅馳驛路難消夏，試薦雕盤艷落霞。 臣張百熙恭題。鑑藏印：張百熙印、慈禧皇太后之寶、大雅齋。此畫亦有和明朝思想家王守仁後人、中國近代書畫家王同愈的題跋。A Painting of Bats, Rocks and Blooming Lingzhi-Flowers (Auspicious Symbols of Happin...

徐悲鴻（1895-1953）松鶴圖 水墨設色紙本手卷 1942年作 款識：澄辳先生惠教。壬午初夏，悲鴻。鈐印：徐悲鴻。Hanging Scroll of Cranes & Pine-Trees / Xu Beihong (1895-1953) Dated 1942 Ink & Color on Paper 51 1/2 X 24 inches 130.8 X 61 cm Inscribed, signed & sealed by the artist. Condition Report: Hand-Painted, Good Condition Provenance: Property of a Vancouver collection

The elegant vintage bracelet, approximately 2 3/8 inches (60.33 mm) in inner diameter and 41 grams in weight, is skillfully hand-carved. Its strong natural jade material shows different beautiful green hues. Medium: Aged Hetian Jade Date: Qing Dynasty Condition Report: Hand-Carved, Good Condition Provenance: Property of a MA collection

A Rare Song Dynasty Dingyao Black Glazed Bowl Diameter: 8 inches (20.3 cm) Medium: Ceramics Date: Song Dynasty Condition Report: Good Condition; Provenance: Property of a NY Collection

Full 6 panel Japanese screen painting of a sweeping landscape with mountains, low hills and a lake with Mt Fuji rising in the background. Around the edges of the lake are clustered tiny houses. Painted in light mineral colors and ink on paper with gold flecks.

Taisho Period (early 20th century)

Dimensions: 68 1/2" high x 142 1/2" long

Antique Japanese Kanban soroban (abacus). Used by merchants, this large sized abacus has eyelets for hanging. It has 21 rows of wooden beads with 5 beads in each column (105 beads total). The beads are fitted onto wooden dowels. Behind each dowel is a boar's hair bristle which holds each bead in position when it's pushed upward even while the soroban is hanging sideways.

Showa Period (early-mid 20th century)

Dimensions: 43" wide x 12" high x 2 1/4 deep.

Tsuchiya Koitsu
A Long Spell of Rain
Date: 1930s.
Size: Chuban. Approximately 10 x 7.25 inches.
Publisher: Takemura Hideo.
Reference: Koitsu catalog no. TK-TM-060.
Medium: Japanese woodblock print.
Condition: Excellent color. A couple of scuffs and a very light crease near top.

Ohara Hoson (Koson)
Monkey surrounded by four young, carrying a persimmon
Size: Oban. Approximately 14.75 x 10.75 inches.
Date: 1930s.
Publisher: Kawaguchi and Sakai. Publisher's seal in right margin. Carver and printer seals in left margin.
Bears Koson's "Hoson" signature and seal.
Reference: AH.1 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Excellent with very faint matte ...

Antique Japanese Hyotan made from a gourd plant for Sake. Painted with trailing flowers outlined in silver. Original red hanging rope.

Age: Edo Period (18th Century)

Condition: Very good condition, no restoration

Size: Approximately 8-1/4" high by 4" diameter at it's widest point.

Japanese woven suiban. This low, shallow container is used for ikebana flower arranging. Rectangular in form, this suiban is raised on low feet. A grain or leaf-like design is woven into all sides and the corners have intricate knot work. An oval shaped metal container sits perfectly inside for holding water.

Taisho Period

Dimensions: 4 1/2" high x 19 1/2" long x 12" wide

Beautiful Japanese carved Noh theater mask of Zo-onna (beautiful woman). Carved out of hinoki (Japanese cypress) wood and painted with seashell and natural pigments. This mask is masterfully carved and painted with subtle detail like her very slight smile and the small dimple just above her chin. The mask is signed and has it's original tomobako (also with the same signature).

Taisho Period (early 20th century)

Size: 8 1/4" long x 5 1/4" wide

Two pair of Chinese turquoise glazed foo dog statues.

One pair on stands with the female holding it's young with it's right paw and the male holding a ball with it's left paw. Unglazed bases with the word China in faint on the base in red.

The other pair are in stance. Again with unglazed bases with incised numbers.

Size: The pair on stands are approximately 8" high by 3-1/3" wide by 2-3/4" depth. The pair in stance are approximately 6-1/4" in length by 4-1/2" h...