Kikuchi Yuichi (aka Tomokazu)
Shinano Taisho Pond
Date: 1954.
Size: Oban. Approximately 14.75 x 9.75 inches.
Publisher: Adachi. Seal on back.
Yuichi seal at lower left.
Condition: Slight fading. Flattened crease along top margin.
Most Kikuchi Yuichi prints are small. This oban-sized work is rarely seen.
Kawase Hasui
Zojo Temple, Shiba.
Series: Twenty Views of Tokyo.
Size: Aiban. Approximately 13.0 x 8.75 inches.
Date: 1934. The oban sized edition (Hotei #147) is 1925.
Published in 1934 by Osaka Mainichi in Japan Today & Tomorrow.
In the publication, the print was attched to black paper...
Kawase Hasui (1883-1957)
Sakurada Gate (Sakuradamon)
Size: Oban. Approximately 15.375 x 10.25 inches.
Date: 1928.
Publisher: Watanabe Shozaburo. Round, red 6 mm seal at lower left, indicating a lifetime printing (1946-1957). Old Watanabe seal at back.
Signed and sealed by the artist.
Reference: Hotei #156.
Condition: Excellent color. Toned paper. Two pieces of paper at back margins.
A fine tribal necklace made of conch shell, glass, bronze and bone parts. North East India, Naga ethnic group. Length: around 40 cm. Very good condition. Provenance: 1) old European collection, 2) auction sale.
Kawase Hasui
Bird's Eye View of Kiyomizu Temple in Snow
Date: 1930s.
Size: Approximately 5.675 x 3.675 inches.
Publisher: Watanabe Shozaburo.
Artist's oval seal at lower right.
Reference: Hotei #Hp-59.
Medium: Japanese woodblock print.
Condition: Excellent.
This marginless print is from a mid-century collection that included another marginless Hasui print.
Most examples are found with margins, so it may have been trimmed or issued in this state.
Hiroshi Yoshida
Little Harbour
Date: 1941.
Size: Chuban. Approximately 10.375 x 7.825 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Medium: Japanese woodblock print.
Condition: Excellent.
Ohara Koson
White Eagle On Pine Branch During a Heavy Storm
Size: O-tanzaku. Approximately 13.5 x 7.375 inches.
Date: ca. 1900s-1923.
Koson signature and seal at upper right.
Publisher: Daikokuya
Reference: K13.10 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print on heavy paper.
Condition: Some darker areas near edge from former adhesive. Toning. Pencil notes on back...
A roll of asa (hemp) kaya cloth whose wefts and warps are hand-plied and dyed with vegetable indigo. In excellent condition. The first half of the 20th century. Approx. 34cm x 18m35cm
A pair of wooden tabi-kata, patterns for tabi socks. In good condition. The first half of the 20th century. L:21cm W:8cm H:5cm
Amazing boro tabi made of hand-spun cotton with mending patches. All original condition. The first half of the 20th century. 22.5cm x 11cm (sole)
Silk meisen kimono without lining. It has double ikat checker board pattern. In excellent condition. Mid century (1930s to 1940s) 128cm x 148cm
Takahashi Shotei (Hiroaki)(1871-1945)
Packhorse in Snow
Print size: Approximately 3.75 x 2.5 inches.
Publisher: Watanabe Shozaburo.
Shotei seal at lower left.
Date: Pre-1923 earthquake. Original blocks destroyed.
Reference: Shotei catalog S-129.
Medium: Japanese woodblock print tipped along its top edge to original card.
Condition: Excellent.
From the collection of Desmond Morris comes this exceptional protective figure. The face and body have fine carvings and red and white pigments. H. 75 cm, W. 68 cm.
Provenance:
Bonhams London 2004,
Mallams Auctioneers Abingdon, 2015,
Collection Desmond Morris,
Mallams Auctioneers Oxford 2019.
Elegant figure with great age. H. 30 cm. Condition: old worm holes. Early 20th century.
Provenance:
Christophe Rolley, Paris,
Srdjan Sremac, Den Haag.
Hardwood and iron. H. 38 cm.
Provenance:
Robert van der Heijden, Amsterdam,
Srdjan Sremac, The Hague.
Wood, animal teeth and hair, human hair, iron.H. 23 cm (without the beard).
Van Rijn: ao-0161468-002
Provenance:
William Siegmann, curator emeritus, Brooklyn Museum, New York.
H. 23 cm. (Excluding the beard. Very good complete condition. The mask is covered with red fabric, the eyes are made of aluminium.
Provenance:
Klaus Paysan (1930-2011), Stuttgart, Germany.
Robert van der Heijden, Amsterdam.
Exhibited:
Staatliches Museum für Naturkunde Schloss Rosenstein, Stuttgart - ‘Afrika, Tiere, Maske und Magie’.
Anthropomorpic cup, depicting a standing female. H. 21,5 cm. Rare and early piece.
Repair to the rim of the cup.
Provenance: Dutch private collection.