Takahashi Shotei (1871-1945)
Priest in Snow on a Mountain Path
Date: Pre-1936.
Size: Mitsugiri-ban. Approximately 15.0 x 6.75 inches.
Beautifully professionally framed with UV protective glass. Framed size: 22 x 13.5 inches.
Publisher: Watanabe Shozaburo.
Title and Shotei seal lower left.
Reference: M-60 in Shotei catalog.
Medium: Japanese woodblock print.
Condition: Excellent.

A waka poem in underglaze blue brushed by female artist/poet Tomioka Haruko decorates this porcelain Mizusashi by female potter Suwa Sozan II enclosed in the original signed wooden box. The porcelain container is 17.5 cm (7-1/2 inches) tall, 11.5 cm (4-1/2 inches) diameter and in excellent condition. On the base it bears the circular mark of Suwa Sozan II and on the side the verse is singed Haruko 80. From this we can surmise it dates from 1926 when Haruko was 80 by Japanese count...

Contemporary Japanese side table. Made with unusual, mixed hardwoods, creating a bold contrast of color and grains. Its tabletop is accented by lighter wood inlay "butterflies" to hold together the natural fissures of the wood. The second tier below is secured into each leg by mortise and tenon joinery.

Size: 59" L x 18.25" W x 31" H

Antelope mask from the Eastern Pende Peoples. Early to mid 20th century. Excellent age wear and patina. H. 45 cm. Yale archive: ao-0038719-001 Provenance: Coll. Christaens Coll. Joseph Hans, Brussels Mamadou Keita, Amsterdam Danny de Waele, Ghent, Belgium, 1995

Anthropomorphic mask depicting a female. Hardwood with metal earrings. H. 24 cm. First half of the 20th century. A very fine mask with nice scarifications on the cheeks and forehead. Beautiful signs of age and a lovely patina. Ex Roger Bergmans, Belgium. Ex Srdjan Sremac, The Hague. Comes with a beautiful metal stand by Roger Bergmans.

Wood, animal teeth and hair, human hair, iron.H. 23 cm (without the beard). Van Rijn: ao-0161468-002 Provenance: William Siegmann, curator emeritus, Brooklyn Museum, New York.

L. 48 cm.  Good condition with expected age wear, cracks, some insect damage and some damage to the left ear. First half 20th century. Guy van Rijn ao-0083609-001 Provenance: Arnold Newman (1918-2006), New York, until 2006, Robert Schrimpf, Paris, Christie’s Paris, 2006, Zemanek-Münster, Würzburg, 2009.

Kawase Hasui
Moon Over The Ara River, Akabane (Arakawa no Tsuki, Akabane)
Size: Oban. Approximately 15.5 x 10.25 inches.
Date: 1929.
Publisher: Watanabe Shozaburo. Black 6 mm seal in lower left corner, making this a lifetime edition printed between 1946 and 1957.
Reference: Hotei #159.
Medium: Japanese woodblock print.
Condition: Excellent.

A 2 section Japanese Isho Biraki Kamo Tansu made of Kiri (Paulownia) wood. All original bronze hardware. Constructed using high quality Kiri wood from the Aizu snow country region of Japan known for their slow growth and dense grain. Upper section features 2 hinged doors behind which are 7 Kimono trays and three small side by side drawers. A secret interior wood latch locks the left and right drawers from opening while the left drawer has a secret drawer accessible from the back...

Chinese cabinet from the Shandong province made from jumu wood (elm). The two front swinging doors open with brass pulls on long, brass panels. The shelved interior is very roomy. The sides of the cabinet have been lacquered in a muddled red. Dates from the 19th century. Very difficult to get these pieces. No export out of China. Size: 44.5" height, 34" width, 15.5" depth

Lovely Japanese Hira Taiko Drum, made from a light hardwood, and hung from a Hiratsuri stand. The drum has iron studding to keep its drum skins in place and gold kanji/kana on a black metal strip, with a gold taiko logo for Maru Masa. A drumstick is included which hangs off a hook from the Hiratsuri stand. Makes a lovely drum sound as it is intact and in good condition. Taisho/early Showa period (c1930) Size: 33" High x 34 1/2" Wide

Kawase Hasui
Carp Banner (Koi Nobori), Toyohama, Kagawa Prefecture
Date: 1948.
Size: Oban. Approximately 15.625 x 10.625 inches.
Publisher: Watanabe Shozaburo.
A first edition bearing the 6mm seal in the lower right corner, indicating a first state printed between 1946-1957.
Hasui signature and seal at lower left.
Reference: Hotei #508.
Medium: Japanese woodblock print.
Condition: Excellent. Two original drying pinholes at left margin have been sealed...

We present a stunning Japanese tea bowl made 80 years ago by the legendary 9th Choraku Ohi (1901-1986), enclosed in its originally signed and sealed wooden box. Aesthetic highlight is the perfect kintsugi gold repair, which makes this tea bowl to a unique treasure. Highly recommended for sophisticated collections.

The Ninth Chozaemon was the son of the Eigth Chozaemon who had been making tea utencils from age sixteen until his death at age eighty-six...

Kawase Hasui
Spring Moon at Ninomiya Beach
Date: 1932.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Doi Hangaten. Carver: Harada. Printer: Yokoi. Also bears the Doi watermark.
This seal combination indicates an early postwar edition.
Reference: Hotei #273.
Condition: Toning in margin. Two back corners have tape residue.

A large shinto shrine constructed in the style based on the Grand Shrine of Ise. This type of construction for small shrines is often used by the local residents in Ise. The shrine contains fine details in the woodwork and brass fittings fit for a deity. Age: 20th century. Size: height 23.75" width 19" length 36"

An antique Chinese summer undergarment made of bamboo tubes for cooling. The garment was used to prevent silk from sticking to the skin during the hot summer months.

Date: 19th C

Dimensions:25.5" wide X 58" long

Balinese antique pair of Dwarapala temple guardians. Carved of stone, these figures once guarded a temple entrance, a warning to humans and negative energies not to pass. Their ferocious appearance is a warning that only those with good intentions will be ushered through and guided to ascend a higher path.

Age: Mid-century

Dimensions: left: 23" high x 11" wide x 9" deep. right: 24" high x 11 1/2" wide x 9 1/2" deep.

Hiroshi Yoshida
No. 3 Cave Temple in Ellora
By Courtesy of Archaeological Department, Hyderabad
Indian and Southeast Asia Series
Date: 1932.
Size: Oban. Approximately 15.5 x 10.75 inches.
Signed and sealed in the image...

Ohara Koson (Shoson)
Cranes on Seashore
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1933.
Publisher: Watanabe Shozaburo. Watanabe sausage seal (C seal) at right margin, indicating a first edition printed between 1929-1942.
Shoson signature and seal.
Made in Japan stamped on verso.
Medium: Japanese woodblock print.
Reference: S4.1 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent...

Hiroshi Yoshida
Three Little Islands, 1930.
Bears the jizuri seal in the upper left margin, indicating self-printing by the artist. Also signed in pencil.
Size: Oban. Approximately 15.50 x 10.25 inches.
Condition: Excellent.

Tsukioka Yoshitoshi (1839-1892)
The Moon on Musashi Plain
No. 91 from the series "One Hundred Aspects of the Moon"
Date: Published April 1892.
Size: Oban. Approximately 14.375 x 9.5 inches.
Signed and sealed by the artist.
Publisher: Akiyama Buemon. Seals in margin.
Carver: Yamamoto.
Medium: Japanese woodblock print.
Condition: Left margin partially trimmed. Backed with paper...

Charles W. Bartlett
Pearl of the Orient (Taj Mahal, Agra), 2nd Proof
Date: 1923-25
Size: Large version. 15.125 x 11.125 inches; 38.4 x 28.1 cm.
Sealed CWB by Bartlett. Signed and titled in pencil.
Medium: Etching, engraving, drypoint printed in blue ink hand-colored with watercolor.
Toning in margins. Slight foxing on the front...

Tsukioka Yoshitoshi (1839-1892)
Moon and Smoke (Fire)
No. 22 from the series "One Hundred Aspects of the Moon"
Date: 1886
Size: Oan. Approximately 14.75 x 10.25 inches.
Signed and sealed by the artist
Medium: Japanese woodblock print.
Publisher: Akiyama Buemon
Carver: Yamamoto
Condition: Slight toning and fading.
- Rival fire brigade standard-bearers stand on opposite rooftops...

Kawase Hasui
Chion Temple, Kyoto (Kyoto Chionin)
Series: Collection of Scenic Views of Japan II, Kansai edition
Date: 1933.
Publisher: Watanabe Shozaburo. Black 6mm Watanabe seal lower left corner, indicating a lifetime edition printed between 1946-1957.
Size: Oban. Approximately 15.5 x 10.25 inches.
Reference: Hotei #322.
Medium: Japanese woodblock print.
Condition: Excellent color. Top back margin has one piece of tape from previous hinge...

Paul Jacoulet
Les Perles, Mandchoukuo
Size: Dai-oban.
Date: December 28, 1950.
Edition: 297/350.
Carver: Maeda, Printer: Ogawa.
Medium: Japanese woodblock print.
Condition: Very good color and condition. Toning at back.
"More than 300 individual impressions of nearly 60 blocks were needed to create this ultimate technical tour de force of twentieth century art." - Richard Miles, The Prints of Paul Jacoulet.

Hiroshi Yoshida
Little Harbour
Date: 1941.
Size: Chuban. Approximately 10.375 x 7.825 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Medium: Japanese woodblock print.
Condition: Excellent.

Japanese framed woodblock print by artist Hiroshi Yoshida (1876-1950), from the Sailing Boats series, titled Sailing Boats - Night, signed and dated, with publisher's marking in left margin, red artist's chop.

Size: (entire frame) 19.5" L x 25.5" H (print only) 15.5" L x 21" H

Antique Chinese Yixing snuff bottle of fine porous unglazed body of 'purple clay'. It's front side a landscape scene in white slip and back side with a prunus floral design, sides with pierced handles. Red agate and bronze ring cap cover. Good condition with impressed seal on inset bottom.

Circa 1900, Late Qing Dynasty
Size 2 1/4"H x 1 3/4"W x 1 1/8"D

Original Vintage Iroquois Indian False Face Soceity carved wood mask c.1930. Measuring 10 inches by 7 inches by 4 inches deep. Hand carved and paintied wood with traditional metal eye accents and horse hair. From a north eastern American collection. The False Face Society is probably the best known of the medicinal societies among the Iroquois, especially for its dramatic wooden masks. The design of the masks is somewhat variable, but most share certain features. The eyes are deep-set a...

We can offer you a rare and wonderful chinese zisha pottery teapot made by world famous Zhou Guizhen.

The Tea Pot has a smooth surface, a round body and it is very fine carved with a bamboo shape handle and a bamboo shape spout.

The cover inside and the bottom center is marked with the master name Zhou Gui Zhen.

Size: 7,2'' height x 5 3/8'' bottom diameter.

Please watch a video of the artist on youtube, click youtube.com/watch?v=BZU_PNKIEgQ

...

This magnificent Shino-yaki chawan, done in a rediscovered Momoyama period style, came from the kilns of one of Japan’s most celebrated and talented potters.

Arakawa Toyozo (1894 - 1985), designated in 1955 as one of but a handful of National Living Treasures, is best known for rediscovering lost techniques of pottery from the Momoyama and early Edo periods. In 1930 he discovered shards at the site of the ruins of an ogama style kiln at Mutabora proving that that Shino and Oribe g...

Chinese yixing clay teapot of a reddish brown color, simplistic form with large looped handle and short spout. The underside of the lid as well as the base of the handle and very bottom of the teapot itself is signed by Gu Jingzhou (1915-1996).

Size: 3.25" H x 7" L x 5" W

An antique Chinese clear rock crystal snuff bottle with green peking glass lid.

Provenance: Howard Capland Collection

Date: early 19th C

Dimensions:3" tall X 2" wide

We kindly like to offer you a fantastic Chinese Zisha Tea Pot of Yixing clay, made by famous Bao Zhiqiang.

It has an artistic form, rare to find and it is marked with 'BAO ZHIQIANG'.

Yixing clay (traditional Chinese: pinyin: Yíxīng; Wade–Giles: I-Hsing) is a type of clay from the region near the city of Yixing in Jiangsu province, China. Its use dates back to the Song Dynasty (960 - 1279) when Yixing clay was first mined around Lake Taihu in China. From the 17th...

Comfortable in the hand and with a unique textured black Raku glaze, this tea bowl by 20th century potter Samukawa Seiho would make a fine addition for collector and practicing tea devotee alike.

Born in Osaka at the very end of the 19th century, at a young age his family moved to Kyoto where he would later take up an apprenticeship under well-known potter Sawada Sozan. After achieving a high degree of skill in his craft, he then took a position with a ceramics company where he work...

Helmet mask with three faces, Ekoi, Cross River, Nigeria.  Height 62 cm. Mid 20th century. Partly covered with antelope skin. The headdress and the three figures are attached on (partly new) wooden pins and can easily be removed for transport. There is old rodent damage to the figures. Ex Ursula Voorhuis (1932-2021), The Netherlands. A (heavy) stand can be included. More pictures available on request.

Korean mask for use in dance performances widely known as talchum or Yangju Pyolsandae Nori. Though these dances vary by region, they all share common themes such as exorcism, ritualistic dance, satire, and parodies of wealthy upperclassmen and would often be performed on the day of Buddha's birth and other seasonal festivals. The mask, called Somu (young shaman), is hand-carved wood with visible chisel marks on the inside, along with Korean and Japanese kanji signatures, with a black cotton hoo...

Shotei Takahashi (Hiroaki) (1871-1945)
Arai Inn (Omori Arai Inn)
Series: Eight Views South of the Capital
Date: 1921.
Size: Oban. Approximately 15.25 x 10.75 inches.
Shotei seal at upper right.
Publisher: Watanabe Shozaburo.
Reference: O-20 in Shotei catalog.
Medium: Japanese woodblock print.
Condition: Center crease. Soiling in margins. Toned paper. Very good color.
- The blocks for this print were destroyed in the Great Kanto Earthquake of 192...

Elegant imagery in rusty orange decorates the yellow body of this small vase by important artist and Living National Treasure Tokuda Yasokichi I enclosed in the original signed wooden box. It is 4-1/2 inches (11 cm) tall and in excellent condition. A very difficult artist to find, this is a rare opportunity.
Tokuda Yasokichi I (1873 –1956）was born into a family of textile dyers in Ishikawa prefecture, but entered the ceramics world under the tutelage of his Brother Matsumoto Sahei, ...

A wonderful translucent blue celadon Tobi vase done in the classic style of Longquan Chinese pottery. This piece was made by one of the few great female Japanese potters of the previous century—Suwa Sozan II, daughter of Meiji Imperial Court Artist Sozan I.

Suwa Sozan I (1852—1922) was born in an area of what is known today as Ishikawa prefecture. After a short stint in the military he took up pottery design and painting under Touda Tokuji in 1873. From this point for...

Grain rises majestically on the surface of this pale vase by pioneering female potter Suwa Sozan II enclosed in the original signed wooden box titled Mugi-mon Hanaire. It is 15 cm (6 inches) diameter 34 cm (13-1/2 inches) tall and in excellent condition.
Suwa Sozan (1852-1922) was born in Kutani country, present day Ishikawa prefecture, where he initially studied before moving to Tokyo in 1875. Over the next 25 years he would gravitate between Tokyo and Kanazawa, working at various kilns...

Japanese woven suiban. This low, shallow container is used for ikebana flower arranging. Rectangular in form, this suiban is raised on low feet. A grain or leaf-like design is woven into all sides and the corners have intricate knot work. An oval shaped metal container sits perfectly inside for holding water.

Taisho Period

Dimensions: 4 1/2" high x 19 1/2" long x 12" wide

A set of five yunomi by Suzuki Osamu enclosed in the original signed wooden box titled Kao no Aru Yunomi. Each cup has a small face on one side, pale glaze covering all but that smiling fellow and the foote. Each cup is 3 inches (8 cm) tall and in fine condition.
Osamu was, along with Kumakura Junkichi, Hikaru Yamada and Yagi Kazuo, one of the founding members of the influential Sodeisha (Crawling Through Mud Association), a group of revolutionary post war ceramic artists whose influenc...

A rare sculptural basin by Kiyomizu Kyubei dating from the late 1950s signed on the base Yo. Very heavy, it is 11 x 8 x 9 inches (28 x 20 x 23.5 cm) and is in excellent condition. This came from the Rokubei family estate. No box. Early works by Kyubei are rare because, according to the catalog: Yagi Kazuo to Kiyomizu Rokubei (exhibited at the Muse Tomo in Tokyo, 2017) “he changed names several times and is said to have destroyed the works he produced in those days. Judging from the ceramic...

Chinese vintage long, low hardwood table with gorgeous natural woodgrain, warm, glowing finish, attractive subtle design. Mid 20th century circa 1950s. Size: 77.5" L, 40.5" W, 13.5" H

Kawase Hasui
Ikegami Honmonji (Honmon Temple, Ikegami)
Date: 1931.
Size: Oban. Approximately 15 x 10.125 inches.
Publisher: Watanabe Shozaburo.
Watanabe round 6mm seal, indicating a lifetime edition printed 1946-57.
Signed and sealed within the image.
Medium: Japanese woodblock print.
Reference: Hotei #245.
Condition: Adhesive residue at back visible only slightly in the tops of the trees.
Note: One of Hasui's most loved snow scenes.

A four panel Japanese Byobu (hand painted screen) of Wisterias over a gold/bronze-ish ground leaf painted with a Rimpa gnarly Wisteria branch. Mounted with silk border.

Age: Mid Century

Dimensions: 78 3/4" Wide by 36 1/4" High by 22" Deep

Chinese porcelain vase of a wide, rounded form and a long neck, with a robin's egg blue underglaze, decorated with a cluster of dimensional pink and yellow chrysanthemums on gold stems. The opposite side has four small pink and yellow butterflies. Qing Dynasty Signature on bottom. Size: 9.75" height, 5" width

Elizabeth Keith (1887-1956)
Shopping at the Chang Men, 1925
(aka. Outside Chang Man Gate, Peking)
Size: Oban. Approximately 16.0 x 11.5 inches.
Publisher: Watanabe Shozaburo.
Condition: Excellent with small surface spot at left edge. On verso, paper remnants at top corners. Title noted in pencil on back.

A Very Rare Blue-White Vase with a Portrait of Lao Tzu, Founder of Taoism and Mark of Ming Dynasty Emperor Chenghua Reign The vase is exceptional in both its design and figure-painting motif. Condition Report: Good Condition Provenance: Property of a CT Collection Dimensions: Height: 15 3/4 inches (40 cm) Medium: Porcelainware Terms & Conditions of Sale NYDJ Chinese Art Gallery advises its prospective buyers to evaluate each lot of its auction with discretion and self-provided professional...

Chinese porcelain carved/molded snuff bottle all in white with a pelican standing on one leg among foliage. 4 character Daoguang 1821-50 mark on base.

Size: Approximately 3" high

Condition: Good Overall condition. Original stopper.

Pair of Chinese antique Shiwan vases covered in a thick brilliant white/blue glaze from the kilns of Guangdong. The glaze stopping just inside the top of the vase and short of the base revealing the buff biscuit. Rimmed and mounted in ormolu. The ormolu's have markings, but I cannot make them out.

Age: 19th Century or earlier (Qing Dynasty).

Size: Approximately 8-1/4" high (including base) by 3-3/4" diameter

Condition: One of the vases is in good condition,...

Hiroshi Yoshida
In a Temple Yard
Date: 1935.
Size: Oban. Approximately 16.00 x 10.625 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Reference: Abe #197.
Medium: Japanese woodblock print.
Condition: Excellent color. A few surface marks at upper right. On the back, a conservator has removed adhered paper at the top and bottom right.

Hiroshi Yoshida
Sailing Boats, Mist from the Inland Sea series.
Date: 1926. This edition 1960s/70s.
Size: Double oban. Approximately 21.25 x 15.75 inches.
Signed and sealed in the image. Impressed signature at lower margin.
Publisher: Yoshida Studio.
Condition: Excellent front and back.

Kawase Hasui
Shichirigahama, Soshu
Size: Oban. Approximately 15.375 x 10.375 inches.
Date: 1930.
Publisher: Watanabe Shozaburo: Watanabe round, 6 mm seal at lower right indicating a lifetime printing (1946-57).
Artist's signature and seal lower right.
Reference: Hotei #200.
Condition: Excellent. Removed from original folder. Two original drying pinholes in top margin.
"Narazaki writes that 'This is an image of Enoshima when a wooden bridge, connecting an i...

Japanese isho tansu (clothing chest) in three sections. This piece is made of kiri (paulownia) wood and has beautiful lacquered hardware. The top section has sliding panels and a drop in panel made all of keyaki (elm) wood and six small drawers of various sizes. The sliders have pretty plum blossom shaped pulls. The middle section has 3 large full width drawers. The bottom section has 2 large drawers and 2 small drawers in the lower right hand corner. The sides of the tansu has black iron ...

A refined and elegant work of Hagi-ware done by a master potter who is not only a direct descent of the Hagi forebears, but who also credited with having revive the tradition when it fell out of practice. This piece features a well-formed kodai (foot), an exceptionally nice Hagi glaze and several “ishi-haze” or marks from small stones that partially explode in the kiln. Judging by the box and the signs of aging on the work itself, this appears to be an early work by this potter.

...

Kawase Hasui
Matsushima, Futagojima
Series: Collection of Scenic Views of Japan, Eastern Japan Edition
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1933.
Publisher: Watanabe Shozaburo: Watanabe round, 6 mm seal at lower right indicating a lifetime printing (1946-57).
Artist's signature and seal lower left.
Reference: Hotei #306.
Condition: Back margin has tape residue. Two original drying pinholes in top margin.

Takahashi Shotei (1871-1945)
Moon from a Harbor (Minato no tsuki)
Date: pre-1916.
Size: Mitsugiri-ban. Approximately 15 x 6.75 inches.
Shotei double red square seal and title at upper left.
Publisher: Watanabe Shozaburo.
Reference: M-110 in Shotei catalog.
Note: Blocks destroyed in 1923 earthquake.
Medium: Japanese woodblock print.
Condition: The faint mark at the far right corresponds to a mark on the back of the print.

Kawase Hasui
Morning at Okayama Castle, 1955
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo. Bears the red 6 mm seal (lower right corner), which is consistent with a first edition.
This seal was used between 1946 and 1957.
Reference: Hotei #605.
Medium: Japanese woodblock print.
Condition: Excellent. Lower left margin corner has faint spot. Original drying pinholes at left margin.