Art deco oribe ceramic vase by Shigetaka Kato b.1927-d.2013. Shigetaka was born the second son of Kato Tokuro in 1927. He graduated the Seto Industrial School of Ceramics and studied under his father. From 1959-1971 submitted annually to the Nitten where he received the Hokusho prize as well as the Modern Ceramics Prize among others. He also received the Japanese Ceramics Society award and governors prize at the Asahi Togeiten...

Japanese bamboo and wisteria branch gourd-shaped basket, beautifully woven, with open container for holding floral arrangement at largest node. wisteria branch base.

Circa 1930s
Size: Height 17" Width 13" Depth 8"

Maiwai-gi which is a festive kimono of fishermem. It was given to fishermen from a master of fishermen or an owner of a fish boat on the occasion of large catch. It is mostly made of cotton with auspicious motifs with katazome (stencil-resist-dye) and partly hand painting. The original location of the Maiwai-gi is Boso peninsula in Chiba prefecture since late Edo period and spread along the Pacific Coast. This one has thick cotton lining so that it is made into yogi (kimono shaped bedding)...

Chinese Yellow Peking Glass Bowl, embossed with a floral motif. Cylindrical lip over a bowl shape body over a recessed foot. Imperial Yellow. Dates from early 20th century.

Collection of Ming Gallery
Dates c1920
Size H 1.5" W 3"

Himalayan boxwood carved flaming scepter used as a ritual object with pointed end. Well-patinated Shamanic usage.

Ashby Collection, LA
18 1/4" L x 2 1/2" W x 1 1/4" D
Circa 1900s, turn of century

Kawase Hasui
Snow at Heian Shrine Kyoto
Date: 1948
Publisher: Watanabe Shozaburo. Watanabe 6mm seal at lower right, indicating a first state produced between 1946-1957.
Size: Oban. Approximately 15.75 x 10.5 inches.
Reference: Hotei #510.
Medium: Japanese woodblock print.
Condition: Excellent. Top margin has two original drying pinholes.

Dark glaze covers this beautifully crafted Koro from Kawai Kanjiro dating circa 1936 enclosed in the original signed wooden box. It is 11.5 x 9 x 8.5 cm (4-1/2 x 3-1/2 x 3-1/2 inches) excluding the lid and is in excellent condition. The lid is of exotic hardwood with an agate finial, and is a later addition (Kanjiro did not make lids for his koro). For similar examples see the Katsukawa collection published in the biblical tome by the Kyoto National Museum of Modern Art...

Antique Chinese Yixing snuff bottle of fine porous unglazed body of 'purple clay'. It's front side a landscape scene in white slip and back side with a prunus floral design, sides with pierced handles. Red agate and bronze ring cap cover. Good condition with impressed seal on inset bottom.

Circa 1900, Late Qing Dynasty
Size 2 1/4"H x 1 3/4"W x 1 1/8"D

Japanese Silver box from the Taisho period c1920. The decoration has a inscribed leaf design with a hardwood interior and bottom, good condition.

Provenance Zelig Collection

Dates Taisho c1920
H 2.75" x W 5.375" x D 4"

Chinese antique blue and white underglaze stickneck vase with beautifully painted blooming prunus and flying birds design, key fret design at high footed base. Signed at bottom.

Republic period, 1930s

Size: 12 1/2"High x 4 1/2" Diameter

Large Indian yantra , 89x85 cm. red ink on paper. Reinforced with gummed tape on reverse. Damaged corners as shown. Undated,estimated to be 19th/20th centuries. Can be viewed in central London and shipped worldwide.

Very old mask presumably from the district of Humla, the mouth The ears are barely evoked, there is a small crest possibly fractured, on the top of the mask. Traces of red and white pigments on the top and around the mouth.Black patina ofsoot with hairs fixed around the noos and the eyes/ Semi-hardwood with long fibers, in very good condition considering the age of the mask, at least early 20th. H 27 cm, W 17 cm

Rare statue of a sitting female protector, her hands in praying posture. Eroded wood, fine patina. Nepal, mid 20th C. Height: 34 cm. Very good condition. NOTE: collected in 1974 by its former owner.

Statue of a standing protector, his arms alongside his torso. Eroded wood, fine patina. Nepal, early 20th C. Height: 44 cm. The statue is mounted on a custom stand. Left leg partly missing, otherwise good condition. NOTE: collected in 1974 by its former owner.

In Japan every season and every phase of the year is marked by the presence of a flower, the most noted of course being the cherry blossoms signifying the long-awaited arrival of spring. Lesser known to the outside world is the importance of the iris flower marking the end of spring and the beginning of the summer months. Growing along river banks and in other wetland, the iris is thought to have purifying properties to ward off evil and is also associated with the expression of heroic deeds...

Shoda Koho
Moonlit Sea
From the Hasegawa Night Scenes series.
Size: Chuban. Approximately 11 x 8 inches.
Artist's seal lower left.
Date: 1930s. Printed 1938-1960.
Publisher: Nishinomiya Yosaku.
Medium: Japanese woodblock print.
Condition: Excellent.
"Made in Japan" stamped on verso.

Ohara Koson
Wading Egret
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: Early 20th century.
Reference: K14.14 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Publisher: Daikokuya
Signed and sealed by the artist.
"Made in Japan" stamped on back.
Condition: Excellent.
Embossing on face, tail, and body.

Jokata Kaiseki (1882-1966)
Snow-capped Mt. Fuji.
Series: Twenty-five Views of Mt. Fuji in the Four Seasons
Date: 1929-31.
Size: Oban. Approximately 14.5 x 11.5 inches.
Signed and sealed by artist.
Medium: Japanese woodblock print.
Condition: Very good with slight toning and faint line above the mountain.
- Features embossed snow and reddish mist.

Ohara Koson (Shoson)
Cranes on Seashore
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1933.
Publisher: Watanabe Shozaburo. Watanabe sausage seal (C seal) at right margin, indicating a first edition printed between 1929-1942.
Shoson signature and seal.
Made in Japan stamped on verso.
Medium: Japanese woodblock print.
Reference: S4.1 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent...

Ohara Shoson (Koson) (1877~1945)
Rabbits under bush clover and full moon.
Date: 1931.
Publisher: Watanabe Shozaburo. Bears the Watanabe C (sausage) seal, which was in use between 1929-1942 and is consistent with a first/early edition.
Size: Oban. Approximately 15 x 10 inches.
"Made in Japan" stamped on verso.
Reference: S41.7 in Crows, Cranes & Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent.

A plains Cree Beaded Hide Pouch with hide suspensions with the pictorial elements of a bird, flowers and leaves. C. 1900 Height: 13" including the fringe Width: 5"

Takahashi Shotei (1871-1945)
Okabe
Date: Pre-1936 (ca. 1927).
Size: Mitsugiri-ban. Approximately 15.0 x 6.75 inches.
Artist's seal lower left.
Publisher: Watanabe Shozaburo.
Reference: M-39 in Shotei catalog.
Medium: Japanese woodblock print.
Condition: Excellent.

An iconic square bottle by one of the most important Japanese artists, Kawai Kanjiro, enclosed in the original signed wooden box. The fawn spotted white glaze is decorated with Gosu floral patterns in blue and red with a rich iron red at the mouth, the raw clay revealed at the base. It is 12 x 12 x 18 cm tall (roughly 5 x 5 x 7 inches) and in excellent condition dating likely from the height of his career, 1940s-50s...

A pair of Blanc de Chine prunis trees. One has two birds resting on it's branches surrounded by prunis blossoms. Each set in a rectangular planter with a center hole.

Age: 18th century and earlier

Size: One is 8-3/4" high by 4" wide by 3-1/8" depth. One is 7-3/8" high by 4" wide by 3-1/8" depth.

Condition: Good overall condition for their age. The branches on these are quite delicate and there has been some breakage...

An antique pair of Chinese vases with lingzhi mushroom outcrops on a craggy rock platform. The lingzhi mushroom is a symbol of longevity and health. The platform could display an object. These wares originated out of kilns in the Shiwanzhen sub-district within the city of Foshan, going as far back as the Neolithic period. Each vase is pigmented with custard yellow and aubergine.

Date: Late 18th to Early 19th Century

Dimensions: 11" tall X 9" X 6" deep

Made by a women of the Miao minority often referred to as the "tiny Miao" ...not because of their stature but because they were recongnize for their "tiny" embroidery stitches... This jacket was worn for festivals ...and shows some use...wonderful display piece and also could be worn by a small person....

Traditional Yemeni necklace with an amulet box, made of silver and coral. First half 20th century. The amulet box has a maker’s mark on the top. The box is 5 cm. wide. The necklace is 48 cm long. From a Dutch private collection. Overall in good condition with expected age wear on the box.

Hiratsuka Un-ichi
Pagoda of Joruriji Temple, Kyoto
Date: 1960
Edition: 21/80
Size: Approximately 20 x 13.25 inches.
Artist's seal lower left. Signed, dated, and numbered in pencil.
Medium: Japanese woodblock print.
Condition: Back margin has tape remnants. Outer margin toned.

An antique Chinese arm chair made of hardwood. The back rest is a carved relief of a tree with a bird and blossoms. A carved bat is hovering over the tree. The arms of the chair are rounded.

Date: Republic Period c1910.

Dimensions: 26" wide X 40" tall X 18" deep

Very beautiful dark wood phurbu richly carved, the top shows 3 beautiful faces of protective ancestors of exceptional sculptural quality, each face measures 5 to 6 cm high. The top shows a miniature animal head (1.5 cm high), probably that of the mythical horse Hayagriva. The central part is a beautiful dorgi very finely carved. The triangular point shows a trunk wrapped in the mouth of Makara, each hand of which holds the head of a snake which rise from the point of the Phurbu; H 28.5 cm

This large traditional Suriname Maroon wood comb has identical carvings on both sides and would have been worn for ceremonies. The Suriname Maroons were originally sub Saharan African slaves that were brought to and escaped from the Caribbean plantations. They fled to the hills where they established their own villages far beyond the the Spanish "authorities"who then ruled the Caribbean Islands at the time. The comb is 14.5 inches tall and 3.5 inches at the widest...

An antique Chinese summer undergarment made of bamboo tubes for cooling. The garment was used to prevent silk from sticking to the skin during the hot summer months.

Date: 19th C

Dimensions:25.5" wide X 58" long

Yokouchi Ginnosuke (1870-1942)
Rain and Night Cherry Blossoms in Ueno Park
Date: September 1935
Size: Oban. Approximately 16.25 x 11.5 inches.
Edition: First and only. 91/300. Japanese-language limitation seal on back.
Signed and sealed by the artist.
Published by the artist.
Medium: Japanese woodblock print.
Condition: Age toning. Faint matte line. Pencil note on back.
This rare woodblock print is one of only eight designs by the artist.

Andrew Kay Womrath (1869-1939)
Cottage and lane at night (given title)
Paper size: Approximately 8.25 x 6.5 inches.
Edition: 3/14.
Date:ca 1920s.
Medium: Woodblock print.
Condition: Excellent.
Womrath collaborated with Yoshijiro Urushibara (1888-1953) on our Venice by Night (Item Womrath 005).

Andrew Kay Womrath (1869-1939)
Canal scene, Venice.
Paper size: Approximately 9.75 x 7.5 inches.
Artist's proof
Date:ca 1920s.
Medium: Japanese woodblock print.
Condition: Excellent.
Womrath collaborated with Yoshijiro Urushibara (1888-1953) on our Venice by Night (Item Womrath 005).

A pair of Chinese Huanghuali trays with scalloped edges.

Date: Republic Period (1910-1920)

Dimensions: 11" diameter X .75 deep

A 19th century Chinese canopy lacquered bed of cypress and elmwood (ju-mu). The bed rail has a turned spindle gallery with a low relief carving of scrolling floral panels as the back splash. The canopy spandrel has turned hook-spindles for holding drapes or clothing. The main canopy lattice pattern has a centralized floral medallion. The bed platform stands on a carved gadrooned bun foot on stretcher. The facade apron has framed low relief carvings of a floral motif...

An antique Chinese clear rock crystal snuff bottle with green peking glass lid.

Provenance: Howard Capland Collection

Date: early 19th C

Dimensions:3" tall X 2" wide

Japanese sosaku hanga woodblock print by Onchi Koshiro (1891-1955) titled "Portrait of the Poet Hagiwara Sakutaro" dated 1943. Memorial edition printed by Koichi Hirai...

An antique Chinese monochrome cucumber green beaker. The beaker was used as a drinking vessel. It has a cylindrical shape with a trumpet shaped top and flared base and with no handle or stem.

Date: 18th C, Qing Dynasty

Dimensions: 5.25" high X 3.5" diameter

An antique apple green enamel container. The box is square with small square feet embellished with blue glass. The faces of the box have a tree image with leaves.

Date: circa 1900's

Dimensions: 3" square X 1.75" high

A rare antique Chinese apple green Peking Glass snuff bottle with stopper. The bottle has rounded shoulders and a thin carved oval shaped foot. The jade lid with a coiled dragon and bone spoon. Chinese glass was largely used to imitate more precious materials such as white jade, Lapis Lazuli and other valuable minerals.

Provenance Howard Capland Collection Dimensions: 3.25" X 2.5"

Date: early 1900's

Two types of masks: At First Mesa, a white case mask with beak, owl wings in place of ears. At Second and Third Mesas. a case mask covered with rabbit fur, "horns" of jackrabbit tails, beak. Fox skin ruff. Kilt, sash, fox skin, buckskin over back. White body paint. Carries a bow and a yucca whip. Appears in Mixed Kachina Dance, or in an ordinary kachina dance where he spies on the clowns. At First Mesa, he takes part in the Bean Dance and in the Water Serpent Ceremony. Fewkes, 1903; Stephen, 19...

Yukata (cotton unlined kimono) with shibori (tie-dye) whose motifs are tomoe (three-way), aboshi (fishing net being dried) and a logo with the character uma (horse). The shibori techniques are: Miura shibori and Ori-nui shibori (folded and stitched). It is hand-sewn and all tie-dye is by hand. Vegetable indigo dyed. In excellent condition. 20th century. 126cm x 131cm

An antique Chinese seal chop of soapstone with an image of Hotei. Chinese seals are used with red ink or cinnabar paste (zhusha). A seal in an East is a general name for printing stamps and impressions which are used in lieu of signatures in personal documents, office paperwork, contracts, art, or any item requiring acknowledgement or authorship. The process started in China and soon spread across East Asia.

Date: Early 20th Century

Dimensions: 2" tall X 1" square

Tsuchiya Koitsu
Festival
Date: 1930s. First and only edition.
Size: Chuban. Approximately 10.0 x 7.25 inches.
Publisher: Takemura Hideo. Takemura seal at lower left. H. Takemura stamp on verso.
Koitsu's "Shinsei" seal at lower right.
Koitsu catalog no.: TK-TM-67.
Medium: Japanese woodblock print.
Condition: Excellent. Top back corners have some thinning.

Kawase Hasui
Sailboat at Yashima
Date: 1930s
Size: Koban. Approximately 7.75 x 5.25 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei #Hp-82.
"Made in Japan" stamped on verso. Medium: Japanese woodblock print.
Condition: Very slight toning.

Impressive figure of 63 cm. height. Excellent age wear and patina with remains of old infestations. Ex. Robert van der Heijden, Amsterdam This item will be exhibited at the Tribal Art Fair Amsterdam, October 25th-27th www.tribalartfair.nl

Ohara Koson
Fishing Boats at Sea
Size: Chu-tanzaku. Approximately 14.5 x 5 inches.
Date: ca. pre-1910.
Publisher: Kokkeido.
Artist's signature and seal and publisher's seal at lower right.
Reference: K44.20 and cat. #29 in Crows, Cranes and Camellias: The Natural World of Ohara Koson.
Medium: Japanese woodblock print.
Condition: Excellent.

A wonderful translucent blue celadon Tobi vase done in the classic style of Longquan Chinese pottery. This piece was made by one of the few great female Japanese potters of the previous century—Suwa Sozan II, daughter of Meiji Imperial Court Artist Sozan I.

Suwa Sozan I (1852—1922) was born in an area of what is known today as Ishikawa prefecture. After a short stint in the military he took up pottery design and painting under Touda Tokuji in 1873. From this point for...

An antique Chinese tiered table with mother of pearl inlay inset. The table is square with a marble top with bead edge with mother of pearl inlaid floral motifs. The supports are lion headed that extend to the lower tier and end as lion paw's on a ball as the feet of the table.

Date: 1920's

Dimensions: 31.5"high X 19" wide

Chinese Jumu hardwood coffer cabinet. A coffer is a strong chest or box used for keeping money or valuables safe. The front of the cabinet holds two drawers with hardware for locks. The lower portion has 3 panels.

Date: 19th Century

Dimnensions: 35" tall X 35" wide X 18" deep

Kawase Hasui (1883-1957)
Springtime Evening, Ote Gate (Otemon no Haru no Yugure)
Date: 1952.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Edition: First state. Watanabe red 6mm seal lower right corner. Used 1946-1957.
Reference: Hotei #573.
Medium: Japanese woodblock print.
Condition: Excellent. Removed from original folder.

Vintage Woman's Jacket from Miao Ethnic Minority of Southern China. Indigo Dye fabric, covered with intricate batik pattens. lower panel on back has rows of hand woven decorative tape... comfortable to wear or use as great wall decoration. 36 inches long x 21 inches across shoulders. Fits med size woman...field tested...

Takahashi Shotei (Hiroaki)
The Sumida Bank in the Night (aka. Sumida Dike in the Night; Boat by the snow-covered bank of the Sumida River)
Size: Approximately 14.75 x 5.75 inches.
Date: 1907. Pre-earthquake.
Shotei seal at right.
Publisher: Watanabe Shozaburo.
Reference: The first illustration in The Collected Print Works of Shotei Takahashi, a Modern Ukiyo-e Painter, p. 10.
Condition: Excellent. The slightest creasing at left.
Considered to be both Shotei...

A Tsuiki Jippo Cloisonne Enamel Writing Box (Suzuribako), 
Ando Company, early 1930’s .

The box is formed from heavy gauge copper, the lid decorated with tsuiki-jippo enamels in relief on a raised design of a Shinto shrine in a wooded setting, a Torii and lantern also present. The interior has been applied with a coarse cloth lacquered with both clear and red lacquer in an abstract design and contains a hardwood tray with fitted inkstone and tsuiki-jippo water-dropper. The base ext...

This is a truly beautiful large pair of Japanese cloisonne vases. They stand 8 inches tall and are 8 1/2 inches across. The workmanship on these is tip-top quality. Not signed but were probably made by Ando or Gonda.Condition is excellent and the rims are silver.

Kawase Hasui (1883-1957)
Kamoson Village on Sado Island
Date: 1921.
Size: Oban. 14.25 x 9.5 inches. Trimmed margins.
Hasui signature and diamond-shaped seal at lower right.
Publisher: Watanabe Shozaburo. Black 6 mm seal at lower right.
Reference: Hotei #66.
Medium: Japanese woodblock print.
Condition: The margins have been trimmed as shown. Slight fading.
"A villager and child look at the reflection of distant sails on the lake" - Narazaki

Ex Joris Visser, Brussels. H. 55 cm. First half 20th century. Excellent condition.

A stunning pair of Himachal Pradesh bracelets with double Makara heads. Made of high grade silver (acid tested) with details in green and blue enamel. Finely engraved details. Inner size: 5,5 x 4 cm. Outer size 7,3 x 5,5 cm. Weight 361 gr. Very good condition. Provenance: Collection Baobab, Amsterdam, collected in situ in the 1980’s. Private collection Amsterdam.