SMILING MASK

Korean wood carving mask, similar to the one used for traditional Korean masque, but provably it's the one made for the decoration, mid-late 20th century, approx. 27 x 18.5cm (10.62 x 7.28in). With metal fitting and string attached in the later years. Some expected stains and damage due to aging as is as seen...

TOOL LIKE MORTISE-SAMPLE

Details and usage really unknown, but would be a sort of old Japanese architectural wooden tool, like size or form sample of mortise (for mortise joint with a combination of mortise and tenon). Happy first encounter, very rare find. Showa period, early-mid 20th century. Large: 14.5 x 2.5 x 3cm (5.70 x 0.98 x 1.18in), Small: 11.5 x 2.5 x 2.5cm (4.52 x 0.98 x 0.98in)...

Traditional pipe from Tibet made of white yak horn (rarer than black) and silver.
Beautiful typical Sino-Tibetan craftsmanship including long life symbol.
It was usually slipped inside the boot. Good condition with expected wear and tear; light knocks on the stem (see pix 4-5). Tibet, 21 cms

This Tibetan wool sash measures 12.7 cm x 340.4 cm in length including the silky fringes. The tigma (cross) motif is an ancient good luck charm among Tibetans and here it is depicted in a discontinuous weft pattern design. These sashes are traditionally worn to secure the traditional Tibetan attire called a chuba. The high lustre of the wool is attributed to the high lanolin content of the goat wool in the high altitude regions of the Tibetan plateau...

This beautiful shibori (tie-dye) is already cut to make a haori jacket. The skinny pieces under the arms are cut and attached by someone who knows what he is doing. It has not gone through Yunoshi, the process to stretch shibori using steam. The size of this gown is extremely small at this moment because a regular kimono roll (for short kimono) is used to make into shibori fabric. 36 inches x 16 1/2 inches long with 9 inches hemming tacked inside...

LACQUERER'S WHEEL

Wheel for lacquering used by Japanese lacquer craftsman as a handmade professional tool made of wood, iron, and *cloth (*coating the top plate, though looks like wood), from Aizu area, Showa period, mid 20th century, approx...

TABI PATTERNS

53 pieces + small fragmental pieces (like photo#3) set of ‘tabi’ (Japanese socks) patterns made of reused old paper as the professional craftsman's tool, early 20th century, Large: 29cm (11.41in), Small: 15.5cm (6.10in)...

Gorgeous woodblock print by shin-hanga artist Hiroshi Yoshida (1876-1950) titled "Plum Gateway". In the foreground is a small girl wearing a kimono, standing next to a tree with long, spindly branches and flower blossoms, gazing into the background at her mother and young sibling standing under a gateway. Signed and stamped. Size: (entire frame) 20.75" height, 15.75" width, (artwork) 14.25" height, 9" width

Chinese yixing teapot melon shape with incised Chinese inscriptions and flowers design.19cm wide.12cm body diameter.9,5 cm high. good conditions.

An antique aubergine Peking Glass wine cup. It is molded glass, cut/grinded with a short carved foot. Chinese glass was largely used to imitate more precious materials such as white jade, Lapis Lazuli and other valuable minerals.

An Uzbek mafrash panel from northern Afghanistan, mid to late 20th century. Silk embroidery in cross stitch, measuring 16 1/4 x 40 1/4 inches (41.3 cm x 102.2 cm). Condition: Excellent. The reverse side of this textile is lined in purple silk with an ikat hem.

Large Artist's Proof of Munjado Calligraphy by the Famous Kim Ki Chang aka Unbo (1913 - 2001). Despite being deaf, Unbo was one of Korea's most beloved 20th Century artists. His works are now sought by museums and collectors internationally. This is the original signed AP (Artist's Proof) of this large lithograph, where Unbo gives us a most creative rendering with anthropomorphic figures in the ancient style of figurative munjado calligraphy. 38.5 x 28.5 inches, 98 x 72.5 cm.

Chinese carved boxwood figurine depicting the Tang poet Li Bai dressed as an official and holding a cup of wine. Fixed on a wooden base. Condition: fine, some patina. Dimension: total height: 18.2 cm.

Measuring 29 x 37 cm this child's waistcoat is from Indus Kohistan. Condition is excellent, and it dates to the mid 20th century. The embroidery technique is straight stitch in silk thread on a black cotton background, embellished with white glass beads and buttons. Kohistan has a rich local history as a crossroads between Central, South and Southwestern Asia...

FISHMONGER'S SHOP SIGN

Wood carving codfish displayed in a fish shop in Korea, early 20th century. approx. 50 x 8 x 2.7cm (19.68 x 3.14 x 1.06in). Uniquely realistic expression. Some expected flaws due to use and aging, but in generally good condition as is...

Man's soft grey silk under kimono with a painted image of Daruma, the Japanese God of Wishes. Two large coins using the shibori technique cross over onto the sleeves. Two pale peach washes are painted across the image area as well as swashes of small metallic gold flecks using the surihaku technique. This is a very soft, light-weight gray silk with a bright green raw silk lining. Dating to 1930s and in excellent condition, this garment measures approximately 51” across and 54” long.

A weaving pulley in the shape of a woman with pinned-up coiffure ending in two horns. Carved from hardwood with dark patina, the reel is worked from a nut or another material. Collected by the Swiss ethnologist Charlotte von Graffenried, author of the book "Akan Goldweights". Condition: traces of usage, the body and one horn with a split. Dimension: c. 15.5 cm high x 7.4 cm wide.

A whimsical ceramic figure of a stout man squatting with his hands on his hips and a blue bowl/object protruding from his belly. His bottoms have been glazed in blue with green and yellow star patterns and a red sash. The bottom has been engraved "Fujian Huiguan" (Fujian Club), "Jing De Zhen made". Dates from the 19th century Size: 5.25" height, 3.5" width