The painstaking embroidery technique on this vintage Pashtun purse from Afghanistan is called "pokhtaduzi", or Romanian couching, where the thread is taken across the surface for the desired length, then, bringing the needle back to the beginning, it is caught down at regular intervals by tiny stitches. The process is repeated until the entire surface area is covered, the small holding stitches being staggered from one thread to the next, giving a characteristic relief to the pattern...

Two hand hammered pewter vases of the same model, of different size. Designed by Georg Nilsson and produced by the big Dutch cutlery manufacturer Gero in the Danish factory they had purchased in 1922 and where GN (trained by Georg Jensen) was the chief designer. Marked Gerotin (tin is Danish for pewter). Height "3¼/ 8 and "2¼/ 6 cm. Condition: fine.

French Majolica plate by Cerenne, Vallauris, 1950's. Relief moulded and brightly painted decoration of sea food, the animals forming reserves for six oysters. Charles René Roger Neveux ("Cerenne" = CRN) was the leader of one of the most popular ceramic studios in Vallauris. Diameter "10/ 25,5 cm. Condition: a few minimal chips and a small restoration to the rim as seen on photo.

This Uzbek textile measures 8.2 cm x 52 cm, 8.2 cm x 89 cm with the string. Depicting rosettes in long and short stitch and cross stitch in silk thread on a black cotton ground, this Uzbek puttee dates from the mid 20th century and is in excellent condition. Puttees are a strip of cloth wound spirally around the leg from ankle to knee.

An old Uzbek puttee dating from the 1950s or 1960s. Silk embroidery on an ivory linen ground, embroidered in long and short stitch, the trademark of Uzbek embroidery. Condition is very good, some staining on one side. It measures 8.3 cm x 58 cm (w/o string). The string measures 31 cm. Puttees are a strip of cloth wound spirally around the leg from the ankle to the knee.

Measuring 8 x 36.5 cm, this embroidered band from northern Afghanistan was hand-embroidered by Uzbek women in an exceptionally fine cross stitch on a pumpkin linen background. Condition is excellent. Estimated age early to mid 20th century.

Three cups and saucer trays by Noritake, Japan, mid 50’s. Saucers shaped like water lily leaves – a modernist design also reminding of the painter’s palette shape so much in vogue in the 50’s in ceramics, jewelry, teak wood and more. The cups to fit at one side, in order to allow for a sandwich or some biscuits. The back with the N and ribbon mark in use from 1953. Width of saucers "9 ½ / 24 cm, height of cups "2 2/3 / 6.8 cm. Condition: fine.

This wallet from Afghanistan measures 15.5 x 31.5 cm and is embroidered in silk thread on a pink satin ground. The embroidery technique is an intricately worked ladder stitch, with button hole stitches and corded silk tassels for closure. The purse is from Katawaz, in Ghazni province, with two interior pockets. Condition is excellent, estimated age mid to late 20th century.

Measuring 27 x 29 cm, this embroidery from Afghanistan is composed of mostly satin stitch in silk thread. The continuous supplementary-weft technique makes this textile reversible and either face may be used as the front. Condition: Excellent, no stains, no flaws of any kind.

A striking white celluloid flapper necklace from the 1920’s, the profile of the pendant in the orientalist or “Persian” style of this period. Length "32 / 80, plus pendant "3 / 7.5 cm. Condition: fine.

Measuring 15 x 26 cm this charming purse is completely hand-embroidered in silk thread on a polyester ground. The embroidery is a very finely worked ladder stitch combined with Romanian couching ("pokhtaduzi") so densely worked as to almost completely obscure the background fabric. The metal thread around the mirrors is fastened down at regular intervals with small holding stitches, producing a characteristic relief to the pattern...

Uzbek hats such as this one are commonly worn in the northern areas of Afghanistan, particularly in and around Balkh and Mazar-i-Sharif. This child's hat is a quilted cotton with hand-embroidered silk thread in soft pink, rust, turquoise, salmon and teal. Areas of wear consistent with its age (mid-late 20th century). Circumference: 20 inches; diameter: 7 inches. Height: 2 1/4 inches.

A boldly geometrical flapper necklace from the 1920’s, made up of large circular shiny black celluloid elements, a design likely to rattle in rhythm with any Charleston band. Length "44/ 110 cm, diameter of circles"1 2/3/ 4.2 cm. Condition: fine.There is a lock (cf. photo 2), so the sautoir can be worn double.

A Dance Mask Topeng representing Rumyang. Cirebon West Java. This mask is one of the five characters in Babakan solo dances. Each portrays an individual character. Rumyang represents a prince in his early adulthood. He is sanguine and his moves are quick and passionate. Some wear `height`; 7 3/4" (19.5 cm)

The Hazara embroidery of central Afghanistan is extremely fine, worked typically in brick stitch in diamond motifs surrounded by hooked diamonds. This purse was probably used to store a precious object such as the soil or holy stone brought from the holy city of Kerbala. This purse measures 13 x 22.5 cm when open, 9.6 x 13 cm when closed. Silk thread embroidered in brick stitch on cotton. Condition is excellent, and its estimated age is mid to late 20th century.

Measuring 6 inches x 8 inches (20.5 cm x 14.5 cm) including the beaded fringes, this dazzling purse is from Bamiyan and is probably dated to 1940 or slightly later. The purse features couched metallic threads, gold couching, mirrors, and beaded fringes. An intricate array of curvilinear and geometric designs almost completely covers the dark navy silk background. The purse is lined with silk fabric...

Four(4) Ivory Napkin Rings, two(2) different sizes, 1 3/8" high and 1 3/4" diameter-larger ones, 1 1/8" high and 1 5/8" diameter-smaller ones. They are in good colors and condition, no damages.

Fratelli Toso Millefiori Paperweight, 6 Green canne centered ruffled Latimo and raspberry florets surrounding a central ruffled floret of the same design on a gold foil or aventurine ground. Measures 3 inches (7.6 cm) wide by 2 1/2 inches (6.3 cm) tall. Remnants of blue and silver foil Toso label. Condition is excellent with no scratches or bruises. Circa 1950 - 1960.