A convincing replica of a shell by the master Alfredo Barbini in crystal and pink lattimo, with a soft veil of gold dust on both interior and exterior. The luminescence on the interior of the piece with its dusting of gold give the shell an authentic look. In flawless condition, 8"x6"x3", unmarked.

Unusual murrine pitcher decorated with a single murrine called owls eye or occhi. In perfect condition, 5.5" tall, unmarked

A good bronze footed trumpet vase by Carl Sorensen. The surface is patinated in a dark mottled green and is enhanced with parallel engraved lines forming bands decorated in a darker green patination. The small foot makes this one of Sorensen's more unusual vase designs. Sorensen made a variety of decorative metalwares, but little is known about him. He worked in Pennsylvania, and his pieces were possibly sold by Roycroft and Tiffany...

The very well carved young beauty is a 1930’s product. She holds a fan in one hand and a small musical instrument in the other. It is 8 ¾” high (with base is 10 ½” high) 2 ½” wide and 2” thick. There is an old repair on her left hand. Aside from that, it is in great condition.

Elegant Japanese uchikake (traditional wedding gown) sewn in the style of the twelve layered court attire (juni-hitoe) from the Heian period (794-1160). The longing for the beautiful, culture rich era of the aristocrats that existed so long ago never seems to cease in people's mind even after 1000 years. Here on this red background, the classic design of the ox-cart in a pine forest is beautifully woven in gold. The layer of robes could have gone up to 15 or even more...

A fine 19th Century Kangxi style porcelain ink box. Mustard green carved with landscape motifs. Excellent condition. With Kangxi mark. Diameter 3-3/4”.

Satsuma Studio Nude Geisha by Miyanaga Tozan, circa 1940's

She is 12.25 inches (31 cm) tall by 4.25 inches (11 cm) wide.

She is in good condition with no repairs, or chips, except manufacture defect of firing cracks at the bottom (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

This is a Chinese Scholar's table art object or ink stone for calligraphy art and used with ink cake. It is of vintage /old used piece, circa 1950s or earlier with some kind of seal make or workshop mark on it, it is of the chinese lion pattern, moulded and very heavy...please ask for more photos. TQVM

This old ceramic tray/plate is made for the Straits Chinese Community, it is of the typical pheonix design. It is an example of the nyonya ware, handpainted and used for serving tea. It is not in good condition as there are small cracks and hairlines on the four corner and lots of scratches all over the surface. Please ask for more photos....

Gigantic cuff by the House of deLillo created by chief designer Robert Clark. Composed of turquoise and lapis colored beads and heavy gold plate. Spring hinge opening. 2 1/4" wide, 7" inside circumference, chunky. deLillo name plate inside surface.

This a Chinese Blue & white traditional painting of landscape, there are lines of calligraphy and date written as 1926,artist unknown, more of from anonymous artist or studio workshop painting from Chu San for decorative art, condition intact....please ask for more photos. Thank you

A striking large Han-zutsu Shino bowl by Kato Kageaki with cotton buffer and silk bag enclosed in the original signed wooden box. Linear forms lie shadowlike below the thick pitted shino glaze burnt red on the edges, the body torn and cut creating a vivacious landscape for the senses. The bowl is 5-1/2 inches (14 cm) diameter, 3-1/2 inches (9 cm) tall and in perfect condition...

Dating around the 1920s is this 8-sided pierced metal opium lamp. Each of the eight panels has glass inserts to protect the flame. A pair of doors opens in the front to light the flame and in some cases to heat the opium tar housed in a damper bowl at the end of an opium pipe. This lamp is in original condition with a removable brass burner. All the cut-outs are intact. I have not identified the metal, but there is a faint coating of rust on the lamp...

This is an imposing early 19th century Kakiemon style porcelain vase of Japanese origin inspired by a 17th century model currently valued in excess of $700,000. A piece similar to the original dated 1680 from the Blenheim Palace collection was exhibited at the Ashmolean Museum, Oxford in 1989.

21" in height, this vase is well enameled with three identical garden scenes separated with bands of blue flowering vines.

Condition: Excellent, with no chips, hairlines, or repairs...

A beautiful Chinese Jadeite ring with pearl, ruby, turquoise, and lapis. 18K (unmarked). Excellent condition. Early 20th Century. L: 1-3/8” W: 1” Size:7

A set of very finely made Chinese celadon Jade necklace, ring, and earrings set. Early 20th Century. Necklace is 16-1/2" long with sterling silver clasp. Ring size is 7. Excellent condition.

The colors in the glass of these gold plated deLillo earrings creates an elegant look. The blue glass in the teardrop dangles all but glows. The deLillo name plate is on each earring. Clip Earrings are 2 3/4" top to bottom.

Japanese Isho Ningyo of an Oiran, the most important Geisha of the Kyoto Geisha quarter. The book and movie 'Memoirs of a Geisha' is the story of an Oiran. This master work is truly a work of art to behold, and is by one of Japan's foremost doll makers, the late Ito Hisashige XI. The first Ito Hisashige was appointed to the position of Court Doll Maker by Emperor Gosakuramachi in 1767...

Kashigata, mold for making Japanese sweets, in the shape of a wasabi root. Carved wood, ca. early-mid 20th century. H.1.5"(3.75cm) x L.8.25"(21cm) x W.3.5"(8.75cm). Kashigata have long been in use for making molded sweets in Japan and many other parts of the world (especially Asia and Northern Europe.) In Japan, shapes often include felicitous or auspicious themes for luck, long life, wealth, etc. This one, shaped as a wasabi root, is unusual and interesting.

A deep, almost bulbous, Wan-gata Chawan by Ueda Tsuneji Titled Kikumon, or Chrysanthemum, enclosed in the original signed wooden box. The large bowl is covered in speckled green glaze turning blue on the lower edges, with a bodacious mum in blue and black. It measures 5-1/2 inches (14 cm) diameter, the slightly tapered rim just over 3 inches (8cm) tall...

Vibrant tusty red splashes across the black glazed surface of this sculpted vase by Kawai Kanjiro dating from the 1950s enclosed in a wooden box annotated by his daughter Koha, the head of the Kawai Kanjiro Kinenkan Museum. The vase is roughly 8 by 4 by 4-3/4 inches (20 cm x 12 x 10 cm) and is in perfect condition. Kanjiro was a true artist by nature, and together with Hamada Shoji, set a pattern of study for modern potters...

Maquette (scale model) of Faun Sculpture by Yasuhide Kobashi (born 1931), commissioned by Lincoln Kirstein for the Lincoln Center for the Performing Arts in its opening years. Purchased directly from the artist at the time the sculpture was first displayed in Lincoln Center in the 1960s. Signed on the Bottom of the mount...

Landscape Oil Painting by Ryonosuke Fukui (1923-1986), purchased directly from the artist in Japan in 1962. Excellent Condition. 16.5 x 13 inches, 42 x 33 cm.

Indigo-dyed heavy cotton shop Apron, Unknown business...

Four-panel kon (dark-blue) indigo-dyed cotton bed cover, red and white threads woven into warp and weft creating patterns of circles , squares, and checks. Top cover only, no backing or wadding, very good condition. Early 1900’s. L.69”(175cm) x W.55”(140cm.) Futonji, bed covers, were a common bridal trousseau item in feudal and early-modern Japan. They may have been made by the bride before marriage (in very rural areas,) or more likely commissioned by the bride’s family. The bed cover...

Kon, dark blue, Indigo-dyed cotton haori woven in botan kasuri (peony ikat) technique. Cotton liner features pattern of a crane’s head within hexagons, representing tortoise shells; both crane and tortoise symbolizing long life. A haori is a jacket worn over the kimono when going out. In contemporary fashion, it can easily be worn over jeans for casual wear or slacks for a more elegant look. Excellent condition, ca. mid-late1900’s. L.42”(107cm) x W.49”(124.5cm.) Kasuri techniques came t...

This shoulder bag was made and used by the Hmoung women of northern Thailand. It would carry all the traditional items which would have been commonly found in a woman's purse. The bag fabric was hand loomed from the indigenous plants and then embroidered using traditional cross-stitched with geometric patterns. Beads, silver ornaments and tiny pompoms are added for decorative enhancement of the bagface. This piece is in good condition.

This Many Westerners have been told that the Miao et...

A true work of art by the most sought after of all Japanese potters, Kawai Kanjiro (1890-1966), enclosed in the original signed and stamped wooden box dating from the 1940s. It is covered in an unusual green glaze with swirling deco design on the shoulder, spinning flowers in the center like an iron dragon. The depth of the soft swirls around the neck is phenomenal. That contrasted with the crisp clarity of the iron design on the unusual green field make this vase very desirable. It is exper...

SOLD, no price, no info please. Early Vintage Renaissance motif necklace pendant signed with early collectible American mark: PERUZZI BOSTON STERLING (American silver standard since late 1800s) who along with Cini & Parenti produced fab work in the 40s in Boston. Italian Peruzzi (different family whose early standard was 800 and ster. it's later standard) it still being made in Italy, thereby much more plentiful, while the Boston mark is rarer to find, most collectible and always sterling. ...

This is a pretty robins egg blue and gold enameled brass compact-shaped hinged double picture frame. The cover depicting a gold butterfly over a leafy branch. When open it holds two vintage pictures Measurements: 3" square closed. Excellent condition; may need cleaning.

A perfect example of why Shigaraki is one of Japans most popular ceramic styles; a large tsubo urn covered in Hai-yu ash glaze by Yamamoto Ryuzan, enclosed in the original signed wooden box. Thick glaze covers the shoulder and runs in glassy rivulets down the charred front, while the back of the Tsubo, positioned away from the flame, remains pale white. Bidoro, flying ash all over with a dark kutsuki on front and brittle molten ash-charring at the base. On a small base, the piece leans slight...

A Rare Pair of Sterling Silver Candlesticks from George Jensen, USA, designed by Alphonse LaPaglia. Dimensions; 5" high x 4" at the base; weight, 14.6 Troy ounces. Circa; 1941-1950. Excellent condition. Jensen USA was operated by Frederik Lunning during and just after the war, when merchandise from Denmark was unavailable. He was the director of Jensen Operations in the US. LaPaglia was one of the designers working with him.

This is a sweet small round American sterling silver reprosse box made by Gorham, the silver lid with floral repousse border, marked GORHAM, STERLING, 92, plastic base; Measures 11/4 in dia. Like new, may need cleaning.

This is a small round Continental silver repousse Vinagrette box made in Italy, circa 1925, the lid having a pictorial scene with a man playing the cello to an audience surrounded by a scroll border, the sides with swags and garlands, gilt wash inside, marks worn but decipherable, fleur de lys Makers Mark, MADE IN ITALY, COPPINI, 800; Measures 1 5/8 in. diameter. Overall condition is very good with some wear to the gilt. A nice container to hold pills or a tooth for the Good Fairy.

This is an outstanding 19th century Chinese Export enamel cloisonne round-form planter with floral decoration on a turquoise ground standing on three brass feet; rich coloration. Measures 8.75 opening x 4 in. tall. Cloisonne and enamel near perfect, wear to enamel inside. This planter does have three feet although the angle of photo obscures one of the them.

Here is an amazing vase by the most sought after of all Japanese potters, Kawai Kanjiro dating from the 1940s, enclosed in a fine kiri box endorsed by the Kawai Kanjiro Museum. The box is signed Kanjiro Saku, Gosu Hana-ire Hentsubo, Kawai Koha (Made by Kawai Kanjiro, a Gosu blue flower vase of altered urn shape, endorsed by Kawai Koha. Koha is Kanjiros daughter, and the current head of the Kawai Kanjiro Museum. The stately composure of its dramatic silhouette is surpassed only by the striking ...