Hocking Glass Company made Mayfair from 1931-37. There are no chips or cracks in the glass. Thanks for looking.
3 are available
McKee Glass Company made Rock Crystal from 1915-40's. There are no chips or cracks in the glass. Thanks for looking.
Cambridge Glass Company made Caprice from 1940's-57. There are no chips or cracks in the glass. Thanks for looking.
6 are available
4 pieces of Nara Uchiwa whose history dates back to Nara period (A.D.710~794). It began as manual side line work of the Shinto priest of Kasuga Taisha Shrine in Nara. The traditional motifs (Tenpyo Moyo) such as peonix, deer, kylin (imaginary animal), dragon, Parrot etc. These four (originally five) were made by Ikeda Gankodo which is only existing maker of it in Nara. In good condition. The first half of the 20th century. W:22cm L:37cm
Cut Crystal square shape Inkwell, 1930's, 1 3/8" high,
1 3/8" x 1 3/8" square, 7/8" diameter-top opening, rough spots on corners but not very noticeable.
Crystal heavy weight square shape inkwell, 1930's, 1 3/4" high, 2 1/8" x 2 1/8" square, the condition is good, I did not feel any rough spots.
Heavy weight solid crystal Inkwell, 1930's, 2" high, 2 1/4" x 2 1/4" square, 1 1/8" diameter-top opening, one(1) shallow rough spot near the corner, otherwise it is in good condition.
Heavy weight Crystal square shape Inkwell, 1930's, 2 5/8" x 2 5/8" square, 2 1/2" high, 1 1/8" diameter-top opening, the condition is good, I did not feel any rough spots.
Heavy weight solid Crystal square shape Inkwell, 1930's, 2 3/4" x 2 3/4" wide, 2 1/4" high, 1 1/2" diameter-top opening, in very good condition, I did not feel rough spots.
Heavy weight Crystal square Inkwell, 1930's, 3" x 3" wide, 2 1/2" high, 1 1/2" diameter-top opening, some chips and rough edges but not much noticeable.
Chinese ceramic jar and cover with two 3-toed relief chilongs wrapped around the upper part of the body. The jar is glazed in an off white colour and the dragon has blue glaze highlights. Unglazed on the inside, bottom base and rim
Size: 5-1/2" high and 4-3/4" diameter
Condition: Good condition, no noticeable breaks - refer to pictures
Chinese porcelain circular table screen mounted in a carved wooden frame, decorated in polychrome landscape with waterfall and village scene. The piece is signed with the signature of Wang Yeting. This piece was made in China in the first quarter of the 20th century and was possibly destined for the export market considering the troubled times that this was produced in...
The is a very rare large Koi vase created by a master. The koi are large and much finer than most ever seen on this style of vase. The vase is 9 1/2 tall and 11 1/4 inches wide. Rims are silver with an old Jungin stamp. Condition of this vase is excellent.
Indiana King's Crown Luncheon Plate, 8.3" across. 7 are available, all in mint condition.
Indiana King's Crown water stems are 5.5" tall and 3" wide at the top. They are slightly flared and all in mint condition. 7 are available.
Indiana King's Crown Sherbet is 3.25" high, 3.5" wide. 8 are available, all in mint condition.
Indiana King's Crown Cake Stand has a 9.5" diameter and is 3" high.It is in mint condition.
Tiger's Eys natural Stone Lamp Finial with Brass fittings, 2 1/2" high, 3/4" x 3/8" wide-Tiger's Eye stone, fits into modern fixtures, the condition is good.
Amethyst natural stone Lamp Finial with Brass fittings, 2 1/4" high, 3/4" x 1/2" wide-Amethyst, fits into modern fixtures. The condition is good.
A bulbous, filigree trinket box or casket that is unmarked,probably 800 silver and European. The lid snaps shut tightly.It measures 2" (h) x 2-1/2"(w). An older piece.
Number 9 in a series of 12 Fornasetti plates commissioned in the 1970’s by Martini & Rossi. Each plate depicts an item in their wine museum in Pessione, in this case the first barrel – Il Primo Tino - used for the fabrication of the famous Martini vermouth. Pessione is a village in northern Italy, not far from Torino. The back of the plate gives a contextual presentation of the plate and has the Fornasetti brush in hand mark. Diameter "9 ¼ / 23.7 cm. Condition: fine.
Rare Work of Munjado Calligraphy by Kim Ki Chang aka Unbo (1913 - 2001). Despite being deaf, Unbo was one of Korea's most beloved 20th Century artists. His works are now sought by museums and collectors internationally. In this original signed offset print, Unbo gives us a dynamic rendering of the ancient style of figurative munjado calligraphy. The bird leaping out of the center character adds powerful life to the piece. 25.5 x 19.5 inches, 65 x 50 cm.
Contemplative calligraphy: Music, Writing, and Books by Lee Nam Ho aka Geum Choo (1908-2001). Lee Nam Ho is renowned as a painter. This is a rare and fine example of his calligraphy. 51 x 13.5 inches, 129 x 34 cm.
Meditative calligraphy: Empty Your Heart and Mind by Lee Nam Ho aka Geum Choo (1908-2001). Lee Nam Ho is renowned as a painter. This is a rare and fine example of his calligraphy. 26 x 12 inches, 65.5 x 31 cm.
Yuzen hinagata (sample book of yuzen-zome) of kosode (kimono with narrow opening of wrists) which is a reprinted edition of Edo kosode hinagata. It has 20 pages and 40 Yuzen-zome kosode designs. The book is made of washi (Japanese handmade paper.) Published by Yoneyama-do in Tokyo in 1927. In excellent condition.
18.5cm x 27cm x 0.5cm
Yuzen hinagata (sample book of yuzen-zome) of kosode (kimono with narrow opening of wrists) which is a reprinted edition of Edo kosode hinagata. It has 20 pages and 40 Yuzen-zome kosode designs. The book is made of washi (Japanese handmade paper.) Published by Yoneyama-do in Tokyo in 1926. In excellent condition.
18.5cm x 27cm x 0.5cm
This exquisite design of stylized water birds by Gino Cenedese is considered historical and they are displayed in the Cenedese Gallery in Piazza San Marco, Venice, priced at 3200.euro, each! The sculptural forms exemplify the Murano glass maestros' finesse in translating their natural environment into hot glass.
As interactive sculpture, can be placed in various arrangements as an ever-changing accent in any interior...
A lovely set of mid-century enameled sterling silver coffee spoons by Henry Clifford Davis. Davis focused mostly on smaller objects, often enhanced with enamel. The spoons have unusual melon-ribbed bowls and elegant translucent guilloche enamel handles with an engraved Greek key-type design. Each is fully stamped with Davis' hallmarks and the date letter for 1950...
South Indian betel nut cutter with horse motif handle. Doesn't appear to have ever been used. Measures 7.5 inches long and dates pre 1950.
Japanese woven Bamboo Ikebana flower Basket, Ca. 1930, 11" high include handle, 9" x 7 1/2" wide, signed "Japan" on the bottom, shows wear and some scratches on the bamboo, no major damages.
Japanese Woven Bamboo Ikebana Flower Basket, Ca. 1930, 6 1/2" high, 4 3/4" Wide-widest area, one(1) loose ring on the side, supported four(4) Bamboo feet, the condition is as found condition, no major damages.
Japanese woven Bamboo Ikebana Flower Basket, Ca. 1930, 5" high, 6" round, with one Bamboo loose Ring on the side, the condition is as found condition, no major damage.
A finely painted famille rose dish depicting a misty landscaping. Mid-20th century. The original mark had been ground and a "Hong Kong" stamp was added. Other than this, the dish is in perfect condition. Diameter: 13".
Japanese woven Bamboo Ikebana Flower Basket with thin Bamboo insert, Ca. 1930, 16" high include handle, 3" square-bottom, 2 3/8" round-top rim, 6 1/4" high for handle, 10" high for basket only. Bamboo insert is cracked, basket is in good condition, no damages.
Japanese Woven Bamboo Ikebana flower basket, Ca. 1930, 10 1/2" high include handle, 4 1/4" wide, metal insert included. The condition is as found condition, no major damages.
This Barbini from the 1960's will bring a smile when you look inside to see the large murine fish at the bottom. Six strategically placed bubbles surround the fish, whose body is dark green at the top, with subtle aventurine stripes on a gold leaf body. The amorphous bowl form is a champagne color, 6 1/2" diameter and 2 1/2" tall, and is in excellent condition with normal wear at the base consistent with its age.