A Rare Ming Dynasty Tianhuang Stone Seal with a Tiger-Knob The seal is carved with four Chinese characters Hao Qi Chang Cun, meaning the deed of bravery will forever exist as Heaven and Earth. Weight: Approximately 420 grams Width & Thickness: Approximately 2 X 2 inches (5.1 X 5.1 cm) Height: Approximately 4 (10.2 cm) Condition Report: Hand-Carved, Good Vintage Condition Provenance: Property of a MA Collector

A long Japanese ranma / transom Finely hand carved from Keyaki (hardwood), beautifully carved with a scene of cranes underneath the branches of a pine tree. Edged in black with attractive woodgrain. Original Condition Size: 73.5" length, 17.5" height, 1" depth

Pilgrim's coat made of asa (hemp) with hand-written Buddhist sutra. It also has stampted Zao Gongen who is a main image of the Kinpusen-ji temple and Ominesan-ji temple. It has many red stamps of holy places where the pilgrim had visited such as Ominesan-ji, Kinpusen-ji, Zaodo etc. which are located between Wakayama and Nara prefecture where "shugen-sha ( holy man )" has been practicing Shugendo. The area was designated as "World Heritage". The first half of the 20th century...

Fantastic execution of the Shino pottery style in the form of a bold and attractive Henko vase. The feldspar glazing and visually captivating red scorch marks serve as a backdrop for several attractive and well placed kiln effects—overall an exceptional piece by this artist.

Ando Hidetake was born the third generation of a Mino pottery family in Gifu prefecture in 1938. He began as an apprenticeship under Kato Tokuro in 1960...

Japanese framed print by sosaku-hanga artist Haku Maki (1924-2000) titled "Work 73-122". Depiction of a bright embossed persimmon against black background. Signed in pencil with red artist's cartouche. Set in a black and gold wooden frame. Size: 17.25" height, 14" width (entire frame) 11.25" height, 8.5" width

Kawase Hasui
Rain at Shuzenji Hot Spring
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1933
Publisher: Watanabe Shozaburo. Bears the Watanabe "E seal" used between 1932-42 and consistent with a first edition.
Condition: Excellent with slight fading.

Japanese framed sumi print by abstract artist Toko Shinoda (1913-present). This print is titled "The Shade", with very light shadows and intersecting calligraphy lines with a streak of red. Number 14/50, signed in pencil. Size: (entire frame) 16.75" length, 13.75" width, 1" thick (artwork only) 11" height, 8" width

Located at the foot of an active volcano, the Ougaku kiln specializes in a type of pottery know as Sakurajima-yaki. The kiln is headed by Hashino Midori and run entirely by female potters who strive to infuse each piece they produce with the “energy” of the surrounding environment. Pieces such as the one featured here are made from volcanic ash and mineral-rich onsen spring water giving them a unique luster that is difficult to reproduce...

Paul Jacoulet
Tatooed Woman of Falalap, West Carolines
(Femme Tatouée de Falalap Ouest Carolines)
Date: July 5, 1935.
First edition: 91/150 numbered in kanji. Fewer than 100 impressions produced.
This edition was issued without a title...

This lovely white Hagi chawan rests firmly on a wari kodai or “split foot.” The crackled milky glaze varies in consistency across the curves and contours of the bowl with some areas tending towards a faint brown, adding an interesting dimension to the landscape.

The creator of this piece Matsuura Mugen (1944 - ) has spent his life in the pursuit of perfecting the art of Hagi...

This simple and elegant green porcelain vase was made by a student of Kiyomizu Rokubei (VI) who was well-known for creating fine porcelain pieces modeled on ancient Chinese forms.

Kato Keizan I (1886-1963) was born in Tajimi, Gifu prefecture but later moved to Kyoto and opened a kiln in Gojozaka in 1912...

Takahashi Shotei (1871-1945)
Rain at Igusa
Date: Pre-1923 earthquake. Muted color version with full title.
Size: Mitsugiri-ban...

Unusual Low root wood table, beautiful golden color wood, the top is a cross section with dramatic burl grain radiating from the center like run rays, the base is made of a section of tree trunk. Size: 20" high x 36" long x 27" wide

Ohara Koson
Crows.
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: 1910s.
Publisher: Daikokuya.
Reference: K5.10 and plate 111 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland)
Medium: Japanese woodblock print.
Condition: Excellent. Never framed. Full original margins.

A very rare French first standard silver (950/1000 pure silver) tastevin, the bottom bearing the coat of arms of the Confrerie des Chevaliers du Tastevin. The arms depict St. Vincent, patron saint of winemakers. The body is further decorated with the traditional raised "perles" for highlighting the reflections in the wine and recessed "cupules" and elongated "godrons" intended to concentrate the color during tasting. The handle is worked in the snake motif traditional in Burgundian tastevins...

A sterling silver vermouth dispenser in the form of a watering can. These were made by Boardman and retailed primarily at Cartier's flagship store in New York and by Tiffany. This particular example was retailed by Schroth's jewelers in Montville, NJ. When tipped, the dispenser lightly sprinkles just a drip of vermouth into the glass for the perfect martini. The bottom is marked “Sterling” and is signed “Schroth”.

Origin: America, ca. 1955. Condition: excellent. Size: 3-1/8” tall...

A beautifully painted porcelain blue and white Chinese vase with four maidens in elaborately designed robes, holding various objects such as flower baskets, a paint brush, and a book. Scholar's objects have been painted around the neck. The body has an interesting raised speckle texture. Unusual signature on bottom with beautiful floral design outline. Comes with hardwood stand...

Raised, undulating ridges on a field of cobalt blue highlighted with white slip and bronze flecks around the rim, this piece conjures images of the deep and stormy sea or possibly of the vast swirling cosmos...