Coxcomb decorates the deeply carved surface of this box covered in green and red lacquer outside, gilded with gold inside in the Kamakura-bori carving tradition. It is 22 x 25 x 5 cm and comes enclosed in a period wooden box. Kamakura-bori is a type of lacquer ware made in the area around the ancient capital city of Kamakura in Kanagawa prefecture. The tradition is based on carved lacquer wares imported from China during the Kamakura era...

This beautiful chawan (tea bowl) is a Raku ware made by famous Kyuraku Kimura. It was made about 40-50 years ago. The seal of Raku is stamped on the bottom.

It comes with its originally signed and sealed wooden box and an appraisal of the Daitoku-ji Temple, Kyoto. This temple is very famous for its knowledge about chanoyu (Japanese tea ceremony). Tea ceremony items with a signature and an appraisal of the Daitoku-ji Temple have a high evaluation for collectors...

Circa 1950s-60s, double fruit rock crystal snuff bottle with superb clarity and craftsmanship having apple green jadeite stems for stoppers. Presented on a nice hardwood stand. In perfect condition, just the bottle measures 3" long x 1.75" high x 1.25 wide".

Kawase Hasui
Great Buddha, Kamakura (Hase Daibutsu)
Date: 1930s.
Size: 5.875 x 3.75 inches.
Hasui oval seal at lower right.
Reference: Hotei Hp-53
Condition: Back of print has paper residue at top.

55" tall by 30" in diameter. Dated Showa 25 ( 1950) . From Muneatsuji Temple in Gifu Prefecture. This Temple is connected to the Rinzai temple of Myoshinji in Kyoto. (Full translation of what is written on the bell is available). Made by Fujiwara Sadaatsu. Inscription says it was made for world peace.

A classic mid 20th century Dry-lacquer vase by Kawai Masazo enclosed in the original signed wooden box. Rankaku (crushed egg shell) on cream colored lacquer alternating with highly polished black. This work truly encapsulates the freedom for form which artists were seeking in the post war period. It is 45 cm long and in excellent condition. Kawai Masazo was born in Osaka in 1928, graduating the Osaka Municipal School of Art and Design...

Saiho-hinagata (or hinagata), the sewing sample which is a miniature sample to learn sewing. It was invented by an educator for saving time and textile using a special measuring rod. It was practiced in a girl's school from Meiji 7, 1874). Reduced scales were one-third in the beginning and one-quarter, one-half, one-fifth etc. The sewing technique was exactly same as the real size in details. Saiho-hinagata was designated as a significant tangible folk cultural asset...

Tsuchiya Koitsu
Twilight at Hira
Date: 1936.
Size: Oban. Approximately 15.25 x 10.25 inches.
Publisher: Watanabe Shozaburo.
Edition. First. Watanabe D seal at right margin (used 1931-41).
Artist's signature and seal at lower right.
Reference: Koitsu catalog TK-DH-18.
Medium: Japanese woodblock print.
Reference: TK-WN-7 in Koitsu catalog.
Condition: Print is fully adhered to slightly larger board. Two marks above boat. Slight soling in sky...

Iwai-Bandori which is a backpack pad for carrying household items on wedding, made in Shonai region in Yamagata prefecture in Tohoku. It is made of cotton rags. In good condition. The first half of the 20th century. L:110cm, W:28cm

An elegant celadon receptacle with custom made black lacquered lid by important female potter Suwa Sozan II titled Seiji Mizusashi and enclosed in a wooden box annotated by the third generation head of the family. The Taru shape (a traditional bound shallow wood bucket) is surmounted at the rim with lily pads upon which rests a tiny frog. In the center of the base is her circular stamp. It is 24 cm (9-1/2 inches) diameter, 12 cm (5 inches) tall and in excellent condition...

Toshi Yoshida (1911-1995)
The Friendly Garden Triptych - Pine, Bamboo, and Plum
Date: ca. 1980.
Size: Each panel measures 21.25 x 11.75 inches.
Publisher: The Yoshida Family Studio. Issued by the Franklin Mint.
Signed and sealed by the artist in the image.
Signed in pencil in Japanese in the margin.
Medium: Japanese woodblock print.
Condition: Top back margins have original tape residue. Slight toning.

An exquisite image of an emaciated man, the prominent bones about the eyes softly glowing pale white over the hollow cheeks. The mask is of the Yase-otoko type, and is signed on the back by the maker Iwasaki Hisahito in a carved seal above the eye. Superb craftsmanship!
Iwasaki Hisahito is a well known Mask carver currently 78 years old and still going. He was born in Oita prefecture, but moved to Nagoya then Yokohama at a youthful age...

Tsuchiya Koitsu
Yotsuya
Publisher: Doi Hangaten (Doi seal).
Date: 1930s-1950s.
Print size: Approximately 3.75 x 2.5 inches.
Koitsu catalog no.: TK-DH-205.
Woodblock print tipped along top edge to original, unused 5 x 3 inch holiday card.
Medium: Japanese woodblock print.
Condition: Excellent.

Kawase Hasui
Fisherman at Sunset
Date: 1930s. This edition 1950s-60s.
Approximately 5.5 x 3.75 inches.
Publisher: Watanabe Shozaburo.
Artist's oval seal at lower left.
Medium: Japanese woodblock print tipped along its top edge to original card.
Condition: Excellent.

Tsuchiya Koitsu
Four Small Woodblock Prints
Titles: Kiyomizu Temple, Arashiyama, Kawaguchi Lake, and Kintai Bridge in Iwaki
Date: 1940s-50s.
Size: Approximately 3.5 x 2.25 inches.
Publisher: Shobido Tanaka.
Koitsu catalog nos. TK-SB-50, TK-SB-51, TK-SB-52, TK-SB-53.
These woodblock prints are tipped at the top edge to the covers of blank bridge tallies.
Condition: Excellent.

Kawase Hasui
Man Fishing on a Moonlit Night
Date: 1930s.
Size: Approximately 6 x 4.125 inches.
Publisher: Watanabe Shozaburo.
Hasui oval seal at lower right.
"Made in Japan" stamped on verso.
Reference: Hotei #Hp-38.
Condition: Margin corner at upper left repaired by conservator.

Clearly this a very early ghurra showing greatly achieved carving art combined with thick crusted patina and significant signs of wear. The sculpture motifs represent on both side of the ghurra a scene of churning, supported by an interlacing which could represent snakes which it is however difficult to formally identify as the deposit is important and hides the details. The front and back sides of the ghurra are symmetrical H 31 cm, , width 9.5 cm , Thickness 3 cm

Ohara Koson (Shoson)
Egrets
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1926. This edition 1946-1957.
Publisher: Watanabe Shozaburo. Watanabe 6 mm in lower left corner of image.
Shoson signature and seal.
Medium: Japanese woodblock print.
Reference: S14.4 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Features embossing on the birds' bodies.
Condition: Back of print has toning...