Catalog: Antiques: Regional Art: Asian: Japanese (306)

A kakuzara decorated in a combination of underglaze blue with enamels and gilding...

A kakuzara decorated in a combination of underglaze blue with enamels and gilding...

A rare Ko Imari scalloped rimmed dish decorated with an eremetic motif of a scholar’s refuge in an idealised landscape. The rim celadon seji glazed and decorated with a depiction of the Three Friends of Winter in gilt outlined enamels. The reverse of the dish is celadon glazed to the foot-ring. The foot-ring containing a six character mark for the Ming Emperor Chengua and a set of five spur marks in a square or cross formation...

A dish of distinctive ribbed petal kikugata form decorated in a three colour palette of under-glaze blue, iron red and gilding. Painted with a central motif of a stylised sansui landscape based on one of the eight views of Omi framed by elaborate symmetrically arranged Thistle sprays, azami, emblematic of spring. The dish measures 22cm in diameter and stands 3cm to the rim...

A fine quality early Eighteenth century export saucer dish decorated with a central kikkumon and sprays of Chrysanthemums and Prunus branches in a five colour palette sans aubergine enamel. The reverse decorated with three prunus sprays. The dish has elements of slightly raised moulded decoration in the form of three plum flowers and three chrysanthemum blooms...

An Arita bowl decorated with a design of Azami, Thistles, a motif emblematic of Spring painted in a refined pencilled style called senbeki both to the interior and exterior. The bowl measures just over 15cm or 6 inches in diameter, and stands 53mm or just over 2 inches high. The bowl is in excellent condition with no chips, cracks or restoration. Shipping at Cost.

An Arita bowl decorated with a design of Azami, Thistles, a motif emblematic of Spring painted in a refined pencilled style called senbeki. The bowl measures just over 15cm or 6 inches in diameter, and stands 53mm or just over 2 inches high. The bowl is in excellent condition with no chips, cracks or restoration. Shipping at Cost.

A large Kakiemon dish decorated with the Three Friends of Winter to the rim and a central motif of a Peony. The reverse decorated with a continuous lotus scroll and a spiral fuku in a double square. The dish dates to the late seventeenth century circa 1680-1700. The dish measures approximately 25 cm in diameter and stands 6cm high. The dish is in good condition, except for a crack to the rim and small filled chip. Shipping at Cost.

An interesting kaku nagazara, rectangular dish designed for use in the Kaiseki meal. It is decorated primarily in a three colour Imari palette, more typically found on porcelain produced for export to the West. The central reserve is decorated in kinsai style with gilt and gilt outlined enamels with a “winter” landscape incorporating Bamboo, Take, Pawlonia, Kiri and Suisen, Japanese Narcissus partially obscured by cloud like ground fog, and finger form kuomo style clouds...

A rectangular dish, kakunagazara, made for the Japanese domestic market decorated with an auspicious manji-tsunagi, wan diaper, gilt brocade ground inset with ume hana, plum blossom inset with niche like lobed reserves containing stylised Camellia, Tsubaki. The central reserve, mikomi, window, containing geometrically arranged stylised Bamboo, take, Bamboo shoots and grasses with mist or clouds in Kumo finger form painted in underglaze blue...

A barbed form dish decorated in kakiwake style with a White Elephant and Chinese Boy. The design here is not the Confucian parable of Shun and the Elephants, but one that explores a Buddhist theme. The White Elephant in Buddhism is symbolic of mental strength achieved through the practice of the Dharma. The boy figure holding a staff stares at rocks and Banana plaintain, symbols of longevity and the impermanence of life. He may be a representation of Henkitsu, the Bohisattiva Fugen...

A barbed form dish decorated in kakiwake style with a White Elephant and Chinese Boy. The design here is not the Confucian parable of Shun and the Elephants, but one that explores a Buddhist theme. The White Elephant in Buddhism is symbolic of mental strength achieved through the practice of the Dharma. The boy figure holding a staff stares at rocks and Banana plaintain, symbols of longevity and the impermanence of life. He may be a representation of Henkitsu, the Bohisattiva Fugen...

An interesting and rare dish, something of a homage both to Nabeshima ware and root vegetables. The central motif is a Daikon painted in underglaze blue, following a similar motif found on Nabeshima porcelain, see Les Cadeaux au Shogun page 155, plate no 28, for a large Nabeshima dish decorated with a similar representation of a daikon set against a repeating wave ground,...

A rather curious dish of moulded Kraak form decorated with a partially obscured Chinese four toed Dragon painted in underglaze cobalt blue with gilt outlined enamelled auspicious clouds framed by a band of stylised Chrysanthemum demi-florets...

An Arita plate of scalloped form painted in kakiwake style with a Chinese Pheasant and rock motif surrounded by pomegranates in the centre, and trailing foliage to the rim, including Peonies and Plum flowers. The dish dates to the late 18th century circa 1780-1800. The rim decorated with a brown glaze. The reverse undecorated and the interior of the footring displaying faux chattering. The plate measures 17.5cm in diameter and stands 2.8cm high...

A finely painted sometsuke bowls decorated with alternating reserves of three leaping koi divided by a criss-cross ground or “nets” and a central motif of a Chinese landscape featuring a figure collecting fire wood with his head looking skyward...

A finely painted sometsuke bowls decorated with alternating reserves of three leaping koi divided by a criss-cross ground or “nets” and a central motif of a Chinese landscape featuring a figure collecting fire wood with his head looking skyward. This is probably a representation of Ceng Shen (So Shin) collecting fire wood, a disciple of Confucius , who whilst looking at the moon suddenly became aware that his mother needed him, a popular Confucian parable of filial piety. The symbolism of th...

A Hasami-yaki bowl of scalloped form bowl decorated with konnyaku stamped decoration of Chrysanthemum and leaves, and gobenka to the centre with Tako Karakusa decoration to the rim and a Karakusa arabesque to the reverse and a stylised Fuku mark to the base. The bowl is a good and relatively early example of the style of ware made at Nagasaki under the Owara clan for the mass market. The dish dates to the mid Edo era and the mid 18th century. It is in good condition and measures 14.5cm in diame...