Catalog (558)

Wonderful, rich Nezumi-Shino chawan with "Sengai's Universe" design of the enigmatic Zen symbols of the circle/square/triangle showing through the iron glaze and slip as an evocative white decoration on either side of the bowl. this chawan with its classic Momoyama presence, active interior, rich glaze cells and well addressed foot is by legend and veteran Mino potter; Mizuno Takuzo (Taizo). Adept at a wide array of Mino styles, Takuzo excels at this style of Nezumi-Shino and occasionally use...

This highly animated and perfection in porcelain vase was made by Hokkaido native; Ono Kotaro. The deeply carved seiji vase is actually has a very pale yellow crazed glaze which collects on the ridges and further accentuates the cyclone like movement of this pot. As you look around the vase, the deep ridges bring the eye up the pot and it actually appears to be in motion. Ono's carving is exquisite and his mastery of this technique is absolutely undeniable.

Ono Kotaro, born in Brazil, now ...

Classical Iga vase by noted master Japanese potter; Kishimoto Kennin (b.1934). This vase, based on Momoyama and early Edo Iga archetypes, has varying hues of natural green ash about the top portion of the vase which also cascades down the side and forms wonderful bidoro rings around the mouth and shoulder. Though a thoroughly Iga pot, the clay body is actually wonderful Shigaraki clay with a healthy amount of feldspar inclusions.

Kishimoto has been making pots since the early 1950’s a...

Large, Momoyama inspired, Shino chawan by the master potter and legendary personality; Tsukigata Nahiko (1923-2006). Though it is easy to spot some influences of his master, Arakawa Toyozo, this chawan is all Tsukigata Nahiko. The vivid iron slip shows, like a shadow, under the feldspar Shino glaze with rich areas of natural green glassy ash coating the surface and iron accents about the lip and showing through the surface. There are also frosty white areas on the face of the bowl where Tsukigat...

Simple saffron glazed stoneware neriage water jar with vivid patterning and two small gold lacquer dots on the body

Stoneware and glazes

7.25" x 6.25"

Functional, decorative and food safe

Paddled teabowl with poured slip decoration under my saffron glaze. The interior shows wonderful running and pooling of the iron yellow glaze.

Stoneware, slips and glaze

5.25" x 4.15"

Functional, decorative and food safe

Wangata style stoneware neiage teabowl with looping "slinga" pattern with a alkaline clear and my saffron glaze over. The bowl sits on a pedestal style notched foot.

Stoneware and glazes

5.25" x 4"

Functional, decorative and food safe

Lush wasp jar with my Ao glaze over hakeme slip with stinger style lid knob

Stoneware, slip and glazes

8.8" X 6.2"

Functional, decorative and food safe

Broad, high walled teabowl glazed in temmoku with panels of my saffron and tetsu-yu glazes all over hakeme slip

Stoneware, slip and glazes

5.6" X 4.2"

Functional, decorative and food safe

Rich, almost luxuriant chawan by rising star, Tsukamoto Haruhiko (b. 1959). This lush and evocative Oribe chawan features an every changing landscape and kaleidoscope of textures and color over the well carved, faceted surface. From light and pale tones of green and blue-green, to thick pools of a rich brown-green pool of glaze in the mikomi, this chawan has something at every angle and turn of the chawan. The innovative form, landscape and cut foot are all trademark characteristics of the potte...

This large, bold and classical Shino vase was made by Mino legend and veteran potter, Hayashi Shotaro (b. 1947). Thrown out of traditional Mino mogusa clay, the throwing is both a blend of both casual and power. The form has areas of iron decoration under the beautiful and active white Shino glaze with lots of craters and crawling characteristic of great Shino pottery. The vase is an amalgam of classic Momoyama inspired design and Shotaro's genius for modern form and pushing the edges of contem...

Elegant Shino lugged vase by veteran potter, Ando Hidetake (b. 1938). Thrown and then paddled ovoid, this simple tea ceremony vase was made of Mino mogusa clay and once stiff, the foot was hand carved to produce a fitting oval foot to compliment the form. There are wispy traces of iron under the crisp white Shino glaze meant to insinuate grasses and stemmed flowers in an ethereal Momoyama ink painting inspired manner. The form though modern, traces its roots back to the classical Momoyama era wh...

Well fired Shigaraki chawan by Furutani Michio (1940-2000). Fine ash and bidoro glass cover this Hikidashi style (pulled out) Shigaraki chawan with a vivid pool of bidoro also covering the interior floor and walls of this teabowl. The signature is obscured, covered in ash, glass and charcoal. Over 95% of this chawan is covered in a coating of green glassy ash and is appealing to both the eye and hand. This chawan is in the style of Furutani Michio's early works (circa 1975 to 1985) and based o...

A large, Momoyama inspired, Shino chawan by the master potter and legendary personality; Tsukigata Nahiko (1923-2006). Though it is easy to spot some influences of his master, Arakawa Toyozo, this chawan is all Tsukigata Nahiko. The swell and rhythm of the throwing, the application of a rich red iron underglaze and his soft and seductive Shino creates a style that is easy to differentiate from most other Mino/Shino potters. The bowl's broad shape and high kodai is classic for this potter and th...

Powerful, dramatic, enigmatic, there is a nearly unending number of descriptions that would still all fall short in describing this large Enbu-Shino chawan by Yamada Kazu. Enbu literally means "dancing fire" and it is that dancing fire that pushed the clay and glaze of this chawan to the very limit where the glaze turned to molten glass and began to flow like lava down the sides and into the interior of this pot. But pushing the limit is nothing new for Yamada Kazu who has broke new ground in hi...

A large, exhibition quality, bold and timeless Oni-Shino chawan by the master potter and legendary personality; Tsukigata Nahiko (1923-2006). This rare wood fired chawan has a wide variety of surface effects caused by the interplay of iron and Shino glazes and an intense fire with the face exhibiting a satiny iron face (tetsu-omote). The intentionally distorted shape fits the hand well and the lip, mikomi and kodai all act to balance out a truly inspired work by a potter of the highest level. Th...

Double gourd form tokkuri, bottle with rich temmoku and tetsu-yu glazes. The foot is glazed and the remains of wad impressions are present on the foot, but smooth to the touch.

Stoneware and glazes

7.25" x 4.5"

Functional, decorative and food safe

Temmoku and haiyu glazed tea caddy, chaire with ceramic lid. There is flowing glaze all around the upper portion of the wasp waisted form with a beautiful green steak present on the face of the pot.

Stoneware and glazes

4.2" x 3.25"

Functional, decorative and food safe