Catalog: Antiques: Decorative Art: Ceramics: English (59)

A “Salopian” pearlware coffee service: nine cups and saucers, coffee pot, cream jug and slop bowl. Transfer printed decoration and underglaze painting in yellow, light red, blue and green of flower borders and a romantic view of a farm house with cows, meadows and wanderers. The cups of generous bute shape with "London” handles, and inside each cup a very small cottage is to be admired. There is a blueish tone to the white glaze...

Ten creamware dinner plates, transfer printed in puce with a cottage, a farmboy and cattle within a lace border, the outer rim with hand painted vine leaves, also in puce (one vine wreath partly in orange). From Herculaneum in Liverpool c 1810, all with the impressed mark of the pottery as a straight line, in the style of Wedgwood, the name of the pottery also competing with Wedgwood’s Etruria. Diameter "10 / 25.5 cm. Condition: all fine except for a hairline to one of the plates.

A rare solid jasperware child's teapot, the reliefs designed by Lady Templetown. Around 1790, unmarked, by Wedgwood, Adams or Turner. To one side a scene of a young mother reading a book, slippers on her feet, her little daughter playing with a doll. The other side shows Poor Maria with her dog, Maria being a character from a popular novel of the period. The teapot might also have been produced as a solitaire, for one person only. Height including lid "3 ½/ 9 cm, width "6/ 15 cm...

Six English New Hall coffee cups and saucers with painted decoration of single roses. Wishbone or London handles, c 1820. Numbers painted to base: 925 and 923 (all cups are of the same pattern). Height of cups: 3" / 7,5 cm, diam. of saucers: 5 1/2" / 14 cm. Condition: fine.An extra cup and saucer to go with the others (optional), secured hairline to the saucer

Eight dinner plates transfer printed in blue with the Wild Rose border and Nuneham Courtenay pattern, early to mid-19th century. The park at Nuneham House near the Thames was designed by Capability Brown. Many early Victorian potteries produced this pattern and the backstamps reveal a palette of potteries: four plates by Samuel Moore & Co in Tyne & Wear, impressed flowerhead mark for Swansea in Wales, impressed and underglaze blue mark of Bell Cook & Co, Phoenix pottery in Newcastle...

Teacups – six plus one - and saucers from Staffordshire with moulded borders, made of porcelain around 1825 and possibly by H & R Daniels. The pattern is numbered 766 and consists of little blue flowers or leaves growing from meandering sprouts in green, with minimal red shoots from them. Measures: height of cups "2/ 5.7 cm, diameter "4/ 10.5 cm and of saucers"6/ 15 cm. The seventh cup with a slightly different handle and no border moulding. Condition of all pieces: fine.

A pair of octagonal dessert plates by Copeland, the edges dented and gilt. Japanised, “Aesthetic” decoration of brambles or blackberries, transfer printed and hand painted with some gilt over part of the withered leaves and berries. Diameter "9/ 22.8 cm. The back with the impressed curved mark used by Copeland from 1860 to 1880, and N80, probably for November 1880. Condition: fine.

A Staffordshire redware teapot, c 1770, with sprigged Chinoiserie decoration of a pavillion and arcades. Impressed apocryphal seal mark of Thomas Barker, Fenton. No lid. Height "4½/ 11,2 cm, width "7¾/ 19 cm. Condition: fine.

Yellow Shell, part tea service: a slop bowl and a dish, three cups and two saucers. This very popular folk art or naïve style pattern was produced in more than one Staffordshire kiln in the early 19th century, among them Ridgway & Sons and Machin. The pattern number used by Machin was 208, a number that can be seen on the back of the slop bowl. The diameter of the slop bowl is "6/ 15,5 cm and of the saucers appr. "5½ - 5¾ / 14,5 / 13,5 - 14.5 cm. Condition: minor star crack to the dish (cf...

A pair of creamware pierced plates, thinly potted and with ribbed recess and hand pierced border. Possibly from the factory of James & Charles Whitehead. In the pattern book published 1798 by the Whitehead brothers, two versions of this pattern are depicted side by side: one with a beaded edge, the other a ”plain” version like these two. Ten plates with the beaded edge are presented in another Global Ceramics listing...

Copeland Spode: six small blue and white cups and saucers and a milk jug, a part toy tea service. All transfer-printed in the Italian pattern, early 20th century. Height of the little jug:/ "1 ¾ / 4,3 cm, of the cups: 2 ¼"/5,5 cm, diam. of saucers: 4"/10,5 cm. All marked Copeland Spode´s Italian England. Condition: one saucer with a discreet star crack, otherwise fine.

A blue and white English tea bowl, c 1750, probably by Bow. Painted in blurred blue with a version of the Rock Warbler pattern, and with slightly flaring upper rim. Diameter "3/ 7,5 cm, height "1½/ 4 cm. Condition: two small rim chips, as seen in photo.

Three child’s plates with moulded double daisy borders, transfer printed in black, Victorian, 1840’s. Impressed anchor mark and London, probably made by John Carr in Northumberland for a London retailer (cf. discussions on the internet about potteries using this mark in the early Victorian era). One plate with a lady and a little girl in a trellised garden, the other two plates with scenes from a series called Juvenile Companions. Diameter "8 ¼ / 21 cm. Condition: fine.

Two double-handled cake plates with natural flowers surrounded by a border in cobalt blue, cream and gilt. Unmarked, c 1830 and probably by Ridgway. Width "9 ¼ and 9 ¾ / 23.5 and 24.5 cm respectively. Condition: a firing crack to one plate visible from behind, otherwise fine.

Four English (Staffordshire) child’s plates for the German market, c 1830. Transfer printed in puce and green with illustrated didactic proverbs / bon mots...

A pair of English Leeds or Staffordshire creamware plates, early 19th century. In the centre a Tudor rose in relief/raised, the well and the pierced outer rim of the same rose shape. Condition: a few glaze bubbles to the rim of both plates. Diameter "8/ 20 cm.

A Masons’ Ironstone charger in the Japan pattern, a variation of the classic Imari decoration (underglaze blue and overglaze red) with an addition of green. Impressed mark: Mason’s Patent Ironstone Chin, early 19th century. Diameter "12/ 30 cm. Condition: glaze bubbles, otherwise fine.

A Minton's Indian Tree platter, transfer printed in a sparkling famille rose palette, year mark for 1843, pattern number 1482. This classical pattern was first introduced by Minton’s, around 1840. Width: 14 1/4" / 36,5 cm. Condition: hairlines to one side and some wear to the decorated surface.