Catalog: Antiques: Regional Art: Asian (174)

A Remarkable Indian or East Asian offering Bowl on Stand, late 19th or early 20th century.

The bowl is cast and then finished by fine chisel work and engraving, all against an intricate punched ground. It features a myriad of hunters and animals, the trees seem full of game. On the hilly horizon can be seen various dwellings and pavilions, tiny birds in the sky. The base is an arrangement of three elephant heads supporting an acanthus cup on which sits the offering bowl...

An ivory snuff bottle in the form of of an attractive lady of status carrying a fan. The head can be removed to reveal the snuff. Probably Japanese work for the Chinese market at the end of the 19th century.

Approximately 9.2 cm high. In very good condition with only a little chipping to the back of the collar, noted in the photographs...

Family name Kanō Morizumi, Gō: Tanrei. Japanese style painter. Studied under Kanō Tambi Moritaka. After the Restoration, active as a Kanō painter; showed at several exhibitions sponsered by the government, receiving prizes. Member of the committee of the Nihon Bijutsu Kyōkai and Nihongakai. Produced a number of paintings for imperial buildings. ( from ‘A Dictionary of Japanese Artists. Laurance P...

A jewel-like miniature ‘Imperial’ Satsuma vase, of baluster form with elephant head handles. One side is decorated with flowering lotus, the other with a gourd vine. The base has the signature Hogetsu beneath a blue Shimizu mon.

Approximately 9.7cm high. Perfect condition...

A painting in gouache on paper depicting Krishna as a seven year old boy in dancing costume. In this form he is known as Shri Nathji. This distinct tradition emanates from Nathadwara in Rajasthan and these paintings were probably intended for domestic shrines. 19th century.

Gouache and metallic pigments on paper. The grey scarf is silver pigment, now tarnished. A very subtle effect is the decoration in grey on the black ground, seen clearly only under a strong light...

A Japanese woodblock print from Ukiyo fuzoku Yamato nishiki-e (Japanese colour prints in Ukiyo style). The portrait is by Kabukido Enkyo, active 1796, of the Kabuki actor Ichikawa Yaozo III as Umeomaru.

This print is from the celebrated set of reproductions of the best of ukiyo-e art published in 12 large vols. 240 woodblock-printed reproductions of famous ukiyo-e prints. 1914. The project was overseen by Hashiguchi Goyo, 1880-1921, who also provided text and cover designs...

A large and very attractive vase by Taizan, delicately painted in coloured enamels and gilding with two continuous fields of decoration, the neck with irises above a cloud band of floral trellis pattern, a swathe of scrolling foliage between formal borders. The base signed Dai Nihon Taizan sei and impressed Taizan.

Approximately 30.7 cm high...

A Japanese Porcelain food bowl and cover, 19th century.

The delicate porcelain bowl decorated with breaking waves, autumnal maple leaves and chrysanthemum flowers. Within the foot-rim is a coloured ‘clove’ mark. The lid, of similar design, sports a splendid flowerhead knop.

Approximately 15.2 cm diameter. Generally in good state but with some stained crazing. The rim of the bowl has small flakes filled with white...

A rare Japanese Sometsuke Mukozuke dish, the design of a partially folded fan taken directly from Chinese porcelain made especially for export to Japan during the late Ming Dynasty, Tianqi Period, 1621-1627.

Modeled in the form of a partially unfolded fan and decorated with a figure on a riverbank, the river and a solitary boat before him. The naturalistically modeled back is plain and has three thickly potted circular feet. Mukozuke were used to serve the kaiseki meal, part of the for...

A Chinese Yixing stoneware incense burner in the form of Budai, laughing as usual, grasping a small pile of cash. The stoneware has been attractively enameled with flowers and a Shou medallion decorates his back. The base has an impressed maker’s mark. 19th century.

The incense burner is in two parts, Budai sits on a large cushion, this base features a pierced disc for the insertion of joss sticks.

Approximately 15.5 cm high. From the exterior the burner is in perfect condition. ...

A rare Chinese enamel on copper medallion bowl decorated with three red-crowned cranes each holding a lingzhi, against a pink background. The interior with flowering peony. 18Th ~ 19th century.

The medallion bowls, three roundels against a coloured background, were produced in porcelain from the Qianlong reign to the Daoguang in the main, this bowl appears to be the enameller’s answer to the challenge.

Approximately 12.5 cm diameter. The bowl has had a slight knock to the e...

The design of butterflies and melons is seldom encountered on Chinese porcelain, found only on a few Qianlong pieces. This shaped dish I feel is from the early 19th century but the ‘orange peel’ surface of the porcelain is often found on Qianlong export pieces. Like the Qianlong painted melons these have a pronounced ‘spotting’ in either famille rose or gold enamel on the fruits. 

Approximately 20.6cm across, 6.4 cm high. Perfect condition with no frits, chips, cracks or rest...

A Chinese white porcelain snuff bottle, probably Dehua, known in the West as ‘Blanc de Chine’. The moulded body, each side decorated with a central roundel of flowers surrounded with a pair of bats and a Shou character. The stopper, missing its spoon, appears to be faded purple stained soapstone. The thin body is very translucent and inside there are traces of former contents.

Approximately 5.8cm high. Perfect condition.

Please study the photographs.

Within the ...

A Fine Chinese Carved Blue Overlay Glass Snuff Bottle, 1800~1850. The bottle of opaque white glass with snow-like inclusions, cased in blue glass. The blue glass is carved away to leave the Eight Horses of Mu Wang in a continuous landscape. The carving is very fine indeed. The stopper is hardstone with an ivory collar and spoon.

A bottle of the same design from perhaps the same workshop was sold at Christie’s “The Art of China: Online Winter Sale” Dec. 2017. Lot 36. The colour comb...

A Japanese Arita deep dish, early 19th century. The dish is decorated with Ho-o birds and branches of flowering paulownia. The back with clouds and bats and a single spur mark. The Dutch refer to this palette of red and gold on white porcelain as ‘Milk & Blood’.

There is the remains of a collectors mark on the back

Approximately 20 cm diameter. Perfect condition.

Please study the photographs.

For new customers resident in China sadly I have to state that...

The censer in the form of a woven basket with a domed open-work lid, suitable for the transportation of avian livestock especially the Gallus domesticus. The base with the mark Seimin chu (cast). Meiji period.

The censer comes with the original box with inscriptions on the lid and front panel, alongside a paper label.

Approximately 6.7 cm by 6.7 cm, 9 cm high. Perfect condition with only a little wear to the patina from use. This is exaggerated by my lighting. The tomobako is ...

The patachitra, the folk painting of Orissa, has a history of great antiquity. The 'Patachitra' paintings exhibit the use of strong line and brilliant colors. These are religious paintings which cover themes and events from Indian mythology and Puranas and are mainly made on silk or on old cotton glued with paper.

This is one of the most popular subjects and was probably produced as a souvenir (jatri pati) for pilgrims for whom the painting would become a personal family shrine. The paint...

A Chinese cloisonné enamel vase decorated with scrolling lotus flowers against a white ground. Early 19th century.

Approximately 13 cm high. The vase is in fine condition with only a little wax infill to report, this to a small area below the mouth rim, noted in the photographs.

Please study the photographs.

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Customers resident i...