Catalog: Sold Items: Regional Art: Asian (344)

Large limited edition lithograph with red sumi-e brush strokes by Toko Shinoda (b. 1913) titled "Ancient Song." This early undated image is pencil-signed, titled, and numbered 12/35 at the lower right. The red calligraphy is more vibrant than it appears on the main image. Paper size: 27" x 20 3/4". Very good overall condition. There are three small pieces of linen tape on the reverse top edge. This print is from a Phoenix, Arizona estate...

Thai Sawankhalok round form covered stoneware footed box in the shape of a mangosteen fruit decorated in iron-black/brown glaze on a buff-colored ground with alternating panels of geometric designs and flowers. Knob finial. 14th to 16th century. 5” diameter x 4 3/8” high. Very good overall condition with no chips, cracks, or repairs. The lid matches well and appears to be original. From the Arizona collection of German expatriates to Indonesia in the 1970s.

Chinese Ming dynasty porcelain dish decorated in underglaze blue on a white ground with a hou in a central roundel surrounded by a band of peony flowers and scrolling foliage. One of the nine sons of the dragon, the hou has the appearance of a lion and is depicted roaring at the sky. A similar peony band with scrolling foliage encircles the rim on the reverse side. Circa 16th century. 9 3/4” diameter x 2” high. Very good overall condition with no chips, cracks, or repairs...

Japanese limited edition aquatint etching by Sarah Brayer (b. 1957) depicting a solitary figure walking with a parasol down a snowy village lane titled "Kurodami." The print is pencil-signed, titled, dated ’96, and numbered 74/120 in the bottom margin. Visible paper size: 8 1/2” x 18 1/2” (image: 7 5/8” x 17 3/4”)...

Chinese Qing dynasty blackwood (hongmu) folding mirror stand. 17 5/8” x 15 3/4” flat (stands 14 1/2” high when assembled). With original authentication certificate from Schoeni Gallery in Hong Kong describing it as mid-19th century “The front section with beaded framework and an elegantly curved support at the base. Held upright at a 45 degree angle by a further frame...

Japanese limited edition aquatint etching by Sarah Brayer (b. 1957) depicting two black cats on a snowy village lane titled "Footprints." The print is pencil-signed, titled, dated ’99, and numbered 80/80 in the bottom margin. Visible paper size: 23 1/2” x 14 1/2" (image: 22 1/2” x 13 3/4”). Original Kanda Gallery frame with non-glare glass measuring 32 3/4” x 22 1/2." The print has not been examined out of the frame, but no condition problems are visible.

Large Japanese Meiji period kuruma (wheeled) tansu configured with seven drawers and a locking bar. The top drawer has embossed rectangular iron hardware in the form of a peacock. Warabite handles. 19th century. 47 3/4" long x 19 1/4" deep x 44 1/2" high. Very solid and in good, sturdy overall condition. The wheels are a bit stiff, but functional, and the original finish has only minor wear. There is a short cigarette burn on the edge of the top...

Chinese Qing dynasty hardwood wardrobe cabinet with two large doors and a lower apron carved with a flying bat motif. A round round brass lock plate is at the center. The doors and center bar are removable. Supporting wood beams in the interior can hold removable shelves. The cabinet was previously used as an armoire and has been modified to hold a hanging bar. 19th century. 70" high x 49 1/4" wide x 20 3/4" deep...

Chinese Qing dynasty export fan densely painted on the front and back with a continuous scene of figures engaged in a variety of activities in indoor and outdoor settings. An elaborate decorative border with gilt edge surrounds the painting. The ribs and guard sticks are finely carved sandalwood. Housed in a fitted reddish-brown lacquered box with custom fitted green silk interior...

Fifteen-piece Japanese Satsuma earthenware tea set consisting of lidded teapot, lidded sugar vessel, lidded creamer, six cups and six saucers...

Japanese limited edition sosaku hanga “kappa-ban” (stencil print) by Yoshitoshi Mori (1898-1992) depicting a samurai with two swords titled “Akazaya” (Red Sheath). The print is pencil-signed “Yoshitoshi Mori,” numbered 31/70, and dated ’81 in the lower margin. The artist’s red seal is above the signature. The visible paper size is 23”V x 16 3/4”H (frame: 31”H x 24”V). Appears to be in very good overall condition. The print is framed in the original Kanda Gallery frame...

Japanese limited edition sosaku hanga “kappa-ban” (stencil print) on crumpled hand-made momigami paper by Sadao Watanabe (1913-1996) titled “The Crucifixion.” The black and white image of Jesus nailed to a red cross is set against a blue background. Mary and Saint John kneel in prayer at each side. The print is signed and dated 1980 at the lower right and numbered 11/80 at the lower left, all in white ink. The paper measures about 26”V x 23”H. The print was not previously framed...

Very large Japanese Taisho to early Showa period cloisonné enamel wide shouldered vase tapering to a narrow base decorated with a dense assorted floral spray on the front and a single flower to the back all set against a dark blue ground. Copper substrate, base and rims. Circa 1915-1930. 14 5/8” high x about 8 1/2” wide. Very good overall condition. There are faintly visible spider crack scratches to the blue ground. From the Tucson, Arizona collection of expatriates to Japan in the 1...

Japanese cylindrical blue and white porcelain brushpot in three-section bamboo form decorated at the center with birds in flight among tree tops. The top section is covered in a key fret pattern and the bottom section with a myriad of small white circular medallions containing foliage set against a blue ground. A band of scrolling foliate decorates the flat interior rim, which is dressed brown. The base bears a Chinese Daoguang 2 (1822) mark and the honorary mark of a legendary Japanese potte...

Impressive Japanese ink and color on paper horizontal handscroll measuring over 30 feet in length depicting an Edo period genre scene of a large daimyo procession passing through the center of a village. The villagers are engaged in all manner of activities. As the scene unfolds, there are also scenes of battles and encampments. Scroll: 19 3/4” x approximately 32 feet in length. 19th century. Very good overall condition with typical wear and soiling visible. There are some repairs to old...

Pair of Chinese Qing dynasty Daoguang (1821-1850) mark and period scalloped edge porcelain bowls finely decorated on the exterior in famille rose enamels with birds among marsh flowers and plants set against a sea foam green background. A wave pattern accented by rust-red bats extends around the foot. Turquoise base and interior. A square rust-red six-character zhuanshu Daoguang mark is on the base. Wood stands are included. Each bowl measures 7 7/8” - 8” diameter x 2 5/8" high (excluding w...

Chinese Qing dynasty wucai porcelain scalloped edge ritual bell with double-dragon form handle decorated with eight polychrome mythical beasts set against underglaze blue crashing waves on a white ground. Two narrow bands are at the top. The interior is a pale aqua color. The scalloped edge is unglazed. 6 3/4” high. 19th century. Fine quality restorations have been executed to an old hairline in the interior of the bell and to a small area of damage at the scalloped edge. The restoratio...

Mirror pair of Chinese Republic period porcelain fanghu form vases decorated in underglaze blue on a white ground with a continuous scene featuring three figures at the gate of a traditional building. A compound wall extends around the narrow side to end with leafy plants among rockery at the back. The edge of the gate with foliage and rockery is on the opposite narrow side. Two dragon handles are at the neck. The white glaze extends down the interior from the flat rectangular top. The squa...

Tall Chinese Qing dynasty baluster form porcelain vase covered overall with a thick red Langyao (also called sang-de-boeuf or oxblood) glaze that thins to white at the rim, drips down into the interior top of the trumpet mouth, and pools unevenly around the irregular foot rim. The base is raised upon a set-in foot. A grayish white crackled glaze base is visible in the interior and on the recessed base. The glaze is permeated by craquelure and tiny bubbles that impart a somewhat golden textura...

Japanese Meiji period (1868-1912) Satsuma earthenware vase finely decorated around the circumference in polychrome enamel and gilt highlights with ladies and girls of the nobility engaged in leisure activities in an outdoor garden setting. The vase is moulded with densely decorated relief petals at the top and bottom. Koyama Nanpo mark to base. 6 1/8” high. 19th century. Excellent overall condition with no chips, cracks or repairs. From an old Scottsdale, Arizona collection.

Chinese Qing dynasty export porcelain Benjarong (five color) bowl made for the Thai market densely decorated in relief polychrome enamels around the circumference with eight alternating Buddhist celestial beings. The turquoise-green interior is accented with a floral circular medallion at the base of the well and a floral band around the interior top. 19th century. 7 1/8” diameter x 3 1/2” high. Good overall condition with gilt highlights at the rim and foot. There is an old hairline cr...

Japanese antique black formal winter silk kimono hand dyed and finely painted along the bottom with a powerful predator hawk or falcon on rockery preparing to attack a much smaller chidori (plover) flying above churning water. The scene is set against a landscape of pine branches on a pale celadon background. Symbols of military strength, Japanese artists historically painted raptors for the wealthy nobility and samurai warriors who ruled Japan. The chidori over waves motif symbolizes the ove...

Japanese vintage Taisho to Showa period black formal silk child's kimono hand dyed and painted with a horizontal scene illustrating the story of the children’s folk hero Kintoki (also known as Kintaro, or the “Golden Boy”) refereeing a sumo wrestling match between a rabbit and a monkey all set against a celadon background permeated with auspicious symbols. Raised by a Yama-uba (mountain spirit) in the mountains, Kintaro developed superhuman strength and had the ability to communicate with...

Pair of fascinating and well modeled Chinese Qing dynasty Qianlong period soft-paste creamy white crackle glazed porcelain zodiac figures depicting a monkey and dog, both dressed in clothing and wearing boots, seated on high backed armchairs. The monkey holds a peach in one hand. Custom wood stands. 18th century. Each measures about 7” high (excluding stands). The figures have old repairs and recent fine quality restorations and are very stable. One figure is currently adhered to the woo...

Chinese late Qing dynasty to early Republic period Album of Beijing Customs from the Zhou Peichun Studios (also referred to as Chou Pai Chuen and Chou P’ei-ch’un) consisting of seventeen leaves of ink and gouache color on pith paper export paintings. Each painting illustrates five to seven Beijing shop signs, each with an accompanying Chinese description. Each leaf holds a red Zhou Peichun seal. The individual paintings are thread bound on the right side. Accompanying the paintings is a ...

Chinese Qing dynasty Tongzhi mark and period 5-petalled foliate form porcelain footed bowl decorated on the exterior with alternating black and red calligraphic inscriptions set against a white porcelain ground. The bowl has a turquoise interior and gilt at the rim. A short foliate form base is decorated with a band of red scrolls. The turquoise glazed deep recessed base holds an iron-red zhuanshu 6-character Tongzhi mark on a square white ground. The foot is unglazed. 7 1/4” diameter x 3...

Chinese late Qing dynasty Guangxu period to early Republic period monochrome porcelain baluster form vase with wide mouth covered overall in a transparent iridescent apple green glaze applied over a geyao style densely crackled base. A dense geyao style glaze set against an oatmeal ground lines the mouth, interior, and base. This type of ware is typically referred to as “green geyao.” A light brown dressing is visible on the mouth rim. The foot rim is unglazed. A red “China” mark is...

Chinese late Qing dynasty bombe form porcelain censer with two lion dog mask handles at the sides. The censer is covered on the exterior in an oxblood flambé (sang-de-boeuf) glaze applied over a cream colored glaze which is visible where the glaze thins. The oxblood glaze flows over the interior edge onto a crackled gray interior glaze. The base is unglazed and burnt orange. The characteristically rough foot rim is unglazed. There is an original production flaw by one of the mask handles. ...

Japanese Meiji period bronze model of a striped tiger standing on rockery preparing to attack a coiled striking snake. Square form Genryusai Seiya mark to base. Custom lacquered wood stand included. Circa 1890. Measures about 15”H x 16”L x 9 ½”D (excluding wood stand). Very good overall condition with excellent naturalistic detail and a nice dark brown patina. This bronze sculpture is from an old Scottsdale, Arizona collection.

Chinese Qing dynasty Qianlong period bottle vase (tianqiuping) with globular body and tall cylindrical neck covered in a rich translucent sang-de-boeuf (oxblood) glaze with a faint orange peel texture. The glaze is thinner at the neck, revealing white at the mouth rim and a crackled underglaze. Characteristic of 18th century pieces, the glaze thickens at the bulbous body to stop in a carefully controlled manner, leaving a thin white line and an orange line at the unglazed foot (see close up ima...

Chinese Ming dynasty (1368-1644) ritual dragon bell covered overall with a fine celadon glaze that extends down and stops neatly at the unglazed scalloped edge. The unglazed tips are burnt orange-brown from firing. Fine incised details are visible in the body behind the glaze. A double-dragon handle is at the top. The interior is fully glazed. There are no crackles evident in the glaze. Circa 14th/15th century. 4 1/8” high x 3 ¼” diameter at the base. Very good overall condition wit...

The second of two Chinese Qing scrolled paintings on silk after Ding Yunpeng (active 1584-1638). 19th century or earlier. The size, including mounting, is 91”V x 23 1/4”H (painting: 86”V x 21 1/8”H). Good overall condition. The top wood bar is missing and a section of the top silk mounting is tattered. The painting has some typical buckling, creasing, soiling, and wear. Sold together with item #1331943. From an old Tucson, Arizona collection. Purchased in New York in the mid-20th...

Two panels from a multipart Chinese ink and color on silk painting after Ding Yunpeng (active 1584-1638). The first Signed “Nanyu Ding Yunpeng” and with two red seals. Measures 94.5”V (85.5”V excluding mounting) x just under 23”H. 19th century or earlier. Very good overall condition. There is some soiling to the mount and the painting has some typical buckling, soiling, and wear. See item #1331946 for a description and images of the second panel. These two paintings are from an o...

Chinese late Ming dynasty Dehua (blanc de chine) porcelain bombe form censer with flaring rim covered overall with a white glaze of warm pinkish tone with areas of darker pink pooling. The base and bottom of the flat foot are both unglazed. 5 5/8” diameter x 3 7/8” high. 17th century. From a Scottsdale, Arizona collection. The current owners purchased the censer in Oregon in 1978 from the collection of an American missionary to China prior to the Japanese occupation. The purchase price...

Japanese Meiji period (1868-1912) Satsuma earthenware compressed bombe form tripod koro (incense burner) or vessel with wide, inward curling cobalt mouth, decorated with two opposing figural panels, one featuring samurai and the second with women and children of the nobility engaged in leisure activities. The panels are set against a cobalt blue background with dense gilt geometric and floral motifs. 6 1/2” diameter, 4 1/4” high. Late 19th to early 20th century. Very good overall conditi...

Chinese Qing dynasty painting on paper of a Confucian worthy seated on a chair in a black robe covered with dragons and animals. He holds a green tablet containing his achievements. A calligraphic inscription describing his accomplishments is at the upper left. Newly framed with Plexiglas to facilitate shipping. There is typical wear for a painting of this age with old restorations and damage evident. The painting is mounted to board so no creases or buckling are visible. Frame size: 66”...