Catalog: Sold Items: Regional Art: Asian (344)

Japanese woodblock print triptych by Kunisada, also known as Toyokuni III, (1786-1864) titled "Snow" from the series "Copied Pictures of an Edo Purple Eastern Capital" published by Sanoya Kihei between 1849-1850. The print illustrates a scene from Chapter 30 of Ryutei Tanehiko's 19th century novel "An Impostor Murasaki and a Rustic Genji (Inaka Genji)," which is loosely based on the 11th century novel "The Tale of Genji." Depicted is Mitsuuji, Lady Murasaki, and an attendant holding a brazier...

Limited edition Japanese woodblock print by Clifton Karhu (1927-2007) titled "Winter Driveway." Pencil-signed and titled, dated '78, and numbered 19/100 in the bottom margin. Paper size: 12 1/8" x 11 7/8" (image: 9 7/8" x nearly 10"). The print was never framed and is in very good overall condition. There is possibly some faint discoloration to the paper from age. From a Tucson, Arizona collection.

A rarely encountered large format limited edition Japanese woodblock print titled Constellation No. 38" by Joichi Hoshi (1913-1979). Pencil-signed "Joichi Hoshi" and dated '67 in the lower margin. The artist’s square seal is visible in the image above the signature. Pencil-titled in kanji at the left side of the bottom margin and numbered 2/50. Marked with the edition number 2/80. Paper: 30" x 24 1/4" (image: 28 5/8" x 22 5/8")...

Anonymous Korean Joseon dynasty ink and color on silk or fabric minhwa folk painting densely painted with a variety of Confucian vignettes illustrating scenes of filial piety, including caring for infirmed elderly relatives and rescuing them from tigers and other dangers. A large demon mask is at the top. Scrolled format with cream-colored silk mount. 19th century. 83” x 14 1/2" (painting: 69 5/8” x 10 7/8”). Good overall condition...

Early Showa period Japanese silk woman's formal kimono with embroidered highlights decorated on the bottom of the front with two prominent phoenix birds flying among feathery fans. The clusters of fans and the ends of the long phoenix tails extend around to the back side. The fan motif continues on the front and back of the long sleeves. Five family mon (crests) are at the shoulder area. The lining is mixed red and white silk. Circa 1930s...

Japanese Edo to Meiji period bronze mirror (kagami) with handle, decorated in relief with palm leaves and flowers. Inscribed with the Fujiwara Shigeyoshi maker’s mark. Measures 8 1/8” long x 5 3/4" diameter. 19th century. Very good overall condition. There is a tiny nick at the bottom of the handle. From the Sahuarita, Arizona collection of former expatriates to Okinawa in the 1970s. Stand not included.

Large Chinese Qing dynasty celadon charger decorated in the interior with a carved scrolling peony motif. Late 19th century to circa 1900. 15 1/2” diameter x 2 5/8” high. Heavily potted and in very good overall condition. There are some original crazing and production flaws to the interior. From a North Scottsdale, Arizona collection. Please note that the stand is not included.

20" tall Chinese Qing dynasty Qianlong to Jiaqing period (circa 1796-1820) Dehua blanc-de-chine white glazed porcelain Guanyin figure with black painted hair. She stands in bare feet holding a bronze colored vase in her right hand and is dressed in a flowing robe with a veil. A beaded necklace adorns her neck. Her elongated ears frame a serene facial expression with downward gazing eyes. The figure is heavily potted and weighs 11 lbs. Very good overall condition...

Japanese shin hanga woodblock print titled "Summit of Fujiyama: The Kengamine Summit" by Hiroshi Yoshida (1876-1950) dated Showa 3 (1928). 1st edition impression with "jizure" (self-printed) seal in the upper left margin. The artist's black ink brush signature and red seal are at the lower left. The print is pencil-titled and pencil-signed in the lower margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #531/...

Japanese Edo to Meiji period ten-sided polygon form Imari porcelain vase decorated in the kakiemon style in polychrome enamel and gilt highlights with a prominent flying phoenix bird on the front and three pawlonia leaf groupings extending around the circumference. Ten alternating geometric and stylized floral bands extend vertically up the sloping neck. An alternating scalloped band is above the foot. 19th century. Stands just over 10” high...

Japanese shin hanga woodblock print titled "Mt. Fuji From Mizukubo at Evening" by Takahashi Shotei, also known as Hiroaki (1871-1945). Originally published by Watanabe in 1936, this is a post-World War II edition...

Occupation era original Japanese shin hanga woodblock print titled "Heirin Temple, Nobidome" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 27 (1952). The artist's black ink signature and red seal are at the lower left corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower left margin corner beneath the date. Paper size: nearly 15 3/4" x 10 1/4" (image size: 14 3/8" x 9 1/2"). Very good overall condition with very good color. The...

Chinese Qing dynasty conjoined porcelain bottle vase with a globular body and long neck covered overall in a finely spotted monochrome tea dust glaze. The glaze extends down the spreading base to the unglazed foot. An old black collection mark is within an unglazed area at the center of the base. 7 1/2" high. Very good overall condition. There are a few potter’s fingerprints and/or faint smudges in the glaze. For a similar vase, see lot 135 from the former collection of Michael L. Vermeer, ...

Chinese Qing dynasty Qianlong period thinly potted deep charger decorated with floral groupings in alternating deep blue and "dan miao qing hua" (fine pale blue pigments) set against a white porcelain ground. A narrow geometric and floral band extends around the interior rim. A few sparse leafy twigs decorate the exterior. There are chatter marks to the unmarked base. An old owner's tag on the base incorrectly states the age as 19th century, however, the piece dates circa 1750. 13 7/8” di...

Japanese Meiji period Artia Imari porcelain charger decorated in underglaze cobalt blue and brilliant polychrome enamels and gilt highlights with a central reserve holding a kirin and butterflies on a white background surrounded by three red-ground floral panels set against cobalt blue. Three underglaze blue leaves are spaced around the exterior. A single spur is on the base. Very good overall condition. There are production imperfections (either burst bubbles or kiln grit adhering) at the r...

Japanese Meiji to Taisho period vase in the form of a gourd tied in a bow at the mid-section with a braided and tassled rope. The signature appears to translate as Tsunemo. 7" high. Weighing 2 lbs. 8 1/2 ounces, the vase is very heavy for its size. Early 20th century. Very good overall condition with a nice patina. From an old Tucson, Arizona estate.

Korean Silla Kingdom (circa 6th century) unglazed reddish-gray stoneware funerary food vessel with domed cover on a high stem foot broadly flaring at the base and decorated with rectangular perforations. The lid is covered with incised designs and has a central finial. There are no cracks, chips, or repairs. The piece is in very good overall condition with minor imperfections consistent with its age. I cannot be certain if the lid was originally made for this specific bowl. Measures about 5 ...

Occupation era original Japanese shin hanga woodblock print titled "Snow at Hinuma Swamp, Mito" ("Snow at Hi Marsh, Mito") by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the upper right side of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. Paper size: 10 3/8" x 15 3/4" (image size: 9 1/2" x 14 1/4"). The print was never framed and is in excellent overall ...

Large late Meiji to Taisho period Japanese Arita porcelain cylindrical form hibachi decorated in underglaze blue, white, and celadon with mirrors and auspicious symbols. Scattered bisque incised signature seals accent the decoration. 12 1/4" high x 17" diameter. Early 20th century. Very good overall condition with no chips, cracks, or repairs. From the collection of an elderly woman in Sun City West, Arizona.

Tibetan thangka depicting Amitayus, the Buddha of Longevity, seated cross-legged on a variegated lotus throne with hands in the lap in dhyana mudra holding the pot of amṛta, the nectar of immortality. A halo surrounded by flowers is behind the figure and green mountains and water are in the background. The figure wears only a lower garment and is adorned with bracelets, armlets, earrings extending from elongated ears, a beaded necklace, and a high five-pointed crown in front of hair that is st...

Chinese Republic period porcelain plaque decorated in famille rose enamels with the eight immortals standing outdoors under a pine tree with bats flying overhead. Produced by the Jiangxi Porcelain Company at Pearl Mountain and dated 1924. Nice quality wood frame. Porcelain measures 15 1/8" x 9 7/8" (with frame: 16 3/8" x 11 1/4"). Very good overall condition. There are tiny brown scattered spots in the glaze from the original production. From the estate of an old Scottsdale, Arizona antiqu...

Massive Chinese Qing dynasty baluster form lidded general’s helmet jar decorated in underglaze blue on a white porcelain ground with a Yuan inspired pond scene of ducks swimming among lotus. A ruyi-head border and four animal mask handles are high on the shoulder below the short neck. A lappet band extends around the tapering foot. The slightly recessed base is unglazed. A Buddhist lion dog finial is at the top of the wide domed lid. 24 1/2” high x about 15" diameter. Weight: 35 lbs. The s...

Japanese shin hanga woodblock print titled "Kansai District: Seta Bridge" by Hiroshi Yoshida (1876-1950) dated Showa 8 (1933). 1st edition impression with "jizure" (self-printed) seal in the upper left margin. The artist's black ink brush signature and red seal are at the lower right. The print is pencil-signed in the lower right margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #182. Paper measures 10 3/4" x 15 3/4" (image size: 9 1/2" x 14...

Occupation era original Japanese shin hanga woodblock print titled "Moonlit Night at Miyajima" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the lower right corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower left corner. Paper size: 15 1/4" x 10 1/2" (image size: 14 1/8" x 9 1/2"). Very good overall condition. There are tape stains to the back margins that show ...

Occupation era original Japanese shin hanga woodblock print titled "Carp Flag at Toyohama, Kagawa Prefecture" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 23 (1948). The artist's black ink signature and red seal are at the lower left corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. An additional Watanabe seal is on the back at the lower right corner. Paper size: 15 3/4" x 10 1/2" (image size: 14 3/8" x 9 1/2...

Japanese limited edition sosaku hanga woodblock print depicting three chickens titled “Jealousy” by Kiyoshi Saito (1907-1997) dated 1952. Pencil-signed and numbered 91/300 in the bottom margin. Visible paper size: 14 3/4" x 10 1/4" (image: 13 3/4" x 9 1/4). Framed size: 24 7/8” x 19 3/4.” Visibly in very good overall condition and color. The print is currently framed but can be purchased and shipped either framed or unframed. A color illustration of this print can be found on page 1...

Pair of Chinese late Qing dynasty Guangxu period hexagonal form hat stands with melon form vent holes decorated in underglaze blue on a white porcelain ground with various figures interspersed among auspicious objects. Scrolling vines are at the top of one. The interiors are glazed with only the footrims left unglazed. Circa 1900. 10 1/2" high each. Very good overall condition. One had a small professionally executed repair to an edge that is not visible to the eye or under black light. T...

Rare pre-earthquake "chirimen-e" (creped) Japanese “mitsugiri-ban” format shin hanga woodblock print by Takahashi Shotei, also known as Hiroaki (1871 - 1945) titled “Starlight Night” published by Watanabe circa 1918. Red Shotei seal at the lower right. Paper size: 5 3/8" x 12." (margins included). This image is cataloged as #M-17 on the informative website www.shotei.com. For image comparison, their section on variant print designs illustrates both the pre-earthquake and post-earthquake...

Japanese Meiji period woodblock print by Tsukioka Yoshitoshi (1839-1892) depicting the torture of a politically dissident woman titled “Muraoka, Head Lady-in-waiting of the Konoe Clan Bound with Rope” from the series “Personalities of Recent Times” published by Yamato Shimbunsha in 1887. Known image size: 12 15/16" x 8 13/16." Purchased at and framed by Robyn Buntin Gallery, Honolulu in a very high end frame. Visibly in very good overall condition with embossed highlights evident. Not...

Japanese Edo period woodblock print titled “Azuma Shrine and the Entwined Camphor” (#31) depicting boats passing through the Jukkengawa Canal with cherry blossoms lining the embankment from the series “One Hundred Views of Famous Places in Edo” by Utagawa Hiroshige (1797-1858) published by Uoya Eikichi (Uoei) in 7/1856. Paper: nearly 14” x 9 3/8” (image: 13 3/8” x 8 5/8”). Very good color and overall condition. There are tape stains to the margin edges verso that show through ...

Japanese Edo period woodblock print by Toyokuni I (1769-1825) depicting the kabuki actor Nakamura Utaemon III portraying a sake peddler encountering a dog from a set of eight prints published by Yamamoto Heikichi in 1815. Kiwame censor’s seal. Paper size: 14" x just under 10." Very good overall condition and color with some typical minor wear. There is wormage evident that is well disguised and stabilized by an album backing. The print is tipped at the top two corners to a backing sheet b...

Two Chinese late Qing dynasty Guangxu period porcelain lidded ginger jars densely decorated around the circumference in famille rose enamels with a continuous spring fishing festival scene. This pattern is often referred to as the "one hundred boys" motif. Children are on the street performing the dragon dance, participants are seated in a dragon boat, and onlookers watch from a bridge and a traditional building. A large pine tree set against a mountain decorates the back of the jar. The int...

Chinese Qing dynasty stem cup with everted rim decorated around the exterior of the cup with two faintly incised green five-clawed dragons chasing a flaming pearl set against an egg-yolk yellow background. A green phoenix is at the interior well. A six-character kaishu form underglaze blue Guangxu mark is at the bottom of the interior stem. Probably of the period and dating circa 1900. 3 3/8” high x just under 4 1/2" diameter; weighs 120 grams (4 1/4 ounces). Finely potted and lightweight fo...

Japanese shin hanga woodblock print triptych titled “Pine,” Plum,” and “Bamboo” from the “Friendly Garden Series” commissioned by the Franklin Mint and published by the Yoshida Family Studio in 1980. Each of the three prints is pencil-signed in kanji at the lower right margin and black ink signed and titled at the lower left image. The artist’s red seal is below the black ink signature. The three prints have been reframed with archival materials and UV Plexiglas in the origina...

Chinese Qing dynasty porcelain dish decorated in the doucai style with a central roundel holding an underglaze blue five-clawed dragon among clouds surrounded by a famille rose enamel butterfly among five clusters of leafy stems holding three peaches each. A geometric blue band extends around the inner rim. The outer edge holds three famille rose enameled floral sprays. A six-character blue kaishu form Guangxu mark (1875-1908) is on the base. Probably of the period. 5 1/4” diameter x abou...

Occupation era original Japanese shin hanga woodblock print titled "Spring Evening at the Kintai Bridge" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the lower left corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. Paper size: 15 5/8" x 10 3/8" (image size: slightly over 14 1/4" x 9 1/2"). Very good overall condition. Possibly lightly faded. The...

Pair of Chinese porcelain bowls decorated in famille rose enamels with an opposing long-tailed phoenix and five-clawed dragon chasing flaming pearls among clouds over green waves. An orange-red five-clawed sinewy dragon among flames is in the interior well. A six-character kaishu iron-red Guangxu mark is on the base. Probably of the period and circa 1900. Custom stands and a padded silk presentation box are included. 7 3/4” diameter, 3 1/4” high. Very good overall condition with no chips...

Large Japanese Imari porcelain charger decorated in a free-form pattern of underglaze blue geometric, floral, and phoenix bird patterns with overglaze polychrome and gilt highlights. Two white floral areas in the center are raised in slight "moriage" relief, giving the charger a rich texture. The underglaze blue decoration on the back surrounds a six-character apocryphal Chinese Ming dynasty Chenghua reign mark. Japanese porcelains of the Meiji Period were frequently marked with spurious Chin...

Miniature Chinese late Qing to Republic period wucai tripod censer with compressed body raised on three tapered legs decorated in underglaze blue and famille verte overglaze enamels with a pair of confronted green and red five-clawed dragons chasing a flaming pearl among clouds and flames set against a white porcelain ground. Two upright loop handles are at the rim. A six-character underglaze blue kaishu form Ming dynasty Chenghua reign mark is on the front of the waisted neck. Late 19th to e...

Set of four Chinese Qing dynasty porcelain wine cups each decorated in underglaze blue and overglaze iron-red enamel with two four-clawed dragons chasing a flaming pearl. An underglaze blue geometric border is at the rim and blue waves surround the foot. The interior well holds five blue bats surrounding a shou (longevity) symbol. A six-character underglaze blue zhuanshu square form Qianlong mark is on the base. Possibly mark and period. There are faint lightly incised “CHINA” marks to ...

Pair of Joseon dynasty or later Korean wood wedding ducks with subtly modeled feathers covered in layers of oiled stained paper, the heads separately carved and inserted by their long necks into a hole in the body. Each has a typical rectangular recess on the base. The heads have circular eyes and slits in the long beaks. These were traditionally presented by the groom to the parents of the future bride and were displayed during the wedding. The male and female ducks and geese were believed ...

Chinese Qing dynasty ink and color on silk painting of a maiden in a garden setting seated on rockery and holding a flower under a willow tree. The ink inscription at the upper left states the painting was executed in the guimao year (1843) after Ming artist Tang Yin (1470-1524). Signed Wujin artist Tang Luming (1804-1874) and with two red artist seals, "Tang Luming yin" and "Lemin." An unidentified collector’s seal is at the lower left. Framed with UV Plexiglas. 19th century. Frame size...

Set of four Chinese Qing dynasty porcelain wine cups decorated in the doucai style in underglaze blue and overglaze famille rose enamels with a butterfly among flowering plants. An underglaze blue geometric border is at the rim. A six-character blue kaishu Daoguang mark (1821-1859) is on the base and the set is probably of the period. There are faint lightly incised “CHINA” marks to the bases for export purposes. About 3 3/8” diameter x slightly over 2 1/2” high. Very good overall c...

Long Chinese Qing dynasty hardwood bench crafted with four panels on the back rest, a curved front apron, and comfortable armrests. 19th century. 74 3/4" long x 29" high (17 1/2" high to seat) x 23" deep (21 1/4" depth of seat). Very sturdy and in very good overall condition. There are some minor separations from our dry Arizona climate. There is a small wood loss and old filled crack at one side of the bottom apron. From an old Tempe, Arizona estate.

Chinese late Qing dynasty red silk temple hanging or altar frontispiece embroidered in metallic-couched and polychrome silk threads. The lower section features a stand holding a variety of vessels. A pair of bats and a pair of butterflies fly around a censer at the left that is emitting fumes. At the center of the stand, a central vase is filled with blossoming flowers while a vessel behind it contains fruit. A vessel at the right holds a variety of objects. A horizontal panel at the top ho...

Chinese late Qing dynasty Han style lady's jacket with a deep blue silk brocade background woven with bats among clouds. The sleeve bands are embroidered with cranes among branches laden with fruit and flowers set against a white ground bordered with woven ribbon accents. The collar, side closure, and ruyi head-form hem are all embroidered with butterflies and stylized flowers edged in yellow silk and ribbons set against a white ground. Five floral form metal buttons secure the side closure. ...

Pair of Chinese Ming dynasty green and amber lead-glazed pottery funerary figures in the form of attendants. Each figure stands on a waisted hexagonal plinth and is dressed in layered robes with long sleeves. The male figure has a square official’s hat and holds a makeup box. His hands are folded in his sleeves and covered by a tasseled towel. An amber glazed basin, carrying water, rests in the folded arms of the female figure. She wears a front-opening jacket over a long skirt and her ha...

Massive Chinese late 19th century two door elmwood wardrobe cabinet with carved lower apron in a natural finish. A separate two door hat cabinet fits on top of the chest. The interior of the chest features two interior shelves, one with two drawers. The hat cabinet has one interior shelf. A round brass lock plate is at the center of the doors and round brass hardware is on the door hinges. The doors and central bars lift out for easy transit. This cabinet measures 72 1/2” + hat cabinet 31 1/...

Chinese Tang dynasty (618-907) pottery figure of a standing lady (often referred to as a “fat lady”), dressed in a long-sleeved, high-waisted, full-length robe. One boat-shaped shoe protrudes from the bottom of the robe. The sleeve of her gown covers her right hand while the left hand is exposed. Her hair is gathered in a double-topknot at the top of her head. Cold painted red pigment remains over the thin layer of white slip covering the red pottery. Traces of red and black pigment are...

Rarely encountered Chinese Tang dynasty (618-907) pottery figure of a court gentleman (often referred to as a “fat man”) wearing a scarf hat and dressed in a long, belted gown with one arm raised, his hand covered by his voluminous sleeve, and the other hand holding the belt. An acrylic stand is included. 14 1/4” high (excluding stand). Circa 7th to 8th century. Very good overall condition with nice detailing. From an Arizona collection. Purchased in Hong Kong in 1996.

Massive scrolled late Qing dynasty Chinese ancestor portrait executed in ink and color on paper depicting a civil official and his two wives. The official is dressed in formal attire and is seated on an armchair draped with a tiger skin. A Mandarin rank badge showing the official’s rank in the civil bureaucracy is on the center front of his cobalt-blue surcoat. The long tail appears to designate the bird as a paradise flycatcher, indicating an official of the 9th rank. He wears a hat with ...

Japanese pencil-signed limited edition sosaku hanga woodblock print known by the title "Cat and Green Leaf" featuring a seated black cat set against a wood grain patterned background with several prominent green leaves by Kiyoshi Saito (1907-1997). The artist's red seal is at the lower left portion of the image. Circa 1950s. Pencil-signed and numbered 29/300 in the bottom margin. Paper size: 16 1/2" x 11 3/8” (image size: 15 5/8" x 9 3/8”). Very good overall condition with no tape or tape ...

Japanese Meiji period three-case boxwood inro carved on the front with two oni or animal creatures peering out from the trunk of a tree. The back holds a bearded man holding a sword or knife. All three have inlaid eyes. A wood ojime bead and a netsuke in the form of a smiling tiger is attached to the string. A two-character “Nissho” signature within a circular cartouche is embedded on the bottom. 19th century. 3 1/8” x 2 1/4" x 1 1/4." Very good overall condition with only minor imp...

Vintage Japanese watercolor painting by Fukutaro Terauchi (1891-?) depicting a village scene with figures walking under parasols in the snow. Signed at the lower right. Likely dates from the 1950s. Executed on slightly textured watercolor paper measuring about 11 3/4" x 8 1/8." Very good overall condition. There is a narrow strip of old tape residue at the top back and there are a few pencil notations on the back.

Chinese Ming dynasty bronze standing acolyte on wood stand naturalistically pierced and carved to resemble a rocky outcropping. The left hand holds an object and the right hand gestures with two fingers pointing to the ground. The figure wears a gown and a headdress with long billowing ribbon scarves. Metal prongs secure the figure into the stand which appears to be original. 6 5/8" high on the stand. Excluding the metal prongs, the figure is slightly over 5" high. Circa 16th century. Ver...

Chinese Qing dynasty rectangular jade openwork plaque, carved with a design of a deer under a pine tree, mounted into the lid of an early 20th century rectangular silver box raised on four feet. Two-character “chun yin” (pure silver) mark to the bottom of the box. The jade has a pale celadon-gray hue. The box measures 3 1/2" long x 3” wide x 1 5/8” high. The jade plaque is 2 7/8” x 2 1/4." The total weight: 8.645 oz. Very good overall condition. There are a few scratches to one ed...

Chinese ink and color on paper painting of a tiger on the prowl set against rockery and bamboo by Weng Wenguang (Ong Boon Kong). Signed in black ink and with two red artist seals below the signature reading "Weng Wenguang" and "Shi Zhaohua." 20th century. Painting: 53” x 29 1/4” (with silk border: 58” x 34 1/2"). The painting is silk bordered for framing and can be rolled for shipping. Very good, clean condition with only minor soiling evident. Weng Wenguang was born in Fujian Provinc...

Chinese ink on paper painting of fish and shrimp by Qi Liangmo (b. 1938). Titled and signed at the upper left Qi Liangmo, the 7th son of Qi Baishi, in black ink and with two red seals reading “Qi Liangmo” and “Baishi’s 7th son.” 20th century. 27” x 13 1/2.” Unframed. Very good, clean condition with some minor discoloration of the background evident. There is a vertical center fold and some wrinkling of the fine paper. From a Phoenix, Arizona collection. Qi Baishi was 75-yea...

Large Chinese ink and acrylic on crumpled paper painting of a mountainous landscape scene with trees in the foreground by Zhu Yixiong (Ju I-Hsiung). Titled, dated 1978 in cycle years, and signed in black ink with two red artist seals below the signature. Mounted on a wood backing and framed in a nice quality wood moulding with no glass. Framed size: 25 1/2” x 47 1/2." Very good overall condition. Zhu Yixiong (1923-2012) was born in Jiangsu province and graduated from Xiamen University in 19...

Japanese ukiyo-e style ink and color on silk scrolled painting of a standing bijin (beauty) by Ohara Donshu (1792-1857), aka Ohara Tonshu and Ohara Kon. Signed in black ink “Donshu” and with two red artist’s seals “Donshu” and “Hara kon no in.” Ohara Donshu was a follower of Shijo-style painter Shibata Gito, who was in turn a follower of Matsumura Goshun. Although best known for his Maruyama-Shijo style landscape paintings, Donshu also produced fine figure paintings. His painti...