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Description:
A Yaozhou censer was in unique flatten form and was supported by five squeezed feet.
In characteristic greenish tint, the censer was carved with floral motifs on the surface.
It was done by sleek carving skills.
Underside, the kiln effects and the padding frits were preserved for verification.
Some similar pieces are found in the documentation.
Date: Northern Song Dynasty, 11th/12th centuries.
Width: 9cm...
A Yaozhou censer was in unique flatten form and was supported by five squeezed feet.
In characteristic greenish tint, the censer was carved with floral motifs on the surface.
It was done by sleek carving skills.
Underside, the kiln effects and the padding frits were preserved for verification.
Some similar pieces are found in the documentation.
Date: Northern Song Dynasty, 11th/12th centuries.
Width: 9cm...
Hu's Collection
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Description:
A Ming bronze buddha was finely cast.
In serene mood, the bronze buddha was preserved in very good condition by enduring old patina.
The old gilt had been transformed into darken metal coatings.
There're three casing holes were found within the pleats.
They were rather than defects but were used for fastening to a base.
The holes were overlooked from the frontal view.
It was a fine good piece in small size but presented in grandeur look...
A Ming bronze buddha was finely cast.
In serene mood, the bronze buddha was preserved in very good condition by enduring old patina.
The old gilt had been transformed into darken metal coatings.
There're three casing holes were found within the pleats.
They were rather than defects but were used for fastening to a base.
The holes were overlooked from the frontal view.
It was a fine good piece in small size but presented in grandeur look...
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Description:
A limestone stone carving was well performed by sleek cutting edges.
A crouching lion on the top, the stone weight was an original isolated piece as we can believe.
Most of the surface was calcified into grayish white tint.
It was an obvious characteristic for a stone piece what had been stored in a seal-up chamber, maybe under a temple.
The true color of the stone was revealed underside in darken tint...
A limestone stone carving was well performed by sleek cutting edges.
A crouching lion on the top, the stone weight was an original isolated piece as we can believe.
Most of the surface was calcified into grayish white tint.
It was an obvious characteristic for a stone piece what had been stored in a seal-up chamber, maybe under a temple.
The true color of the stone was revealed underside in darken tint...
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Description:
A bronze water basin was inscribed with poems and carved with beautiful scenery on the surface.
The inscriber was Pu Ton, A sibling of the last emperor of Qing Dynasty Pu Yi.
Pu Ton was also a famous scholar of late Qing to early Republic periods.
This bronze piece was cast in thin wall but was kept in very good condition with darken patina on the surface.
Date: 1924, by the Chinese lunar date JiaZi inscribed before the poem...
A bronze water basin was inscribed with poems and carved with beautiful scenery on the surface.
The inscriber was Pu Ton, A sibling of the last emperor of Qing Dynasty Pu Yi.
Pu Ton was also a famous scholar of late Qing to early Republic periods.
This bronze piece was cast in thin wall but was kept in very good condition with darken patina on the surface.
Date: 1924, by the Chinese lunar date JiaZi inscribed before the poem...
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Description:
A wood Bodhisattva was nicely carved and was well preserved in very good condition.
In metal-sheen-like patina, the wooden deity was depicted in serene mood by well carved features.
A portion of the base was missing, an old defect.
Date: Early Ming periods, 14th/15th century.
Height: 23.5cm.
A SILK BOX IS INCLUDED.
A wood Bodhisattva was nicely carved and was well preserved in very good condition.
In metal-sheen-like patina, the wooden deity was depicted in serene mood by well carved features.
A portion of the base was missing, an old defect.
Date: Early Ming periods, 14th/15th century.
Height: 23.5cm.
A SILK BOX IS INCLUDED.
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Description:
A Longquan celadon censer was uniquely in tripod form.
Uniquely also was the gourd body and the decorations on the surface.
The censer was heavily potted concerning it's size.
And it was fat-glazed.
The glaze was in slightly darken green tint.
Crackles and glaze fret were resulted due to age.
Supported stylized by three evert feet, it was presented as a beautiful item as a true old piece by all the characteristics revealed...
A Longquan celadon censer was uniquely in tripod form.
Uniquely also was the gourd body and the decorations on the surface.
The censer was heavily potted concerning it's size.
And it was fat-glazed.
The glaze was in slightly darken green tint.
Crackles and glaze fret were resulted due to age.
Supported stylized by three evert feet, it was presented as a beautiful item as a true old piece by all the characteristics revealed...
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Description:
A black-glazed Jianyang tea bowl was in lovely size.
Uniquely and rarely-seen, it was decorated inside the bowl with splashed white mottles.
Obvious incursions had happened to the glaze resulting in the earthen and foggy look.
That includes the bursting holes of the glaze bubbles.
Wiry crackles can be observed too.
The darken body clay revealed was in enduring old look and was covering with grayish oxidation...
A black-glazed Jianyang tea bowl was in lovely size.
Uniquely and rarely-seen, it was decorated inside the bowl with splashed white mottles.
Obvious incursions had happened to the glaze resulting in the earthen and foggy look.
That includes the bursting holes of the glaze bubbles.
Wiry crackles can be observed too.
The darken body clay revealed was in enduring old look and was covering with grayish oxidation...
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Description:
A root wood stand was nicely shaped.
By preserving darken and warm patina on the surface, it was in perfect condition without any defects.
Date: 19th century.
Dimensions: 17.3cm x 13cm x 6.5cm
A root wood stand was nicely shaped.
By preserving darken and warm patina on the surface, it was in perfect condition without any defects.
Date: 19th century.
Dimensions: 17.3cm x 13cm x 6.5cm
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Description:
A bronze crab was in lovely size.
It was well cast in vivid look and was applied with red pigment on top of the surface.
The bronze piece was preserved in very good condition.
Date: Qing Dynasty, late 19th century.
Width: 7.4cm. Weight: 68grams.
A bronze crab was in lovely size.
It was well cast in vivid look and was applied with red pigment on top of the surface.
The bronze piece was preserved in very good condition.
Date: Qing Dynasty, late 19th century.
Width: 7.4cm. Weight: 68grams.
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Description:
A boxwood root was intriguingly carved and hollowed into a charming brush pot.
Being penetrated as wall of holes for light going through, the scholar item was most favoured by literati for the natural mood.
It was reserved in very good condition by enduring old patina.
The under cover was an old restoration.
Date: Qing Dynasty, 18th/19th Century,
Height: 16.5cm.
A boxwood root was intriguingly carved and hollowed into a charming brush pot.
Being penetrated as wall of holes for light going through, the scholar item was most favoured by literati for the natural mood.
It was reserved in very good condition by enduring old patina.
The under cover was an old restoration.
Date: Qing Dynasty, 18th/19th Century,
Height: 16.5cm.
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Description:
A sitting bronze figure was nicely cast.
Being depicted as a scholar with flouring robe and a official hat, the figure was in casual mood by resting his arm to the stool beside him.
It was perfectly preserved with nice darken patina.
Date: Qing Dynasty,
Height: 17cm.
A CUSTOM-MADE SILK BOX IS INCLUDED.
A sitting bronze figure was nicely cast.
Being depicted as a scholar with flouring robe and a official hat, the figure was in casual mood by resting his arm to the stool beside him.
It was perfectly preserved with nice darken patina.
Date: Qing Dynasty,
Height: 17cm.
A CUSTOM-MADE SILK BOX IS INCLUDED.
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Description:
A water dropper was in intriguing twin toad's shape.
In characteristic mustard tint, the vessel was merged by two halves made from clay molds.
Finger prints were left on the clay body by the potter when in the squeezing and applying method of the pieces.
There were obvious incursions happened to the thinner portion of the glaze.
The toads were in uniquely fiercing look which was a iconological characteristic of the dated periods...
A water dropper was in intriguing twin toad's shape.
In characteristic mustard tint, the vessel was merged by two halves made from clay molds.
Finger prints were left on the clay body by the potter when in the squeezing and applying method of the pieces.
There were obvious incursions happened to the thinner portion of the glaze.
The toads were in uniquely fiercing look which was a iconological characteristic of the dated periods...
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Description:
A Jiangyang Temmoko bowl was decorated with radiating russet splashes on the surface.
It was a rare type of this kind in Jiangyang wares.
Enduring old crackles were yielded naturally in the glaze when retrospective sheen was reflected on the surface.
It was used to be coated on the mouth rim with silver band. The silver band had long gone and only left with the residues around.
The bowl was kept in perfect condition without any restorations.
One minute de...
A Jiangyang Temmoko bowl was decorated with radiating russet splashes on the surface.
It was a rare type of this kind in Jiangyang wares.
Enduring old crackles were yielded naturally in the glaze when retrospective sheen was reflected on the surface.
It was used to be coated on the mouth rim with silver band. The silver band had long gone and only left with the residues around.
The bowl was kept in perfect condition without any restorations.
One minute de...
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Description:
An archaic bronze seal was from Buddhist ritual.
It was cast on the printing side with four ancient Zhuan characters: Fo Fa Seng Bao (Buddha, Buddha dharma, Buddha Followers, Buddha's Holy Treasures).
There's a long slender knob on top of the seal. Three characters Wu Qiong Gang (Endless Strength) were inscribed on the upper side beside the knob.
The seal was kept in perfect condition and was in darken patina due to long time of age.
Song Dynasty, 11th/12...
An archaic bronze seal was from Buddhist ritual.
It was cast on the printing side with four ancient Zhuan characters: Fo Fa Seng Bao (Buddha, Buddha dharma, Buddha Followers, Buddha's Holy Treasures).
There's a long slender knob on top of the seal. Three characters Wu Qiong Gang (Endless Strength) were inscribed on the upper side beside the knob.
The seal was kept in perfect condition and was in darken patina due to long time of age.
Song Dynasty, 11th/12...
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Description:
A marble sculpture of a disciple was well done in 5th/6th of Northern Qi periods.
He was part of a big shrine.
A debris as this one can till be a treasuring piece and being used as a paper weight.
Date: Northern Qi Dynasty, 5th/6th century.
Dimension: 6.5cm x 5cm x 1.6cm.
A marble sculpture of a disciple was well done in 5th/6th of Northern Qi periods.
He was part of a big shrine.
A debris as this one can till be a treasuring piece and being used as a paper weight.
Date: Northern Qi Dynasty, 5th/6th century.
Dimension: 6.5cm x 5cm x 1.6cm.
All Items : Archives : Regional Art : Asian : Indian Subcontinent : Himalayas : Pre 1700
item #1098158
(stock #lot919)
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Description:
A bronze Shakyamuni buddha was kept in very good condition.
Had been gilt on the surface but just faded, there are only traces left in the pleats.
It was rarely found that the under cover at the bottom was original when tickling sound was heard inside the hollow base.
It hinted that the original devotion items were still kept within after 600 years.
Date: 15th/16th century.
Height: 11.3cm
A bronze Shakyamuni buddha was kept in very good condition.
Had been gilt on the surface but just faded, there are only traces left in the pleats.
It was rarely found that the under cover at the bottom was original when tickling sound was heard inside the hollow base.
It hinted that the original devotion items were still kept within after 600 years.
Date: 15th/16th century.
Height: 11.3cm
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Description:
A soapstone seal was well carved to top with a crouching Bixie.
Two Chinese word Qing Sun(Casually Treasuring) was regularly carved on printing side.
Inscriptions were on the side too.
The stone was in warm brownish tint and in greasy feel.
Qing Dynasty, 19th century.
Dimensions: 6cm x 2.9cm x 2.4cm.
A soapstone seal was well carved to top with a crouching Bixie.
Two Chinese word Qing Sun(Casually Treasuring) was regularly carved on printing side.
Inscriptions were on the side too.
The stone was in warm brownish tint and in greasy feel.
Qing Dynasty, 19th century.
Dimensions: 6cm x 2.9cm x 2.4cm.
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Description:
A Zitan cup was carved from one piece of wood block.
Finely carved handle was made to imitate the bamboo stalks.
It was in perfect condition.
There're carving lines on the handle. They were not cracks.
Minute wood grains were yielded as shallow cracks at the bottom.
Date: Qing Dynasty, 19th century.
Width including handle:9cm, Mouth width:7cm, Height:3.5cm.
A Zitan cup was carved from one piece of wood block.
Finely carved handle was made to imitate the bamboo stalks.
It was in perfect condition.
There're carving lines on the handle. They were not cracks.
Minute wood grains were yielded as shallow cracks at the bottom.
Date: Qing Dynasty, 19th century.
Width including handle:9cm, Mouth width:7cm, Height:3.5cm.