Catalog (85)

Portrait of a courtesan with her young attendant, issued 1830s

Signed Gofukutei Sadatora on lower left, fair impression and color, some thinning and wear, small nicks to edges reinforced, not backed.

Oban tate-e: 8 7/8 x 13 in.

Illustration of an early textile fragment, of the Tang Dynasty, Chinese, one of the Shosoin treasures, issued late 1800s

Very good printing (to simulate age and wear), color and condition

Overall size: 8 ¾ x 14 in.

Sen Sha Fuda—Pilgrim’s temple charm placard, issued early 1900s

Five individual “fuda” pasted side by side on a backing

Very good impression, good condition

Overall size: 6 ¼ x 10 in.

Ca. 1950s

Original Japanese black lacquer and brocade frame. Postcard size print with borders likely trimmed. Print in good condition, but not examined outside frame.

Print: 3 ¾ in. x 5 ½ in., Frame: 9 in. x 7 ¼ in.

Flowering branch in spring, issued ca. late 1800s

Very good impression and color, original album backing, center fold, minor wrinkling to lower corners Album leaf: 9 ¾ x 14 ½ in.

Ink and pigments on paper with gilding, ca. early 1600s

Originally mounted as a fan and later remounted on a fusuma sliding door or folding screen. Probably produced in a Kyoto fan workshop by one of a number of Nara ehon picture book painters that migrated to Kyoto from Nara.

Condition is good considering age and original use as a fan, some surface wear to pigments, slight smudging, losses to gilding, light creases and wrinkles, old backing from door or screen mounting remains

Overall size: 8 x 20 in. (max. length)

Portrait of a Noh actor from the series “100 Noh Plays” published 1922-1926

Fan-shaped publisher’s seal on lower left, no signature, fine impression and color, visible woodgrain, very slight diagonal crease from top center to lower right edge, good condition

Oban tate-e: 10 x 14 ¾ in.

Scene from a Noh play, published 1922-1926

Signed Kogyo on lower left with artist’s seal, fan-shaped publisher’s seal, fine impression and color, visible woodgrain, overall good condition

Oban tate-e: 10 x 14 ¾ in.

Ca. 1950s

Original Japanese black lacquer and brocade frame. Postcard size print with borders likely trimmed. Print in good condition, but not examined outside frame.

Print: 3 ¾ in. x 5 ½ in., Frame: 9 in. x 7 ¼ in.

Kunisada (1786-1864) collaborating with Hiroshige (1797-1858)

From the series: “Kannon Reigen Ki” (Account of the miracles of Kannon) issued 1859.The larger image by Kunisada depicts a miracle performed by Kannon. The upper image by Hiroshige is a temple scene.

Signed Kunisada and Hiroshige on respective images, aratame seal and publisher’s seal on left margin, very good impression and color, very light wear and minor thinning at edges, not backed.

Oban tate-e: 9 7/8 x 14 ½ in.

Early 1800s

This portrait of a saint is thickly painted with old losses, particularly to part of the right background. There is an old date label on back. Old worm damage is visible on the back.

Height: 6 in., Width: 4 ¾ in., Thickness: 5/8 in.

Scene from a Noh play, issued ca. 1920

Signed Kogyo with red artist’s seal, fan shaped publisher’s seal, very good impression and color, small areas of faint soiling.

Oban yoko-e: 10 x 14 ¾ in.

Interior scene of a courtesan and attendants from the series “Junshoku Sanjuroku Kasen” issued 1881

Signed Toyohara Kunichika hitsu, dated Meiji 14 (1881), good impression and color, not backed.

Oban tate-e: 10 x 14 1/8 in. including margins

From the Birds and Flowers series: “Sho-utsushi shiju-hattaka” issued 1858.

Signed Sugakudo, with two seals beneath the signature, censor’s seal and publisher’s seal, left margin; good impression, evenly toned, thin corners, light staining, two upper corners with glue remains from attachment, not backed.

Oban tate-e: 10 x 14 ¼ in.

Illustration of a sculpture of the Wind God from the Sanjusangendo in Kyoto, and a design of a lacquer box, issued ca. 1890

Good impression and condition

Album leaf: 9 ¼ x 12 in.

Early 1900s

This is a design for a kimono textile that has skillfully incorporated the stylized woven fabric texture as part of the design as seen in the central field of flowering iris plants. The upper field appears to be a design of snowflakes, and the lower of an abstract water pattern. This was probably a leaf from an album of kimono designs. The print is of very good color, impression and condition on very thick paper, with some odd nicks and small tears on the edges, but not affecting the printed area.

Oban tate-e: 10 3/4 in. x 14 ¾ in., Image size: 7 1/8 in. x 8 ½ in.

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with publisher’s seal on lower left, very good impression and color, very light soiling on upper edge, minor wear

Oban tate-e: 10 x 14 ¾ in.

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with publisher’s seal on lower left, very good impression and color, light foxing on verso, large red collector’s seal on verso

Oban tate-e: 10 x 14 ¾ in.