Catalog: Antiques: Regional Art (4988)

Chinese zitan wood ink well, with gold flecks throughout the natural graining. The top is carved with geometric patterns and two wells for ink. The opposite side is hand carved with calligraphy inscription.

Dimensions: 6 1/2" x 4 1/4" x 1"

Japanese pair of hardwood pulleys, carved out of Keyaki (elm) wood with hand-forged iron hooks and hardware. Two wooden wheels on the inside are built to support a rope. Each pulley is branded with a signature on both sides.

Meiji Period (1868-1912)

Dimensions: 7" x 14" (each)

Chinese blue and white porcelain vase, of a round elongated form with slightly flared neck and foot. The body is slightly ribbed with highly detailed cobalt blue underglaze fu dogs. The foot signed in cartouche flanked by pair of dragons and smoke. Atttributed to Wang Bu Truong.

Dimensions: 7" x 14" H

Age: Republic Period

Charming Japanese kanban (shop sign) hand carved from solid carved Keyaki hardwood with gold gilt lettering. Carved with the image of a snarling bulldog in red lacquer and beige pigments. Shop sign for Bulldog sauce shop.

Meiji Period (1868-1912)

Dimensions: 36" L x 1" D x 23" H

Unusual Japanese gyosho bako tansu (merchant's chest). With original red lacquer finish, this large piece holds three very deep drawers, each with squared kakute iron pulls on stylized pine tree mounts. The top drawer features a large central lock with flying crane motif, while the lower drawers feature chrysanthemum locks. The sides of the tansu also have two handles for traveling.

Meiji Period (1868-1912)

Dimensions: 22" W x 27" D x 39" H

Japanese two section tansu, made with Kiri (paulownia) wood with natural finish front drawers, and original black lacquered frame. The piece has pine tree shaped hand-forged iron lock plates, with warabite iron pulls. The locks are incised chrysanthemums and the corner hardware is fan iron plating. The piece holds a side lock box with a large decorative iron chrysanthemum plating and keyhole. Inside the box are two small drawers with triangular plates and round pulls...

A Chinese porcelain puzzle tea pot with famille verte color palette motifs of flowers on flecked enamel ground. The teapot is in the shape of the Chinese character "fu" meaning "good fortune". The piece is hand-painted in enamel with the image of a court official and vase on one side, and an attendant holding a flower on the reverse side. Old restoration.

Dimensions: 7 1/4" x 1 3/4" x 7 1/2" H

Japanese Imari ware porcelain charger with the image of a large koi fish in blue cobalt underglaze, with red and blue ground of scrolls, plum blossoms, the plate with fluted foliate petal edges, the underside with blue floral motifs and bands. The underside has a blue marking.

Circa 1800s

Dimensions: 14" x 2 3/4" H

Chinese hard stone brush washer carved into a gourd bottle shape, with two separate pockets for brush washing, the top carved with smaller gourds and spiraling vines, the bottom carved smooth. The stone is light green with orange areas.

Dimensions: 3 1/4" x 1 1/2" x 1/2" H

Chinese hard stone brush washer in the form of a flattened flower pod, edged with scrolling vines and flowers.

Dimensions: 2 1/2" x 2" x 1/2" H

Korean metal oval shaped box, with copper lining and base. The top of the lid is incised with a mask and auspicious inscriptions, and its underside lined in dark stone or clay.

Dimensions: 2 1/2" x 3 1/4"

Chinese carving of immortals on a boat, made entirely of Zitan hardwood. The boat appears to be made of an ancient, gnarled tree sprouting flowers, with its canopy of leaves covering the passengers underneath. The 3 male immortal figures sit huddled closely around a lingzhi mushroom, which holds medicinal properties and is a symbol of longevity. One female immortal peers into the waters at the side of the boat with bottles of medicine at her side...

A Chinese robin's egg ceramic brush washer, with a rounded body tapering to the flat, unglazed foot, the round wide opening shows the interior is all glazed in robin's egg glaze. The sides are in the classic mottled turquoise and purple glaze with stipple texture from the time of firing. The robin's egg glaze technique requires low-firing and uses two different colors of mottled purple-blue and turquoise. Period 18th centnury.

Dimensions: 5 1/4" x 4" H

A Chinese round porcelain charger with robin's egg glaze, with slightly flared rim, the recessed foo with white underglaze and old stickers to show provenance. The robin's egg glaze technique requires low-firing and uses two different colors of mottled purple-blue and turquoise.

19th Century

Dimensions: 9 3/4" x 1 1/2"

Japanese pair of Fukugawa Imari ware porcelain bottle neck vases. With imagery of blue and gilt enamel phoenixes against a ground of red cherry blossoms, blue waves, floral medallions and gilt outlines. The long slightly fluted neck with medallions on a gilt design ground and gilt rim, tapered to a rounded body with short tapered foot, blue lotus petals and double ring above the foot, each vase signed with a Fukugawa mark signifying the pieces date from 1900 - 1920...

During the Joseon Dynasty (1392-1897), ceramics were considered to represent the highest quality of achievement from royal, city, and provincial kilns, the last of which were export-driven wares. Joseon enjoyed a long period of growth and production, which is still preserved today.

Wares evolved along Chinese lines in terms of color, shape, and technique. Celadon, white porcelain, and storage pottery were similar, but with certain variation in glazes, incision designs, and weight...

Antique Chinese blue and white porcelain vase. With images of peony flowers and double blue band below the lip and above the foot. The tall cylindrical neck flutes to a rounded body with slightly tapered foot.

19th Century

Dimensions: 5" x 9 1/2" H

Pair of Japanese Kutani tall porcelain bottle vases, with elongated bodies slightly tapering to the short neck and gilt rim, decorated with red enamel landscape scene and gilt clouds over white crackle ground. Each vase signed with 2 character mark.

Circa 1900

Dimensions: 3" x 9 1/2" H

A Chinese gourd shaped water dropper in the form of a tiny tea pot with a hinged lid, cast with motifs of scrolling vines in low relief, with a long, prominent spout, with tripod feet. The base is imprinted with a foliate motif. With original patina.

Dimensions: 3" x 2" x 3 1/2" H

A Tibetan bronze ceremonial bell, with a gilt vajra shaped handled, finely cast with the image of a bodhisattva's head, the top of the bell with low-relief Sanskrit characters on lotus petals, small vajra pattern along the fluted edges of the bell, and an inner lotus petal design with signature inside the bell where the clapper hangs.

19th Century Tibet

Dimensions: 3 3/4" x 7 1/4" H

Antique Chinese pair of porcelain hat stands, glazed with a light orange ground, enamel motifs of various flowers including peony, chrysanthemum, birds, insects, gourd bottles, and other auspicious objects. Each stand is of a hexagonal form with pierced melon shaped areas. The feet are slightly recessed with white underglaze and buff edges.

Dimensions: 4 1/2" X 11 1/4" H

Chinese altar fruit offering in Blanc de Chine. The peach has a tendril like stem and three leaves. The base is left unglazed with a single ventilation hole to prevent it from exploding or cracking during firing.

19th century

Dimensions: 5" x 4" x 3 1/4" H

Antique Chinese porcelain water coupe of a flattened globular form with a short neck, in tea dust green glaze, the foot slightly recessed with Qianlong mark.

Republic Period

Dimensions: 4 3/4" x 3 1/2" H

Japanese 2 panel byobu screen painting on silk, of a male and female deer resting below a maple tree. Each panel is bordered in gold leaf and signed "Kagayama Hakuho" with a red chop.

Kagayama Hakuho (1880-?) was born in the Okayama Prefecture Japan. His studies continued under Takeuchi Seiho in Kyoto, and later moved to Kobe for his work. Works by Hakuho have been displayed at the Kyoto City University of Art.

Dimensions: 69 1/2" W x 68" H

A collection of twelve samurai arrows, or yajiri, mounted on a custom built museum display stand.

Dimensions: 8 3/4" x 3" x 16" H (overall)

A collection of samurai arrows, or yajiri, mounted on a custom built museum display stand.

Dimensions: 5 1/4" x 1 1/4" x 9 3/4" H (overall)

Chinese circular porcelain plaque with enamel scene of Qingao in a green robe mounted on a carp. With calligraphy and red chop. Titled "Qingao kea li". The face of the plaque is on a step pedestal with a bare, textured backside.

Dimensions: 11 1/4" x 1/2" H

Chinese hand-carved brush pot made from bamboo, with detailed scenes of maidens viewing a pair of swimming ducks below a bridge, with background of bamboo groves and scholar rock formations.

19th Century

Antique Japanese scroll painting of a flying goose, sumi ink on paper. With calligraphy signature and red chop. This scroll has the original two tomobako (storage boxes).

Early Edo Period Circa 1600's

Dimensions: 22" x 48 1/2" H (entire scroll) 15 1/4" x 11 1/2" H (artwork only)

24" x 3 1/2" x 3 1/4" (red lacquer tomobako)

Museum grade very large Japanese Ginbari enamel vase. Ginbari is a technique using a foil design made with an embossing plate. The vase has a robin's egg blue enamel ground comprised of small flowers, with Wisteria branches bearing pastel green and purple flowers, small birds perched and flying through the tree branches. The elongated vase has a slightly tapered form with short, fluted foot and neck...

Large pair of Chinese wooden gate doors with hand-forged iron plates and hardware. The pair of doors are opened by iron fu dog heads with large ring pulls in their mouths. The top and bottom iron plates on the front of each door have foliate edges in lingzhi mushroom motifs, with iron studs and horizontal iron bands. The doors have wooden pegs to be inserted into a door frame.

Dimensions: 17 1/2" W by 76 3/4" H by 1 7/8" Thickness of wood (each door)

A Japanese Butsudan, or Buddhist shrine for in-home use. The exterior of the shrine is lacquered in red with black lacquer and gold gilt pigments. The gilt hardware of the butsudan are highly ornate with motifs of chrysanthemums, lotuses, vines, and dharmachakra wheels. The lower area of the shrine features two pull-out platforms and hidden drawers...

Antique Chinese ink stone in the form of a lotus leaf with a small crab. The underside is signed with calligraphy inscription. With a hard stone inlay hardwood storage box.

Dimensions: 8" x 9" x 1.75" H

Antique Chinese ink stone with hand-carved motifs of a bird with lily pads. The stone is smooth with patina and wear from use. The scholar object is enclosed with a hardwood case with inlay shell lotuses. Maybe Zitan.

Dimensions: 5 1/2" x 6" x 2" H

A Sino-Tibetan gilt bronze statue of Maitreya, regarded by this world as a future Buddha in succession after the current Sakyamuni Buddha. Tradition teaches that Maitreya is a Bodhisattva who will one day appear on earth to achieve enlightenment and teach the pure dharma. The Bodhisattva is seated on a double-lotus pedestal to represent purity untouched by Samsara, the copper base impressed with a four point vajra to represent the four poisons of the earthly realm...

Antique Tibetan gilt bronze ritual vessel. In two parts, the cup and base both cast with lotus petals to represent purity undefiled by Samsara. The inner rim of the cup with deep forest green patina and wear from ritualistic use. The lotus base stands on a round, recessed foot.

18th Century

Dimensions: 3 1/4" x 1 5/8" H