A nice Staffordshire inkwell or quill holder in the form of a recumbent deer. The naive painted decoration almost makes it look as if she's wearing a little black hat. The doe is posed on a white base molded as a rocky outcropping. The base is highlighted with a burnished gilt line.

Origin: England, ca. 1850. Condition: excellent, no damage. Size: 4-3/4" x 2" x 4".

A nice early Staffordshire pottery child's cup decorated with a transfer scenes of children playing leap frog on one side and "peg top" on the other. The black transfer is highlighted with red overglaze enamel. The cup is accented with a molded foot and a strap handle. Teh glaze has the slight bluish tint found in Staffordshire pottery of this period.

Origin: England, ca. 1850. Condition: normal crackling to glaze, a few small flakes at the rim and two tight hairlines. Size: 2-3/4" tall.

A wonderful Staffordshire pottery cow creamer standing on a oval base. The cow is decorated with rust spots on the white background and the horns are gilt. The oval base is decorated as a grassy outcropping. Cow creamers were very popular in the early 19th century and were produced by a number of potters in Staffodshire, Wales and southern Scotland. This example is from the Staffordshire region.

Origin: England, ca. 1850. Condition: excellent, no damage. Size: 6-3/8" x 3" x 4-3/4".

The standard reference book for this type figure is "Staffordshire Portrait Figures of the Victorian Era" by P.D. Gordon Hugh. The figure offered here is so rare that the book does not even show an example, although it does have information about the history underlying it...

Three copper lustre saucer dishes. Brown transfer printed and hand painted decoration of Chinamen and boys in a garden. English, Staffordshire c 1840. Diameter "5 ½/13,5 cm Condition: fine.

A Royal Doulton Chiné stoneware jug or pitcher with pewter lid, c 1890, partly gilt and enamelled in turquoise, blue and white. The Chiné pattern, where a textile – lace - was pressed into the clay to create the desired effect, was invented by Slater, director of Doulton from 1887 to 1936. Marks: Royal Doulton, Slater’s Patent and RH for designer Rosina Harris. Height 8"/20 cm. Condition: restoration to tip of spout.

This is an early English blue and white transfer print porcelain bowl, marked "Marathon" and what appears to be "P" "L" "F" and "5" or "P" "F" with a faux Chinese mark in underglaze blue; the outer surface of the bowl is molded with fluting and branches and has a blue and white floral transfer design on two sides; the overall crackle pattern and the blue glaze splatters outside the design area seem to represent the early period technique; condition: several glaze imperfections and minor flakes o...

An extremely rare and charming pottery figure, with colored glaze decoration, of a hyena or jackal. Condition is superb, with no flaws or damage at all. 3 1/4" tall.

Measuring just 2.75 inches high, this lovely Copper Lustre Creamer or mini Jug, is in impeccable condition-- no chips, breaks, hairlines, etc! Delicate floral and leaf patterning in copper is set against a pretty bright blue band. Nicely swirled applied handle! A very sweet addition to one's copper lustre collection!

An Old French Faience Armorial Plate, Bearing the Arms for the Monjoye Family "an old French name dating to at least the 17th century). Plate is believed to be from the early/mid 19th century, or earlier. Dimensions; 10" in diameter. Plate has some crazing and some fretting on the rim. Mark on bottom.

Measuring 2.75 inches high x 2.75 inches in diameter, this very sweet, child's, Copper Lustre mug or cup was produced in 19th century England.

Beautiful "Copper Lustre" paint accents a central yellow band with copper colored, feather detailing. Interior rim is painted in a pink lustre band.

Condition is quite fine with no damage or repair...

Rare large ironstone platter in the Imari taste with a cobalt blue border by G.L. Ashworth, the successor to Mason’s. The platter’s rim is unusually decorated with reserves showing Japanese ladies with parasols and floral elements surrounded by gilding. The central design shows an Asian-themed still life including peonies, lotus blossoms, pagodas, etc. The back is printed with Ashworth’s mark, is impressed “Real Ironstone China”, and has a decorator’s mark.

Origin: England, ca...

A Spode soup plate in their Cracked ice and Prunus pattern, with inspiration from the blue and white Chinese pattern from the Kangxi period. Black transfer printed cracked ice border and flowers in polychrome enamels and gilt. Printed and impressed Spode marks for c 1820-30. The pattern is known as number 3950 (not visible on this piece). Diameter “9 ¾ /24,5 cm. Condition: slight wear to the well and back.

A pair of Staffordhire copper lustre creamers or milk jugs / pitchers. Early Victorian Rococo revival shape and pretty decoration of vines against an orange background. Height: "4 3/4/12 cm. Condition: one with some crackling to the glaze (cf. pics).

Very nice Staffordshire transferware plate in the “Lion” pattern from the “Quadruped” series by Hall. The plate is very finely decorated in underglaze blue with four reserves depicting zebras, goats, deer and horses, surrounding a central reserve depicting a lion. Unmarked.

Origin: England, 1820-30. Condition: excellent, no chips or cracks, light discoloration on back (easily removed). Size: 10” diameter.

Very fine early Staffordshire child's cup decorated with a pair of colorful roosters. The design was hand-colored over a rudimentary sepia-colored transfer. The pearlware glaze has a wonderful lustre. The bottom edge of the cup is decorated with a molded border.

Origin: England, ca. 1830. Condition: excellent, no chips or cracks, light glaze crazing in interior bottom. Size: 2-7/8" tall; 3-1/8" diameter excluding handle.

Extremely rare early Staffordshire pearlware pot decorated with three hand-colored transfer prints of King William III at the Battle of the Boyne. This was one of the earliest of the Staffordshire transfer patterns celebrating the Kings and Queens of England. This design is sometimes captioned "No Surrender" and depicts King William defeating the ousted James II and the French troops who were trying to restore England to Catholic control...

A charming example of an early English figure, probably from the Yorkshire area. The figure was decorated with colored glazes, predating the underglaze enamels...