This porcelain figurine was produced in Germany by Meissen around 1900. It has the first quality blue crossed swords mark under glaze and model number T175. The height of the figurine is 9 1/2" with a diameter of 4 3/8" at the base. The modeling is finely articulated. It is hand painted in excellent manner. The piece is from the art nouveau period. The subject matter exhibits charm and grace. Condition: Excellent

Five Delft polychrome wall plates in the Peacock pattern, a stylized mix of flowers and feathers very much “en vogue” in Delft of the 18th century. They all have a claw mark in under-glaze blue to the base, for De Klauw, the legendary Delft faience manufacture of the period. However, the Peacock pattern saw a renewed popularity around 1900 when these plates were probably made. Diameter "8/ 20 cm. Condition: fine.

Five French majolica plates from H. Boulenger & Cie in Choisy-le-Roi, 1880’s. Aesthetic Japanesque compositions and molded design in contrasting colors, ochre and turquoise with crackle glaze effects. The motifs are nightly poetic: a boy gazing at the moon (twice, in reverse coloring), a night wanderer with a lantern, the Man in the Moon fishing and an earthly fisherman just catching a fish. All with the printed monogram and impressed factory mark. Diameter "8 ½ / 21,8 cm. Condition: all fine...

Three early 19th century (c 1810) coffee cans decorated en grisaille with accents in red: the first with a mansion and a gentleman in red clothing passing by carrying a fishing rod, the second a cottage and a romantic mediaeval turret, an old man in red passing by leaning onto his stick, and the third with a small country church, a farmer in red clothing passing by carrying his tools. All three cans Belgian (Vieux Bruxelles) or possibly French (Paris porcelain). Height: 2 ½”/6,5 cm...

An English stoneware plate, salt-glazed and enameled in rust-red, blue and green, c 1800 or somewhat earlier. Diameter "9½/ 24 cm. Condition: a small glaze-burst to rim, otherwise fine.

A porcelain two handled small tureen with cover and stand (this could possibly be a very large ecuelle) in a classical urn form with the handles having hooded classical female faces. The form is similar to one sold as Nove at Sotheby’s Zurich November 25, 1992 lot 126, illustrated. This one decorated with hunting horns and flowers on one side and a quiver and bow with flowers on the other. Extensive gilding and floral bands on the top and on the stand. Overall height 8 inches (20 cm)...

A pair of blue and white plates, transfer printed with the temple of Serapis in Pozzuoli – also to be seen in the well in writing. One in a series of Italian and Sicilian Views produced by the Don Pottery in Swinton, Yorkshire, c 1820. Unmarked. Diameter "10 / 25.5 cm. Condition: hairline and rim chip to one plate (cf. pics).

Black basalt milk jug with an elegant leaf handle. Engine turned in a bamboo-like pattern. England, Wedgwood style, c 1800-1820. Height "4 ½ / 11.5 cm. Condition: hairline near the base of the handle (cf. pic).

A fine and early Dr. Wall Worcester porcelain cup of slightly tapering octagonal form with each of the 8 sides decorated with a flowering plant or insects. The graceful handle is of double scroll form with a pointed thumbrest.

Excellent condition with bright sharp colors, and no chips, cracks, or staining. The height is 2" and the diameter at the top is 2 1/4".

Labels are present from the well known Shaw collection and the 1998 Albert Amor exhibit of the Vincent Townrow collection.

This neo-classically inspired porcelain pitcher is magnificent in its grace and, dare I say, grandeur. It expands as it rises from its gilded circular foot then recedes to give rise to a towering helmet style beaker. The base of the handle is anchored in a shield from which it serpentinely shoots up and then down to attach to the rim. The gilding is sumptuous especially around the hand painted scene of a riparian idyll with 2 people in discourse...

When Dr Wall discovered a formula for porcelain which would withstand boiling water, he had a huge hit on his hand. This lovely blue and white porcelain mimics the ever popular Chinese wares using similar decorations such as this fine fenced garden. Trees, birds, lush flora surround the garden...

This Victorian copper luster pitcher practically dances with joy for the colorful flowers strung around the blue band of its bulbous form. Beading borders the blue and rim of the pitcher. Equally exciting is the mythical figure on the beaker spout. Condition is excellent and still retains luminous shine even after 170 years of life.

6 1/2" h

This fine Staffordshire copper luster pitcher is decorated with a blue band of enamel, creating a very clean, simple design, accented with beading around the border and rim of the pitcher. The fancy serpentine and strap handles give it grace. The warmth of the copper makes it an attractive accessory to a bookshelf or cabinet.

5 1/2" h

These 10 porcelain plates were produced in Germany by Koniglich Porzellan Manufactur, or Royal Berlin Porcelain Manufacturer in 1902. There are date letters indicating this year. The plates measure 8 ¾ inches in diameter. They are made of fine hard paste porcelain and have reticulated borders with little ribbons at intervals around the rims. The cut out design is outlined in gold. Just inside the reticulated borders is a band of molded basket weave in relief...

These 12 porcelain cream soup cups and saucers were produced in England by the Royal Cauldon Factory around 1900. The saucers measure 5 ¾ inches in diameter and the cups are 6 inches across the handles and 2 inches high. The cups feature graceful scalloped pedestal bases and split branch handles. All pieces are decorated with elaborate gilding that nearly covers the entire surface. There are knots of colorful hand painted flowers accenting the gold decorations...

This porcelain plate was produced in England by Wedgwood around 1850. It has the name “Wedgwood” impressed in block letters. It measures 8 ½ inches in diameter. It is made of fine bone china that has the design molded in high relief. The design has stylized fruits and berries hand painted in metallic colors and colorful enamel. The fruits are superimposed over the basket weave background...

This porcelain plate was produced in England by Aynsley in the mid 19th century. It is not marked but we recognize the specific style of design on the border that Aynsley used. The plate measures 9 inches in diameter. It is made of fine bone china. The center of the plate is hand painted with a landscape of the English countryside. The view of mountains, water and suggestion of buildings is dreamlike with a lone figure sitting in the forefront. The celeste blue enamel border is decorated...

This porcelain plate was produced in Germany by the Ambrosius Lamm Dresden studio in the 1880s. It is titled “Vierte Nachtstunde” or Fourth Hour of the Night after Raphael. The plate is 9 ½ inches in diameter. It is hand painted with the night goddess holding an owl while suspended on clouds. The hand painting is finely detailed and the coloring is vivid. The border is hand gilded with an elaborate design containing lyres. The plate has similarities to some done by Royal Vienna or ...